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#independentmusicians — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #independentmusicians, aggregated by home.social.

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  1. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 572 for October 19 2026 — read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Heather Ann Lomax and Gerry Casey's Interview with Dustin Arbuckle

    #youtube #saveourstages #wamnow #wam #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  2. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 570 for October 05 2026 — read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Wren and Wilde and Gerry Casey's Interview with Jason Reilly

    #youtube #saveourstages #wamnow #wam #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  3. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 567 for September 22 2026 — read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Cassandra Cole and Gerry Caseys Interview with Austin Walkin' Cane

    #wam #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  4. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 566 for July 31 2026— read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Leslie Waugh and Gerry Casey's Interview with Jovin Webb

    #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  5. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 564 for July 18 2026—now read in over 30 countries worldwide!

    🎤 Exclusive Interviews: All Night Boogie Band and Gerry Casey's Interview with Gloria

    Making A Scene: Where Indie Artists goes to Build the New Music Industry

    #wam #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  6. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 562 for July 28 2026—now read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Billy Branch Clark Paterson and Gerry Casey's Interview with Billy Price

    #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  7. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 562 for July 28 2026—now read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Leeann Atherton, Silver Summer and Gerry Casey's Interview with Paul Sherry

    #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  8. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 561 for July 21 2026—now read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Todd Mack, The Customers and Gerry Casey's Interview with Ciarán Hodgins

    Articles Every Indie Artist needs to Read!

    #youtube #saveourstages #wamnow #wam #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  9. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 559 for July 07 2026—now read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Kaatwalk, Kyle LaLone and Gerry Casey's Interview with Close Enemies

    #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  10. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 558 for June 30 2026—now read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Maura Dunst, Kat Blue and Gerry Casey's Interview with Ghalia Volt

    MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  11. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 557 for June 23 2026—now read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Mare, Ron Hendee and Gerry Casey's Interview with Star Collector

    #wam #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  12. makingascene.org/?na=view&id=7

    Making A Scene Presents our latest newsletter, Issue 555 for June 09 2026—now read in over 30 countries worldwide!

    🎤 Exclusive Interviews: Lance and Lea, Jake and the Gandy Dancers and Gerry Casey's Interview with Chris Chalmers and the Survivors

    #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  13. The Machines Have Entered the Garage Band

    By Cliff Potts, CSO, and Editor-in-Chief of WPS News

    Baybay City, Leyte, Philippines — May 13, 2026

    The music industry has decided to panic.

    Again.

    This time the panic is over AI-assisted music, and the reaction from parts of the distribution world has shifted from caution into what increasingly looks like institutional gatekeeping. The latest example arrived this week when CD Baby rejected distribution of a Cliff Potts and the AI Rebellion release specifically because of AI content.

    That matters because CD Baby was historically viewed as one of the more open independent music distributors. For years, independent musicians used the platform to bypass traditional label systems and reach audiences directly. But the rise of AI-assisted production has changed the political landscape inside music distribution.

    The new fault line is not “human versus machine.”

    The real divide is this:

    Who gets to create?

    And who gets to decide what counts as “real” art?

    For decades, the music industry tolerated drum machines, autotune, digital editing, synthesizers, quantization, pitch correction, sample libraries, virtual instruments, and algorithmically optimized mastering chains. Entire genres were built on technological disruption.

    Now suddenly, executives who spent twenty years turning music into metadata pipelines want to rediscover “authenticity.”

    That timing is difficult to ignore.

    What appears to terrify sections of the industry is not merely AI music itself. It is the collapse of production barriers. A retired widower in the Philippines with no studio, no label, no corporate sponsorship, and no institutional backing can now build songs, albums, atmosphere, branding, visuals, essays, podcasts, and integrated media ecosystems from a phone and a tablet.

    That changes power relationships.

    And that is where Cliff Potts and the AI Rebellion enters the picture.

    The project is not trying to impersonate famous artists. It is not cloning voices. It is not pretending machines magically replaced human creativity.

    The project openly identifies itself as AI-assisted.

    More importantly, it treats AI as an instrument.

    The result is a strange emerging hybrid that could best be described as AI-Assisted Gothic Americana R&B and Light Rock.

    Late-night radio music for collapsing timelines.

    Songs filled with rain, old neighborhoods, dead shopping malls, Midwestern ghosts, empty bars, tropical humidity, insomnia, grief, labor exhaustion, forgotten working-class memory, and the strange emotional texture of surviving modernity while the internet slowly turns into static.

    It is music built from narration, atmosphere, essays, spoken-word cadence, synthetic orchestration, human direction, historical memory, and machine-assisted arrangement.

