#josephhaydn — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #josephhaydn, aggregated by home.social.
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https://www.europesays.com/es/724688/ Ni a Haydn ni a Mozart: el bicentenario de Arriaga suena a “tripas y agallas” | Cultura #Cantantes #CantantesOpera #Cultura #Entertainment #Entretenimiento #ES #España #JosephHaydn #Mozart #Música #Músicos #Orquestas #Spain
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#NowPlaying #SaturdayOnStage #ClassicalMusic #HowLowCanYouGo
#JosephHaydn played by Michael Greenberg on #Octobass with David Sinclair on #Contrabass, live at Cité de la Musique, Paris, France, 2013
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#NowPlaying #SaturdayOnStage #ClassicalMusic #HowLowCanYouGo
#JosephHaydn played by Michael Greenberg on #Octobass with David Sinclair on #Contrabass, live at Cité de la Musique, Paris, France, 2013
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#NowPlaying #SaturdayOnStage #ClassicalMusic #HowLowCanYouGo
#JosephHaydn played by Michael Greenberg on #Octobass with David Sinclair on #Contrabass, live at Cité de la Musique, Paris, France, 2013
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#JosephHaydn 1732 - 1809
#Symphony No. 86 in D, #HobI86 (1786)
1. Adagio: Allegro spiritoso
2. Capriccio: Largo
3. Menuetto: Allegretto
4. Finale: Allegro con spirito#ConcentusMusicusWien
#NikolausHarnoncourt -
#JosephHaydn 1732 - 1809
#Symphony No. 86 in D, #HobI86 (1786)
1. Adagio: Allegro spiritoso
2. Capriccio: Largo
3. Menuetto: Allegretto
4. Finale: Allegro con spirito#ConcentusMusicusWien
#NikolausHarnoncourt -
#JosephHaydn 1732 - 1809
#Symphony No. 86 in D, #HobI86 (1786)
1. Adagio: Allegro spiritoso
2. Capriccio: Largo
3. Menuetto: Allegretto
4. Finale: Allegro con spirito#ConcentusMusicusWien
#NikolausHarnoncourt -
#JosephHaydn 1732 - 1809
#Symphony No. 86 in D, #HobI86 (1786)
1. Adagio: Allegro spiritoso
2. Capriccio: Largo
3. Menuetto: Allegretto
4. Finale: Allegro con spirito#ConcentusMusicusWien
#NikolausHarnoncourt -
#JosephHaydn 1732 - 1809
#Symphony No. 86 in D, #HobI86 (1786)
1. Adagio: Allegro spiritoso
2. Capriccio: Largo
3. Menuetto: Allegretto
4. Finale: Allegro con spirito#ConcentusMusicusWien
#NikolausHarnoncourt -
On 31 May 1809: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), died at 77.
#RIP 🕯️ -
On 31 May 1809: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), died at 77.
#RIP 🕯️ -
On 31 May 1809: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), died at 77.
#RIP 🕯️ -
On 31 May 1809: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), died at 77.
#RIP 🕯️ -
On 31 May 1809: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), died at 77.
#RIP 🕯️ -
“Common sense is not so common”*…
The Enlightenment is under attack by the Left and the Right. It can only be “saved,” Eliane Glaser argues, through use of its greatest legacy: permanent critique. And then there’s AI. After summarizing the critiques from both sides, she continues…
In consequence of this pincer-movement attack, the Enlightenment’s legacy is existentially vulnerable. It makes me deeply worried as someone whose entire career has been built on trying to understand and analyse the world around me – especially a world that still tries to confine thinking women to the realms of emotion and ‘personal experience’.
