Live and recent posts from across the Fediverse tagged #lindsayanderson, aggregated by home.social.
Careless whispers: what really happened between George Michael and Lindsay Anderson? The Wham! movie producer reveals all
By Martin Lewis
How did the pioneering director get involved – then fall out – with the 80s’ poppiest band? How are Sam Peckinpah and Michael Jackson’s Thriller involved? Prepare for a tale of ambition, deception and shuttlecock-stuffed shorts
#Film #Culture #Documentaryfilms #GeorgeMichael #LindsayAnderson #Music #TheGuardian #MartinLewis
Wham! 10 Days in China review – pop meets politics in George and Andrew’s great leap east
By Peter Bradshaw
The duo’s groundbreaking 1985 tour reveals a strange collision of pop stardom and communism, a re-edit of Lindsay Anderson’s efforts that got him fired
#Film #Documentaryfilms #GeorgeMichael #Musicdocumentary #LindsayAnderson #Culture #Music #TheGuardian #PeterBradshaw
‘I thought it didn’t stand a cat’s chance in hell’: Andrew Ridgeley on Wham’s surreal trip to China https://www.theguardian.com/film/2026/jul/27/andrew-ridgeley-wham-china-george-michael-lindsay-anderson #DocumentaryFilms #GeorgeMichael #Film #Music #Culture #PopAndRock #China #LindsayAnderson
‘I thought it didn’t stand a cat’s chance in hell’: Andrew Ridgeley on Wham’s surreal trip to China
By Chris Tryhorn
Four decades after he and George Michael became the first western pop act to tour the country, Ridgeley recalls silent gigs, awkward embassy receptions – and the ‘bloody ludicrous’ hiring of Lindsay Anderson as director
#Documentaryfilms #GeorgeMichael #Film #Music #Culture #Popandrock #China #LindsayAnderson #TheGuardian #ChrisTryhorn
Recensioni ✍️
👤 Lindsay Anderson 📈 2 👥 1K
🔗 Forgiving 6️⃣.5️⃣
📅 7-11-2025
🏠 2025 (Self released)
#️⃣ Altpop
La reinvenzione del pop passa attraverso opere definite minori
a cura di Gianfranco Marmoro
#Ondarock #MusicianSky #MusicSky #Music
Forgiving - Album by Lindsay A...
Recensie: Lindsay Anderson – Forgiving ★★★★
https://writteninmusic.com/albumrecensie/lindsay-anderson-forgiving/
Nouveau clip sur IPR : Lindsay Anderson – The wolf
https://www.indiepoprock.fr/videos/lindsay-anderson-the-wolf/
#IPR #indiepoprock #lindsayanderson
Lindsay Anderson’s New Art-Pop Album Is A Surrealist, Feminist Journey
Lindsay Anderson has released her new 12-song conceptual album, Forgiving, today (Nov 7, 2025). Inspired by the surrealist painters Leonora Carrington and Max Ernst, the album is Anderson’s journey to reclaim her voice in male-dominated creative spaces. Fusing autobiography with dream logic, her art-pop songs navigate the liminal space between desire and self-liberation, meeting characters like an older, restless Alice. At its core, Forgiving is a timeless love story—intense, impractical, and a deep meditation on finding one’s true self.
#AVANTGARDE #BAROQUEPOP #EXPERIMENTAL #INDIE #LINDSAYANDERSON #MUSIC #NEWS #ROCK
Lindsay Anderson – Forgiving
Lindsay Anderson’s latest work is a conceptual journey into the liminal space between creation and destruction, love and loss, and the consuming gravity of the muse. It is a work of startling emotional and artistic density, inspired by the notoriously romantic and artistic entanglement of surrealist painters Leonora Carrington and Max Ernst. Anderson moves through the shadows of baroque pop, folk, rock, indie, experimental, and ambient styles, creating a profoundly ethereal, melodic, and layered sound. These twelve compositions demand to be experienced like an immersive piece of mythic theatre, a full-bodied, searching conversation where autobiography merges with dream logic. The philosophical genesis of Forgiving is rooted in the essential artistic struggle of feminine self-reclamation. Moved by Carrington’s autobiographical text Down Below, Anderson delves into the core challenges of defining artistic identity within male-dominated creative spaces. Anderson draws pointed parallels between her own experiences as an artist and muse, using the Carrington/Ernst dynamic as a crucible for her own narrative, resulting in songs that are a medium for reclaiming that voice, fusing the confessional intimacy of folk with the archetypal weight of myth. As Anderson herself notes, while creative and romantic relationships often formed her as an artist, they’ve also distanced her from her true voice, making this project a decisive act of liberation and self-definition, reshaping the narrative on her own terms. The music is a meditation on power dynamics, arguing that true creative authority begins when the muse steps out of the shadow of the master and becomes the primary source of light.
