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  1. EL RODAJE QUE CAMBIÓ PARA SIEMPRE LA MIRADA DE ANTHONY HOPKINS SOBRE EL CINE
    Pocas trayectorias en la historia del cine han demostrado una capacidad de transformación tan constante como la de Anthony Hopkins. Durante más de medio siglo ha transitado por personajes de naturaleza muy distinta, desde aristócratas refinados hasta figuras profundamente perturbadoras, construyendo una filmografía en la que cada...

    #cine #cinema #anthonyhopkins #katherinehepburn

    nuevoimagenesdeactualidad.blog

  2. Cine «Historias de Filadelfia»

    Título original: The Philadelphia Story [1]

    Título en español de España: Historias de Filadelfia [1]

    Título en español latinoamericano: Pecadora equivocada (también distribuida en algunos países o ediciones de doblaje como La historia de Filadelfia). [1, 2]

    Calificación edad (Escala Oscar): TP: Todo Público [3]

    Director: George Cukor [1]

    Actores principales: Katharine Hepburn, Cary Grant, James Stewart, y Ruth Hussey. [4]

    País: Estados Unidos [2]

    Género: Comedia romántica / Comedia de enredos (Screwball comedy). [1, 5, 6]

    Año: 1940 [1]

    Calificación calidad: Excelente (5/5). Es considerada un clásico absoluto del séptimo arte, manteniendo un rotundo 100% de aprobación crítica en Rotten Tomatoes y figurando formalmente en la lista de las mejores comedias del American Film Institute. [1, 3]

    Argumento y comentario:

    Una mansión de familia aristócrata, la familia Lord se viste de gala para la inminente segundo matrimonio de la sofisticada y fría heredera Tracy Lord con el acaudalado y pretencioso George Kitteredge. La cosa se complica de forma radical cuando su carismático ex-marido, C.K Dexter Haven, vuelve a aparecerse de pronto trayendo con el a un cínico reportero de prensa rosa llamado Macaulay «Mike» Connor, que está infiltrado para cubrir la exclusiva del evento. En el transcurso de un día y una noche de enredos y excesos alcohólicos, el reportero se enamorará perdidamente de Tracy, forzándola a enfrentarse a sus propios prejuicios, a plantearse su inalcanzable postura ante la vida y descubrir a cuál de los tres hombres ama en verdad.

    Comentario: La película brilla de forma eterna gracias a unos diálogos de ritmo milimétrico y punzante ingenio. Supuso además el salvavidas profesional de Katharine Hepburn, quien tras ser declarada «veneno para la taquilla» recuperó el control de su carrera produciendo astutamente la adaptación. La cinta destaca también por otorgar el primer y único premio Óscar de la academia a James Stewart como actor principal. [2, 4, 5, 7, 8, 9, 10]

    Video:
    Puedes disfrutar del avance y escenas clásicas de la película mediante el Tráiler Oficial de The Philadelphia Story en YouTube. [5, 8]

    FUENTES:


    [1] https://es.wikipedia.org

    [2] https://doblaje.fandom.com

    [3] https://www.justwatch.com

    [4] https://en.wikipedia.org

    [5] https://www.filmaffinity.com

    [6] https://simple.wikipedia.org

    [7] https://www.filmaffinity.com

    [8] https://www.youtube.com

    [9] https://www.youtube.com

    [10] https://www.reddit.com

    #CaryGrant #CineClásico #CineDeOro #ComediaRomántica #dailyprompt #GeorgeCukor #HistoriasDeFiladelfia #JamesStewart #KatherineHepburn #Oscars #PecadoraEquivada #ScrewballComedy #ThePhiladelphiaStory
  3. europesays.com/ro/178563/ FotoAstăzi, 12 mai, s-a născut Katherine Hepburn. Actrița a fost nominalizată de 12 ori la Oscar. „Dacă respecți toate regulile, pierzi toată distracția” #Divertisment #Entertainment #foto #KatherineHepburn #RO #Română #Romania #Romanian

  4. “Individuals may form communities, but only institutions can create a nation”*…

    Traffic police in Rome, 1981.

    Good institutions are social technologies that scale trust from personal relations to entire nations. Game theorist and social scientist Julien Lie-Panis unpacks the extraordinary phenomenon of human cooperation to explain how– and why– institutions work…

    Every human society, from the smallest village to the largest nation, faces the same fundamental challenge: how to get people to act in the interests of the collective rather than their own. Fishermen must limit their catch so fish stocks don’t collapse. People must respect others’ property and safety. Citizens must pay taxes to fund roads, schools and hospitals. Left to pure self-interest, no community could endure; the bonds of collective life would quickly unravel.

