#indianart — Public Fediverse posts

A 1952 painting just sold for 13x its estimate. Here's the story behind MF Husain's record-breaking ₹65 crore masterpiece at Pundole's Mumbai auction. https://english.mathrubhumi.com/lifestyle/luxury/mf-husain-the-red-girl-65-crore-auction-pundoles-n03em0pb?utm_source=dlvr.it&utm_medium=mastodon #MFHusain #TheRedGirl #IndianArt #ArtAuction #Pundoles

A 1952 painting just sold for 13x its estimate. Here's the story behind MF Husain's record-breaking ₹65 crore masterpiece at Pundole's Mumbai auction. https://english.mathrubhumi.com/lifestyle/luxury/mf-husain-the-red-girl-65-crore-auction-pundoles-n03em0pb?utm_source=dlvr.it&utm_medium=mastodon #MFHusain #TheRedGirl #IndianArt #ArtAuction #Pundoles

A 1952 painting just sold for 13x its estimate. Here's the story behind MF Husain's record-breaking ₹65 crore masterpiece at Pundole's Mumbai auction. https://english.mathrubhumi.com/lifestyle/luxury/mf-husain-the-red-girl-65-crore-auction-pundoles-n03em0pb?utm_source=dlvr.it&utm_medium=mastodon #MFHusain #TheRedGirl #IndianArt #ArtAuction #Pundoles

A 1952 painting just sold for 13x its estimate. Here's the story behind MF Husain's record-breaking ₹65 crore masterpiece at Pundole's Mumbai auction. https://english.mathrubhumi.com/lifestyle/luxury/mf-husain-the-red-girl-65-crore-auction-pundoles-n03em0pb?utm_source=dlvr.it&utm_medium=mastodon #MFHusain #TheRedGirl #IndianArt #ArtAuction #Pundoles

Your art history post for today: by By Raja Ravi Varma (1848-1906), Music Hath Charms, 1900, Raja Ravi Varma Heritage Foundation. I believe it is oil on canvas. #IndiaArt #indianart #artofindia

From the Foundation: “Raja Ravi Varma depicted many women playing musical instruments; this is a theme that was created several times over as the artist was very familiar with women who were trained classically as musicians.

He painted several 'Nair' women playing instruments, and also singers and classical musicians who were similarly trained in these art forms. The theme of women playing a musical instrument was one perennial to the culture that Ravi Varma grew up in. Hence this theme recurred in several of the artist's finest works.

This painting has been titled 'Music Hath Charms' (written on reverse) and the size of the work clearly indicates that this was made by the hand of the artist as an exemplar for production of an oleograph/lithographic print.”

Your art history post for today: by By Raja Ravi Varma (1848-1906), Music Hath Charms, 1900, Raja Ravi Varma Heritage Foundation. I believe it is oil on canvas. #IndiaArt #indianart #artofindia

From the Foundation: “Raja Ravi Varma depicted many women playing musical instruments; this is a theme that was created several times over as the artist was very familiar with women who were trained classically as musicians.

He painted several 'Nair' women playing instruments, and also singers and classical musicians who were similarly trained in these art forms. The theme of women playing a musical instrument was one perennial to the culture that Ravi Varma grew up in. Hence this theme recurred in several of the artist's finest works.

This painting has been titled 'Music Hath Charms' (written on reverse) and the size of the work clearly indicates that this was made by the hand of the artist as an exemplar for production of an oleograph/lithographic print.”

Your art history post for today: by By Raja Ravi Varma (1848-1906), Music Hath Charms, 1900, Raja Ravi Varma Heritage Foundation. I believe it is oil on canvas. #IndiaArt #indianart #artofindia

From the Foundation: “Raja Ravi Varma depicted many women playing musical instruments; this is a theme that was created several times over as the artist was very familiar with women who were trained classically as musicians.

He painted several 'Nair' women playing instruments, and also singers and classical musicians who were similarly trained in these art forms. The theme of women playing a musical instrument was one perennial to the culture that Ravi Varma grew up in. Hence this theme recurred in several of the artist's finest works.

