MALEVOLENT CREATION CONFIRMA SU REGRESO A CHILE JUNTO A MYSTIC CIRCLE, EN EL MARCO DE LA GIRA LATINOAMERICANA 2026 | vía #SonidosOcultos
#atomicaggressor #chile #deathyell #live2026 #malevolentcreation #mysticcircle #teatrocariola
#malevolentcreation — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #malevolentcreation, aggregated by home.social.
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Wreck-Defy – Dissecting the Leech Review
Is a supergroup still a supergroup if the members who made it a supergroup are…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.5 #Annihilator #CanadianMetal #DissectingtheLeech #Entertainment #Feb26 #HelmsDeep #IcedEarth #IntoEternity #KingDiamond #MalevolentCreation #MassacreRecords #Megadeth #PowerMetal #review #reviews #Testament #TheOrderofChaos #ThrashMetal #WagsMetalInc. #Wreck-Defy
https://www.newsbeep.com/us/482356/ -
Wreck-Defy – Dissecting the Leech Review By ClarkKentIs a supergroup still a supergroup if the members who made it a supergroup are no longer part of the band? Last Canada’s Wreck-Defy passed through these halls, Steel Druhm was pleasantly surprised by their third LP, Powers That Be. However, the band that Steel reviewed has seen some significant lineup changes since then. Two of the original power players—Aaron Randall (ex-Annihilator) and Alex Marquez (ex-Malevolent Creation)—have departed, replaced with one newbie (David Allan, drums) and one seasoned vet in vocalist Greg Wagner (Wags Metal Inc.). The glue holding Wreck-Defy together is lead guitarist Matt Hanchuck and ex-Testament bassist Greg Christian, and at essence they remain a speedy act with plenty of killer riff acrobatics. Six albums in, Wreck-Defy prove they remain a force in thrash.
Dissecting the Leech sets the thrashy tone with some sweet riffs and thumping blast beats on opener “Under the Sun.” Hanchuck collaborates with a long list of guest guitarists, such as Chris Poland (ex-Megadeth) and Mike Gilbert (Flotsam and Jetsam), to ensure a never-ending supply of fresh, exciting riffs, solos, and other guitar antics. As in prior outings, Wreck-Defy plays largely in the Testament mold with a few Megadethian flourishes. However, it’s not all pedal to the medal—plenty of songs vary in tempo, like the melodic, mid-paced “Millenial Dystopia” and the near-ballad “The Path.” While retaining their core identity, Wreck-Defy manage a varied sound throughout Dissecting the Leech, with tunes lasting anywhere from the blink-of-an-eye at three-and-a-half minutes (“Do It Again”) to the progressively-paced six-and-a-half minutes of “I Don’t Care.”1 The latter flexes creative songwriting similar to last year’s Helms Deep, with a mid-track portion that unexpectedly rockets off into a shreddy solo that’s absolutely riveting.
While Hanchuck and Christian prove to be the heart, the two new players more than hold their own. Greg Wagner has the grizzled voice of an old soul and brings a level of grit to the music. Yet he’s no one-trick pony, occasionally rising to the falsetto of many power metal vocalists, not to mention taking a few stabs at King Diamond shrieks. His surprise melodic lilt on “Another Day” proves to be one of the record’s highlights.2 David Allan proves to be quite effective behind the kit as well. His opening kicks to “Under the Sun” establish a fiercely energetic tone that resonates throughout much of Dissecting the Leech. Perhaps my favorite moment comes from “The Haunting Past,” a completely bonkers track that sounds like its instruments have gone haywire before delivering a blitzkrieg of thrashy riffs and blast beats powered by Allan’s jaw-dropping performance.
Wreck-Defy power their thrash into social critiques that prove forceful behind their spirited performances. They tackle environmental, political, and generational issues, casting a gloomy pall over modern events. On “Under the Sun,” they lament the degradation of our planet through warfare (“Look at the damage we’ve done”) and warn, “we’ll all die under the sun.” Concern turns towards the younger generations on “Millenial Dystopia,” where Wreck-Defy observes that “there’s no room to grow old,” leading to a “generation of no hope.” All people want, according to “Another Day,” is “air to breathe / just let me live another day.” Considering critiques from Steel and commenters over juvenile lyrics from Powers That Be, Wreck-Defy appear to have matured in their storytelling and thematic content. They offer a coherent narrative, even if it just boils down to “the world is a mess,” and mankind is facing “a dark, dismal future” (“Revolt”), and end on the hopeful message that they’ll “keep on fighting” for what’s right (“Apocalypse of Hope”).
