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#livesound — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #livesound, aggregated by home.social.

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  1. If you're in a #band and need a professional #rider, #stagePlot and #inputList - give me a shout! I have ample experience, and can get your ready for you big #show or #tour - no charge!

    #musicians #liveSound #MutualAid #skillShare

  2. If you're in a #band and need a professional #rider, #stagePlot and #inputList - give me a shout! I have ample experience, and can get your ready for you big #show or #tour - no charge!

    #musicians #liveSound #MutualAid #skillShare

  3. If you're in a #band and need a professional #rider, #stagePlot and #inputList - give me a shout! I have ample experience, and can get your ready for you big #show or #tour - no charge!

    #musicians #liveSound #MutualAid #skillShare

  4. If you're in a #band and need a professional #rider, #stagePlot and #inputList - give me a shout! I have ample experience, and can get your ready for you big #show or #tour - no charge!

    #musicians #liveSound #MutualAid #skillShare

  5. If you're in a #band and need a professional #rider, #stagePlot and #inputList - give me a shout! I have ample experience, and can get your ready for you big #show or #tour - no charge!

    #musicians #liveSound #MutualAid #skillShare

  6. Here's a #stage we built for a community show over the weekend - an ode to the City Market which has been operating in its present location for 150 years continuously.

    JBL SRX900 line array with Allen & Heath Avantis console and L'Acoustics wedges.

    #liveSound #proAudio

  7. Here's a #stage we built for a community show over the weekend - an ode to the City Market which has been operating in its present location for 150 years continuously.

    JBL SRX900 line array with Allen & Heath Avantis console and L'Acoustics wedges.

    #liveSound #proAudio

  8. Here's a #stage we built for a community show over the weekend - an ode to the City Market which has been operating in its present location for 150 years continuously.

    JBL SRX900 line array with Allen & Heath Avantis console and L'Acoustics wedges.

    #liveSound #proAudio

  9. Here's a #stage we built for a community show over the weekend - an ode to the City Market which has been operating in its present location for 150 years continuously.

    JBL SRX900 line array with Allen & Heath Avantis console and L'Acoustics wedges.

    #liveSound #proAudio

  10. Here's a #stage we built for a community show over the weekend - an ode to the City Market which has been operating in its present location for 150 years continuously.

    JBL SRX900 line array with Allen & Heath Avantis console and L'Acoustics wedges.

    #liveSound #proAudio

  11. Here's another #AI #FeedbackRemover to try… #EverWorks #EverClean. Which is freebeer software for #macOS and #Windows: everworks.dev/everclean/

    I haven't tried it yet myself, but owning the overpriced #AlphaLabs #DeFeeback… I really wish Everworks will kick their asses.

    It's worth testing it, not only for #EventTech / #LiveSound, but also for speech recordings damaged by constant slight feedback frequencies.

    (To all those going into berserk mode with the term AI… these tools are more like #MachineLearning, not like LLMs. No creative minds harmed here.)

    Everworks would be a good candidate for supporting #Linux, so I guess @amadeus will have to ride his Thinkpad on a crusade again and drop them a note. 🤪

    #Recording #AudioEngineering #Tontechnik #Veranstaltungstechnik #Feedback #aiDeFeedback #Rückopplung

  12. Here's another #AI #FeedbackRemover to try… #EverWorks #EverClean. Which is freebeer software for #macOS and #Windows: everworks.dev/everclean/

    I haven't tried it yet myself, but owning the overpriced #AlphaLabs #DeFeeback… I really wish Everworks will kick their asses.

    It's worth testing it, not only for #EventTech / #LiveSound, but also for speech recordings damaged by constant slight feedback frequencies.

    (To all those going into berserk mode with the term AI… these tools are more like #MachineLearning, not like LLMs. No creative minds harmed here.)

    Everworks would be a good candidate for supporting #Linux, so I guess @amadeus will have to ride his Thinkpad on a crusade again and drop them a note. 🤪

    #Recording #AudioEngineering #Tontechnik #Veranstaltungstechnik #Feedback #aiDeFeedback #Rückopplung

  13. Here's another #AI #FeedbackRemover to try… #EverWorks #EverClean. Which is freebeer software for #macOS and #Windows: everworks.dev/everclean/

    I haven't tried it yet myself, but owning the overpriced #AlphaLabs #DeFeeback… I really wish Everworks will kick their asses.

