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#michael-keaton — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #michael-keaton, aggregated by home.social.

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  1. @suzierizzo1 on X:

    Actor #MichaelKeaton talking about John McCain and the POWs that how Trump calls Suckers and Losers and how he won’t even visit their graves and how we’re losing our Democracy and we won’t get it back.

    🎬 x.com/suzierizzo1/status/20647

  2. @suzierizzo1 on X:

    Actor #MichaelKeaton talking about John McCain and the POWs that how Trump calls Suckers and Losers and how he won’t even visit their graves and how we’re losing our Democracy and we won’t get it back.

    🎬 x.com/suzierizzo1/status/20647

  3. Martin Campbell – „The Protégé – Der Racheengel“ (2021)

    Der Titel „The Protégé – Made for Revenge“ wirkt eigentlich ja schon wie eine nachträgliche Rechtfertigung der Existenz dieses Films. Alles in diesem Action-Reißer ist bereits funktionalisiert: Körper, Beziehungen, Biografien, Gewalt. Rache ist hier kein Affekt, sondern das Produktionsprinzip. Martin Campbell inszeniert diese Logik mit der Routine eines Regisseurs, der die Grammatik des modernen Actionkinos nicht nur kennt, sondern in entscheidenden Momenten selbst mehrfach neu justiert hat. Mit Maggie Q, Michael Keaton und Samuel L. Jackson. (ZDF, Neu)

    Zum Blog: nexxtpress.de/mediathekperlen/
  4. Movie TV Tech Geeks #MovieNews #MichaelKeaton #NickOfferman Netflix Blocks Michael Keaton's Delicious 115-Minute McDonald's Origin Story for Certain Users dlvr.it/TRV7VB

  5. Movie TV Tech Geeks #MovieNews #MichaelKeaton #NickOfferman Netflix Blocks Michael Keaton's Delicious 115-Minute McDonald's Origin Story for Certain Users dlvr.it/TRV7VB

  6. “There’s never enough time to do all the nothing you want.”*…

    Over the past two decades, we’ve been reallocating our time away from offices, malls, and classrooms… and toward home and solitude. Hyunsoo Rim illustrates…

    With our Covid-induced lockdowns now a moderately foggy memory for most, the last few years have turned out to be a continued normalization for many of the habits that defined the pandemic era.

    Peloton bikes are now doubling as coat racks; the banana bread craze has cooled; Zoom’s share price is almost back to where it started; millions of people have gone back to clothes shopping in person; and companies like Del Monte are stuck with mountains of unsold canned fruit that’s no longer flying off the shelves.

    But one seismic lifestyle change has proven far more permanent than any fitness fad or panic-buying spree — and it turns out to be part of a much longer trend that’s been building for decades: Americans are spending more time at home, and alone. And not everyone has the means to break that growing trend…

    [Rim uses infographics to chart American’s use of time…]

    … According to the annual American Time Use Survey (ATUS) — a self-reporting survey conducted by the Bureau of Labor Statistics — an average American’s typical day still breaks down pretty much the same as it did 20 years ago. Roughly a third still goes to sleep, a fifth to leisure and sports, and, perhaps most surprising to anyone feeling burned out, just one-sixth to work. The rest goes to household chores, meals, and everything else. The survey does, of course, represent the average, with many retirees likely skewing the work figures down.

    But if you look closer, the routines underneath tell a different story about how the collective American experience has changed.

    Over the past two decades, Americans have gained about 30 minutes of sleep per day — now averaging over nine hours, more than ever — and spend roughly 11 more minutes on household activities such as cooking, cleaning, and pet care.

    Where did those extra hours come from? It seems like we’ve carved them out of work commutes, mall trips, and in-person classes… activities that usually have us interacting with others out in public in some way.

    Some of this shift can certainly be explained by demographic factors — America is an older country than it was in 2003, as birth rates have dropped. Nevertheless, on aggregate, the figures are pretty staggering for a nation of 340+ million people — and the sharp rise in the pandemic era suggests at least a decent amount of the shift is behavioral.

    Indeed, in 2003, the average American spent 7.7 hours per day at home, according to the ATUS data compiled by IPUMS. By 2024, that rose to 9.1 hours, with the pandemic only accelerating the climb…

    … what’s more striking is how time once spent outside or with others has steadily moved in the opposite direction…

    … As more of our daily lives have moved home and online, the same shift is reshaping how we unwind. Since 2003, time spent socializing and communicating — from hanging out with family and friends to hosting events — has fallen 24%, while travel time is down 26%…

    … But not everyone is experiencing the shift in the same way. As evidence for the K-shaped economy — where some groups thrive while others struggle — becomes harder to ignore, income is proving to be a strong differentiator.

    In fact, households earning under $35,000 now spend about 10 hours a day at home, almost an hour and a half longer than those earning $150,000 or more. The pattern holds for time spent alone, too, with a two-hour daily gap between the lowest- and highest-income groups…

    … wealthier Americans aren’t just spending less time at home; they’re more likely to pay their way out of it, with restaurant meals instead of cooking, pilates classes instead of home workouts, or washer-dryer combos instead of hours tied up in chores.

