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  1. A Look Back at X-Men 2099 #20 (1995)

    Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

    Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

    The past few issues followed the developments seen through the eyes of separated X-Men members – Meanstreak who assisted Halloween Jack’s move to take Las Vegas away from the Synge family, Krystalin who has been in California to help her brother, and Shakti who recently uncovered something about the legacy of mutants. That said, Bloodhawk’s absence was really noticeable and this was because Marvel Comics had him appear in a few Doom 2099 comic books set in the Savage Land.

    With those details laid down, here is a look back at X-Men 2099 #20, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

    The cover.

    Early story

    The story begins in the Arizona desert where Bloodhawk flies over the wasteland. He just returned from the Savage Land and he immediately notices huge tracks left behind by some kind of large machine and they are radiated. He notices a sick and radiated coyote approach. Bloodhawk grabs the coyote, says some words to it and kills it to end its suffering.

    Meanwhile at the ACME Pit Stop (a roadside tradition of fuel and food since the year 2047), a conflict between business owner Cyrus and Lou Ann is taking place with lots of bystanders watching. Their conflict gets disrupted as a massive, large robot suddenly arrived causing everyone to panic. The robot grabs a long rig and threw it at the ground causing a huge explosion.

    Bloodhawk, who raided one of his weapons cashes to arm himself with grenades, quickly flies in to attack the giant robot…

    Quality

    If you read the details closely, you will realize the extremism of the Free Radicals and why they have so much in common with real-life anarchists and zealots.

    To point out the obvious, the main feature here is the focus on Bloodhawk’s return to the American wasteland coming from the Savage Land (chronicled in Doom 2099). By having him encounter a massive robot, it is clear that John Francis Moore and Ron Lim planned this to have a huge storytelling weight and give the X-Men 2099 fans – especially the ones who love Bloodhawk – something to enjoy. Along the way, this comic book has Bloodhawk gaining an unexpected ally which allowed the creators to show some character development on him. As many fans already know, Bloodhawk values nature and despises both technology and modern society as he saw them as devourers of the natural environment. In this comic book, he has a gigantic mechanical problem to deal with and the odds are absolutely against him. That said, Bloodhawk’s tale here is pretty much a big comeback from being absent in the past issues.

    Meanwhile, Krystalin finds herself in deeper trouble. After helping the Free Radicals regain their very young but tech-oriented teammate, she finds herself and her brother still trapped by the gang. Continuing from what was symbolized in the previous issues, this comic book sheds light on political symbolism and the radicalized people’s obsession with drastic change in world they believe is controlled by institutions they perceive as oppressive. The Free Radicals have sinister values that make them comparable with real-life evil forces like Black Lives Matter (BLM), Palestinian terrorist group Hamas, Antifa, LGBTQ mobs, Islamists and others. The Free Radical’s youngest member clearly believes that anarchy means freedom.

    Conclusion

    The design of this giant robot is corny to look at.

    Crafted with care and symbolism, X-Men 2099 #20 (1995) has two tales that are gripping to follow. The tales of Bloodhawk and Krystalin succeeded with ensuring a gripping read and moving events forward. That said, the stakes of Krystalin’s conflict with the Free Radicals have been raised even more. Those who are very fond of Bloodhawk will have good stuff to enjoy here. This comic book’s only weakness is the rather corny design of the giant robot, and it felt distracting from time to time.

    Overall, X-Men 2099 #20 (1995) is recommended.

    +++++

    Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

    #1990s #2099 #America #anarchist #anarchy #Antifa #BlackLivesMatter #BlackLivesMatterBLM #BlackPanther #BlackPantherPartyBPP #BlackPanthers #BLM #blogging #Bloodhawk #CarloCarrasco #comics #comicsBlog #comicsReview #Democrats #FreeRadicals #geek #giantRobots #Hamas #homosexual #identityPolitics #illustratedLiterature #Islamist #IslamoLeft #IslamoLeft #IslamoLeftist #JohnFrancisMoore #Krystalin #LGBT #LGBTQ #LGBTQ #LGBTQIA #liberal #literature #Marvel2099 #MarvelComics #Marxist #nostalgia #Palestinians #Philippines #politics #retroReview #Reviews #robots #RonLim #sciFi #scienceFiction #socialist #superhero #superheroes #The1990s #transgender #UnitedStatesOfAmericaUSA #Wakanda #woke #WordPress #WordPressCom #XMen #XMen2099 #XMenReview
  2. A Look Back at The Kindred #4 (1994)

    Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

    Welcome back, superhero fans, 1990s arts and culture enthusiasts, Image Comics and comic book collectors! Today we go back to the mid-1990s to examine one of the many tales of the WildStorm universe through The Kindred mini-series.

    After reading the first three issues of this WildStorm mini-series, Grifter and Backlash were well defined as two former teammates of Team 7 who are at great odds with each other. Adding more emphasis to the Team 7 legacy and the dirty history of International Operations (IO) was IO officer John Lynch (who became a captive in this mini-series) and the revealed leader of the Kindred. The stage is set for the conclusion of this mini-series.

    With those details laid down, here is a look back at The Kindred #4, published by Image Comics in 1994 with a story written by Jim Lee, Brandon Choi, Sean Ruffner and the illustrator himself, Brett Booth.

    The cover.