I believe that Enlightenment values are essential, but that we have largely forgotten how to make a good case for them: we need to rely on shared facts, tested by experiment; a public sphere where open discussion can take place; and the belief that discussion should be founded on reasoned argument. We need, moreover, to cherish the more political values of tolerance, freedom, human rights and the common good. Advocates for artificial intelligence have the temerity to claim that large language models are ushering in a ‘second Enlightenment’ (a claim that was uncritically echoed in a paper published by the World Economic Forum last year) when what we are in fact seeing is the destruction of the Enlightenment legacy under the false banner of its name. As the historian David Bell argued in The New York Times in 2025, AI is actually ‘shedding Enlightenment values’ by simply reinforcing ‘what we already think we know.’ In The Guardian,the journalist and geopolitical risk consultant Joseph de Weck warned that ‘AI is taking us back to the dark ages’, making us lazy, and stymying independent thinking.
The evidence suggests that we are going through a rapid de-enlightenment. Newspaper circulations, attention spans, and trust in forms of agreed knowledge are in freefall. Misinformation, disinformation and deepfakes are gaining ground. If we let go of the valuable aspects of the Enlightenment project, we open ourselves up to a world of AI blather, ‘my truth’ pronouncements, wobbly sentiment and unchecked power.
My unease with this parlous state of affairs has provoked me to go back and rethink the Enlightenment and what it has to offer. But, rather than unthinkingly recouping it as a mission, I want instead to tease out and weigh up its merits, to discern with nuance what is still fit for our times. I want to ask if it is possible to rescue the Enlightenment’s rallying power, and if it’s worth defending what the combined forces of Left and Right are coming together to attack. Are the Enlightenment’s deficiencies barnacles on an old ship, or integral to its design?…
And so she does. Do read on: “Flickering Enlightenment,” from @elianeglaser.bsky.social in @aeon.co.
* Voltaire
###
As we reclaim reason, we might spare a thought for a glorious product of the Enlightenment, Joseph Haydn; he died on this date in 1809. A composer of the Classical period, he was pivotal in the evolution of chamber music forms like the string quartet and piano trio, and is known as the “Father” of both the symphony and sonata forms. Haydn was a friend and mentor of Mozart, and a teacher of Beethoven; indeed, the Haydn, Mozart and Beethoven trio are sometimes referred to as the “First Viennese School.”
Schonberg wrote that Haydn “was the Classic performer par excellence, and in his long life, from 1732 to 1809, he grew up with the new musical ideas and, more than any one man, shaped them.”
https://youtu.be/CuBGDwgkZzM?si=QvXLWDRCB-Tq-CM7
#AgeOfEnlightenment #AI #artificialIntelligence #Beethoven #classicalMusic #culture #Enlightenment #Haydn #history #JosephHaydn #Mozart #music #philosophy #politics #reason #society #TheEnlightenment -
“Common sense is not so common”*…
The Enlightenment is under attack by the Left and the Right. It can only be “saved,” Eliane Glaser argues, through use of its greatest legacy: permanent critique. And then there’s AI. After summarizing the critiques from both sides, she continues…
In consequence of this pincer-movement attack, the Enlightenment’s legacy is existentially vulnerable. It makes me deeply worried as someone whose entire career has been built on trying to understand and analyse the world around me – especially a world that still tries to confine thinking women to the realms of emotion and ‘personal experience’.
I believe that Enlightenment values are essential, but that we have largely forgotten how to make a good case for them: we need to rely on shared facts, tested by experiment; a public sphere where open discussion can take place; and the belief that discussion should be founded on reasoned argument. We need, moreover, to cherish the more political values of tolerance, freedom, human rights and the common good. Advocates for artificial intelligence have the temerity to claim that large language models are ushering in a ‘second Enlightenment’ (a claim that was uncritically echoed in a paper published by the World Economic Forum last year) when what we are in fact seeing is the destruction of the Enlightenment legacy under the false banner of its name. As the historian David Bell argued in The New York Times in 2025, AI is actually ‘shedding Enlightenment values’ by simply reinforcing ‘what we already think we know.’ In The Guardian,the journalist and geopolitical risk consultant Joseph de Weck warned that ‘AI is taking us back to the dark ages’, making us lazy, and stymying independent thinking.
