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#intonation — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #intonation, aggregated by home.social.

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  1. Piège d'intonation pour francophones en anglais pro : monter la voix à la fin d'une question WH-. « When do we start the project? » avec mélodie montante = ton interlocuteur entend une hésitation. Règle : WH- descendent, yes/no montent. Inverser les deux, c'est sonner peu sûr de soi devant un board. Diagnostic 90s (lien en bio). #BusinessEnglish #Intonation #Linguistique

  2. Another piece of text got uploaded to ResearchGate: My 2019 MUDS chapter on action distinctions within response tokens and their varied relation to intonation [in Danish]: researchgate.net/publication/3
    #EMCA #intonation

  3. Another piece of text got uploaded to ResearchGate: My 2019 MUDS chapter on action distinctions within response tokens and their varied relation to intonation [in Danish]: researchgate.net/publication/3
    #EMCA #intonation

  4. Another piece of text got uploaded to ResearchGate: My 2019 MUDS chapter on action distinctions within response tokens and their varied relation to intonation [in Danish]: researchgate.net/publication/3
    #EMCA #intonation

  5. Another piece of text got uploaded to ResearchGate: My 2019 MUDS chapter on action distinctions within response tokens and their varied relation to intonation [in Danish]: researchgate.net/publication/3
    #EMCA #intonation

  6. My best part of my PhD thesis is probably the paper on rising 'ja' (yes) and 'nej' (no) in Danish). It shows that these are used for affiliation in contrast to the 'normal' versions with level intonation. But it also shows how the rising pitch often (cor)responds to a wide pitch span in the previous turn, as part of making affiliation relevant.

    Now your can get a version of this on ResearchGate (AAM, before layout and proofs)

    researchgate.net/publication/3

    #linguistics #phonetics #emca #intonation

  7. My best part of my PhD thesis is probably the paper on rising 'ja' (yes) and 'nej' (no) in Danish). It shows that these are used for affiliation in contrast to the 'normal' versions with level intonation. But it also shows how the rising pitch often (cor)responds to a wide pitch span in the previous turn, as part of making affiliation relevant.

    Now your can get a version of this on ResearchGate (AAM, before layout and proofs)

    researchgate.net/publication/3

    #linguistics #phonetics #emca #intonation

  8. My best part of my PhD thesis is probably the paper on rising 'ja' (yes) and 'nej' (no) in Danish). It shows that these are used for affiliation in contrast to the 'normal' versions with level intonation. But it also shows how the rising pitch often (cor)responds to a wide pitch span in the previous turn, as part of making affiliation relevant.

    Now your can get a version of this on ResearchGate (AAM, before layout and proofs)

    researchgate.net/publication/3

    #linguistics #phonetics #emca #intonation

  9. My best part of my PhD thesis is probably the paper on rising 'ja' (yes) and 'nej' (no) in Danish). It shows that these are used for affiliation in contrast to the 'normal' versions with level intonation. But it also shows how the rising pitch often (cor)responds to a wide pitch span in the previous turn, as part of making affiliation relevant.

    Now your can get a version of this on ResearchGate (AAM, before layout and proofs)

    researchgate.net/publication/3

    #linguistics #phonetics #emca #intonation

  10. My best part of my PhD thesis is probably the paper on rising 'ja' (yes) and 'nej' (no) in Danish). It shows that these are used for affiliation in contrast to the 'normal' versions with level intonation. But it also shows how the rising pitch often (cor)responds to a wide pitch span in the previous turn, as part of making affiliation relevant.

    Now your can get a version of this on ResearchGate (AAM, before layout and proofs)

    researchgate.net/publication/3

    #linguistics #phonetics #emca #intonation

  11. `Suite for Microtonal Piano (1978) is a suite for specifically microtonally tuned piano(s) by Ben Johnston written in 1977 (see also just intonation). According to Bob Gilmore the piece, "take[s] extended just intonation well beyond the point reached by Harry Partch."`

    en.wikipedia.org/wiki/Suite_fo

    #tonality #temperament #tuning #scale #microtonal #intonation

  12. `Suite for Microtonal Piano (1978) is a suite for specifically microtonally tuned piano(s) by Ben Johnston written in 1977 (see also just intonation). According to Bob Gilmore the piece, "take[s] extended just intonation well beyond the point reached by Harry Partch."`

