home.social

#kenny-clarke — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #kenny-clarke, aggregated by home.social.

fetched live
  1. the bass is nice and high in the mix on this one :)

    `Milt Jackson,vibes; Al Haig,piano; Ray Brown,bass; Kenny Clarke,drums; "Cherry`

    youtube.com/watch?v=3nBeX4lKPWI

    #jazz #MiltJackson #KennyClarke #RayBrown

  2. the bass is nice and high in the mix on this one :)

    `Milt Jackson,vibes; Al Haig,piano; Ray Brown,bass; Kenny Clarke,drums; "Cherry`

    youtube.com/watch?v=3nBeX4lKPWI

    #jazz #MiltJackson #KennyClarke #RayBrown

  3. the bass is nice and high in the mix on this one :)

    `Milt Jackson,vibes; Al Haig,piano; Ray Brown,bass; Kenny Clarke,drums; "Cherry`

    youtube.com/watch?v=3nBeX4lKPWI

    #jazz #MiltJackson #KennyClarke #RayBrown

  4. the bass is nice and high in the mix on this one :)

    `Milt Jackson,vibes; Al Haig,piano; Ray Brown,bass; Kenny Clarke,drums; "Cherry`

    youtube.com/watch?v=3nBeX4lKPWI

    #jazz #MiltJackson #KennyClarke #RayBrown

  5. the bass is nice and high in the mix on this one :)

    `Milt Jackson,vibes; Al Haig,piano; Ray Brown,bass; Kenny Clarke,drums; "Cherry`

    youtube.com/watch?v=3nBeX4lKPWI

    #jazz #MiltJackson #KennyClarke #RayBrown

  6. Oscar Peterson featuring Stephane Grappelli, Peterson/Grappelli, 1974 on Prestige

    2xLP from Prestige bringing together Canadian jazz pianist Peterson with French jazz violinist Grappelli. The two also appeared together on a live Pablo album (Skol) in 1982 (recorded in 1979).

    This double LP was recorded in Paris February 22nd and 23rd, 1973. Peterson and Grappelli are joined by Niels Henning Oersted Pederson on bass and Kenny Clarke on drums. It was also released (credited to Oscar Peterson – Stephane Grappelli Quartet) as 2 separate LPs (vol 1 and vol 2) on America records in France and later by Verve in the US.

    My copy—via a record fair at Mill No. 5—is a first US pressing with yellow Prestige labels with the blue logo mark.

    #1974 #KennyClarke #LowellMA #MillNo5 #NielsPederson #OscarPeterson #Paris #Prestige #StephaneGrappelli #vinyl #vinylcollection #vinylfinds

  7. Mobley leading two quintets (side A and B), recorded in July/November 1956.

    Hank Mobley - Jazz Message #2

    (1990 – Japan, Limited Edition, Reissue, Mono
    Savoy Records – 220R-50504, MG-12092)

    #nowplaying #nowspinning #jazzrecords #jazz #vinyl #vinylcommunity #hardbop #hankmobley #leemorgan #DonaldByrd #hankjones #dougwatkins #arttaylor #barryharris #kennyclarke

  8. Mobley leading two quintets (side A and B), recorded in July/November 1956.

    Hank Mobley - Jazz Message #2

    (1990 – Japan, Limited Edition, Reissue, Mono
    Savoy Records – 220R-50504, MG-12092)

    #nowplaying #nowspinning #jazzrecords #jazz #vinyl #vinylcommunity #hardbop #hankmobley #leemorgan #DonaldByrd #hankjones #dougwatkins #arttaylor #barryharris #kennyclarke

  9. Mobley leading two quintets (side A and B), recorded in July/November 1956.

    Hank Mobley - Jazz Message #2

    (1990 – Japan, Limited Edition, Reissue, Mono
    Savoy Records – 220R-50504, MG-12092)

    #nowplaying #nowspinning #jazzrecords #jazz #vinyl #vinylcommunity #hardbop #hankmobley #leemorgan #DonaldByrd #hankjones #dougwatkins #arttaylor #barryharris #kennyclarke

  10. Mobley leading two quintets (side A and B), recorded in July/November 1956.

    Hank Mobley - Jazz Message #2

    (1990 – Japan, Limited Edition, Reissue, Mono
    Savoy Records – 220R-50504, MG-12092)

    #nowplaying #nowspinning #jazzrecords #jazz #vinyl #vinylcommunity #hardbop #hankmobley #leemorgan #DonaldByrd #hankjones #dougwatkins #arttaylor #barryharris #kennyclarke