This painting has been titled 'Music Hath Charms' (written on reverse) and the size of the work clearly indicates that this was made by the hand of the artist as an exemplar for production of an oleograph/lithographic print.”

Your art history post for today: by By Raja Ravi Varma (1848-1906), Music Hath Charms, 1900, Raja Ravi Varma Heritage Foundation. I believe it is oil on canvas. #IndiaArt #indianart #artofindia

From the Foundation: “Raja Ravi Varma depicted many women playing musical instruments; this is a theme that was created several times over as the artist was very familiar with women who were trained classically as musicians.

He painted several 'Nair' women playing instruments, and also singers and classical musicians who were similarly trained in these art forms. The theme of women playing a musical instrument was one perennial to the culture that Ravi Varma grew up in. Hence this theme recurred in several of the artist's finest works.

This painting has been titled 'Music Hath Charms' (written on reverse) and the size of the work clearly indicates that this was made by the hand of the artist as an exemplar for production of an oleograph/lithographic print.”

Your art history post for today: by By Raja Ravi Varma (1848-1906), Music Hath Charms, 1900, Raja Ravi Varma Heritage Foundation. I believe it is oil on canvas. #IndiaArt #indianart #artofindia

From the Foundation: “Raja Ravi Varma depicted many women playing musical instruments; this is a theme that was created several times over as the artist was very familiar with women who were trained classically as musicians.

He painted several 'Nair' women playing instruments, and also singers and classical musicians who were similarly trained in these art forms. The theme of women playing a musical instrument was one perennial to the culture that Ravi Varma grew up in. Hence this theme recurred in several of the artist's finest works.

This painting has been titled 'Music Hath Charms' (written on reverse) and the size of the work clearly indicates that this was made by the hand of the artist as an exemplar for production of an oleograph/lithographic print.”

Project 88 and Vadehra Art Gallery at No.9 Cork Street for London Gallery Weekend

A. Ramachandra…
#London #Britain #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #ThingstoDo #A.Ramachandran #artgallery #ClaireBaker #contemporaryart #Frieze #GoutamGhosh #Indianart #Londonartgallery #Londonexhibitions #londongalleryweekend #MaheshBaliga #Mayfair #NehaChoksi #No.9CorkStreet #PrajnaDesai #Project88 #TejalShah #TruptiPatel #VadehraArtGallery
https://www.europesays.com/gbr/london/25454/

Avatar: Forms of Vishnu.
Experience this captivating exhibition at the Art Gallery Of New South Wales that brings together centuries of art and storytelling from South and Southeast Asia celebrating the many avatars of Vishnu, the Hindu deity who preserves order in the universe.
https://www.artgallery.nsw.gov.au/whats-on/exhibitions/avatar/?utm_source=globalmuseum #globalmuseum #museums #IndianArt #Hindu

Avatar: Forms of Vishnu.
Experience this captivating exhibition at the Art Gallery Of New South Wales that brings together centuries of art and storytelling from South and Southeast Asia celebrating the many avatars of Vishnu, the Hindu deity who preserves order in the universe.
https://www.artgallery.nsw.gov.au/whats-on/exhibitions/avatar/?utm_source=globalmuseum #globalmuseum #museums #IndianArt #Hindu

Avatar: Forms of Vishnu.
Experience this captivating exhibition at the Art Gallery Of New South Wales that brings together centuries of art and storytelling from South and Southeast Asia celebrating the many avatars of Vishnu, the Hindu deity who preserves order in the universe.
https://www.artgallery.nsw.gov.au/whats-on/exhibitions/avatar/?utm_source=globalmuseum #globalmuseum #museums #IndianArt #Hindu

Avatar: Forms of Vishnu.
Experience this captivating exhibition at the Art Gallery Of New South Wales that brings together centuries of art and storytelling from South and Southeast Asia celebrating the many avatars of Vishnu, the Hindu deity who preserves order in the universe.
https://www.artgallery.nsw.gov.au/whats-on/exhibitions/avatar/?utm_source=globalmuseum #globalmuseum #museums #IndianArt #Hindu