The evidence suggests that we are going through a rapid de-enlightenment. Newspaper circulations, attention spans, and trust in forms of agreed knowledge are in freefall. Misinformation, disinformation and deepfakes are gaining ground. If we let go of the valuable aspects of the Enlightenment project, we open ourselves up to a world of AI blather, ‘my truth’ pronouncements, wobbly sentiment and unchecked power.
My unease with this parlous state of affairs has provoked me to go back and rethink the Enlightenment and what it has to offer. But, rather than unthinkingly recouping it as a mission, I want instead to tease out and weigh up its merits, to discern with nuance what is still fit for our times. I want to ask if it is possible to rescue the Enlightenment’s rallying power, and if it’s worth defending what the combined forces of Left and Right are coming together to attack. Are the Enlightenment’s deficiencies barnacles on an old ship, or integral to its design?…
And so she does. Do read on: “Flickering Enlightenment,” from @elianeglaser.bsky.social in @aeon.co.
* Voltaire
###
As we reclaim reason, we might spare a thought for a glorious product of the Enlightenment, Joseph Haydn; he died on this date in 1809. A composer of the Classical period, he was pivotal in the evolution of chamber music forms like the string quartet and piano trio, and is known as the “Father” of both the symphony and sonata forms. Haydn was a friend and mentor of Mozart, and a teacher of Beethoven; indeed, the Haydn, Mozart and Beethoven trio are sometimes referred to as the “First Viennese School.”
Schonberg wrote that Haydn “was the Classic performer par excellence, and in his long life, from 1732 to 1809, he grew up with the new musical ideas and, more than any one man, shaped them.”
https://youtu.be/CuBGDwgkZzM?si=QvXLWDRCB-Tq-CM7
#AgeOfEnlightenment #AI #artificialIntelligence #Beethoven #classicalMusic #culture #Enlightenment #Haydn #history #JosephHaydn #Mozart #music #philosophy #politics #reason #society #TheEnlightenment -
“Common sense is not so common”*…
The Enlightenment is under attack by the Left and the Right. It can only be “saved,” Eliane Glaser argues, through use of its greatest legacy: permanent critique. And then there’s AI. After summarizing the critiques from both sides, she continues…
In consequence of this pincer-movement attack, the Enlightenment’s legacy is existentially vulnerable. It makes me deeply worried as someone whose entire career has been built on trying to understand and analyse the world around me – especially a world that still tries to confine thinking women to the realms of emotion and ‘personal experience’.
I believe that Enlightenment values are essential, but that we have largely forgotten how to make a good case for them: we need to rely on shared facts, tested by experiment; a public sphere where open discussion can take place; and the belief that discussion should be founded on reasoned argument. We need, moreover, to cherish the more political values of tolerance, freedom, human rights and the common good. Advocates for artificial intelligence have the temerity to claim that large language models are ushering in a ‘second Enlightenment’ (a claim that was uncritically echoed in a paper published by the World Economic Forum last year) when what we are in fact seeing is the destruction of the Enlightenment legacy under the false banner of its name. As the historian David Bell argued in The New York Times in 2025, AI is actually ‘shedding Enlightenment values’ by simply reinforcing ‘what we already think we know.’ In The Guardian,the journalist and geopolitical risk consultant Joseph de Weck warned that ‘AI is taking us back to the dark ages’, making us lazy, and stymying independent thinking.
The evidence suggests that we are going through a rapid de-enlightenment. Newspaper circulations, attention spans, and trust in forms of agreed knowledge are in freefall. Misinformation, disinformation and deepfakes are gaining ground. If we let go of the valuable aspects of the Enlightenment project, we open ourselves up to a world of AI blather, ‘my truth’ pronouncements, wobbly sentiment and unchecked power.
