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#metrogoldwynmayer — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #metrogoldwynmayer, aggregated by home.social.

  1. "Theme from Shaft", written and recorded by #IsaacHayes in 1971, is the #soul and #funk-styled #themeSong to the #MetroGoldwynMayer film Shaft. The theme was released as a single (shortened and edited from the longer album version) two months after the #moviesSoundtrack by #StaxRecords' Enterprise label. "#ThemeFromShaft" went to no. 2 on the Billboard Soul Singles chart (behind "#InnerCityBluesMakeMeWannaHoller" by #MarvinGaye).
    youtube.com/watch?v=ViGrDTGDsfs

  2. "Theme from Shaft", written and recorded by #IsaacHayes in 1971, is the #soul and #funk-styled #themeSong to the #MetroGoldwynMayer film Shaft. The theme was released as a single (shortened and edited from the longer album version) two months after the #moviesSoundtrack by #StaxRecords' Enterprise label. "#ThemeFromShaft" went to no. 2 on the Billboard Soul Singles chart (behind "#InnerCityBluesMakeMeWannaHoller" by #MarvinGaye).
    youtube.com/watch?v=ViGrDTGDsfs

  3. "Theme from Shaft", written and recorded by #IsaacHayes in 1971, is the #soul and #funk-styled #themeSong to the #MetroGoldwynMayer film Shaft. The theme was released as a single (shortened and edited from the longer album version) two months after the #moviesSoundtrack by #StaxRecords' Enterprise label. "#ThemeFromShaft" went to no. 2 on the Billboard Soul Singles chart (behind "#InnerCityBluesMakeMeWannaHoller" by #MarvinGaye).
    youtube.com/watch?v=ViGrDTGDsfs

  4. "Theme from Shaft", written and recorded by #IsaacHayes in 1971, is the #soul and #funk-styled #themeSong to the #MetroGoldwynMayer film Shaft. The theme was released as a single (shortened and edited from the longer album version) two months after the #moviesSoundtrack by #StaxRecords' Enterprise label. "#ThemeFromShaft" went to no. 2 on the Billboard Soul Singles chart (behind "#InnerCityBluesMakeMeWannaHoller" by #MarvinGaye).
    youtube.com/watch?v=ViGrDTGDsfs

  5. "Theme from Shaft", written and recorded by #IsaacHayes in 1971, is the #soul and #funk-styled #themeSong to the #MetroGoldwynMayer film Shaft. The theme was released as a single (shortened and edited from the longer album version) two months after the #moviesSoundtrack by #StaxRecords' Enterprise label. "#ThemeFromShaft" went to no. 2 on the Billboard Soul Singles chart (behind "#InnerCityBluesMakeMeWannaHoller" by #MarvinGaye).
    youtube.com/watch?v=ViGrDTGDsfs

  6. The 1944 Christmas song “Baby It’s Cold Outside” was written by Frank Loesser (1910-1969) to sing with his wife, Lynn Garland (1916-1986), at a party to tell guests that it was time to leave.

    Sung here by Red Skelton (1913-1997) and Betty Garrett (1919-2011) in MGM’s “Neptune’s Daughter” (1949).

    TAGS: #BabyItsColdOutside #FrankLoesser #LynnGarland #RedSkelton #BettyGarrett #MGM #MetroGoldwynMayer #LouisBMayer #NeptunesDaughter

    URL: youtube.com/watch?v=ZXU8DPEkKV

  7. The 1944 Christmas song “Baby It’s Cold Outside” was written by Frank Loesser (1910-1969) to sing with his wife, Lynn Garland (1916-1986), at a party to tell guests that it was time to leave.

    Sung here by Red Skelton (1913-1997) and Betty Garrett (1919-2011) in MGM’s “Neptune’s Daughter” (1949).

    TAGS: #BabyItsColdOutside #FrankLoesser #LynnGarland #RedSkelton #BettyGarrett #MGM #MetroGoldwynMayer #LouisBMayer #NeptunesDaughter

    URL: youtube.com/watch?v=ZXU8DPEkKV

  8. The 1944 Christmas song “Baby It’s Cold Outside” was written by Frank Loesser (1910-1969) to sing with his wife, Lynn Garland (1916-1986), at a party to tell guests that it was time to leave.

