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#guy-debord — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #guy-debord, aggregated by home.social.

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  1. Na Cultura, a saída de nosso labirinto?

    Crônica sobre os tempos de Espetáculo. Não há mais História nem Futuro, sob o neoliberalismo – só lampejos, hedonismo e depressão. Como a produção simbólica, que reconecta com valores antissistêmicos, pode resgatar a crítica e transformação

    outraspalavras.net/crise-civil

  2. Quando o futebol brasileiro perdeu sua essência?

    Brasil, que viu craques nascerem da várzea, das quadras de bairros e campinhos de terra, hoje forma “empresários da bola” lucrativos. Eles despontam nos centros mercadológicos “de formação”. Esporte vive crise existencial – e o país, repetidas derrocadas

    outraspalavras.net/crise-brasi

  3. @Fischblog Nicht ›deswegen‹, aber ›auch deswegen‹.
    Fand bei jüngster Lektüre von #GuyDebord Klassiker reichlich Hinweise, dass dieses #Blödmaschinen-Phänomen (siehe Seeßlen & Metz) der Gesellschaft des Spektakels schon länger beobachtet und kommentiert wird, aber aus irgendeinem Grund, verbreitet sich eine weise Skepsis viel langsamer als — Oh! Erste Photos von Garlands »Elden Ring«-Verfilmung, juhu.
    literatur.social/@molosovsky/1

  4. @Fischblog Nicht ›deswegen‹, aber ›auch deswegen‹.
    Fand bei jüngster Lektüre von #GuyDebord Klassiker reichlich Hinweise, dass dieses #Blödmaschinen-Phänomen (siehe Seeßlen & Metz) der Gesellschaft des Spektakels schon länger beobachtet und kommentiert wird, aber aus irgendeinem Grund, verbreitet sich eine weise Skepsis viel langsamer als — Oh! Erste Photos von Garlands »Elden Ring«-Verfilmung, juhu.
    literatur.social/@molosovsky/1

  5. 1/2
    #GuyDebord: »Kommentar«
    »Es ist sicherlich schade, daß die menschliche Gesellschaft derartig brisanten Problemen {Klimawandel, Atomkraft-Risiken} zu einem Zeitpunkt begegnet, da es materiell unmöglich geworden ist, den leisesten Einwand gegen den Diskurs der Ware geltend zu machen, zu einem Zeitpunkt, da der Herrschaftsapparat, eben weil das Spektakel ihn davor schützt, für seine fragmentarischen oder haarsträubenden Entscheidungen und Rechtfertigungen Rede und Antwort stehen zu müssen, …«
    >

  6. 1/2
    #GuyDebord: »Kommentar«
    »Es ist sicherlich schade, daß die menschliche Gesellschaft derartig brisanten Problemen {Klimawandel, Atomkraft-Risiken} zu einem Zeitpunkt begegnet, da es materiell unmöglich geworden ist, den leisesten Einwand gegen den Diskurs der Ware geltend zu machen, zu einem Zeitpunkt, da der Herrschaftsapparat, eben weil das Spektakel ihn davor schützt, für seine fragmentarischen oder haarsträubenden Entscheidungen und Rechtfertigungen Rede und Antwort stehen zu müssen, …«
    >

  7. 2/2
    >> »… deren Majestät keine Beleidigung duldet. Vergessen wir nicht, daß jede Medienfigur durch Gehalt und andere Belohnungen und Soldgelder stets einen, mitunter mehrere Herren hat, und um seine Ersetzbarkeit weiß.«
    #GuyDebord, »Kommentare zur Gesellschaft des Spektakels« (1988, Dt. 1996).

    Deshalb sind politische Talk-Show-Formate — #Lanz #Illner #Miosga #Maischberger ect pp ff — so, wie sie sind.

    edition-tiamat.de/books/die-ge

    #Blödmaschinen #GroßraumPhantastik

  8. 1/2
    Frühe #Blödmaschinen-Analyse bei #GuyDebord, 1988:
    »Auf alle spektakulär vorgebrachten Dummheiten können stets nur Medienleute antworten, mit irgendwelchen ehrfruchtsvollen Berichtigungnen oder Vorbehalten. Und selbst damit geizen sie; denn, neben ihrer ausgesprochenen Ignoranz, macht es ihnen ihre *berufs- und gefühlsmäßige Solidarität* mit der Oberschicht des Spektakels und der Gesellschaft, die es ausdrückt, zur Pflicht, ja gar zum Vergnügen, nie von dieser Autorität abzuweichen, …«
    >>