My unease with this parlous state of affairs has provoked me to go back and rethink the Enlightenment and what it has to offer. But, rather than unthinkingly recouping it as a mission, I want instead to tease out and weigh up its merits, to discern with nuance what is still fit for our times. I want to ask if it is possible to rescue the Enlightenment’s rallying power, and if it’s worth defending what the combined forces of Left and Right are coming together to attack. Are the Enlightenment’s deficiencies barnacles on an old ship, or integral to its design?…
And so she does. Do read on: “Flickering Enlightenment,” from @elianeglaser.bsky.social in @aeon.co.
* Voltaire
###
As we reclaim reason, we might spare a thought for a glorious product of the Enlightenment, Joseph Haydn; he died on this date in 1809. A composer of the Classical period, he was pivotal in the evolution of chamber music forms like the string quartet and piano trio, and is known as the “Father” of both the symphony and sonata forms. Haydn was a friend and mentor of Mozart, and a teacher of Beethoven; indeed, the Haydn, Mozart and Beethoven trio are sometimes referred to as the “First Viennese School.”
Schonberg wrote that Haydn “was the Classic performer par excellence, and in his long life, from 1732 to 1809, he grew up with the new musical ideas and, more than any one man, shaped them.”
https://youtu.be/CuBGDwgkZzM?si=QvXLWDRCB-Tq-CM7
#AgeOfEnlightenment #AI #artificialIntelligence #Beethoven #classicalMusic #culture #Enlightenment #Haydn #history #JosephHaydn #Mozart #music #philosophy #politics #reason #society #TheEnlightenment -
“Common sense is not so common”*…
The Enlightenment is under attack by the Left and the Right. It can only be “saved,” Eliane Glaser argues, through use of its greatest legacy: permanent critique. And then there’s AI. After summarizing the critiques from both sides, she continues…
In consequence of this pincer-movement attack, the Enlightenment’s legacy is existentially vulnerable. It makes me deeply worried as someone whose entire career has been built on trying to understand and analyse the world around me – especially a world that still tries to confine thinking women to the realms of emotion and ‘personal experience’.
I believe that Enlightenment values are essential, but that we have largely forgotten how to make a good case for them: we need to rely on shared facts, tested by experiment; a public sphere where open discussion can take place; and the belief that discussion should be founded on reasoned argument. We need, moreover, to cherish the more political values of tolerance, freedom, human rights and the common good. Advocates for artificial intelligence have the temerity to claim that large language models are ushering in a ‘second Enlightenment’ (a claim that was uncritically echoed in a paper published by the World Economic Forum last year) when what we are in fact seeing is the destruction of the Enlightenment legacy under the false banner of its name. As the historian David Bell argued in The New York Times in 2025, AI is actually ‘shedding Enlightenment values’ by simply reinforcing ‘what we already think we know.’ In The Guardian,the journalist and geopolitical risk consultant Joseph de Weck warned that ‘AI is taking us back to the dark ages’, making us lazy, and stymying independent thinking.
The evidence suggests that we are going through a rapid de-enlightenment. Newspaper circulations, attention spans, and trust in forms of agreed knowledge are in freefall. Misinformation, disinformation and deepfakes are gaining ground. If we let go of the valuable aspects of the Enlightenment project, we open ourselves up to a world of AI blather, ‘my truth’ pronouncements, wobbly sentiment and unchecked power.
My unease with this parlous state of affairs has provoked me to go back and rethink the Enlightenment and what it has to offer. But, rather than unthinkingly recouping it as a mission, I want instead to tease out and weigh up its merits, to discern with nuance what is still fit for our times. I want to ask if it is possible to rescue the Enlightenment’s rallying power, and if it’s worth defending what the combined forces of Left and Right are coming together to attack. Are the Enlightenment’s deficiencies barnacles on an old ship, or integral to its design?…
And so she does. Do read on: “Flickering Enlightenment,” from @elianeglaser.bsky.social in @aeon.co.