Like Steel before me, I had never heard of Wreck-Defy before taking this promo, and I’m impressed. Dissecting the Leech is proving among the best in a rather good year for thrash so far, though a few things do hold it back. At 48 minutes, it’s a tad long, but considering its progressive leanings and the impressive musicianship, that’s a minor issue. A couple of songs don’t fit in as well as the rest (“Dissecting the Leech,” “The Path”), proving to be weak links amidst a great set. “The Path” is particularly puzzling, appearing to serve as the evening wind-down music to help settle the kids and old-timers for bedtime. But you’d better hurry because the ironically-named finale, “Apocalypse of Hope,” serves a jolt of caffeine to keep the party going. If you like thrash, you’ll have a good time with Dissecting the Leech.
Rating: 3.5/5.0
#2026 #35 #Annihilator #CanadianMetal #DissectingTheLeech #Feb26 #HelmsDeep #IcedEarth #IntoEternity #KingDiamond #MalevolentCreation #MassacreRecords #Megadeth #PowerMetal #Review #Reviews #Testament #TheOrderOfChaos #ThrashMetal #WagsMetalInc #WreckDefy
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Massacre Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026 -
https://www.europesays.com/es/396012/ Escucha el disco de rarezas de THE HELLACOPTERS. Reediciones de MALEVOLENT CREATION. El debut de UNCHOSEN ONES íntegro. #Entertainment #Entretenimiento #ES #España #HEHELLACOPTERS #MALEVOLENTCREATION #Music #Música #Spain #UNCHOSENONES
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https://www.europesays.com/nl/73851/ Imperishable – Revelation in Purity #2025 #albumrecensie #AlexRush #Amusement #BlottedScience #BrianKingsland #DeathMetal #DerekRoddy #Dutch #Entertainment #EverlastingSpewRecords #HateEternal #imperishable #MalevolentCreation #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #nile #NL #olkoth #recensie #RevelationInPurity #usa #ZwareMetalen
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https://www.europesays.com/de/617110/ Malevolent Creation mit Deron Miller wieder ein Quintett #Comeback #DeronMiler #Deutschland #Entertainment #Germany #MalevolentCreation #Music #Musik #PhilFasciana #Quintett #Rückkehr #Unterhaltung
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Malevolent Creation announce return of vocalist/guitarist Deron Miler:
#MalevolentCreation #DeronMiler
Link: https://metalinsider.net/news/malevolent-creation-announce-return-of-vocalist-guitarist-deron-miler
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https://www.europesays.com/es/263945/ MALEVOLENT CREATION vuelven a ser quinteto. Primeros invitados para el disco de SINNER. Vídeo en directo de FORBIDDEN. #Entertainment #Entretenimiento #ES #España #FORBIDDEN #MALEVOLENTCREATION #Music #Música #Sinner #Spain
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Malevolent Creation announce the addition of 96 Bitter Beings/ex-CKY Deron Miller as new guitarist
Long running Florida death metal unit Malevolent Creation announced this today, Saturday, November 29th, that vocalist/guitarist Deron Miller…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #DeronMiller #Entertainment #hardcore #Lambgoat #MalevolentCreation #Metal
https://www.newsbeep.com/us/321725/ -
Perdition Temple – Malign Apotheosis Review
Since coming to prominence as the guitarist and primary songwriter of Angelcorpse in the 1990s, Gene…
#NewsBeep #News #Music #2025 #3.5 #AmericanMetal #Angelcorpse #AresKingdom #Behemoth #BlackMetal #BlasphemicCruelty #Brutality #CA #Canada #DeathMetal #Entertainment #HellsHeadbangersRecords #Immolation #MaleficThrone #MalevolentCreation #MalignApotheosis #MorbidAngel #Nov25 #Origin #PerditionTemple #review #reviews
https://www.newsbeep.com/ca/304595/ -
https://www.europesays.com/ie/198223/ Perdition Temple – Malign Apotheosis Review #2025 #3.5 #AmericanMetal #Angelcorpse #AresKingdom #Behemoth #BlackMetal #BlasphemicCruelty #Brutality #DeathMetal #Éire #Entertainment #HellsHeadbangersRecords #IE #Immolation #Ireland #MaleficThrone #MalevolentCreation #MalignApotheosis #MorbidAngel #Music #Nov25 #Origin #PerditionTemple #Review #Reviews
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Perdition Temple – Malign Apotheosis Review
By Mark Z.