  9. 1/3
    Fundstelle #GuyDebord »Die Gesellschaft des Spektakels« (1967/71) für @SheDrivesMobility & @sixtus, Seite 149ff:

    »174
    Der gegenwärtige Moment ist bereits derjenige der Selbstzerstörung des städtischen Milieus. Die Zersplitterung der Städte auf das Land, das durch ›formlose Massen städtischer Überbleibsel‹ (Lewis Mumford) überwachsen wird, wird unmittelbar von den Erfordernissen des Konsums geleitet. Die Diktatur des Automobils, des Pilotprodukts der ersten Phase des Warenüberflusses, …>

  10. 1/3
    Fundstelle #GuyDebord »Die Gesellschaft des Spektakels« (1967/71) für @SheDrivesMobility & @sixtus, Seite 149ff:

    »174
    Der gegenwärtige Moment ist bereits derjenige der Selbstzerstörung des städtischen Milieus. Die Zersplitterung der Städte auf das Land, das durch ›formlose Massen städtischer Überbleibsel‹ (Lewis Mumford) überwachsen wird, wird unmittelbar von den Erfordernissen des Konsums geleitet. Die Diktatur des Automobils, des Pilotprodukts der ersten Phase des Warenüberflusses, …>

  11. "If [Guy] Debord were alive today, he would almost certainly extend his analysis of the spectacle to the Internet and social media. Debord would no doubt have been horrified by social media companies such as Facebook and Twitter, which monetize our friendships, opinions, and emotions. Our internal thoughts and experiences are now commodifiable assets."

    #TiernanMorgan, #LaurenPurje, 2016

    hyperallergic.com/an-illustrat

    #GuyDebord #spectacle #SocietyOfTheSpectacle

  12. "If [Guy] Debord were alive today, he would almost certainly extend his analysis of the spectacle to the Internet and social media. Debord would no doubt have been horrified by social media companies such as Facebook and Twitter, which monetize our friendships, opinions, and emotions. Our internal thoughts and experiences are now commodifiable assets."

    #TiernanMorgan, #LaurenPurje, 2016

    hyperallergic.com/an-illustrat

    #GuyDebord #spectacle #SocietyOfTheSpectacle

  13. Autonomies: **Howls for Sade (1952)**

    autonomies.org/2025/09/howls-f

    The arts of the future can be nothing less than disruptions of situations. Film by Guy Debord Howls for Sade, a feature-length film created in June 1952, contains no images whatsoever. The soundtrack is accompanied by a completely blank white … Continue reading →

    #Film #ArtandRevolution #GuyDebord #Situationists

  14. Autonomies: **Howls for Sade (1952)**

    autonomies.org/2025/09/howls-f

    The arts of the future can be nothing less than disruptions of situations. Film by Guy Debord Howls for Sade, a feature-length film created in June 1952, contains no images whatsoever. The soundtrack is accompanied by a completely blank white … Continue reading →

    #Film #ArtandRevolution #GuyDebord #Situationists

  15. Autonomies: **Guy Debord’s film eye**

    autonomies.org/2025/09/guy-deb

    Considering the story of my life, it is obvious to me that I cannot produce a cinematic “work” in the usual sense of the term. Guy Debord, In girum imus nocte et consumimur igni In the summer heat of a … Continue reading →

    #Commentary #Film #ArtandRevolution #GiorgioAgamben #GuyDebord #Situationists

  16. Autonomies: **Guy Debord’s film eye**

    autonomies.org/2025/09/guy-deb

    Considering the story of my life, it is obvious to me that I cannot produce a cinematic “work” in the usual sense of the term. Guy Debord, In girum imus nocte et consumimur igni In the summer heat of a … Continue reading →

    #Commentary #Film #ArtandRevolution #GiorgioAgamben #GuyDebord #Situationists

  17. Autonomies: **In girum imus nocteet consumimur igni (1978)**

    autonomies.org/2025/09/in-giru

    In the present film, for example, I am simply stating a few truths over a background of images that are all trivial or false. This film disdains the image-scraps of which it is composed. I do not wish to preserve … Continue reading →