* Voltaire
###
As we reclaim reason, we might spare a thought for a glorious product of the Enlightenment, Joseph Haydn; he died on this date in 1809. A composer of the Classical period, he was pivotal in the evolution of chamber music forms like the string quartet and piano trio, and is known as the “Father” of both the symphony and sonata forms. Haydn was a friend and mentor of Mozart, and a teacher of Beethoven; indeed, the Haydn, Mozart and Beethoven trio are sometimes referred to as the “First Viennese School.”
Schonberg wrote that Haydn “was the Classic performer par excellence, and in his long life, from 1732 to 1809, he grew up with the new musical ideas and, more than any one man, shaped them.”
https://youtu.be/CuBGDwgkZzM?si=QvXLWDRCB-Tq-CM7
#AgeOfEnlightenment #AI #artificialIntelligence #Beethoven #classicalMusic #culture #Enlightenment #Haydn #history #JosephHaydn #Mozart #music #philosophy #politics #reason #society #TheEnlightenment -
“Common sense is not so common”*…
The Enlightenment is under attack by the Left and the Right. It can only be “saved,” Eliane Glaser argues, through use of its greatest legacy: permanent critique. And then there’s AI. After summarizing the critiques from both sides, she continues…
In consequence of this pincer-movement attack, the Enlightenment’s legacy is existentially vulnerable. It makes me deeply worried as someone whose entire career has been built on trying to understand and analyse the world around me – especially a world that still tries to confine thinking women to the realms of emotion and ‘personal experience’.
I believe that Enlightenment values are essential, but that we have largely forgotten how to make a good case for them: we need to rely on shared facts, tested by experiment; a public sphere where open discussion can take place; and the belief that discussion should be founded on reasoned argument. We need, moreover, to cherish the more political values of tolerance, freedom, human rights and the common good. Advocates for artificial intelligence have the temerity to claim that large language models are ushering in a ‘second Enlightenment’ (a claim that was uncritically echoed in a paper published by the World Economic Forum last year) when what we are in fact seeing is the destruction of the Enlightenment legacy under the false banner of its name. As the historian David Bell argued in The New York Times in 2025, AI is actually ‘shedding Enlightenment values’ by simply reinforcing ‘what we already think we know.’ In The Guardian,the journalist and geopolitical risk consultant Joseph de Weck warned that ‘AI is taking us back to the dark ages’, making us lazy, and stymying independent thinking.
The evidence suggests that we are going through a rapid de-enlightenment. Newspaper circulations, attention spans, and trust in forms of agreed knowledge are in freefall. Misinformation, disinformation and deepfakes are gaining ground. If we let go of the valuable aspects of the Enlightenment project, we open ourselves up to a world of AI blather, ‘my truth’ pronouncements, wobbly sentiment and unchecked power.
My unease with this parlous state of affairs has provoked me to go back and rethink the Enlightenment and what it has to offer. But, rather than unthinkingly recouping it as a mission, I want instead to tease out and weigh up its merits, to discern with nuance what is still fit for our times. I want to ask if it is possible to rescue the Enlightenment’s rallying power, and if it’s worth defending what the combined forces of Left and Right are coming together to attack. Are the Enlightenment’s deficiencies barnacles on an old ship, or integral to its design?…
And so she does. Do read on: “Flickering Enlightenment,” from @elianeglaser.bsky.social in @aeon.co.
* Voltaire
###
As we reclaim reason, we might spare a thought for a glorious product of the Enlightenment, Joseph Haydn; he died on this date in 1809. A composer of the Classical period, he was pivotal in the evolution of chamber music forms like the string quartet and piano trio, and is known as the “Father” of both the symphony and sonata forms. Haydn was a friend and mentor of Mozart, and a teacher of Beethoven; indeed, the Haydn, Mozart and Beethoven trio are sometimes referred to as the “First Viennese School.”
