#into-darkness — Public Fediverse posts

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

"Schon bald schreite ich über Eure kalten Körper hinweg, um mir das zu holen, was mir gehört!"

"Möchtest Du zuerst an den Kaffeeautomat?"

"Oh, ja bitte."

#ImBüro
#Kaffee
#Filmzitate
#StarTrek
#IntoDarkness

"Schon bald schreite ich über Eure kalten Körper hinweg, um mir das zu holen, was mir gehört!"

"Möchtest Du zuerst an den Kaffeeautomat?"

"Oh, ja bitte."

#ImBüro
#Kaffee
#Filmzitate
#StarTrek
#IntoDarkness

"Schon bald schreite ich über Eure kalten Körper hinweg, um mir das zu holen, was mir gehört!"

"Möchtest Du zuerst an den Kaffeeautomat?"

"Oh, ja bitte."

#ImBüro
#Kaffee
#Filmzitate
#StarTrek
#IntoDarkness

"Schon bald schreite ich über Eure kalten Körper hinweg, um mir das zu holen, was mir gehört!"

"Möchtest Du zuerst an den Kaffeeautomat?"

"Oh, ja bitte."

#ImBüro
#Kaffee
#Filmzitate
#StarTrek
#IntoDarkness

"Schon bald schreite ich über Eure kalten Körper hinweg, um mir das zu holen, was mir gehört!"

"Möchtest Du zuerst an den Kaffeeautomat?"

"Oh, ja bitte."

#ImBüro
#Kaffee
#Filmzitate
#StarTrek
#IntoDarkness

Star Trek: Into Darkness // The Danish National Symphony Orchestra & DNCC (LIVE)

https://www.youtube.com/watch?v=owDRguDgUTA

#StarTrek #IntoDarkness #Music #Orchestra

Star Trek: Into Darkness // The Danish National Symphony Orchestra & DNCC (LIVE)

https://www.youtube.com/watch?v=owDRguDgUTA

#StarTrek #IntoDarkness #Music #Orchestra

Star Trek: Into Darkness // The Danish National Symphony Orchestra & DNCC (LIVE)

https://www.youtube.com/watch?v=owDRguDgUTA

#StarTrek #IntoDarkness #Music #Orchestra

Star Trek: Into Darkness // The Danish National Symphony Orchestra & DNCC (LIVE)

https://www.youtube.com/watch?v=owDRguDgUTA

#StarTrek #IntoDarkness #Music #Orchestra

Star Trek: Into Darkness // The Danish National Symphony Orchestra & DNCC (LIVE)

https://www.youtube.com/watch?v=owDRguDgUTA

#StarTrek #IntoDarkness #Music #Orchestra

Michael Giacchino's work on the Star Trek Intro Darkness soundtrack is so good

Also Rogue One

#RogueOne #StarTrek #IntoDarkness #MichaelGiacchino

Michael Giacchino's work on the Star Trek Intro Darkness soundtrack is so good

Also Rogue One

#RogueOne #StarTrek #IntoDarkness #MichaelGiacchino

Michael Giacchino's work on the Star Trek Intro Darkness soundtrack is so good

Also Rogue One

#RogueOne #StarTrek #IntoDarkness #MichaelGiacchino

Michael Giacchino's work on the Star Trek Intro Darkness soundtrack is so good

Also Rogue One

#RogueOne #StarTrek #IntoDarkness #MichaelGiacchino

Michael Giacchino's work on the Star Trek Intro Darkness soundtrack is so good

Also Rogue One

#RogueOne #StarTrek #IntoDarkness #MichaelGiacchino

Just a reminder that our next podcast will be May 17, (re-watching the movies while waiting for new Star Trek in July).

The current podcast is about Star Trek Into Darkness. Some like it and some not.

Join us to see how Rodney and Michael sort it out.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://open.spotify.com/episode/3HNJaxyrjPUincx41WU0N0?si=7KbTjmYBQQuycbiJGO4OIg

Just a reminder that our next podcast will be May 17, (re-watching the movies while waiting for new Star Trek in July).

The current podcast is about Star Trek Into Darkness. Some like it and some not.

Join us to see how Rodney and Michael sort it out.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://open.spotify.com/episode/3HNJaxyrjPUincx41WU0N0?si=7KbTjmYBQQuycbiJGO4OIg

Just a reminder that our next podcast will be May 17, (re-watching the movies while waiting for new Star Trek in July).

The current podcast is about Star Trek Into Darkness. Some like it and some not.

Join us to see how Rodney and Michael sort it out.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://open.spotify.com/episode/3HNJaxyrjPUincx41WU0N0?si=7KbTjmYBQQuycbiJGO4OIg

Just a reminder that our next podcast will be May 17, (re-watching the movies while waiting for new Star Trek in July).