Since coming to prominence as the guitarist and primary songwriter of Angelcorpse in the 1990s, Gene Palubicki has been tearing a burning warpath through the extreme metal underground, scorching eardrums with projects like his (sadly defunct) death-thrash band Blasphemic Cruelty and his current collaboration with Morbid Angel’s Steve Tucker and Origin’s John Longstreth1 in the death metal supergroup Malefic Throne. My favorite of Gene’s post-Angelcorpse projects, however, is Perdition Temple, probably because it sounds the most like Angelcorpse. In fact, as noted by the great Al Kikuras years ago in his review of the band’s 2015 sophomore album The Tempter’s Victorious, the band’s 2010 debut Edict of the Antichrist Elect was originally intended to be the fifth Angelcorpse album. Ever since Mr. Kikuras’s evocative prose turned me on to Perdition Temple, I’ve slowly become a salivating fanboy for them, going from trying to make sense of what the fuck I was hearing to scaring soccer moms in my neighborhood by walking around in a hoodie adorned with the album art of The Tempter’s Victorious (with inverted crosses on the sleeves for good measure).
After Tempter‘s, Gene stripped the band down to a power trio consisting of himself on vocals and guitar, Alex Blume (Ares Kingdom, ex-Blasphemic Cruelty) on bass, and Ron Parmer (Malevolent Creation, Brutality) behind the kit. This lineup appeared on 2020’s Sacraments of Descension (which was an enjoyable album that I probably underrated at the time) and 2022’s Merciless Upheaval (which was really more of a glorified EP, given that half of its eight songs were covers). Now, this same crew is back with 2025’s Malign Apotheosis, another firestorm of an album with just enough of a different approach to still feel fresh.
Of course, Perdition Temple are the sort of underground band that are never going to stray too far from their signature formula. And indeed, this album’s scalding blackened death metal approach is largely similar to what Perdition Temple have always done. The opening track, “Resurrect Damnation,” shows Gene’s trademark six-string attack leading the charge as well as we’ve ever heard it, with the song crammed full of supercharged Morbid Angel riffs, rapidly churning tremolos, lightning-speed solos, a vaguely thrashy midsection, and a quick devilish motif that just barely holds everything together.
“Quick” actually turns out to be apt description for these eight tracks as a whole. While Perdition Temple have always been fast, prior albums often incorporated notable slower moments to add some memorability and variety to the mayhem. Here, only “Kingdoms of the Bloodstained” really slows down for any decent amount of time, with its abrasive mid-tempo bridge sounding like Immolation reforged in the fires of blackened death metal. Most of these tracks instead take the approach of the follow-up song, “Purging Conflagration,” which maniacally barrels forward on violent, pounding chugs and squawking notes without ever stopping for air. The end result is perhaps the most relentless and vicious album the band have yet released.
That’s not to say there’s nothing memorable or noteworthy here. The title track, for example, strikes especially hard by incorporating its addictive, staccato main riff between bouts of sludgy Morbid Angelisms. Likewise, the closing track, “Fell Sorcery,” shows that Gene’s reunion with John Longstreth in Malefic Throne may have caused some Origin influence to bleed over into here, as the song climaxes with an explosive laser beam riff that could have easily been pulled from a tech death album. Through it all, Gene’s raspy vocals sound more biting and scornful than ever, while Ron Parmer proves once again to be the perfect fit for this project. The man wisely refrains from using constant blast beats and instead beats the hell out of his kit in a way that has surprising finesse, matching the momentum and frequently morphing nature of Gene’s riffing. Perhaps this album’s most notable trait, however, is the production, which is more raw than the band’s prior work and recalls the unpolished sound of Behemoth‘s The Apostasy. While this makes the sooty guitars feel a tad subdued, the drums more than make up for this by punching through everything with satisfying clarity.