Schonberg wrote that Haydn “was the Classic performer par excellence, and in his long life, from 1732 to 1809, he grew up with the new musical ideas and, more than any one man, shaped them.”
https://youtu.be/CuBGDwgkZzM?si=QvXLWDRCB-Tq-CM7
#AgeOfEnlightenment #AI #artificialIntelligence #Beethoven #classicalMusic #culture #Enlightenment #Haydn #history #JosephHaydn #Mozart #music #philosophy #politics #reason #society #TheEnlightenment -
https://www.europesays.com/at/178970/ Barocktage-Kritik – Von der Einsamkeit des Herzens: Il Giardino Armonico im Stift Melk #AlteMusik #AntonioVivaldi #AriadneAufNaxos #AT #Austria #BarocktageMelk #Entertainment #GiovanniAntonini #IlGiardinoArmonico #JosephHaydn #Kolomanisaal #Ö1 #Österreich #PatriciaNolz #StiftMelk #Unterhaltung
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https://www.europesays.com/at/134916/ HAYDNREGION NÖ – Krimi-Konzert: „Wer vergiftete Mozart, wer enthauptete Haydn?“ #_slideshow #AT #Austria #Entertainment #HaydnregionNÖ #JosephHaydn #KandinskyQuartett #MarkusHering #Österreich #PetronellCarnuntum #RömerlandCarnuntum #RömerstadtCarnuntum #Unterhaltung #WolfgangAmadeusMozart
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On the 31st of March 1732: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), born in Rohrau, Austria (d. 1809).
#HappyBirthday #RIP 💔🕊️ -
On the 31st of March 1732: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), born in Rohrau, Austria (d. 1809).
#HappyBirthday #RIP 💔🕊️ -
On the 31st of March 1732: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), born in Rohrau, Austria (d. 1809).
#HappyBirthday #RIP 💔🕊️ -
On the 31st of March 1732: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), born in Rohrau, Austria (d. 1809).
#HappyBirthday #RIP 💔🕊️ -
On the 31st of March 1732: #JosephHaydn, Austrian #composer of the classical period (The Creation; Trumpet Concerto), born in Rohrau, Austria (d. 1809).
#HappyBirthday #RIP 💔🕊️ -
Engagierter Kirchenmusiker verlässt Wuppertal
Stefan Starnberger, seit 2013 Kantor der Gemeinde St. Antonius in Barmen, verlässt Wuppertal und wird ab Juli Kantor…
#Wuppertal #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #"Kirche" #"Pfingsten" #Antonius #Antoniusmusik #Germany #JosephHaydn #Kantor #Kirchenmusik #Messe #Münster #Münsterkantor #Neuss #Nordrhein-Westfalen #Starnberger #Stefan
https://www.europesays.com/de/910879/ -
On Mar 23, 1792: #JosephHaydn's 94th Symphony in G at the Hanover Square Rooms in London, England.
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On Mar 23, 1792: #JosephHaydn's 94th Symphony in G at the Hanover Square Rooms in London, England.
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On Mar 23, 1792: #JosephHaydn's 94th Symphony in G at the Hanover Square Rooms in London, England.
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On Mar 23, 1792: #JosephHaydn's 94th Symphony in G at the Hanover Square Rooms in London, England.
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On Mar 23, 1792: #JosephHaydn's 94th Symphony in G at the Hanover Square Rooms in London, England.
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Schwungvoll in
Michael Töpel komponierte seine Rheinsberger Tänze im Frühjahr 2022 anlässlich eines Kongresses der International Viola d’amore Society in…
#Kiel #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #AnnetteTöpel #FelixMendelssohnBartholdy #Festspiele #Germany #JosephHaydn #KlassischeMusik #London #Oper #Schleswig-Holstein #SchlossRheinsberg #Wien
https://www.europesays.com/de/890063/ -
Kammerorchester Radom in der Festhalle – Landau
Das ROK Polnisches Kammerorchester Radom gab unter Leitung von Jurek Dybal ein begeisterndes Konzert in der Festhalle. Auch…
#Frankfurt #FrankfurtamMain #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #AulisSallinen #EnjottSchneider #Festhalle #Germany #GrazynaBacewicz #Hessen #JosephHaydn #JurekDybal #Kammerorchester #Landau #lokal #WitoldLutoslawski
https://www.europesays.com/de/866135/ -
Gestern Abend im #gewandhaus zu #leipzig »Die Jahreszeiten« von #josephhaydn gehört mit #julianpregardien als Lukas. Wow, wow, wow!