The current podcast is about Star Trek Into Darkness. Some like it and some not.

Join us to see how Rodney and Michael sort it out.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://open.spotify.com/episode/3HNJaxyrjPUincx41WU0N0?si=7KbTjmYBQQuycbiJGO4OIg

Just a reminder that our next podcast will be May 17, (re-watching the movies while waiting for new Star Trek in July).

The current podcast is about Star Trek Into Darkness. Some like it and some not.

Join us to see how Rodney and Michael sort it out.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://open.spotify.com/episode/3HNJaxyrjPUincx41WU0N0?si=7KbTjmYBQQuycbiJGO4OIg

Here's our latest podcast...

About Star Trek Into Darkness (watching the movies while we wait for SNW to return in July).

Join us as we explore the story, production, and ethics shown in the film.

#StarTrek #IntoDarkness #AllStarTrek #Movie @startrek

https://creators.spotify.com/pod/profile/startrekacademy/episodes/Episode-183-Star-Trek-Into-Darkness-e3igno3

Here's our latest podcast...

About Star Trek Into Darkness (watching the movies while we wait for SNW to return in July).

Join us as we explore the story, production, and ethics shown in the film.

#StarTrek #IntoDarkness #AllStarTrek #Movie @startrek

https://creators.spotify.com/pod/profile/startrekacademy/episodes/Episode-183-Star-Trek-Into-Darkness-e3igno3

Here's our latest podcast...

About Star Trek Into Darkness (watching the movies while we wait for SNW to return in July).

Join us as we explore the story, production, and ethics shown in the film.

#StarTrek #IntoDarkness #AllStarTrek #Movie @startrek

https://creators.spotify.com/pod/profile/startrekacademy/episodes/Episode-183-Star-Trek-Into-Darkness-e3igno3

Here's our latest podcast...

About Star Trek Into Darkness (watching the movies while we wait for SNW to return in July).

Join us as we explore the story, production, and ethics shown in the film.

#StarTrek #IntoDarkness #AllStarTrek #Movie @startrek

https://creators.spotify.com/pod/profile/startrekacademy/episodes/Episode-183-Star-Trek-Into-Darkness-e3igno3

Here's our latest podcast...

About Star Trek Into Darkness (watching the movies while we wait for SNW to return in July).

Join us as we explore the story, production, and ethics shown in the film.

#StarTrek #IntoDarkness #AllStarTrek #Movie @startrek

https://creators.spotify.com/pod/profile/startrekacademy/episodes/Episode-183-Star-Trek-Into-Darkness-e3igno3

Tomorrow is podcast day for us. We're re-watching Star Trek Into Darkness, J.J. Abrams Trek movie #2.

The podcast will drop around suppertime, US, and midnight UTC.

We hope you'll join us.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://creators.spotify.com/pod/profile/startrekacademy/

Tomorrow is podcast day for us. We're re-watching Star Trek Into Darkness, J.J. Abrams Trek movie #2.

The podcast will drop around suppertime, US, and midnight UTC.

We hope you'll join us.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://creators.spotify.com/pod/profile/startrekacademy/

Tomorrow is podcast day for us. We're re-watching Star Trek Into Darkness, J.J. Abrams Trek movie #2.

The podcast will drop around suppertime, US, and midnight UTC.

We hope you'll join us.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://creators.spotify.com/pod/profile/startrekacademy/

Tomorrow is podcast day for us. We're re-watching Star Trek Into Darkness, J.J. Abrams Trek movie #2.

The podcast will drop around suppertime, US, and midnight UTC.

We hope you'll join us.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://creators.spotify.com/pod/profile/startrekacademy/

Tomorrow is podcast day for us. We're re-watching Star Trek Into Darkness, J.J. Abrams Trek movie #2.

The podcast will drop around suppertime, US, and midnight UTC.

We hope you'll join us.

#StarTrek #IntoDarkness #AllStarTrek @startrek

https://creators.spotify.com/pod/profile/startrekacademy/

I’m enjoying a lot of what has been done in #StrangeNewWorlds but I can’t get over the poor portrayal of #vulcans. In the case of #SNW s01e05 #SpockAmok, two of them. Both are way too human. Specifically, American human. They lack the mystery and gravitas of the original, being too emotional in manner. Intimacy was handled poorly.

We watched a clip of #StarTrek #IntoDarkness and that was a lot better. #ZacharyQuinto nailed it.

Oh and I'm looking for games built in #Godot! I've found #BuckUpandDrive, #DomeKeeper, #BuckshotRoulette , #IntoDarkness, #HotDogReporter, and a few others (https://itch.io/c/3939693/cool-godot-games) but want to see more! Please share your awesome project, game, sprites, whatever! Would love to get some inspiration!