    en.wikipedia.org/wiki/Suite_fo

    #tonality #temperament #tuning #scale #microtonal #intonation

  13. `Suite for Microtonal Piano (1978) is a suite for specifically microtonally tuned piano(s) by Ben Johnston written in 1977 (see also just intonation). According to Bob Gilmore the piece, "take[s] extended just intonation well beyond the point reached by Harry Partch."`

    en.wikipedia.org/wiki/Suite_fo

    #tonality #temperament #tuning #scale #microtonal #intonation

  14. `Suite for Microtonal Piano (1978) is a suite for specifically microtonally tuned piano(s) by Ben Johnston written in 1977 (see also just intonation). According to Bob Gilmore the piece, "take[s] extended just intonation well beyond the point reached by Harry Partch."`

    en.wikipedia.org/wiki/Suite_fo

    #tonality #temperament #tuning #scale #microtonal #intonation

  15. `Suite for Microtonal Piano (1978) is a suite for specifically microtonally tuned piano(s) by Ben Johnston written in 1977 (see also just intonation). According to Bob Gilmore the piece, "take[s] extended just intonation well beyond the point reached by Harry Partch."`

    en.wikipedia.org/wiki/Suite_fo

    #tonality #temperament #tuning #scale #microtonal #intonation

  16. Weather forecaster on the radio just said “Temperatures will be 3 to 5 degrees, lower than average for June”, but meant “Temperatures will be 3 to 5 degrees lower than average for June”.

    #intonation #linguistics

  17. Weather forecaster on the radio just said “Temperatures will be 3 to 5 degrees, lower than average for June”, but meant “Temperatures will be 3 to 5 degrees lower than average for June”.

    #intonation #linguistics

  18. Weather forecaster on the radio just said “Temperatures will be 3 to 5 degrees, lower than average for June”, but meant “Temperatures will be 3 to 5 degrees lower than average for June”.

    #intonation #linguistics

  19. Weather forecaster on the radio just said “Temperatures will be 3 to 5 degrees, lower than average for June”, but meant “Temperatures will be 3 to 5 degrees lower than average for June”.

    #intonation #linguistics

  20. Weather forecaster on the radio just said “Temperatures will be 3 to 5 degrees, lower than average for June”, but meant “Temperatures will be 3 to 5 degrees lower than average for June”.

    #intonation #linguistics

  21. @TheAntiM

    #mandolin #mandolinrepair #luthier #diy #instrumentrepair #fretremoval #intonation #strings

    I think so.
    I'm stripping it down to the bare wood and refinishing it.
    I'm unsure what to do with the action. It's way high at the bridge but I know from experience how easy it is to mess it up trying to fix it. I̶ m̶i̶g̶h̶t̶ a̶s̶k̶ f̶o̶r̶ h̶e̶l̶p̶ f̶r̶o̶m̶ a̶ l̶o̶c̶a̶l̶ l̶u̶t̶h̶i̶e̶r̶.
    Doing it myself.

  22. @TheAntiM

    #mandolin #mandolinrepair #luthier #diy #instrumentrepair #fretremoval #intonation #strings

    I think so.
    I'm stripping it down to the bare wood and refinishing it.
    I'm unsure what to do with the action. It's way high at the bridge but I know from experience how easy it is to mess it up trying to fix it. I̶ m̶i̶g̶h̶t̶ a̶s̶k̶ f̶o̶r̶ h̶e̶l̶p̶ f̶r̶o̶m̶ a̶ l̶o̶c̶a̶l̶ l̶u̶t̶h̶i̶e̶r̶.
    Doing it myself.

  23. @TheAntiM

    #mandolin #mandolinrepair #luthier #diy #instrumentrepair #fretremoval #intonation #strings

    I think so.
    I'm stripping it down to the bare wood and refinishing it.
    I'm unsure what to do with the action. It's way high at the bridge but I know from experience how easy it is to mess it up trying to fix it. I̶ m̶i̶g̶h̶t̶ a̶s̶k̶ f̶o̶r̶ h̶e̶l̶p̶ f̶r̶o̶m̶ a̶ l̶o̶c̶a̶l̶ l̶u̶t̶h̶i̶e̶r̶.
    Doing it myself.

  24. @TheAntiM

    I think so.
    I'm stripping it down to the bare wood and refinishing it.
    I'm unsure what to do with the action. It's way high at the bridge but I know from experience how easy it is to mess it up trying to fix it. I̶ m̶i̶g̶h̶t̶ a̶s̶k̶ f̶o̶r̶ h̶e̶l̶p̶ f̶r̶o̶m̶ a̶ l̶o̶c̶a̶l̶ l̶u̶t̶h̶i̶e̶r̶.
    Doing it myself.