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Logbuch der Kritischen Masse: O Fortuna
https://www.kritische-masse.de/logbuch/2026/02/o-fortuna/Wojciech Fortuna als Vorbild. Die Nationalhymne bei Olympia eher bedauerlich. – Stichworte: #JosephHaydn #Olympia #Nationalhymne
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Logbuch der Kritischen Masse: O Fortuna
https://www.kritische-masse.de/logbuch/2026/02/o-fortuna/Wojciech Fortuna als Vorbild. Die Nationalhymne bei Olympia eher bedauerlich. – Stichworte: #JosephHaydn #Olympia #Nationalhymne
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“Trumpet Concerto in E Flat Major” by Joseph Haydn (https://youtu.be/vpFaWJQHwbA?si=ybBOUaSMXTNFy4UJ) was written for Viennese trumpet virtuoso Anton Weidinger in the late 1700s to coincide with his invention of the Keyed Trumpet by showing off as much of the instrument’s range as possible.
#SymSat #JosephHaydn -
“Trumpet Concerto in E Flat Major” by Joseph Haydn (https://youtu.be/vpFaWJQHwbA?si=ybBOUaSMXTNFy4UJ) was written for Viennese trumpet virtuoso Anton Weidinger in the late 1700s to coincide with his invention of the Keyed Trumpet by showing off as much of the instrument’s range as possible.
#SymSat #JosephHaydn -
“Trumpet Concerto in E Flat Major” by Joseph Haydn (https://youtu.be/vpFaWJQHwbA?si=ybBOUaSMXTNFy4UJ) was written for Viennese trumpet virtuoso Anton Weidinger in the late 1700s to coincide with his invention of the Keyed Trumpet by showing off as much of the instrument’s range as possible.
#SymSat #JosephHaydn -
“Trumpet Concerto in E Flat Major” by Joseph Haydn (https://youtu.be/vpFaWJQHwbA?si=ybBOUaSMXTNFy4UJ) was written for Viennese trumpet virtuoso Anton Weidinger in the late 1700s to coincide with his invention of the Keyed Trumpet by showing off as much of the instrument’s range as possible.
#SymSat #JosephHaydn -
“Trumpet Concerto in E Flat Major” by Joseph Haydn (https://youtu.be/vpFaWJQHwbA?si=ybBOUaSMXTNFy4UJ) was written for Viennese trumpet virtuoso Anton Weidinger in the late 1700s to coincide with his invention of the Keyed Trumpet by showing off as much of the instrument’s range as possible.
#SymSat #JosephHaydn -
Tatort aus Köln: „Die Schöpfung“
Im neuen Tatort am Sonntag, den 10.1.26, ist das Ermittlerduo Max Ballauf und Freddy Schenk aus Köln wieder…
#Koeln #Koln #Cologne #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Köln #ARD #DavidDeyck #ElliZander #FreddySchenk #Germany #JosephHaydn #MaxBallauf #Nordrhein-Westfalen #Schöpfung #Tatort #TatortKöln
https://www.europesays.com/de/707675/ -
#OnThisDay in 1792, In Vienna, #LudwigvanBeethoven (22) receives his first lesson in music composition from Franz #JosephHaydn (60).
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#OnThisDay in 1792, In Vienna, #LudwigvanBeethoven (22) receives his first lesson in music composition from Franz #JosephHaydn (60).
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#OnThisDay in 1792, In Vienna, #LudwigvanBeethoven (22) receives his first lesson in music composition from Franz #JosephHaydn (60).
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#OnThisDay in 1792, In Vienna, #LudwigvanBeethoven (22) receives his first lesson in music composition from Franz #JosephHaydn (60).