    Early story

    The story begins some time after the leader of the Kindred revealed himself to Lynch, Grifter, Backlash and Alicia Turner. It has been former IO operative and Team 7 member Roberto Diaz all along and he blamed Backlash for leaving him for dead more than twenty years prior during a desperate situation in South America.

    On the orders of Diaz, a few of the beastly Kindred servants carried the severely damaged body of Backlash to a waterfall and threw him down. Elsewhere, Grifter is naked and contained in a water container with oxygen and a communication device attached to him. Roberto Diaz watches and communicates with him. Diaz tells Grifter that the his old identity is no more and the only thing he requires from him are gen samples which are crucial to better understand the genesis drug.

    Diaz reveals to him that duplicating the genesis drug is crucial for the Kindred to create more life and be able to overwhelm the world and force it to recognize the might of the Kindred society. Grifter tries to reason with his former teammate by telling him that the genesis serum is something that is not meant to be tampered as it will lead to destruction…

    Quality

    Backlash in action!

    This early, I can say that Jim Lee, Brandon Choi, Sean Ruffner and Brett Booth gave their best effort to make this final chapter very intriguing, dramatic and explosive to read at the same time. Along the way, they expanded the lore of the original WildStorm universe while building up anticipation for the Team 7 original mini-series (released in the 4th quarter of 1994).

    The writing got even stronger in this final issue in terms of storytelling and character development. Roberto Diaz is not a one-dimensional super villain. In fact, he strongly believes that he was betrayed not only by Team 7 and IO, but by humanity in general. As such, he found purpose with the Kindred during his survival days and injected himself with the genesis drug which enhanced him but also turned him into an addict (this alone added drug addiction as a key theme). As far as Roberto Diaz is concerned, he is on a path of no return and his obsession with vengeance against humanity justifies his leadership of the Kindred and the master plan to overwhelm humanity someday. In terms of geopolitics, this reminds me a lot about Islamic terrorists going up against Western civilization using violence while having their fellow Islamists migrate into different nations worldwide to overwhelm those societies from within. Of course, the concept of Diaz and the Kindred plotting against many billions of humans here is high fantasy mixed with unethical science, terrorism, infiltration and terrorism.

    The creators managed to develop Grifter, Backlash and John Lynch even more. Lynch here is portrayed as very stressed and struggling with being responsible over the deaths of many men IO sent to rescue him. He even believed for a while that Backlash is dead and he knows fully well that the Kindred are not crazy but rather intelligent and are obsessed with seeking justice. In some ways, Lynch is also responsible for the Kindred and he reflects on what he did for decades for IO while serving as a Team 7 member with a leadership role.

    John Lynch in the prison cell with Colby.

    Grifter and Backlash, who are often visually featured in the promos of this mini-series, also have their fair share of the spotlight. Both heroes are severely beaten and not even their special talents or powers were enough to overcome the violent opposition of the Kindred. I like the way the creators emphasized Grifter’s (civilian identity: Cole Cash) personality as he got into the same prison cell with Alicia Turner who turned out to be involved with him several years prior. Grifter here is uneasy about the past not only as member of Team 7 but also as a person. As for Backlash, I’ll say that he has the classic heroic comeback in this issue and things got really tense between him and Roberto Diaz.

    When it comes to superhero spectacle, this one is really packed with action and Brett Booth delivered some dynamic artworks to make the story look entertaining. When he draws the Kindred – those animalistic loyalists of Roberto Diaz – he makes them look horrific and intimidating from time to time. When it comes to drawing Backlash and Grifter, Booth’s take has some rough edges as this mini-series was produced before the start of the Backlash series.

    Conclusion

    A dynamic action shot of a battered Grifter with Alicia Turner.

    I can say that The Kindred #4 (1994) is a worthy end to the mini-series. By the time the plot concluded, the lore and the paramilitary concepts of the original WildStorm universe got expanded a lot with emphasis on the legacy left behind by Team 7 and IO. Grifter, Backlash and John Lynch – all former teammates of Team 7 – got nicely developed here and their significance within the WildStorm universe got stronger. This comic book delivered intrigue, surprises and a good amount of spectacle from start to finish. It also succeeded in setting the stage for the late-1994 launch of Team 7.

    Overall, The Kindred #4 (1994) is recommended.

    +++++

    Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

    #1990s #America #amusement #animation #Backlash #BrandonChoi #BrettBooth #CarloCarrasco #ChatGPT #ColeCash #comic #comicBook #comicBookAdaptation #ComicBookReview #comicBooks #comicReview #comics #comicsBlog #comicsReview #entertainment #entertainmentBlog #fun #geek #Gen13 #Google #GoogleSearch #Grifter #illegalImmigrants #illegalImmigration #illustratedLiterature #ImageComics #immigration #InternationalOperationsIO #IslamicTerrorism #IslamicTerrorists #Islamist #IslamoLeft #IslamoLeft #IslamoLeftist #JimLee #JohnLynch #Kindred #literature #MarcSlayton #massMigration #military #paraMilitary #paramilitary #retroReview #Retrospective #review #Reviews #RobertoDiaz #SeanRuffner #StormWatch #superhero #superheroes #Team7 #terrorism #terrorists #The1990s #TheKindred #Tumblr #Twitter #WildCATSCovertActionTeams #WildCATS #WillStorm #WordPress #WordPressCom
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