A lot of bands tire out with age, but Perdition Temple apparently just gets dirtier and more relentless. Malign Apotheosis may not dethrone the band’s first two albums, but it’s a surefire win for fans of the band, and another reminder of how great blackened death metal can be when it’s written by one of the wildest riff-writers in the business.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Hells Headbangers Records
Websites: perditiontemple.bandcamp.com | facebook.com/perditiontemple
Releases Worldwide: November 28th, 2025#2025 #35 #americanMetal #angelcorpse #aresKingdom #behemoth #blackMetal #blasphemicCruelty #brutality #deathMetal #hellsHeadbangersRecords #immolation #maleficThrone #malevolentCreation #malignApotheosis #morbidAngel #nov25 #origin #perditionTemple #review #reviews
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Malevolent Creation’s Phil Fasciana steps away from tour:
#MalevolentCreation #PhilFasciana
Link: https://metalinsider.net/touring/malevolent-creations-phil-fasciana-steps-away-from-tour
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Malevolent Creation’s Phil Fasciana shares health update after life-threatening illness:
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If you missed #stonehengefestival or want to relive the excitement of seeing #BurialRemains #BerzerkerLegion #Master #DisharmonicOrchestra #Macabre #Massacre #MalevolentCreation #AnaalNathrakh #NapalmDeath #Nile #Autopsy #Dismember check out this playlist: https://www.youtube.com/watch?v=I_PQT-nfE08&list=PLmn2ED1LqEvB3MvWzap6LdP0vWUJT9G0a
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On the way back from #stonehengefestival This year’s edition was packed with quality #deathmetal including but not limited to #BurialRemains #BerzerkerLegion #Master #DisharmonicOrchestra #Macabre #Massacre #MalevolentCreation #AnaalNathrakh #NapalmDeath #Nile #Autopsy #Dismember
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Malevolent Creation’s Phil Fasciana showing signs of improvement following hospitalization:
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Malevolent Creation guitarist Phil Fasciana in ICU with severe bacterial pneumonia:
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Vader & Kataklysm announce co-headline tour w/ Malevolent Creation & Skeletal Remains:
#Vader #Kataklysm #MalevolentCreation #SkeletalRemains #Tour #CoheadlineTour #FallTour
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Today In Metal History 🤘 August 24th, 2024🤘
SEPULTURA, ARMORED SAINT, JUDAS PRIEST, ANNIHILATOR, GRAVE DIGGER#Sepultura #ArmoredSaint #JudasPriest #Anihilator #GraveDigger #MollyHatchet #UriahHeep #JamesGang #Heart #Anthrax #Caliban #MunicipalWaste #MalevolentCreation #TheSword #Helmet #ShadowsFalls #TheShowdown #Apostasy #TarjaTurunen #Trollfest #AliceInChains #TheAmityAffliction #Ancestors #LairOfTheMinotaur #Mantar #MobRules
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#BraveWords
Today In Metal History 🤘 July 17th, 2024🤘 BLACK SABBATH, CRIMSON GLORY, JUDAS PRIEST, SWEET, JOURNEY#BlackSabbath #JudasPriest #Sweet #Journey #GeezerButler #MichaelThomasTucker #CrimsonGlory #BenjaminDonaldJackson #JasonRullo #Behemoth #MalevolentCreation #Nile #EyeFear #Manowar #Baroness
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Cardiac Arrest – The Stench of Eternity Review
By Steel Druhm
You can’t listen to everything out there and we all have gaps in our metal detection system through which plenty of quality product sluices out. Still, I’m left wondering why I never spent time with Chicago’s death metal maniacs Cardiac Arrest until last week. Active since 2004 and with 7 full-lengths under their belt, this is a Windy City death institution that I completely slept on despite AMG having reviewed their 2018 opus A Parallel Dimension of Despair. On eighth album The Stench of Eternity, these scuzzmongers deliver a nasty sound mixing classic Floridian death with the uglier side of grind and crust and occasional flirtations with meatheaded slam. This brutal brew means you’ll be in for one helluva sick beatdown. That’s a good thing, and maybe a very good thing depending on your bodily durability and appetite for ear destruction. You may want to hold onto something sturdy for emotional support, like a bunker-buster bomb.