Avatar: Forms of Vishnu.
Experience this captivating exhibition at the Art Gallery Of New South Wales that brings together centuries of art and storytelling from South and Southeast Asia celebrating the many avatars of Vishnu, the Hindu deity who preserves order in the universe.
https://www.artgallery.nsw.gov.au/whats-on/exhibitions/avatar/?utm_source=globalmuseum #globalmuseum #museums #IndianArt #Hindu

India’s return to the Venice Biennale after seven years is turning heads globally. The India Pavilion’s theme, “Geographies of Distance: Remembering Home”, explores identity, nostalgia and belonging through contemporary art and immersive installations. https://english.mathrubhumi.com/multimedia/videos/india-pavilion-returns-to-venice-biennale-after-seven-year-gap-pc5majkf?utm_source=dlvr.it&utm_medium=mastodon #IndiaPavilion #VeniceBiennale #IndianArt #ContemporaryArt

India’s return to the Venice Biennale after seven years is turning heads globally. The India Pavilion’s theme, “Geographies of Distance: Remembering Home”, explores identity, nostalgia and belonging through contemporary art and immersive installations. https://english.mathrubhumi.com/multimedia/videos/india-pavilion-returns-to-venice-biennale-after-seven-year-gap-pc5majkf?utm_source=dlvr.it&utm_medium=mastodon #IndiaPavilion #VeniceBiennale #IndianArt #ContemporaryArt

India’s return to the Venice Biennale after seven years is turning heads globally. The India Pavilion’s theme, “Geographies of Distance: Remembering Home”, explores identity, nostalgia and belonging through contemporary art and immersive installations. https://english.mathrubhumi.com/multimedia/videos/india-pavilion-returns-to-venice-biennale-after-seven-year-gap-pc5majkf?utm_source=dlvr.it&utm_medium=mastodon #IndiaPavilion #VeniceBiennale #IndianArt #ContemporaryArt

India’s return to the Venice Biennale after seven years is turning heads globally. The India Pavilion’s theme, “Geographies of Distance: Remembering Home”, explores identity, nostalgia and belonging through contemporary art and immersive installations. https://english.mathrubhumi.com/multimedia/videos/india-pavilion-returns-to-venice-biennale-after-seven-year-gap-pc5majkf?utm_source=dlvr.it&utm_medium=mastodon #IndiaPavilion #VeniceBiennale #IndianArt #ContemporaryArt

https://www.europesays.com/uk/976661/ India’s Kiran Nadar Museum to take over Christie’s London headquarters this summer – The Art Newspaper #ArtMarket #Arts #ArtsAndDesign #AuctionHouses #Christie's #Design #Entertainment #IndianArt #KiranNadarMuseumOfArt #SouthAsianArt #UK #UnitedKingdom

You can view the #Ravensong war #canoe & symbolic #paddle #PublicArt at #NIWRA. It's beside the big turtle pond.
https://www.niwra.org/

Bill Helin is of #Tsimshian / #Norwegian decent and is a member of the Tsimshian Nation, born and raised in the Northwest Coastal community of Prince Rupert, BC. His father was Arthur Helin, his Grandfather Henry William Helin, was Chief of the Gitlan Tribe, and his Grandmother Maud Helin, was Chief of the Gitgeese Tribe. Bill spent many hours listening to his grandmother in wonder, as she told him many Legends of the Tsimshian People. By the time he was three, he was already drawing and it wasn't long before he was amusing his family, friends and teachers with caricatures and cartoons. For the most part Bill is a self-taught artist. He learned from books, and was soon mastering techniques such as three-dimensional forming, called repousse. In the 1980’s Bill was sponsored to go to K'San, BC's famous #IndianArt and Carving School in Hazelton. In February 1988, Bill attended the renowned Gemology Institute of America in Santa Monica, California, completing advanced courses in gold smithing and gem setting. Today he lives and works from his studio/home on Vancouver Island.