    Not artificial humanity.

    Augmented humanity.

    That distinction matters.

    The entertainment industry has spent years warning audiences about AI while simultaneously automating writers, editors, customer service workers, journalists, artists, and musicians out of economic stability wherever possible. Many corporate actors appear perfectly comfortable with automation when shareholders benefit, but uncomfortable when ordinary people gain production capability.

    That contradiction sits at the center of the current conflict.

    The likely future is not a clean victory for either side.

    Instead, the industry is fragmenting into camps.

    Some distributors are moving toward hard anti-AI policies. Others are creating disclosure systems. Others still appear willing to tolerate AI-assisted work so long as ownership rights are clear and direct artist cloning is avoided.

    The legal frameworks remain unstable.

    The business models remain unstable.

    The cultural arguments remain unstable.

    But the technology is not going away.

    Neither are the people using it.

    And that means a new generation of hybrid creators is emerging whether legacy gatekeepers approve or not.

    What matters now is not whether AI exists in music.

    It already does.

    What matters is whether independent creators will still be allowed to participate in culture without corporate permission.

    That question is much larger than one rejected album.

    It is about who gets to speak in the next media era.

    If this work helps you understand what’s happening, help me keep it going: https://www.patreon.com/cw/WPSNews

    For more from Cliff Potts, see https://cliffpotts.org

    References

    CD Baby Artist Support. (2026, May 13). Re: Your submission requires your action: Ang Lindol Ay Rock and Roll Lang [Email].

    #AIMusic #ArtificialIntelligence #CliffPottsAndTheAIRebellion #digitalCulture #independentMusicians #musicDistribution #WPSNews
  14. makingascene.org/?na=view&id=7

    Making a Scene Presents our latest newsletter, Issue 550 for May 05 2026—now read in over 30 countries worldwide!

    Making a Scene celebrates its 11th anniversary on May 1, 2026, marking eleven years of continuous publication and daily dedication to the independent music community. #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  15. www.makingascene.org/newsletter-archive/?email_id=701

    Making a Scene Presents our latest newsletter, Issue 539 for February 17 2026—now read in over 30 countries worldwide!

    #wam #MakingASceneMagazine #IndieMusicNews #IndieArtistSpotlight #MusicIndustryInsider #MusicBizNews #RootsMusicCommunity #UnsignedArtists #IndependentMusicians

  16. One thing.
    If I could have just ONE SMALL THING to deshittify the internet and especially the "music business" / "independent musicians" internet…

    Cut out all this linktree etc etc etc bullshit or just linking to your Spotify or YouTube and get a PROPER FUCKING WEBSITE and THAT is where you put your content / links for people to peruse.

    Asking for a proper bio is too much, I know. But for fuck's sake. At least get a fucking dot com.


    #Instamusic #instamusicians #indie-music #music-marketing #independent-musicians #sloppy #pathetic #annoying #unprofessional #trendy #disrespectful #wasting-my-time
  17. 1/2 Found it shocking recently to see an attorney representing #IndependentMusicians put up a video entitled #AI #MusicCreators Are Furious ! …
    Where exactly to begin ? First off since when did we begin referring to people who enter a prompt into a program like #ChatGPT, which then generates an audio file , as music creators ?
    …and what exactly might you be furious about, pray tell ?
    You basically can’t be a real musician with a pulse these days without being confronted every day with how…

  18. Just submitted our next EP for SONOf to all the major streaming platforms. But here on the #fediverse, ya'll are probably Bandcamp people. So check out and stream our new #music there because it's up now! #independentmusicians sonof-music.bandcamp.com/album

  19. Last night I had enough energy to build a smaller pedalboard for this upcoming gig but I didn’t have the energy to actually test it. Sunday funday for this guy. #Guitar #pedalboard #IndependentMusicians #guitarists #musicians

  20. It's gonna be pretty obvious when I actually go anywhere, but I still wear my #n95 #mask every time I leave the house. #CovidIsNotOver

    So I'd like to make it known that I'm looking to #collab with other #Musicians and #Producers more this year... 👩‍💻

    I'm a #SingerSongwriter & #Producer with a modest #HomeStudio - I make #IndieAlternative and #Acoustic + #Experimental and #Rap I'm flexible with genre.

    #IndieMusicians #IndependentMusicians #Collaboration #Musician #MusicProducer

  21. ok well that's my budget for two weeks blown on bandcamp peeps

    that might sound like a lot but let me tell u it aint. but i did the thing!! so should u !!!!

    #music #bandcamp uhhhhhh #independentmusicians??????

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