    It's worth testing it, not only for #EventTech / #LiveSound, but also for speech recordings damaged by constant slight feedback frequencies.

    (To all those going into berserk mode with the term AI… these tools are more like #MachineLearning, not like LLMs. No creative minds harmed here.)

    Everworks would be a good candidate for supporting #Linux, so I guess @amadeus will have to ride his Thinkpad on a crusade again and drop them a note. 🤪

    #Recording #AudioEngineering #Tontechnik #Veranstaltungstechnik #Feedback #aiDeFeedback #Rückopplung

  14. Here's another #AI #FeedbackRemover to try… #EverWorks #EverClean. Which is freebeer software for #macOS and #Windows: everworks.dev/everclean/

    I haven't tried it yet myself, but owning the overpriced #AlphaLabs #DeFeeback… I really wish Everworks will kick their asses.

    It's worth testing it, not only for #EventTech / #LiveSound, but also for speech recordings damaged by constant slight feedback frequencies.

    (To all those going into berserk mode with the term AI… these tools are more like #MachineLearning, not like LLMs. No creative minds harmed here.)

    Everworks would be a good candidate for supporting #Linux, so I guess @amadeus will have to ride his Thinkpad on a crusade again and drop them a note. 🤪

    #Recording #AudioEngineering #Tontechnik #Veranstaltungstechnik #Feedback #aiDeFeedback #Rückopplung

  15. Here's another #AI #FeedbackRemover to try… #EverWorks #EverClean. Which is freebeer software for #macOS and #Windows: everworks.dev/everclean/

    I haven't tried it yet myself, but owning the overpriced #AlphaLabs #DeFeeback… I really wish Everworks will kick their asses.

    It's worth testing it, not only for #EventTech / #LiveSound, but also for speech recordings damaged by constant slight feedback frequencies.

    (To all those going into berserk mode with the term AI… these tools are more like #MachineLearning, not like LLMs. No creative minds harmed here.)

    Everworks would be a good candidate for supporting #Linux, so I guess @amadeus will have to ride his Thinkpad on a crusade again and drop them a note. 🤪

    #Recording #AudioEngineering #Tontechnik #Veranstaltungstechnik #Feedback #aiDeFeedback #Rückopplung

  16. Today’s office… Bossman is on stage about 3 miles away by the look of it. :OnU:  #Dub #LiveSound #NuitsSonores #OnUSound

  17. Today’s office… Bossman is on stage about 3 miles away by the look of it. :OnU:  #Dub #LiveSound #NuitsSonores #OnUSound

  18. Today’s office… Bossman is on stage about 3 miles away by the look of it. :OnU:  #Dub #LiveSound #NuitsSonores #OnUSound

  19. Today’s office… Bossman is on stage about 3 miles away by the look of it. :OnU:  #Dub #LiveSound #NuitsSonores #OnUSound

  20. Today’s office… Bossman is on stage about 3 miles away by the look of it. :OnU:  #Dub #LiveSound #NuitsSonores #OnUSound

  21. Today I… modded a 1960s Shure Unidyne III microphone, precursor to the SM57, removed the transformer and switch, and added a note about avoiding phantom power. The mic sounds great, and has a lot of low end. Can’t wait to toss this on a snare. #LiveSound

  22. Today I… modded a 1960s Shure Unidyne III microphone, precursor to the SM57, removed the transformer and switch, and added a note about avoiding phantom power. The mic sounds great, and has a lot of low end. Can’t wait to toss this on a snare. #LiveSound

  23. Today I… modded a 1960s Shure Unidyne III microphone, precursor to the SM57, removed the transformer and switch, and added a note about avoiding phantom power. The mic sounds great, and has a lot of low end. Can’t wait to toss this on a snare. #LiveSound

  24. Today I… modded a 1960s Shure Unidyne III microphone, precursor to the SM57, removed the transformer and switch, and added a note about avoiding phantom power. The mic sounds great, and has a lot of low end. Can’t wait to toss this on a snare. #LiveSound

  25. Today I… modded a 1960s Shure Unidyne III microphone, precursor to the SM57, removed the transformer and switch, and added a note about avoiding phantom power. The mic sounds great, and has a lot of low end. Can’t wait to toss this on a snare. #LiveSound

  26. Situated close to Nantes, the well known Papa Tango Club underwent a rebrand from owners EVOE Group and resurfaced as #Moon #Social #Club sporting Martin Audio Ltd WPS line arrays installed by technology specialist #Make #it #Event.