Bill spent most of his career, which started in 1979, carving traditional Tsimshian wood carving, jewelry and paintings. His art has evolved from creating large wood projects such as a 40 foot long Ravensong Canoe in 1993 and working on the world’s tallest totem pole with Richard Krentz in 1994, to illustrating children’s story books and working on many animation projects. Other projects include working with NASA and the Canadian Space Agency to design three mission patches as well as some education materials.

Check out his website:
https://www.billhelin.com/

You can view the #Ravensong war #canoe & symbolic #paddle #PublicArt at #NIWRA. It's beside the big turtle pond.
https://www.niwra.org/

Bill Helin is of #Tsimshian / #Norwegian decent and is a member of the Tsimshian Nation, born and raised in the Northwest Coastal community of Prince Rupert, BC. His father was Arthur Helin, his Grandfather Henry William Helin, was Chief of the Gitlan Tribe, and his Grandmother Maud Helin, was Chief of the Gitgeese Tribe. Bill spent many hours listening to his grandmother in wonder, as she told him many Legends of the Tsimshian People. By the time he was three, he was already drawing and it wasn't long before he was amusing his family, friends and teachers with caricatures and cartoons. For the most part Bill is a self-taught artist. He learned from books, and was soon mastering techniques such as three-dimensional forming, called repousse. In the 1980’s Bill was sponsored to go to K'San, BC's famous #IndianArt and Carving School in Hazelton. In February 1988, Bill attended the renowned Gemology Institute of America in Santa Monica, California, completing advanced courses in gold smithing and gem setting. Today he lives and works from his studio/home on Vancouver Island.

Bill spent most of his career, which started in 1979, carving traditional Tsimshian wood carving, jewelry and paintings. His art has evolved from creating large wood projects such as a 40 foot long Ravensong Canoe in 1993 and working on the world’s tallest totem pole with Richard Krentz in 1994, to illustrating children’s story books and working on many animation projects. Other projects include working with NASA and the Canadian Space Agency to design three mission patches as well as some education materials.

Check out his website:
https://www.billhelin.com/

You can view the #Ravensong war #canoe & symbolic #paddle #PublicArt at #NIWRA. It's beside the big turtle pond.
https://www.niwra.org/

Bill Helin is of #Tsimshian / #Norwegian decent and is a member of the Tsimshian Nation, born and raised in the Northwest Coastal community of Prince Rupert, BC. His father was Arthur Helin, his Grandfather Henry William Helin, was Chief of the Gitlan Tribe, and his Grandmother Maud Helin, was Chief of the Gitgeese Tribe. Bill spent many hours listening to his grandmother in wonder, as she told him many Legends of the Tsimshian People. By the time he was three, he was already drawing and it wasn't long before he was amusing his family, friends and teachers with caricatures and cartoons. For the most part Bill is a self-taught artist. He learned from books, and was soon mastering techniques such as three-dimensional forming, called repousse. In the 1980’s Bill was sponsored to go to K'San, BC's famous #IndianArt and Carving School in Hazelton. In February 1988, Bill attended the renowned Gemology Institute of America in Santa Monica, California, completing advanced courses in gold smithing and gem setting. Today he lives and works from his studio/home on Vancouver Island.

Bill spent most of his career, which started in 1979, carving traditional Tsimshian wood carving, jewelry and paintings. His art has evolved from creating large wood projects such as a 40 foot long Ravensong Canoe in 1993 and working on the world’s tallest totem pole with Richard Krentz in 1994, to illustrating children’s story books and working on many animation projects. Other projects include working with NASA and the Canadian Space Agency to design three mission patches as well as some education materials.