  11. Mobley leading two quintets (side A and B), recorded in July/November 1956.

    Hank Mobley - Jazz Message #2

    (1990 – Japan, Limited Edition, Reissue, Mono
    Savoy Records – 220R-50504, MG-12092)

    #nowplaying #nowspinning #jazzrecords #jazz #vinyl #vinylcommunity #hardbop #hankmobley #leemorgan #DonaldByrd #hankjones #dougwatkins #arttaylor #barryharris #kennyclarke

  12. Mark Murphy / Midnight Mood (1968); An elegant, atmospheric jazz album that combines Mark Murphy's unmistakable voice with first-class arrangements. Recorded in Cologne and accompanied by European jazz greats such as Francy Boland and the Clarke-Boland Big Band, Murphy moves effortlessly between swinging pieces and melancholic ballads. Two highlights of this outstanding work are ‘Why and How’ and ‘Sconsolato’. #MarkMurphy #KennyClarke #FrancyBoland #Jazz #CoolJazz #JazzSinger #Vocal

  13. Mark Murphy / Midnight Mood (1968); An elegant, atmospheric jazz album that combines Mark Murphy's unmistakable voice with first-class arrangements. Recorded in Cologne and accompanied by European jazz greats such as Francy Boland and the Clarke-Boland Big Band, Murphy moves effortlessly between swinging pieces and melancholic ballads. Two highlights of this outstanding work are ‘Why and How’ and ‘Sconsolato’. #MarkMurphy #KennyClarke #FrancyBoland #Jazz #CoolJazz #JazzSinger #Vocal

  14. Mark Murphy / Midnight Mood (1968); An elegant, atmospheric jazz album that combines Mark Murphy's unmistakable voice with first-class arrangements. Recorded in Cologne and accompanied by European jazz greats such as Francy Boland and the Clarke-Boland Big Band, Murphy moves effortlessly between swinging pieces and melancholic ballads. Two highlights of this outstanding work are ‘Why and How’ and ‘Sconsolato’. #MarkMurphy #KennyClarke #FrancyBoland #Jazz #CoolJazz #JazzSinger #Vocal

  15. Mark Murphy / Midnight Mood (1968); An elegant, atmospheric jazz album that combines Mark Murphy's unmistakable voice with first-class arrangements. Recorded in Cologne and accompanied by European jazz greats such as Francy Boland and the Clarke-Boland Big Band, Murphy moves effortlessly between swinging pieces and melancholic ballads. Two highlights of this outstanding work are ‘Why and How’ and ‘Sconsolato’. #MarkMurphy #KennyClarke #FrancyBoland #Jazz #CoolJazz #JazzSinger #Vocal

  16. Mark Murphy / Midnight Mood (1968); An elegant, atmospheric jazz album that combines Mark Murphy's unmistakable voice with first-class arrangements. Recorded in Cologne and accompanied by European jazz greats such as Francy Boland and the Clarke-Boland Big Band, Murphy moves effortlessly between swinging pieces and melancholic ballads. Two highlights of this outstanding work are ‘Why and How’ and ‘Sconsolato’. #MarkMurphy #KennyClarke #FrancyBoland #Jazz #CoolJazz #JazzSinger #Vocal

  17. Ina : Variations on "Dig" by Miles Davis
    ina.fr/ina-eclaire-actu/1957-u

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Filmed on December 7, 1957 by Jean-Christophe Averty for Radiodiffusion-télévision française (RTF), the program was broadcast on December 25

    #jazz #ina

  18. Ina : Variations on "Dig" by Miles Davis
    ina.fr/ina-eclaire-actu/1957-u

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Filmed on December 7, 1957 by Jean-Christophe Averty for Radiodiffusion-télévision française (RTF), the program was broadcast on December 25

    #jazz #ina

  19. Ina : Variations on "Dig" by Miles Davis
    ina.fr/ina-eclaire-actu/1957-u

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Filmed on December 7, 1957 by Jean-Christophe Averty for Radiodiffusion-télévision française (RTF), the program was broadcast on December 25

    #jazz #ina

  20. Ina : Variations on "Dig" by Miles Davis
    ina.fr/ina-eclaire-actu/1957-u

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Filmed on December 7, 1957 by Jean-Christophe Averty for Radiodiffusion-télévision française (RTF), the program was broadcast on December 25

    #jazz #ina

  21. Ina : Variations on "Dig" by Miles Davis
    ina.fr/ina-eclaire-actu/1957-u

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Filmed on December 7, 1957 by Jean-Christophe Averty for Radiodiffusion-télévision française (RTF), the program was broadcast on December 25

    #jazz #ina

  22. Ina - 1957 : Miles Davis improvise la musique de "Ascenseur pour l'échafaud"

    ina.fr/ina-eclaire-actu/1957-m

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Dans la nuit du 4 au 5 décembre 1957, ce quintette entre dans la légende en enregistrant une bande originale révolutionnaire.
    On the night of December 4-5, 1957, this quintet entered into legend by recording a revolutionary soundtrack.