    👉 Link to the article : lnkd.in/e7JkfM_V

    #MartinAudio #ProAudio #LiveSound #EventProduction #MakeItEvent #SoundSystem #LineArray #ClubCulture #AudioEngineering #VenueUpgrade #DJLife #ClubSound

  27. DiGiCo introduces the #Quantum225DS, a dual-screen version of its compact console. Designed for live use, it delivers greater flexibility and workflow comfort while remaining powerful and cost-effective.

    👉 Link to the article : en.soundlightup.com/news/digic

    #DiGiCo #LiveSound #AudioEngineering #MixingConsole #ProAudio

  28. Did sound for a lovely TOOL tribute out of #quebec tonight. They had their tones dialed in. It's a lot of fun to push the room with a band like that.

    I do this thing for high energy rock bands where I'll not do much compression on the channels. Instead I have a buss for each instrument, and a corresponding control group (DiGiCo-speak for a DCA/VCA). The buss gets the compression and saturation, etc. I can then pull back the group while pushing the CG to get more compression, or bring up the group while knocking back the CG to open it back up.

    This gives me a lot of instant control over the dynamics and volume to punch up the big important parts while maintaining overall headroom, resulting in a dynamic yet consistent mix.

    #LiveSound #FOH #Parabolus

    parabolus.ca/

  29. Did sound for a lovely TOOL tribute out of #quebec tonight. They had their tones dialed in. It's a lot of fun to push the room with a band like that.

    I do this thing for high energy rock bands where I'll not do much compression on the channels. Instead I have a buss for each instrument, and a corresponding control group (DiGiCo-speak for a DCA/VCA). The buss gets the compression and saturation, etc. I can then pull back the group while pushing the CG to get more compression, or bring up the group while knocking back the CG to open it back up.

    This gives me a lot of instant control over the dynamics and volume to punch up the big important parts while maintaining overall headroom, resulting in a dynamic yet consistent mix.

    #LiveSound #FOH #Parabolus

    parabolus.ca/

  30. Did sound for a lovely TOOL tribute out of #quebec tonight. They had their tones dialed in. It's a lot of fun to push the room with a band like that.

    I do this thing for high energy rock bands where I'll not do much compression on the channels. Instead I have a buss for each instrument, and a corresponding control group (DiGiCo-speak for a DCA/VCA). The buss gets the compression and saturation, etc. I can then pull back the group while pushing the CG to get more compression, or bring up the group while knocking back the CG to open it back up.

    This gives me a lot of instant control over the dynamics and volume to punch up the big important parts while maintaining overall headroom, resulting in a dynamic yet consistent mix.

    #LiveSound #FOH #Parabolus

    parabolus.ca/

  31. Did sound for a lovely TOOL tribute out of #quebec tonight. They had their tones dialed in. It's a lot of fun to push the room with a band like that.

    I do this thing for high energy rock bands where I'll not do much compression on the channels. Instead I have a buss for each instrument, and a corresponding control group (DiGiCo-speak for a DCA/VCA). The buss gets the compression and saturation, etc. I can then pull back the group while pushing the CG to get more compression, or bring up the group while knocking back the CG to open it back up.

    This gives me a lot of instant control over the dynamics and volume to punch up the big important parts while maintaining overall headroom, resulting in a dynamic yet consistent mix.

    #LiveSound #FOH #Parabolus

    parabolus.ca/

  32. Did sound for a lovely TOOL tribute out of #quebec tonight. They had their tones dialed in. It's a lot of fun to push the room with a band like that.

    I do this thing for high energy rock bands where I'll not do much compression on the channels. Instead I have a buss for each instrument, and a corresponding control group (DiGiCo-speak for a DCA/VCA). The buss gets the compression and saturation, etc. I can then pull back the group while pushing the CG to get more compression, or bring up the group while knocking back the CG to open it back up.

    This gives me a lot of instant control over the dynamics and volume to punch up the big important parts while maintaining overall headroom, resulting in a dynamic yet consistent mix.