Check out his website:
https://www.billhelin.com/

You can view the #Ravensong war #canoe & symbolic #paddle #PublicArt at #NIWRA. It's beside the big turtle pond.
https://www.niwra.org/

Bill Helin is of #Tsimshian / #Norwegian decent and is a member of the Tsimshian Nation, born and raised in the Northwest Coastal community of Prince Rupert, BC. His father was Arthur Helin, his Grandfather Henry William Helin, was Chief of the Gitlan Tribe, and his Grandmother Maud Helin, was Chief of the Gitgeese Tribe. Bill spent many hours listening to his grandmother in wonder, as she told him many Legends of the Tsimshian People. By the time he was three, he was already drawing and it wasn't long before he was amusing his family, friends and teachers with caricatures and cartoons. For the most part Bill is a self-taught artist. He learned from books, and was soon mastering techniques such as three-dimensional forming, called repousse. In the 1980’s Bill was sponsored to go to K'San, BC's famous #IndianArt and Carving School in Hazelton. In February 1988, Bill attended the renowned Gemology Institute of America in Santa Monica, California, completing advanced courses in gold smithing and gem setting. Today he lives and works from his studio/home on Vancouver Island.

Bill spent most of his career, which started in 1979, carving traditional Tsimshian wood carving, jewelry and paintings. His art has evolved from creating large wood projects such as a 40 foot long Ravensong Canoe in 1993 and working on the world’s tallest totem pole with Richard Krentz in 1994, to illustrating children’s story books and working on many animation projects. Other projects include working with NASA and the Canadian Space Agency to design three mission patches as well as some education materials.

Check out his website:
https://www.billhelin.com/

You can view the #Ravensong war #canoe & symbolic #paddle #PublicArt at #NIWRA. It's beside the big turtle pond.
https://www.niwra.org/

Bill Helin is of #Tsimshian / #Norwegian decent and is a member of the Tsimshian Nation, born and raised in the Northwest Coastal community of Prince Rupert, BC. His father was Arthur Helin, his Grandfather Henry William Helin, was Chief of the Gitlan Tribe, and his Grandmother Maud Helin, was Chief of the Gitgeese Tribe. Bill spent many hours listening to his grandmother in wonder, as she told him many Legends of the Tsimshian People. By the time he was three, he was already drawing and it wasn't long before he was amusing his family, friends and teachers with caricatures and cartoons. For the most part Bill is a self-taught artist. He learned from books, and was soon mastering techniques such as three-dimensional forming, called repousse. In the 1980’s Bill was sponsored to go to K'San, BC's famous #IndianArt and Carving School in Hazelton. In February 1988, Bill attended the renowned Gemology Institute of America in Santa Monica, California, completing advanced courses in gold smithing and gem setting. Today he lives and works from his studio/home on Vancouver Island.

Bill spent most of his career, which started in 1979, carving traditional Tsimshian wood carving, jewelry and paintings. His art has evolved from creating large wood projects such as a 40 foot long Ravensong Canoe in 1993 and working on the world’s tallest totem pole with Richard Krentz in 1994, to illustrating children’s story books and working on many animation projects. Other projects include working with NASA and the Canadian Space Agency to design three mission patches as well as some education materials.

Check out his website:
https://www.billhelin.com/

Warli Artist's Journey, a French Curator's Lens

A new book by French curator Hervé Perdriolle explores the journey of Warli artist Jivya Soma Mashe, who brought traditional Indian art to the global stage.

#WarliArt, #JivyaSomaMashe, #IndianArt, #HervePerdriolle, #TribalArt

https://newsletter.tf/warli-art-jivya-soma-mashe-french-curator-book/

Warli art, once only on walls, is now selling for thousands of dollars. This book shows how Jivya Soma Mashe made it famous worldwide.