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#OnThisDay in 1792, In Vienna, #LudwigvanBeethoven (22) receives his first lesson in music composition from Franz #JosephHaydn (60).
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Weltweit renommiertes Minguet Quartett begeistert in Wuppertal
Das weltweit renommierte Minguet Quartett war im Mendelssohn Saal der Historischen Stadthalle…
#Wuppertal #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #ClaudeDebussy #Germany #JosephHaydn #Konzert #Konzertreihe #Konzertsälen #MauriceRavel #Nordrhein-Westfalen #PabloMinguet #Perfektion #Quartett #Stadthalle #Streichquartett #Streichquartetten #weltweit
https://www.europesays.com/de/611119/ -
@classicalmusic
#JosephHaydn 1732 - 1809#Symphony No. 15 in D major #Hob.I15 (1761)
I Adagio,
II Menuet e Trio
III Andante
IV Presto#IlGiardinoArmonico
#GiovanniAntonini -
@classicalmusic
#JosephHaydn 1732 - 1809#Symphony No. 15 in D major #Hob.I15 (1761)
I Adagio,
II Menuet e Trio
III Andante
IV Presto#IlGiardinoArmonico
#GiovanniAntonini -
@classicalmusic
#JosephHaydn 1732 - 1809#Symphony No. 15 in D major #Hob.I15 (1761)
I Adagio,
II Menuet e Trio
III Andante
IV Presto#IlGiardinoArmonico
#GiovanniAntonini -
@classicalmusic
#JosephHaydn 1732 - 1809#Symphony No. 15 in D major #Hob.I15 (1761)
I Adagio,
II Menuet e Trio
III Andante
IV Presto#IlGiardinoArmonico
#GiovanniAntonini -
@classicalmusic
#JosephHaydn 1732 - 1809#Symphony No. 15 in D major #Hob.I15 (1761)
I Adagio,
II Menuet e Trio
III Andante
IV Presto#IlGiardinoArmonico
#GiovanniAntonini -
#JosephHaydn 1732 - 1809
#CelloConcerto No. 2 in D Major, (1783) #Hob.VIIb2, Op. 101
I Allegro moderato
II Adagio
III Rondo: Allegro#RafaelRosenfeld #Cello
#ChamberAcademyBasel
#GordanNikolic -
#JosephHaydn 1732 - 1809
#CelloConcerto No. 2 in D Major, (1783) #Hob.VIIb2, Op. 101
I Allegro moderato
II Adagio
III Rondo: Allegro#RafaelRosenfeld #Cello
#ChamberAcademyBasel
#GordanNikolic -
#JosephHaydn 1732 - 1809
#CelloConcerto No. 2 in D Major, (1783) #Hob.VIIb2, Op. 101
I Allegro moderato
II Adagio
III Rondo: Allegro#RafaelRosenfeld #Cello
#ChamberAcademyBasel
#GordanNikolic -
#JosephHaydn 1732 - 1809
#CelloConcerto No. 2 in D Major, (1783) #Hob.VIIb2, Op. 101
I Allegro moderato
II Adagio
III Rondo: Allegro#RafaelRosenfeld #Cello
#ChamberAcademyBasel
#GordanNikolic -
#JosephHaydn 1732 - 1809
#CelloConcerto No. 2 in D Major, (1783) #Hob.VIIb2, Op. 101
I Allegro moderato
II Adagio
III Rondo: Allegro#RafaelRosenfeld #Cello
#ChamberAcademyBasel
#GordanNikolic -
#JosephHaydn 1732 - 1809
#Symphony No.60 in C Major "Il Distratto" #HobI60
I Adagio - Allegro di molto
II Andante
III Menuetto & Trio
V Adagio
VI Finale. Prestissimo#AustroHungarianHaydnOrchestra
#AdamFischer#classicalmusic #contemporarymusic
#musik #music #musique #musica #JHaydn