    #LiveSound #FOH #Parabolus

    parabolus.ca/

  33. Yamaha Stagepas 400i

    Playing with the system in the afternoon of yesterday

    • 4 mono mic/line + 4 mono / 2 stereo line + USB Audio IN: iPod/iPhone exclusive
    • 2-band (HIGH Shelving: 8kHz, LOW Shelving: 100Hz)
    • SPX digital reverb (4 program, parameter control), Feedback suppressor, 1-Knob Master EQ™
    • 400W (200W + 200W)
    • speakers
    • 55Hz - 20kHz
    • 8” (20cm) cone
    • 1” (2.54cm) voice coil compression driver
    • 125dB SPL / speaker
    • 100V - 240V 50Hz/60Hz
    • 30W (Idle), 70W (1/8 Power) [in reality 25W measured here]
    • 17.8kg / 39.2lbs (2 x Speaker 7.5kg + Mixer 2.8kg)
    • over panel, Power cord (2m), 2xSpeaker cables (6m), 12xNon-skid pads

    Don't buy it new since Yamaha discontinued production

    Yamaha StagePas 600BT is the current system

    • Powered mixer with 2 passive speakers
    • 10 channels
    • Hi-Z switch: CH4, ST/MONO switch: CH5/6-9/10
    • Feedback suppressor, 1-Knob Master EQ™
    • 4 mono mic / line + 6 mono / 3 stereo line
    • +30V (CH1, 2) (Phantom)
    • SPEAKERS OUT (L, R), MONITOR OUT (L/MONO, R), SUBWOOFER OUT (MONO) with auto HPF
    • Bluetooth Ver.4.1, A2DP v1.2, Maximum Range: Approx. 10 m
    • Reverb foot switch
    • CH4 [Hi-Z]
    • HIGH Shelving: 8 kHz
    • LOW Shelving: 100 Hz
    • MID peaking: 2.5 kHz
    • SPX digital reverb (4 program, parameter control)
    • 680W (340 W + 340 W) (Dynamic), 560W (280W + 280W) (Continuous)
    • Two-way bass-relfex speakers
    • 55 Hz - 20 kHz
    • 90° H
    • 60° V
    • 50° [floor monitor angle]
    • 10" (25 cm) cone
    • 1.4" (3.56 cm) voice coil compression driver
    • 129 dB SPL / speaker
    • 100 V - 240 V 50 Hz/60 Hz
    • 35 W (Idle), 100 W (1/8 Power)
    • 34.8-35.2 mm pole socket with StageLok™
    • Cover panel, Power cord (2m), 2 x Speaker cables (6m), 12 x Non-skid pads, 2 x Ferrite Cores, 2 x Cable ties
    • Yamaha BMS10A (mic stand adaptor) for mixer mount, FC5 (foot switch) for reverb ON/OFF
    • Handle: 1 x Top
    • Speaker 335 x 545 x 319 mm, Mixer 348 x 197 x 135 mm [dimensions w x h x d]
    • 25.6 kg (56.4 lbs) (2 x Speaker 10.9 kg + Mixer 3.8 kg)

    features

    680-watt, portable PA system with 10-channel powered mixer, two 10" speakers, a Bluetooth input, SPX digital reverbs, an onboard feedback suppressor and versatile EQ.

    680W (340W + 340W) power output
    High quality speakers (LF:10" woofer/ HF:1.4" voice coil compression driver)
    Detachable 10-channel mixer (4 mono/line + 6 mono / 3 stereo line)
    Bluetooth audio streaming
    1-Knob Master EQ™ with virtual bass boost
    High resolution SPX digital reverbs (4 types, parameter control)
    Onboard feedback suppressor
    Great-sounding 3-band channel EQ
    Switchable stereo/ mono inputs
    Hi-Z (high impedance) inputs
    Phantom power
    Monitor and Subwoofer outputs
    Optional reverb footswitch

    sources

    usa.yamaha.com/products/proaud

    usa.yamaha.com/products/proaud

    usa.yamaha.com/products/proaud

    usa.yamaha.com/products/proaud

    sweetwater.com/store/detail/St

    for reference dont buy

    amazon.com/yamaha-stagepas-400

    #nowplaying #audio #music #PA #yamaha #stagepas #technology #live #400i #livesound #soundengineering