  25. Dear friends of #Ma, :ablobwave:

    #Horses in Tibetan are called Ma. Mothers are called Ma. One other thing is called Ma. I forget what it is?

    The three forms of Ma are based on #breathing in or out and #intonation.
    Ma is also a #letter of the Tibetan alphabet. Used as a #seed mantra.

    There are probably some great #jokes in there somewhere. As in a horse walks into a yak-bar and says, 'Am I your #mother or are you just pleased to see me (in this life)' :hearthands:

    #Languages #horse #mother #linguistics #Tibetan

  26. Dear friends of #Ma, :ablobwave:

    #Horses in Tibetan are called Ma. Mothers are called Ma. One other thing is called Ma. I forget what it is?

    The three forms of Ma are based on #breathing in or out and #intonation.
    Ma is also a #letter of the Tibetan alphabet. Used as a #seed mantra.

    There are probably some great #jokes in there somewhere. As in a horse walks into a yak-bar and says, 'Am I your #mother or are you just pleased to see me (in this life)' :hearthands:

    #Languages #horse #mother #linguistics #Tibetan

  27. Dear friends of #Ma, :ablobwave:

    #Horses in Tibetan are called Ma. Mothers are called Ma. One other thing is called Ma. I forget what it is?

    The three forms of Ma are based on #breathing in or out and #intonation.
    Ma is also a #letter of the Tibetan alphabet. Used as a #seed mantra.

    There are probably some great #jokes in there somewhere. As in a horse walks into a yak-bar and says, 'Am I your #mother or are you just pleased to see me (in this life)' :hearthands:

    #Languages #horse #mother #linguistics #Tibetan

  28. [1/2]

    I tweaked the #Intonation on my main #Guitar. Not all the strings, just three of them that needed it.

    Since I was about 19 years old, I developed a good way of doing it. What you don't want to be doing is just matching the 12th fret harmonic to the 12th fret note. That's good for acoustic guitars.

    On electrics, where people hear your bad intonation the most is your soloing above the 12th. You need good relative tuning among the high notes in that area of the neck.

  29. [1/2]

    I tweaked the #Intonation on my main #Guitar. Not all the strings, just three of them that needed it.

    Since I was about 19 years old, I developed a good way of doing it. What you don't want to be doing is just matching the 12th fret harmonic to the 12th fret note. That's good for acoustic guitars.

    On electrics, where people hear your bad intonation the most is your soloing above the 12th. You need good relative tuning among the high notes in that area of the neck.

  30. [1/2]

    I tweaked the #Intonation on my main #Guitar. Not all the strings, just three of them that needed it.

    Since I was about 19 years old, I developed a good way of doing it. What you don't want to be doing is just matching the 12th fret harmonic to the 12th fret note. That's good for acoustic guitars.

    On electrics, where people hear your bad intonation the most is your soloing above the 12th. You need good relative tuning among the high notes in that area of the neck.

  31. [1/2]

    I tweaked the #Intonation on my main #Guitar. Not all the strings, just three of them that needed it.

    Since I was about 19 years old, I developed a good way of doing it. What you don't want to be doing is just matching the 12th fret harmonic to the 12th fret note. That's good for acoustic guitars.

    On electrics, where people hear your bad intonation the most is your soloing above the 12th. You need good relative tuning among the high notes in that area of the neck.

  32. was an American , and of . He composed using scales of in just , & was one of the first 20th-century composers in the West to work systematically with scales, alongside , he built his own instruments in these on which to play his , & described the method behind his theory & practice in his book (1947).

    en.m.wikipedia.org/wiki/Harry_

  33. #HarryPartch was an American #composer #musictheorist, and #creator of #unique #musical #instruments. He composed using scales of #unequal #intervals in just #intonation, & was one of the first 20th-century composers in the West to work systematically with #microtonal scales, alongside #LouHarrison, he built his own instruments in these #tunings on which to play his #compositions, & described the method behind his theory & practice in his book #GenesisofaMusic (1947).

    en.m.wikipedia.org/wiki/Harry_

  34. #HarryPartch was an American #composer #musictheorist, and #creator of #unique #musical #instruments. He composed using scales of #unequal #intervals in just #intonation, & was one of the first 20th-century composers in the West to work systematically with #microtonal scales, alongside #LouHarrison, he built his own instruments in these #tunings on which to play his #compositions, & described the method behind his theory & practice in his book #GenesisofaMusic (1947).