    For the very wealthiest, that logic even goes further: according to a recent survey by Long Angle, nearly two-thirds of multimillionaires now outsource housekeeping, while about half pay for gardening services and two-fifths employ nannies.

    Of course, time at home and alone isn’t inherently negative — as researchers note that, for many, solitude can be valued as a way to rest, think, or create. But when more of your day is taken up by unpaid chores and low-cost, home-bound leisure, that retreat indoors starts to look less like a choice…

    Americans are spending more time at home and alone — and money determines who can opt out. Eminently worth reading in full: “Home. Alone.” from @sherwood.news.

    * Bill Watterson, Calvin and Hobbes (August 28, 1988)

    ###

    As we contemplate our calendars, we might recall that it was on this date in 1967 that kids across America could “go out” even as they stayed in: they were invited for the first time into Mr. Roger’s Neighborhood, as the series premiered on NET (which later became PBS). The show had had earlier local incarnations in Canada, then in Pittsburgh, where the national show was birthed and produced. Michael Keaton, who worked for the Pittsburgh public television station WQED at the time, often helped out with Roger’s show. And future horror director George A. Romero worked on the show shooting short films.

    source

    #AmericansUseOfTime #culture #demographics #economcs #FredRogers #GeorgeRomero #history #inforgraphics #MichaelKeaton #MrRogersNeighborhood #NET #PBS #society #Technology #time #timeUse #useOfTime
  7. Batman (1989). An scannán is fearr liom! Michael Keaton is also my favourite depection of Wayne/Batman. It gave us a well crafted, mature, disciplined, one-time departure from slapstick / pantomime that wouldn't happen again until Christopher Nolan's Batman Begins.

    Seo omós beag (tribute), referencing a very brief scene after the initial encounter at Axis Chemicals between Batman, Gotham Police and Karl Grissoms goons.

    #photography #model #batman #michaelkeaton #timburton #gotham

  8. Batman (1989). An scannán is fearr liom! Michael Keaton is also my favourite depection of Wayne/Batman. It gave us a well crafted, mature, disciplined, one-time departure from slapstick / pantomime that wouldn't happen again until Christopher Nolan's Batman Begins.

    Seo omós beag (tribute), referencing a very brief scene after the initial encounter at Axis Chemicals between Batman, Gotham Police and Karl Grissoms goons.

    #photography #model #batman #michaelkeaton #timburton #gotham

  9. Movie TV Tech Geeks #MovieFeatures #Spotlight #MichaelKeaton 10 Years Later, This Oscar-Winning Film Is Still One of the Best Films Ever Made About Journalism dlvr.it/TP8tcm

  10. Movie TV Tech Geeks #MovieFeatures #ThePaper #MichaelKeaton If You Can’t Get Enough of ‘The Paper,’ Check Out This Michael Keaton Look at the News, Directed by Ron Howard dlvr.it/TNBtRk

  11. Michael Keaton Says the ‘Irony’ That Charlie Kirk Was ‘Killed With a Gun Is Unbelievable’: ‘Shooting People Will Never Answer Anything’
    #Variety #News #CharlieKirk #MichaelKeaton

    variety.com/2025/film/news/mic

  12. Michael Keaton Says the ‘Irony’ That Charlie Kirk Was ‘Killed With a Gun Is Unbelievable’: ‘Shooting People Will Never Answer Anything’
    #Variety #News #CharlieKirk #MichaelKeaton

    variety.com/2025/film/news/mic

  13. On this day in 1983, Mr. Mom starting Michael Keaton premiered in theaters

    #MrMom
    #MichaelKeaton

  14. Quentin Tarantino – „Jackie Brown“ (1997)

    Mit „Jackie Brown“ lieferte Quentin Tarantino 1997 einen Film ab, der in seiner Filmografie inzwischen wirkt wie ein zurückgehaltenes, geheimes Juwel. Nach dem riesigen Erfolg von „Pulp Fiction“ (1994) entschied er sich bewusst dafür, keinen weiteren selbstgeschriebenen Pulp-Thriller zu drehen, sondern Elmore Leonards Roman „Rum Punch“ zu adaptieren. Das Ergebnis ist ein faszinierendes, fast elegisches Stück Kino, das tief in die amerikanische Popkultur der 1970er eintaucht – und zugleich ein persönliches Statement ist. (ARTE)

  15. Quentin Tarantino – „Jackie Brown“ (1997)

    Mit „Jackie Brown“ lieferte Quentin Tarantino 1997 einen Film ab, der in seiner Filmografie inzwischen wirkt wie ein zurückgehaltenes, geheimes Juwel. Nach dem riesigen Erfolg von „Pulp Fiction“ (1994) entschied er sich bewusst dafür, keinen weiteren selbstgeschriebenen Pulp-Thriller zu drehen, sondern Elmore Leonards Roman „Rum Punch“ zu adaptieren. Das Ergebnis ist ein faszinierendes, fast elegisches Stück Kino, das tief in die amerikanische Popkultur der 1970er eintaucht – und zugleich ein persönliches Statement ist. (ARTE)

  16. Just been watching Beetlejuice, Beetlejuice. We saw it at the movies, it's still bloody hilarious and dark and crazy, just like the first. Hope they make a third. And we don't have to wait decades for it.

    #Movies #MichaelKeaton #WinonaRyder #Beetlejuice