After a dramatic intro soundbite about maggots, “Maggot This One” removes your face using rudimentary caveman tools that sound like a hellish blend of Impetigo and early Carcass. Before you can get yourself re-faced, “Victims of the Blasphemy” brings the OSDM cudgel down and mercilessly hammers you with something like Deicide meets Jungle Rot meets Malevolent Creation. You don’t know it yet, but you need this filth pumping through your soon-to-be hardened arteries. The unintentional or suspiciously intentional nod to Slayer’s “Hell Awaits“ at the midpoint is satisfying and gives you a chance to regain some bodily fluids (milk would be a bad choice). This tune is exactly what Steel wants from his OSDM and the ass whippings are just getting started.
There’s a 5-song run here composed of the best death metal I’ve heard this year. Starting with “Bullets are the Only Cure,” Cardiac Arrest brings out the street cleaners with brushes set to “Scrub-a-Dub-Stumprub.” The mid-paced d-beaty chugs are heavy, thick, and as inevitable as Thanos and his fun mitten. Once you’re properly tenderized, the absolute brain fuck of “In the Name of Suffering” rolls over you like an 80-ton Zamboni. With massive chugs and grooves blasting lustily, there’s zero respite from this spectacular piece of leg-day-appropriate abuse. “Born to Be Buried” is like Cannibal Corpse if their collective IQ was reduced to 100, and the shambling death gallop descends into crushing chuggery and insane garbage disposal piggy noises that the whole family can enjoy. And wait til you hear the sick slow-motion mega-chugs that show up midway through “This is How You Die” to mulch your duodenum. With so much winning, how could Cardiac Arrest be stopped? Well, the answer is an on-and-off struggle with bloat. “Means to an End” is a rock-solid song that takes the best ingredients from Autopsy’s puke pâté and shoves them down your throat, but at 6-plus minutes it goes a bit too long. Worse is 11-plus minute closer “From Civilized to Sadistic.” It’s a dandy of a deather with tons of gripping moments, but by the 7-minute mark the bases are well covered and it just hangs around for another 4 minutes eating your lunch meat and rifling through your mail. Shorten these cuts and this clicks up to a GREAT death metal platter immediately. Despite the occasional bloatery, the 48-minute runtime doesn’t feel excessive as most cuts are nasty, brutish, and short. Also, kudos to the production which grants a gnarly tone to the guitars and a huge punch to the drums.
The riffs make the death metal, and Adam Scott and Tom Knizner bring the cargo bepantsed goods in large volumes. Whether they’re going for the throat with d-beaty thrash or pounding you into the Earth’s core with massive grooves, they know how to inflict caveman culture on the sophisticated. The 10-ton chugs that populate most songs feel as essential as oxygen and never get boring. These hellcats are masters at timing too, knowing exactly when to shift gears to keep things fresh and forward-moving. Three band members are credited with vocals and I have no clue who does what, but the combination of harsh styles reminds me of the Symphony of Sickness era of Carcass and everything sounds wonderfully diseased and incurable. The whole package is tight and the crew checks all the boxes while keeping a size 13 boot up your ass. That’s talent, folks.