    The solutions we’ve devised are remarkably similar across cultures and centuries. We create rules. Then we appoint guardians to enforce them. Those who break the rules are punished. But there’s a problem with this approach, one that the Roman poet Juvenal identified nearly 2,000 years ago: Quis custodiet ipsos custodes? Who will guard the guards themselves?

    Fisheries appoint monitors to prevent overfishing – but what if the monitors accept bribes to look the other way? Police officers exist to protect everyone’s property and safety – but who ensures that they don’t abuse their power? Governments collect taxes for public services – but how do we stop officials from diverting the funds to their own accounts?

    Every institution faces the same fundamental paradox. Institutions foster cooperation by rewarding good behaviour and punishing rule-breakers. Yet they themselves depend on cooperative members to function. We haven’t solved the cooperation problem – we’ve simply moved it back one step. So why do institutions work at all? To understand this puzzle, we need to first ask what makes human cooperation so extraordinary in the natural world…

    [Lie-Panis explores human cooperation, and examines the ways in which, while it follows the same evolutionary rules as cooperation among other species, humans have expanded the ambit of their coordination. He explains the ways in which institutions depend on “a present-future trade-off,” on its constituents’ patience as it works through problems. And he illustrates the ways in which constituents’ concerns with material security and social capital can generate that patience. He concludes…]

    … Institutions can thus be understood as social technologies. We engineer them constantly, often without realising it. When neighbours organise to maintain a shared garden or playground, they appoint a small committee to manage funds and decisions. The arrangement works because it transforms the hard problem of coordinating dozens of contributors into the easier problem of trusting a few visible people who can be praised for diligence or blamed for misuse.

    Like any tool, institutions cannot create what isn’t already there; they can only amplify existing cooperative capacity. Institutions rest on the conditions that make cooperation rational: material security and social capital. Where those conditions hold, reputation can work at scale. One layer of accountability supports the next, until cooperation extends far beyond the limits of familiarity. From the same force that binds vampire bats and coral reef fish, we have built cities, markets, and nations. Institutions are how trust is scaled to millions of strangers.

    Eminently worth reading in full: “Guarding the Guardians,” from @jliep.bsky.social in @aeon.co.

    Apposite (albeit a bit orthogonal): “Culture Is the Mass-Synchronization of Framings,” from @marco-giancotti.bsky.social.

    * Benjamin Disraeli

    ###

    As we get along, we might recall that it was on this date in 1938 that a film poking fun at a plethora of institutions, Howard Hawks’ comedy Bringing Up Baby, premiered at the Golden Gate Theater in San Francisco. Featuring Cary Grant, Katherine Hepburn, and a leopard, the film earned good reviews but suffered at the box office. Indeed, Hepburn’s career fell into a slump– she was one of a group of actors labeled as “box office poison” by the Independent Theatre Owners of America– that she broke with The Philadelphia Story (again with Grant) in 1940.

    As for Bringing Up Baby, the film did well when re-released in the 1940s, and grew further in popularity when it began to be shown on television in the 1950s. Today it is recognized as the authentic screwball classic that it is; it sits at 94% on Rotten Tomatoes, and ranks among “Top 100” on lists from the American Film Institute and the National Society of Film Critics.

    source

    #BringingUpBaby #CaryGrant #cooperation #culture #film #history #HowardHawks #institutions #KatherineHepburn #movies #politics #reputation #socialCapital #socialInfrastructure #socialTechnology #society
  5. LA OBRA MAESTRA QUE KATHERINE HEPBURN SE NEGO A VOLVER A VER.
    Pocas veces el cine ha sabido convertir el sufrimiento en romanticismo con tanta elegancia como La reina de África. Hoy se la venera como un clásico incontestable, una aventura sentimental en estado puro y el papel que finalmente le dio a Humphrey Bogart el Oscar que siempre se le había escapado. Pero mientras la historia se escribía en…
    nuevoimagenesdeactualidad.blog
    #cine #cinema #katherinehepburn #johnhuston #humphreybogart

  6. 💄 Katherine Hepburn y el odio a las mujeres “no perfectas” según Hollywood

    Dibujo estilizado que representa a Katherine Hepburn, destacando su icónica y audaz estética cinematográfica.