Sonically, this material carries otherworldly songs. The production is rich, using the textures of baroque pop, evoking complex orchestrations, cascading piano lines, and deep tonal harmonies, which are landed by the simple, earnest truth of folk storytelling. But the sound refuses easy definition, mainly because it constantly drifts into experimental and ambient territories. Ethereal, levitating, echoic synth textures serve as the subconscious landscape against which the central soundscape unfolds. This sonic fluidity perfectly mirrors the thematic foundation in surrealism and dream logic, making the listening experience feel akin to navigating an intensely vivid, emotionally resonant vision. The arrangements and instruments become characters themselves, shifting in texture and prominence to convey the intense psychological tension. This is music that moves with the grace of a dance, yet carries the emotional weight of rock. The structure is built on powerful literary and archetypal figures. Anderson deliberately inhabits characters like Lewis Carroll’s Alice, but an Alice who is older, restless, and yearning for meaning. This is Wonderland turned darker, more coercive, where innocence has been exchanged for hard-won experience. In this fraught landscape, she encounters the Wolf, a seductive figure inspired by Carrington’s paintings. The Wolf represents both intense desire and the magnetic pull of a consuming creative partner. Anderson expertly steers the liminal space between desire and self-liberation, creating a dramatic tension that fuels the entire album. The album explores an intense, impractical, and timeless love story. A story about two artists navigating the twin demands of creation, intimacy, and loss. It’s a beautifully honest exploration of the cost of genius, and the emotional toll of collaboration.
Anderson asks listeners to join her on a deeply personal journey, a complex yet rewarding meditation on embracing shadow as part of wholeness and finding true self in the process. Her act of reclaiming the story is not just for herself but provides a blueprint for anyone struggling to define their voice in a crowded world. The ambition of the project is further highlighted by the fact that Anderson is developing a large-scale, choreographed theatrical experience of the album, a full-bodied heroine’s journey told through music and dance. Forgiving is therefore only the beginning of a magnificent, unfolding artistic statement, and an essential listen for anyone seeking music that challenges the mind while feeding the soul. This is baroque pop redefined into lush, literary, and fiercely intelligent soundscape worth experiencing everytime you crave something innovative, exciting, bolk, and new. A true masterpiece!
#AVANTGARDE #BAROQUEPOP #EXPERIMENTAL #FOLK #INDIE #LINDSAYANDERSON #MUSIC #REVIEWS
Sean price Willias on 'The Sweet East': "The script was written to make us laugh"
TAGS: #SeanPriceWilliams #Interview #FilmInterview #FilmTalk #MovieTalk #FilmMaker #FilmDirector #Cinematographer #DirectorOfPhotography #DOP #TheSweetEast #GretaGerwig #GeenaDavis #TimRobbins #EthanHawke #RobertPattinson #JenniferJasonLeigh #EwanMcGregor #LindsayAnderson #NicholasRay #FilmIndustry #Filmmaking #Storytelling #BehindTheScenes #Hollywood #Film #Movies #Cinema
Il #film di oggi è il duro "io sono un campione" di #LindsayAnderson con i bravissimi #RichardHarris e #RachelRoberts ambientato nel mondo del #rugby #unofilm #cinea #unocinema #freecinema #recinsioni #filmastodon
https://www.valeriotagliaferri.it/io-sono-un-campione-di-lindsay-anderson/
ascolta gratis la #recensione sul #podcast #LaFogliadAcanto
Malcolm McDowell in Se.... (1968) per la regia di Lindsay Anderson
#film #movie #cinema #cinefilo #LindsayAnderson #MalcolmMcDowell #MiroslavOndricek #If #unocinema
3 things about Lindsay Anderson’s BRITANNIA HOSPITAL [1982]
1. Patient camouflage.
2. Laughing hysterically at a television program about the factory farming of chickens.
3. A state-of-the-art ward which sits completely empty. Due to a shortage of cleaners.
#3things #movies #malcolmmcdowell #lindsayanderson #cinema #cinemastodon
3 things about Lindsay Anderson’s O LUCKY MAN! [1973]
1. She shakes her head in exasperation and sets him free.
2. The way Ralph Richardson pronounces “honey.”
3. “Remember: all that glisters is not gold.”
#3things #movies #lindsayanderson #malcommcdowell #helenmirren #musicals #cinema #cinemastodon
3 things about Lindsay Anderson’s if…. [1968]
1. He solemnly administers the dregs of the vodka bottle.
2. Audrey Hepburn gets one on the cheek.
3. “The thing I hate about you, Rowntree, is the way you give Coca-Cola to your scum, and your best teddy bear to Oxfam, and expect us to lick your frigid fingers for the rest of your frigid life.”
#3things #movies #lindsayanderson #malcolmmcdowell #britain #cinema #cinemastodon
A new #FilmsTRIPS #podcast is out! This time, Andrew and I take a look at director #LindsayAnderson's 1973 comedy, #OLuckyMan! https://www.podomatic.com/podcasts/24panelspersecond/episodes/2023-02-20T06_52_41-08_00 #MalcolmMcDowell #RalphRichardson #HelenMirren #RachelRoberts #PhilipStone #AlanPrice #EdwardJudd
3 things about Lindsay Anderson’s THIS SPORTING LIFE [1963]
1. A great ape on the football field.
2. He gingerly taps his upper lip, gauging the absence of his teeth.
3. A scrum of men’s bodies, heavy breathing.
#3things #movies #LindsayAnderson #RichardHarris #RachelRoberts #rugby #Cinemastodon
Just rewatched If.... and, damn, those McDowell-nostrils gets me every time.
On the #BoardingSchool theme, this line in 'If...' delivered by Mr. Kemp (ironically played by my grandfather) would've given me the chills as a 9 year old boarder:
“We are your new family and you must expect the rough and tumble that goes with any family life."
#LindsayAnderson #MalcolmMcDowell #ArthurLowe #film #movie #cinema
[CONTAINS SENSITIVE MATERIAL] https://youtu.be/2FahMGaCoow