The sheer intensity of the shellacking I received from this odious hunk of offal brings me back to wondering how I missed the Cardiac Arrest boat as long as I have. I feel great shame about it and I’m now digging through their back catalog with fiendish fervor. If you want a cracked brain and a bruised gallbladder, put your ears on The Stench of Eternity and turn it WAY UP. This is a special kind of ugly… like your Mom! Gottem.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Hells Headbangers
Websites: cardiacarrestdeathmetal.bandcamp.com | facebook.com/cardiacarrestdeathmetal
Releases Worldwide: May 17th, 2024#2024 #35 #AmericanMetal #Autopsy #Carcass #CardiacArrest #DeathMetal #Deicide #Grindcore #HellsHeadbangersRecords #MalevolentCreation #May24 #Review #Reviews #TheStenchOfEternity
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Morta Skuld – Creation Undone Review
By Steel Druhm
Wisconsin’s Morta Skuld have been dragging their nasty cave knuckles for so long, even their fingerprints have worn off. In existence on and off since 1990, these old school warriors have been a fairly reliable if not super prolific source of no-frills, beefbrained death metal. Their early works exuded an oily, swampy charm with a sound ripped from the classic Necrophagia and Obituary deathbooks. Later albums like Wounds Deeper Than Time and 2020s Suffer for Nothing were much more furious, pummeling affairs, with elements of Vader, Malevolent Creation, and Jungle Rot in their flavor profile. The latter was an especially fragrant tomb raid with a collection of riffy, groove-heavy numbers that won the Steel ov Approval though we never gave it a proper review. 2024 sees them returning with the same lineup and overall approach for 7th full-length, Creation Undone and that’s a solid plan in my humble opinion. Can this platter earn Morta Skuld a bigger beak with which to climb the death metal pecking order?
The band do a lot of things right this time out. The album is a concise 44 minutes and songs all sit in a tight 3-5 minute window. Opener “We Rise We Fall” sets the template for what most of the album delivers —bruising, thrashy death with a nasty attitude and a big bat. As the riffs cascade, lock into heavy grooves and pulp your melon, you may be reminded of the salad days of Malevolent Creation. Some of the riffs venture into Morbid Angel territory and Dave Gregor’s death roars have a vague similarity to David Vincent. This is death metal for the old-school set and it’s effective and endearingly thuggish. Quality brutality keeps coming with the extra heavy crushitude of “The End of Reason,” and the romp and curb stomp of “Painful Conflict” smacks of recent Vomitory, which is a good thing indeed.
Track after track showcases Morta Skuld in the best possible light, leading with their strengths while hiding any glaring shortcomings. Later album cuts like “Perfect Prey” and “Soul Piercing Sorrow” bring the hammers to the poser hammering festival, with faint whiffs of Suffocation cropping up here and there to choke the weak. It isn’t until penultimate cut “Oblivion” that their steady hand starts to slip. It’s not even that the song is all that bad. It’s just less on point and skull-shaking than its peer group and it drags on too long. Closer “By Design” is better, but its doomy plod eventually sends my attention span on a beer run despite the Azagthoth-adjacent riffage. The combination of these lesser tracks causes Creation Undone to end on its backfoot rather than attacking with raging wiolence. Drop these two numbers and the album jumps from good to very good quite easily.
Creation Undone benefits greatly from the rock-solid riffery by Dave Gregor and Scott Willecke. Gregor’s been there since the beginning, and newer axe Willecke is a great counterpoint. Most tracks are fueled by pile-driving, bone-crushing leads and powerful grooves that will shake you around like a Dollar Store scarecrow. I can listen to the first 8 tracks and find any number of beefy chugs and phat grooves I appreciate and applaud. They aren’t doing anything the least bit new or innovative, just smoking your ass with vintage death tropes done well and heavily. Meanwhile, Gregor roars at you like a roid-raging psycho and former Jungle Rot skinsman Eric House takes you to the house with a brutal rampage behind the kit. And that makes sense because some of this stuff isn’t all that removed from what those long-running death groove cretins do.
Morta Skuld may never pull themselves up into the upper echelons of the death metal scene, but if they keep churning out stuff like this, I’ll happily consume it in mass quantities and ask for MOAR. Creation Undone pushes no envelopes, gives nothing back to the academic community, and provides no public service of any kind save kicking ass. The high points are quite high and only a few slips toward the end keep this from a better rating. Never let the perfect be the enemy of the good, so give this an obnoxiously loud sample. Rib-cracking fun lurks within.
Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Peaceville
Website: facebook.com/mortaskuld
Releases Worldwide: February 23rd, 2024#2024 #30 #AmericanMetal #CreationUndone #DeathMetal #Feb24 #JungleRot #MalevolentCreation #MorbidAngel #MortaSkuld #PeacevilleRecords #Review #Reviews #Vader #Vomitory