    Cuando ser talentosa no era suficiente para la prensa 🎬💔

    Katherine Hepburn es una leyenda. Ícono del cine clásico, mujer inteligente, audaz, y con una carrera de más de seis décadas. Pero… ¿sabías que al inicio de su carrera fue duramente criticada por su apariencia física?

    Sí, aunque suena absurdo hoy, algunos críticos no solo ponían en duda su talento, ¡también se metían con su rostro! 😡 La comparaban con Greta Garbo, diciendo que ambas “necesitaban maquillaje” para “corregir” sus rasgos. Uno incluso escribió:

    “Tiene una mini esencia de Greta Garbo. Mañana o pasado mañana, el maquillaje le lavará de esa culpa.”

    Y si eso ya suena cruel, lo peor estaba por venir. La prensa describía su físico con frases venenosas como:

    “Fea en su ambombamiento beethoveniano de su frente, en la angulosidad sajona de sus pómulos…”

    ¿Perdón? 😤 Una cosa es opinar, pero otra muy diferente es atacar con tanta misoginia y superioridad.

    La toxicidad de la prensa no nació con las redes sociales 📸🧠

    Mucha gente cree que lo de criticar a las famosas por cómo se ven es algo nuevo. Spoiler: no lo es. Desde el principio del cine, la industria del entretenimiento ha impuesto estándares de belleza imposibles (y a veces absurdos) a las mujeres.

    Y cuando una actriz se atrevía a no encajar, la prensa no tenía piedad. En lugar de hablar de su talento, su personalidad o su trabajo, se centraban en su físico. ¿Te suena familiar? 👀

    El verdadero legado de Katherine Hepburn 🏆💥

    A pesar de los ataques, Katherine Hepburn nunca se dejó vencer. No cambió su esencia para agradar, no se volvió “más femenina” para encajar. Fue ella misma, sin filtros.

    Ganó cuatro premios Óscar 🏅 a la Mejor Actriz y se convirtió en un símbolo de independencia, talento y rebeldía. Hepburn abrió el camino para que muchas actrices después de ella se sintieran libres de romper moldes y desafiar expectativas.

    💬 Reflexión final

    La historia de Katherine Hepburn nos recuerda que la crítica cruel hacia las mujeres por su apariencia no es una novedad. Lo importante es reconocer a las que, como ella, usaron su voz y su talento para dejar una marca imborrable, más allá de lo superficial. 🌟

    Katherine Hepburn Una crítica feroz hacia la apariencia de Katherine Hepburn, revelando la misoginia en la prensa de su tiempo.

    #1933 #actricesDeHollywood #elLadoOscuroDeHollywood #Hollywood #KatherineHepburn

  7. Sunday Morning Reading

    What do Aristotle, Katherine Hepburn, Garth Hudson, beautiful minds, and ugly hearts have in common? They all make an appearance in this week’s Sunday Morning Reading. Or at least writers doing their thing and writing about them do.

    Hearts can be ugly things, yet they draw our poets, songwriters, and story tellers like moths to a flame. NatashaMH flutters around the heat in The Beautiful Mind Of An Ugly Heart.

    Speaking of ugly hearts, quite a few of them are on appearing on shirt sleeves alongside all the chest thumping and Nazi salutes going on here in the U.S (and elsewhere). We’re only a week into the victory laps and lapses of humility, yet already writers are wearing out keyboards with words of resistance. Ian Dunt has penned How To Resist The Tech Overlords. In this new and hot category of writing, let’s hope none of this seems like fiction down the road.

    Another way to resist the tech overlords is to just say no when they overreach. Microsoft overstepped by raising everyone’s Office 365 subscription prices on the inclusion, wanted or not, of its Microsoft 366 Copilot AI features. There’s a way to avoid the price hike written up by Mark Hachman on PC World. You might want to check that out.

    For a good read on the entire Microsoft situation, Ed Bott chronicles the story of Microsoft’s latest AI unintelligent move in The Microsoft 365 Copilot Launch Was A Total Disaster.

    Meanwhile the Chinese might have found a way to fight the AI money grab and spend long before we reach the cash out stage. Zeyi Yang lays it out in How Chinese AI Startup DeepSeek Made A Model That Rivals OpenAI. The sexy stories about TikTok might be taking a back seat to this one.

    Alex Himelfarb tells us The Politics of “Common Sense” Is Making Us Meaner. He’s right.

    Joan Westenberg takes it all on in Clash: Power, Greed, And The Fight For a Fair Future.