    Sung here by Red Skelton (1913-1997) and Betty Garrett (1919-2011) in MGM’s “Neptune’s Daughter” (1949).

    TAGS: #BabyItsColdOutside #FrankLoesser #LynnGarland #RedSkelton #BettyGarrett #MGM #MetroGoldwynMayer #LouisBMayer #NeptunesDaughter

    URL: youtube.com/watch?v=ZXU8DPEkKV

  9. If there is hope for film-making, it is somewhere else.
    Hollywood has long become a mere industry
    in the "dark Satanic mills" sense.

    And to repeat the well-known, monopolies and oligopolies are BAD.

    But it has all been said before.
    If I had the time, I would watch again
    The Player
    and
    S1m0ne
    and then to cheer myself up,
    François Truffaut's
    Day for Night
    ("American Night", La Nuit Américaine).

    "Ars Gratia Artis",
    gone with the wind...

    From the BBC:
    Hollywood panics as Paramount-Netflix battle for Warner Bros
    <bbc.com/news/articles/c8dyy47q>

    #WilliamBlake
    #MetroGoldwynMayer

  10. If there is hope for film-making, it is somewhere else.
    Hollywood has long become a mere industry
    in the "dark Satanic mills" sense.

    And to repeat the well-known, monopolies and oligopolies are BAD.

    But it has all been said before.
    If I had the time, I would watch again
    The Player
    and
    S1m0ne
    and then to cheer myself up,
    François Truffaut's
    Day for Night
    ("American Night", La Nuit Américaine).

    "Ars Gratia Artis",
    gone with the wind...

    From the BBC:
    Hollywood panics as Paramount-Netflix battle for Warner Bros
    <bbc.com/news/articles/c8dyy47q>

    #WilliamBlake
    #MetroGoldwynMayer

  11. If there is hope for film-making, it is somewhere else.
    Hollywood has long become a mere industry
    in the "dark Satanic mills" sense.

    And to repeat the well-known, monopolies and oligopolies are BAD.

    But it has all been said before.
    If I had the time, I would watch again
    The Player
    and
    S1m0ne
    and then to cheer myself up,
    François Truffaut's
    Day for Night
    ("American Night", La Nuit Américaine).

    "Ars Gratia Artis",
    gone with the wind...

    From the BBC:
    Hollywood panics as Paramount-Netflix battle for Warner Bros
    <bbc.com/news/articles/c8dyy47q>

    #WilliamBlake
    #MetroGoldwynMayer

  12. If there is hope for film-making, it is somewhere else.
    Hollywood has long become a mere industry
    in the "dark Satanic mills" sense.

    And to repeat the well-known, monopolies and oligopolies are BAD.

    But it has all been said before.
    If I had the time, I would watch again
    The Player
    and
    S1m0ne
    and then to cheer myself up,
    François Truffaut's
    Day for Night
    ("American Night", La Nuit Américaine).

    "Ars Gratia Artis",
    gone with the wind...

    From the BBC:
    Hollywood panics as Paramount-Netflix battle for Warner Bros
    <bbc.com/news/articles/c8dyy47q>

    #WilliamBlake
    #MetroGoldwynMayer

  13. If there is hope for film-making, it is somewhere else.
    Hollywood has long become a mere industry
    in the "dark Satanic mills" sense.

    And to repeat the well-known, monopolies and oligopolies are BAD.

    But it has all been said before.
    If I had the time, I would watch again
    The Player
    and
    S1m0ne
    and then to cheer myself up,
    François Truffaut's
    Day for Night
    ("American Night", La Nuit Américaine).

    "Ars Gratia Artis",
    gone with the wind...

    From the BBC:
    Hollywood panics as Paramount-Netflix battle for Warner Bros
    <bbc.com/news/articles/c8dyy47q>

    #WilliamBlake
    #MetroGoldwynMayer