    #jazz #ina #LouisMalle

  23. Ina - 1957 : Miles Davis improvise la musique de "Ascenseur pour l'échafaud"

    ina.fr/ina-eclaire-actu/1957-m

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Dans la nuit du 4 au 5 décembre 1957, ce quintette entre dans la légende en enregistrant une bande originale révolutionnaire.
    On the night of December 4-5, 1957, this quintet entered into legend by recording a revolutionary soundtrack.

    #jazz #ina #LouisMalle

  24. Ina - 1957 : Miles Davis improvise la musique de "Ascenseur pour l'échafaud"

    ina.fr/ina-eclaire-actu/1957-m

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Dans la nuit du 4 au 5 décembre 1957, ce quintette entre dans la légende en enregistrant une bande originale révolutionnaire.
    On the night of December 4-5, 1957, this quintet entered into legend by recording a revolutionary soundtrack.

    #jazz #ina #LouisMalle

  25. Ina - 1957 : Miles Davis improvise la musique de "Ascenseur pour l'échafaud"

    ina.fr/ina-eclaire-actu/1957-m

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Dans la nuit du 4 au 5 décembre 1957, ce quintette entre dans la légende en enregistrant une bande originale révolutionnaire.
    On the night of December 4-5, 1957, this quintet entered into legend by recording a revolutionary soundtrack.

    #jazz #ina #LouisMalle

  26. Ina - 1957 : Miles Davis improvise la musique de "Ascenseur pour l'échafaud"

    ina.fr/ina-eclaire-actu/1957-m

    #MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

    Dans la nuit du 4 au 5 décembre 1957, ce quintette entre dans la légende en enregistrant une bande originale révolutionnaire.
    On the night of December 4-5, 1957, this quintet entered into legend by recording a revolutionary soundtrack.

    #jazz #ina #LouisMalle

  27. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  28. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  29. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  30. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  31. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  32. Jazz Magazine N°043 (France) - Décembre 1958

    Martial Solal (p), Barney Wilen (ts), Kenny Clarke (dr), Pierre Michelot (b), Jay Jay Johnson (tb), X (tb), Don Byas (ts) au Club Saint-Germain (Paris)

    #jazz #MartialSolal #BarneyWilen #KennyClarke #PierreMichelot #JJJohnson #DonByas

  33. Jazz Magazine N°043 (France) - Décembre 1958

    Martial Solal (p), Barney Wilen (ts), Kenny Clarke (dr), Pierre Michelot (b), Jay Jay Johnson (tb), X (tb), Don Byas (ts) au Club Saint-Germain (Paris)

    #jazz #MartialSolal #BarneyWilen #KennyClarke #PierreMichelot #JJJohnson #DonByas

  34. Jazz Magazine N°043 (France) - Décembre 1958

    Martial Solal (p), Barney Wilen (ts), Kenny Clarke (dr), Pierre Michelot (b), Jay Jay Johnson (tb), X (tb), Don Byas (ts) au Club Saint-Germain (Paris)

    #jazz #MartialSolal #BarneyWilen #KennyClarke #PierreMichelot #JJJohnson #DonByas

  35. Jazz Magazine N°043 (France) - Décembre 1958

    Martial Solal (p), Barney Wilen (ts), Kenny Clarke (dr), Pierre Michelot (b), Jay Jay Johnson (tb), X (tb), Don Byas (ts) au Club Saint-Germain (Paris)

    #jazz #MartialSolal #BarneyWilen #KennyClarke #PierreMichelot #JJJohnson #DonByas

  36. Jazz Magazine N°043 (France) - Décembre 1958

    Martial Solal (p), Barney Wilen (ts), Kenny Clarke (dr), Pierre Michelot (b), Jay Jay Johnson (tb), X (tb), Don Byas (ts) au Club Saint-Germain (Paris)

    #jazz #MartialSolal #BarneyWilen #KennyClarke #PierreMichelot #JJJohnson #DonByas