#WarliArt, #JivyaSomaMashe, #IndianArt, #HervePerdriolle, #TribalArt
https://newsletter.tf/warli-art-jivya-soma-mashe-french-curator-book/

Asian Lesser False Vampire Bat (watercolour, artist unknown) – Kolkata, India. Held by the Smithsonian’s National Museum of Asian Art

“A Bat with large ears, grey body, pale brown wings, and pink legs and arms, the animal posed with wings outspread to display the underside.”

https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_S1993.40/

#art #IndianArt #AsianArt #bats #BatAppreciationDay #watercolor #watercolour

Asian Lesser False Vampire Bat (watercolour, artist unknown) – Kolkata, India. Held by the Smithsonian’s National Museum of Asian Art

“A Bat with large ears, grey body, pale brown wings, and pink legs and arms, the animal posed with wings outspread to display the underside.”

https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_S1993.40/

#art #IndianArt #AsianArt #bats #BatAppreciationDay #watercolor #watercolour

Asian Lesser False Vampire Bat (watercolour, artist unknown) – Kolkata, India. Held by the Smithsonian’s National Museum of Asian Art

“A Bat with large ears, grey body, pale brown wings, and pink legs and arms, the animal posed with wings outspread to display the underside.”

https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_S1993.40/

#art #IndianArt #AsianArt #bats #BatAppreciationDay #watercolor #watercolour

Asian Lesser False Vampire Bat (watercolour, artist unknown) – Kolkata, India. Held by the Smithsonian’s National Museum of Asian Art

“A Bat with large ears, grey body, pale brown wings, and pink legs and arms, the animal posed with wings outspread to display the underside.”

https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_S1993.40/

#art #IndianArt #AsianArt #bats #BatAppreciationDay #watercolor #watercolour

Asian Lesser False Vampire Bat (watercolour, artist unknown) – Kolkata, India. Held by the Smithsonian’s National Museum of Asian Art

“A Bat with large ears, grey body, pale brown wings, and pink legs and arms, the animal posed with wings outspread to display the underside.”

https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_S1993.40/

#art #IndianArt #AsianArt #bats #BatAppreciationDay #watercolor #watercolour

https://www.europesays.com/uk/876329/ Monumental 37ft-long Indian scroll goes on public view for the first time at Yale Center for British Art – The Art Newspaper #19thCentury #Arts #ArtsAndDesign #Conservation #Design #Entertainment #IndianArt #Museums&Heritage #UK #UnitedKingdom #YaleCenterForBritishArt

The reclining figure’s emerald-green pillow cradles his head as he watches his beloved pause mid-step, her red sari flaring against the storm-darkened sky. Lightning fractures the indigo night, sharpening the tension between stillness and the coming deluge—does her raised hand invite the rain, or hold it at bay?

#ClevelandMuseumofArt #RagamalaPainting #IndianArt
https://clevelandart.org/art/1925.1336

The reclining figure’s emerald-green pillow cradles his head as he watches his beloved pause mid-step, her red sari flaring against the storm-darkened sky. Lightning fractures the indigo night, sharpening the tension between stillness and the coming deluge—does her raised hand invite the rain, or hold it at bay?

#ClevelandMuseumofArt #RagamalaPainting #IndianArt
https://clevelandart.org/art/1925.1336

The reclining figure’s emerald-green pillow cradles his head as he watches his beloved pause mid-step, her red sari flaring against the storm-darkened sky. Lightning fractures the indigo night, sharpening the tension between stillness and the coming deluge—does her raised hand invite the rain, or hold it at bay?

#ClevelandMuseumofArt #RagamalaPainting #IndianArt
https://clevelandart.org/art/1925.1336

The reclining figure’s emerald-green pillow cradles his head as he watches his beloved pause mid-step, her red sari flaring against the storm-darkened sky. Lightning fractures the indigo night, sharpening the tension between stillness and the coming deluge—does her raised hand invite the rain, or hold it at bay?