    en.m.wikipedia.org/wiki/Harry_

  35. #HarryPartch was an American #composer #musictheorist, and #creator of #unique #musical #instruments. He composed using scales of #unequal #intervals in just #intonation, & was one of the first 20th-century composers in the West to work systematically with #microtonal scales, alongside #LouHarrison, he built his own instruments in these #tunings on which to play his #compositions, & described the method behind his theory & practice in his book #GenesisofaMusic (1947).

    en.m.wikipedia.org/wiki/Harry_

  36. “Are you being ironic?” Good question! The literal meaning is not always the intended one. An interdisciplinary research team at @MPI_ae found that irony is primarily signaled by moving stress within a sentence. Learn more here: psycnet.apa.org/fulltext/2023- #prominence #pitchaccent #irony #intonation #prosody #voiceacoustics #psychology #journalofexperimentalpsychology:general

  37. “Are you being ironic?” Good question! The literal meaning is not always the intended one. An interdisciplinary research team at @MPI_ae found that irony is primarily signaled by moving stress within a sentence. Learn more here: psycnet.apa.org/fulltext/2023- #prominence #pitchaccent #irony #intonation #prosody #voiceacoustics #psychology #journalofexperimentalpsychology:general

  38. “Are you being ironic?” Good question! The literal meaning is not always the intended one. An interdisciplinary research team at @MPI_ae found that irony is primarily signaled by moving stress within a sentence. Learn more here: psycnet.apa.org/fulltext/2023- #prominence #pitchaccent #irony #intonation #prosody #voiceacoustics #psychology #journalofexperimentalpsychology:general

  39. Going to #TMEA this week? Check out one of my two sessions!

    🗂️ 📄 Digital Organization Tips for Music Teachers 📤 🎶

    📱 📣 Teaching Intonation with Tonal Energy👂 😄

    #musiced #musiceducation #intonation #gtd #apple #edtech

  40. Going to #TMEA this week? Check out one of my two sessions!

    🗂️ 📄 Digital Organization Tips for Music Teachers 📤 🎶

    📱 📣 Teaching Intonation with Tonal Energy👂 😄

    #musiced #musiceducation #intonation #gtd #apple #edtech

  41. Going to #TMEA this week? Check out one of my two sessions!

    🗂️ 📄 Digital Organization Tips for Music Teachers 📤 🎶

    📱 📣 Teaching Intonation with Tonal Energy👂 😄

    #musiced #musiceducation #intonation #gtd #apple #edtech

  42. Our new paper, "Intonation of Greek in contact with Turkish: a diachronic study" (Mary Baltazani,
    Joanna Przedlacka, Özlem Ünal-Logačev, Pavel Logačev and John Coleman) is now open access in Language Variation and Change. We looked at how the intonation in a Modern Greek dialect from Asia Minor i.e. Turkey has changed over four generations, following the community's relocation to mainland Greece in the 1920's.

    doi.org/10.1017/S0954394522000

    @linguistics #greek #intonation #data

  43. Our new paper, "Intonation of Greek in contact with Turkish: a diachronic study" (Mary Baltazani,
    Joanna Przedlacka, Özlem Ünal-Logačev, Pavel Logačev and John Coleman) is now open access in Language Variation and Change. We looked at how the intonation in a Modern Greek dialect from Asia Minor i.e. Turkey has changed over four generations, following the community's relocation to mainland Greece in the 1920's.

    doi.org/10.1017/S0954394522000

    @linguistics #greek #intonation #data

  44. Our new paper, "Intonation of Greek in contact with Turkish: a diachronic study" (Mary Baltazani,
    Joanna Przedlacka, Özlem Ünal-Logačev, Pavel Logačev and John Coleman) is now open access in Language Variation and Change. We looked at how the intonation in a Modern Greek dialect from Asia Minor i.e. Turkey has changed over four generations, following the community's relocation to mainland Greece in the 1920's.

    doi.org/10.1017/S0954394522000

    @linguistics #greek #intonation #data

  45. Our new paper, "Intonation of Greek in contact with Turkish: a diachronic study" (Mary Baltazani,
    Joanna Przedlacka, Özlem Ünal-Logačev, Pavel Logačev and John Coleman) is now open access in Language Variation and Change. We looked at how the intonation in a Modern Greek dialect from Asia Minor i.e. Turkey has changed over four generations, following the community's relocation to mainland Greece in the 1920's.

    doi.org/10.1017/S0954394522000

    @linguistics #greek #intonation #data