  34. Yamaha Stagepas 400i

    Playing with the system in the afternoon of yesterday

    • 4 mono mic/line + 4 mono / 2 stereo line + USB Audio IN: iPod/iPhone exclusive
    • 2-band (HIGH Shelving: 8kHz, LOW Shelving: 100Hz)
    • SPX digital reverb (4 program, parameter control), Feedback suppressor, 1-Knob Master EQ™
    • 400W (200W + 200W)
    • speakers
    • 55Hz - 20kHz
    • 8” (20cm) cone
    • 1” (2.54cm) voice coil compression driver
    • 125dB SPL / speaker
    • 100V - 240V 50Hz/60Hz
    • 30W (Idle), 70W (1/8 Power) [in reality 25W measured here]
    • 17.8kg / 39.2lbs (2 x Speaker 7.5kg + Mixer 2.8kg)
    • over panel, Power cord (2m), 2xSpeaker cables (6m), 12xNon-skid pads

    Don't buy it new since Yamaha discontinued production

    Yamaha StagePas 600BT is the current system

    • Powered mixer with 2 passive speakers
    • 10 channels
    • Hi-Z switch: CH4, ST/MONO switch: CH5/6-9/10
    • Feedback suppressor, 1-Knob Master EQ™
    • 4 mono mic / line + 6 mono / 3 stereo line
    • +30V (CH1, 2) (Phantom)
    • SPEAKERS OUT (L, R), MONITOR OUT (L/MONO, R), SUBWOOFER OUT (MONO) with auto HPF
    • Bluetooth Ver.4.1, A2DP v1.2, Maximum Range: Approx. 10 m
    • Reverb foot switch
    • CH4 [Hi-Z]
    • HIGH Shelving: 8 kHz
    • LOW Shelving: 100 Hz
    • MID peaking: 2.5 kHz
    • SPX digital reverb (4 program, parameter control)
    • 680W (340 W + 340 W) (Dynamic), 560W (280W + 280W) (Continuous)
    • Two-way bass-relfex speakers
    • 55 Hz - 20 kHz
    • 90° H
    • 60° V
    • 50° [floor monitor angle]
    • 10" (25 cm) cone
    • 1.4" (3.56 cm) voice coil compression driver
    • 129 dB SPL / speaker
    • 100 V - 240 V 50 Hz/60 Hz
    • 35 W (Idle), 100 W (1/8 Power)
    • 34.8-35.2 mm pole socket with StageLok™
    • Cover panel, Power cord (2m), 2 x Speaker cables (6m), 12 x Non-skid pads, 2 x Ferrite Cores, 2 x Cable ties
    • Yamaha BMS10A (mic stand adaptor) for mixer mount, FC5 (foot switch) for reverb ON/OFF
    • Handle: 1 x Top
    • Speaker 335 x 545 x 319 mm, Mixer 348 x 197 x 135 mm [dimensions w x h x d]
    • 25.6 kg (56.4 lbs) (2 x Speaker 10.9 kg + Mixer 3.8 kg)

    features

    680-watt, portable PA system with 10-channel powered mixer, two 10" speakers, a Bluetooth input, SPX digital reverbs, an onboard feedback suppressor and versatile EQ.

    680W (340W + 340W) power output
    High quality speakers (LF:10" woofer/ HF:1.4" voice coil compression driver)
    Detachable 10-channel mixer (4 mono/line + 6 mono / 3 stereo line)
    Bluetooth audio streaming
    1-Knob Master EQ™ with virtual bass boost
    High resolution SPX digital reverbs (4 types, parameter control)
    Onboard feedback suppressor
    Great-sounding 3-band channel EQ
    Switchable stereo/ mono inputs
    Hi-Z (high impedance) inputs
    Phantom power
    Monitor and Subwoofer outputs
    Optional reverb footswitch

    sources

    usa.yamaha.com/products/proaud

    usa.yamaha.com/products/proaud

    usa.yamaha.com/products/proaud

    usa.yamaha.com/products/proaud

    sweetwater.com/store/detail/St

    for reference dont buy

    amazon.com/yamaha-stagepas-400

    #nowplaying #audio #music #PA #yamaha #stagepas #technology #live #400i #livesound #soundengineering