#ClevelandMuseumofArt #RagamalaPainting #IndianArt
https://clevelandart.org/art/1925.1336

Raja Ravi Varma’s masterpiece sells for a record ₹167.2 crore! Bought by Cyrus Poonawalla. https://english.mathrubhumi.com/news/india/raja-ravi-varma-yashoda-krishna-record-auction-saffronart-167-crore-hjipxef0?utm_source=dlvr.it&utm_medium=mastodon #RajaRaviVarma #IndianArt #Saffronart #CyrusPoonawalla #AuctionRecord

Raja Ravi Varma’s masterpiece sells for a record ₹167.2 crore! Bought by Cyrus Poonawalla. https://english.mathrubhumi.com/news/india/raja-ravi-varma-yashoda-krishna-record-auction-saffronart-167-crore-hjipxef0?utm_source=dlvr.it&utm_medium=mastodon #RajaRaviVarma #IndianArt #Saffronart #CyrusPoonawalla #AuctionRecord

Raja Ravi Varma’s masterpiece sells for a record ₹167.2 crore! Bought by Cyrus Poonawalla. https://english.mathrubhumi.com/news/india/raja-ravi-varma-yashoda-krishna-record-auction-saffronart-167-crore-hjipxef0?utm_source=dlvr.it&utm_medium=mastodon #RajaRaviVarma #IndianArt #Saffronart #CyrusPoonawalla #AuctionRecord

#FrogFriday 🐸:
A Lake with #Frogs
Mewar, North India, c.1720
Gouache heightened with gold on paper
Painting 7½ x 7 in. (19 x 17.6 cm); folio 10¼ x 8½ in. (26 x 21.6 cm)
https://www.christies.com/en/lot/lot-5722717
#IndianArt

#FrogFriday 🐸:
A Lake with #Frogs
Mewar, North India, c.1720
Gouache heightened with gold on paper
Painting 7½ x 7 in. (19 x 17.6 cm); folio 10¼ x 8½ in. (26 x 21.6 cm)
https://www.christies.com/en/lot/lot-5722717
#IndianArt

#FrogFriday 🐸:
A Lake with #Frogs
Mewar, North India, c.1720
Gouache heightened with gold on paper
Painting 7½ x 7 in. (19 x 17.6 cm); folio 10¼ x 8½ in. (26 x 21.6 cm)
https://www.christies.com/en/lot/lot-5722717
#IndianArt

#FrogFriday 🐸:
A Lake with #Frogs
Mewar, North India, c.1720
Gouache heightened with gold on paper
Painting 7½ x 7 in. (19 x 17.6 cm); folio 10¼ x 8½ in. (26 x 21.6 cm)
https://www.christies.com/en/lot/lot-5722717
#IndianArt

#FrogFriday 🐸:
A Lake with #Frogs
Mewar, North India, c.1720
Gouache heightened with gold on paper
Painting 7½ x 7 in. (19 x 17.6 cm); folio 10¼ x 8½ in. (26 x 21.6 cm)
https://www.christies.com/en/lot/lot-5722717
#IndianArt

A Boeing 737-8 like you’ve never seen: Air India Express unveils India’s first full-aircraft contemporary art wrap https://english.mathrubhumi.com/news/india/air-india-express-flying-canvas-art-aircraft-rl7yjg5y?utm_source=dlvr.it&utm_medium=mastodon #AirIndiaExpress #FlyingCanvas #IndianArt #ContemporaryArt

A Boeing 737-8 like you’ve never seen: Air India Express unveils India’s first full-aircraft contemporary art wrap https://english.mathrubhumi.com/news/india/air-india-express-flying-canvas-art-aircraft-rl7yjg5y?utm_source=dlvr.it&utm_medium=mastodon #AirIndiaExpress #FlyingCanvas #IndianArt #ContemporaryArt

A Boeing 737-8 like you’ve never seen: Air India Express unveils India’s first full-aircraft contemporary art wrap https://english.mathrubhumi.com/news/india/air-india-express-flying-canvas-art-aircraft-rl7yjg5y?utm_source=dlvr.it&utm_medium=mastodon #AirIndiaExpress #FlyingCanvas #IndianArt #ContemporaryArt

https://www.europesays.com/uk/837712/ Major collection of Indian paintings and calligraphy to be offered at Christie’s – The Art Newspaper #ArtMarket #Arts #ArtsAndDesign #Christie's #Design #Entertainment #IndianArt #UK #UnitedKingdom

Major collection of Indian paintings and calligraphy to be offered at Christie’s – The Art Newspaper

