‘River Of Gods’ Creates A Mythology For The Future
River Of Gods (2004) by Ian McDonald is a story like India itself. Full of complexity and contrasts. At times confusing and misleading but ultimately enriching unlike any other experience. McDonald layers a story that spans not only the globe and space but time and reality. River Of Gods is a densely rich story readers will find difficult to escape.
One hundred years since India regained its independence from the British Empire it faces many new challenges. Drought, war, and enemies from within and without. Then there are the datarajas and rogue aeais.
As India tries to cope with its problems something new has appeared. An object in space contains something impossible. An artefact older than the solar system itself. An artefact that starts the hunt for a new god.
India rests on a knife edge. On one side lies war and destruction. On the other side economic ruin and international humilation. The lives of strangers will now decide the future of India, the world, and an entire universe.
River Of Gods is as ambitious as it is compelling. McDonald envisions a future for India that, on the surface, seems haphazard and chaotic. However, looking deeper there is much more going on and with a real direction.
McDonald does a marvellous job capturing the scope and scale of India by having multiple protagonists instead of one. River Of Gods opens as several disconected stories at first. They range from the seemingly mundane to the imperative.
This method of storytelling aides McDonald in his goal of showing the vastness of a culture like India. This is important as the story progresses. Without this sense of scale the later events aren’t quite as meaningful.
As each story evolves the protagonist in each faces ever increasing difficulties. In some instances these are quite personal, in others they have a much wider effect. In all cases they sprial around one another until they begin to intersect. As each thread gets closer the plot tension increases.
The worldbuilding of River Of Gods is effortless. This is because McDonald doesn’t dwell on it. He provides enough points to allow the reader build the world in their imagination. This makes the world unique to each reader.
River Of Gods contains elements of cyberpunk, hard SF, and literary SF. McDonald blends these elements in a way that is remincent of Philip K. Dick. And like Dick he questions reality and our definition of it.
McDonald makes use of non-binary gender, or nutes, and artifical intelligence to explore identity and racism. In both cases they are seen as not human and in both cases they are openly reviled. However, they are also used by the world to meet its own ends. The hipocracy is open and evident.
In the case of Aeais they face heavy restriction and regulation. Forbidden from becoming too powerful they are also have a great deal of freedom. The number one soap opera in India is the aeai creation Town and Country. The lives of its aeai ‘characters’ are followed as closely as cricket scores.
Yet rogue aeais are hunted down and ‘excommunicated’. Much like Dick’s use of the word retirement when referring to the killing of replicants in Do Androids Dream Of Electric Sheep? (1968) McDonald’s choice of word makes the killing of aeais easier for the killer. It absolves them from the act of killing. In this case excommunication becomes a religious act.
In the case of nutes McDonald uses them to explore personhood. Nutes alter themselves to have no identifiable gender. Viewed as something alien and unwanted and they are often subjected to discrimantion and violence. McDonald is years ahead of the problems such people face today.
River Of Gods is a book that deserves more attention and respect than it recieves. I credit this through the use of India and Indian culture. The thought that India might become a dominate country creates a degree of increduality among some readers. The same thing occured with David Wingrove’s Chung Kuo series in the 1990s. The thought of a Chinese dominated future was too much for some people to accept. However, both McDonald and Wingrove have accurately touched on some aspects of their futures.
Ian McDonald
Regardless of how people view the possibilities of India’s future River Of Gods is an exciting and thoughtful story. McDonald is creating a mythology not for humanity but for technology. If humanity ever succeeds in creating, or initiating, true artificial intelligence how will it see us? McDonald wonders how our treatment of AI will affect that view.
River Of Gods is dense and satisfying. There is a lot going on but it never loses the reader. Even when events seems unrelated McDonald has a plan. When the story reaches its ultimate climax its feels like it should have been obvious from the start. McDonald and River Of Gods are both vastly underrated and as such will come as surprise to new readers.
I have nothing but praise for Ian McDonald and River Of Gods. It is a huge sprawling story that will entertain and enlighten. For readers stuggling with a rut River Of Gods is the perfect way to break out. This is SF the way it is meant to be.
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