    If you’re concerned about what the tech side of all of these moments of madness we’re living through might mean, remember it’s not the tech and it is. Check out Nina Metz’s review of the Katherine Hepburn and Spencer Tracy flick Desk Set. As Ms. Metz puts it, This Movie With Katherine Hepburn And Spencer Tracy Anticipated Anxieties About The Internet And AI. Oh, also check out the flick. You won’t be sorry.

    There really is nothing new under the sun, including cribbing and cropping from the work of others. Massimo Pugliucci takes a look at Ayn Rand’s Objectivist theories and her claims to be influenced by Aristotle. As he puts it well, “one can hardly imagine what possible points of contact the two might have.” Take a look at On Ayn Rand and Aristotle.

    These are indeed challenging times and often they feel quite dark. Alexander Verbeek gives us the always needed reminder that When Darkness Returns, Art Exists.

    And on that note, and since we lost one of the greatest musical artists of my generation, Garth Hudson, this week, Check out Amanda Petrusich’s Remembering Garth Hudson, The Man Who Transformed The Band. Remember many of Hudson’s and The Band’s creations came in another turbulent era in our history. A beautiful musician and beautiful mind.

    If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome. You can also find me on social networks under my own name.

    #ai #AynRand #Copilot #Culture #GarthHudson #History #KatherineHepburn #Microsoft #Movies #Music #Politics #SpencerTracy #SundayMorningReading #Tech

  8. @the_etrain

    Very likely already in your repertoire, but Howard Hawks's Bringing up Baby (1938), with Katherine Hepburn and Cary Grant is the screwballest of screwball comedies. Truly anarchic. And it passes the generations test: my 11yo daughters liked it too.

    #BringingUpBaby #Screwball #HowardHawks #KatherineHepburn #CaryGrant

  9. I just can’t deal with #KatherineHepburn as a country rube in #AliceAdams when she opens her mouth and out comes that fake “Mid-Atlantic” upper crust accent. It’s the one thing that spoils a lot of old movies for me.

  10. Another #PrideMonth gem from #NamingGotham. Actress Laura Harding, daughter of Horace Harding (of LIE service road fame) was Katherine Hepburn's long-time partner. Read more: Naming Gotham: The Villains, Rogues, and Heroes Behind New York Place Names. #PrideMonth #history #LGBTQ #lgbtqia #NYC #HistoryMatters #newyork #newyorkcity #KatherineHepburn #women
    dirtysexyhistory.com/2023/04/3

  11. #Connecticut #History #KatherineHepburn
    #Oscars

    I was very lucky to see her in stage in NYC, (West Side Waltz) plus she's a Hartford native. There's a family story about her meeting my dad's dad when he was a teenager working in a livery in Hartford, I will keep assuming it's true!

    todayincthistory.com/2023/05/1

  12. Thanks @dirtysexyhistory for publishing this blog post full of NYC history gossip that did not make it into Naming Gotham.. . . Next time you're stuck on the Long Island Expressway, ask yourself who the heck Horace Harding was! Wanna know about his daughter Laura's love affair with Katherine Hepburn? Read on. dirtysexyhistory.com/2023/04/3 #naminggotham #NYC #history #Historymatters #HistoryTeacher #histodons #katherinehepburn #gossip

  13. I mean, honestly, #KatherineHepburn gets all the best lines in #TheLionInWinter and she delivers them all 🤌 #TCMParty

  14. @Sheril #KatherineHepburn wore them in a magazine spread in 1933... part of the liberation that led to this little situation. hooray for #Hepburn !

  15. Here is a kimono sleeve which I love to use in design. It’s such a sneaky way to make a style comfortable but not sloppy. #deskset #katherinehepburn — we also have a fabulous collar & coordinating gloves here.

  16. Be among the first to get breaking news, weather, and general news updates from ... Union Rejects Railroad Pact, Raising Risk Of National Strike.
    Escaped Inmate Back In Custody After Being Found In Coweta
  17. Despite the many fantastic, breathtaking art and famous figures, this is my absolute fave at the NPG in D.C.

    And that cigarette in her hand.
    Not healthy, yet she was an epic badass.

    Everett Raymond Kinstler, 5 Aug 1926 - 26 May 2019
    Painting, oil on canvas, Smithsonian, National Portrait Gallery

    #women #strongwomen #katherinehepburn #badass #nationalportraitgallery #art #painting #canvas #kinstler

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