Christie’s is to sell Indian paintings and calligraphy from the collection of the Seattle-based couple Mary and Cheney…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Artsanddesign #Artmarket #Arts #ArtsAndDesign #Christie's #Design #Entertainment #Indianart
https://www.newsbeep.com/us/534116/

Major collection of Indian paintings and calligraphy to be offered at Christie’s – The Art Newspaper

Christie’s is to sell Indian paintings and calligraphy from the collection of the Seattle-based couple Mary and Cheney…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Artsanddesign #Artmarket #Arts #ArtsAndDesign #Christie's #Design #Entertainment #Indianart
https://www.newsbeep.com/us/534116/

Parts of Ranakpur Jain Temple interior were lit by the direct afternoon sunbeams, when I was there. And I was hunting for the spots where fragments of carvings were in the light contrasting with much darker surrounding.

More: https://buff.ly/AMItTQ7

And yes, it is one of my favourite places among many jewels of #Rajasthan in #India.

#architecture #indianart #photography #chasinglight #chasingthelight #photographyistheart #travelphotography #religion #jainism

Parts of Ranakpur Jain Temple interior were lit by the direct afternoon sunbeams, when I was there. And I was hunting for the spots where fragments of carvings were in the light contrasting with much darker surrounding.

More: https://buff.ly/AMItTQ7

And yes, it is one of my favourite places among many jewels of #Rajasthan in #India.

#architecture #indianart #photography #chasinglight #chasingthelight #photographyistheart #travelphotography #religion #jainism

Parts of Ranakpur Jain Temple interior were lit by the direct afternoon sunbeams, when I was there. And I was hunting for the spots where fragments of carvings were in the light contrasting with much darker surrounding.

More: https://buff.ly/AMItTQ7

And yes, it is one of my favourite places among many jewels of #Rajasthan in #India.

#architecture #indianart #photography #chasinglight #chasingthelight #photographyistheart #travelphotography #religion #jainism

Parts of Ranakpur Jain Temple interior were lit by the direct afternoon sunbeams, when I was there. And I was hunting for the spots where fragments of carvings were in the light contrasting with much darker surrounding.

More: https://buff.ly/AMItTQ7

And yes, it is one of my favourite places among many jewels of #Rajasthan in #India.

#architecture #indianart #photography #chasinglight #chasingthelight #photographyistheart #travelphotography #religion #jainism

Parts of Ranakpur Jain Temple interior were lit by the direct afternoon sunbeams, when I was there. And I was hunting for the spots where fragments of carvings were in the light contrasting with much darker surrounding.

More: https://buff.ly/AMItTQ7

And yes, it is one of my favourite places among many jewels of #Rajasthan in #India.

#architecture #indianart #photography #chasinglight #chasingthelight #photographyistheart #travelphotography #religion #jainism

Madhu Madhavi Ragini captivates with its vibrant colors and emotional depth, masterfully depicting a moment of longing before the monsoon. How does this painting resonate with your own experiences of love and connection?

#ClevelandArt #IndianArt #MiniaturePainting
https://clevelandart.org/art/1925.1336

Madhu Madhavi Ragini captivates with its vibrant colors and emotional depth, masterfully depicting a moment of longing before the monsoon. How does this painting resonate with your own experiences of love and connection?

#ClevelandArt #IndianArt #MiniaturePainting
https://clevelandart.org/art/1925.1336

Madhu Madhavi Ragini captivates with its vibrant colors and emotional depth, masterfully depicting a moment of longing before the monsoon. How does this painting resonate with your own experiences of love and connection?

#ClevelandArt #IndianArt #MiniaturePainting
https://clevelandart.org/art/1925.1336

Madhu Madhavi Ragini captivates with its vibrant colors and emotional depth, masterfully depicting a moment of longing before the monsoon. How does this painting resonate with your own experiences of love and connection?

#ClevelandArt #IndianArt #MiniaturePainting
https://clevelandart.org/art/1925.1336