    #Film #ArtandRevolution #GuyDebord #Situationists

  18. Autonomies: **In girum imus nocteet consumimur igni (1978)**

    autonomies.org/2025/09/in-giru

    In the present film, for example, I am simply stating a few truths over a background of images that are all trivial or false. This film disdains the image-scraps of which it is composed. I do not wish to preserve … Continue reading →

    #Film #ArtandRevolution #GuyDebord #Situationists

  19. Autonomies: **On the Passage of a Few Persons Through a Rather Brief Unity of Time (1959)**

    autonomies.org/2025/09/on-the-

    The appearance of events that we have not created, of events that others have in fact created against us, now obliges us to be aware of the passage of time and its results, to assess the transformation of our own … Continue reading →

    #Film #ArtandRevolution #GuyDebord #Situationists

  20. Autonomies: **On the Passage of a Few Persons Through a Rather Brief Unity of Time (1959)**

    autonomies.org/2025/09/on-the-

    The appearance of events that we have not created, of events that others have in fact created against us, now obliges us to be aware of the passage of time and its results, to assess the transformation of our own … Continue reading →

    #Film #ArtandRevolution #GuyDebord #Situationists

  21. Autonomies: **The Society of the Spectacle (1973)**

    autonomies.org/2025/09/the-soc

    In societies dominated by modern conditions of production, life is presented as an immense accumulation of spectacles. Everything that was directly lived has receded into a representation. In a world that is really upside down, the true is a moment of the false. … Continue reading →

    #Film #ArtandRevolution #GuyDebord #Situationists

  22. Autonomies: **The Society of the Spectacle (1973)**

    autonomies.org/2025/09/the-soc

    In societies dominated by modern conditions of production, life is presented as an immense accumulation of spectacles. Everything that was directly lived has receded into a representation. In a world that is really upside down, the true is a moment of the false. … Continue reading →

    #Film #ArtandRevolution #GuyDebord #Situationists

  23. Autonomies: **The spectacle of power**

    autonomies.org/2025/09/the-spe

    Official news is elsewhere. Society broadcasts to itself its own image of its own history, a history reduced to a superficial and static pageant of its rulers — the persons who embody the apparent inevitability of whatever happens. The world … Continue reading →

    #Commentary #GuyDebord #Situationists

  24. Autonomies: **The spectacle of power**

    autonomies.org/2025/09/the-spe

    Official news is elsewhere. Society broadcasts to itself its own image of its own history, a history reduced to a superficial and static pageant of its rulers — the persons who embody the apparent inevitability of whatever happens. The world … Continue reading →

    #Commentary #GuyDebord #Situationists

  25. "Le spectacle n'est pas un ensemble d'images, mais un rapport social entre des personnes, médiatisé par des images."

    #livre La société du #spectacle de #GuyDebord

    photos postées sur #socialmedia = "les photos construisent la personnalité de l'internaute et ses liens avec ses 'amis'/'followers'.

    #marmion #connaissance #cerveau #emotion #education #manipulation #presse #internet #socialmedia #francoisjost

  26. "Le spectacle n'est pas un ensemble d'images, mais un rapport social entre des personnes, médiatisé par des images."

    #livre La société du #spectacle de #GuyDebord

    photos postées sur #socialmedia = "les photos construisent la personnalité de l'internaute et ses liens avec ses 'amis'/'followers'.

    #marmion #connaissance #cerveau #emotion #education #manipulation #presse #internet #socialmedia #francoisjost

  27. 1/4

    Not so long ago, an event like ALTEREGOISM — organised by the everyone is a girl collective (everyoneisagirl.substack.com/) and drawing on thinkers such as #timothymorton #markfisher Sherry Turkle, #GillesDeleuze and #GuyDebord — would have taken the form of a cultural theory or cultural studies seminar. You’d have most likely found it in a university setting or arts venue such as the ICA.

    But ALTEREGOISM didn’t happen in an established, formal institution. It took place in a packed room above a vintage clothes shop called Bread & Butter in Shoreditch (of course it had to be East London!).

    breadandbuttercollection.com/?

    It didn’t just involve theory — it brought together art, music, fashion, new media and performance. And it wasn’t just academics either but also artists, designers, curators, DJs, writers, publishers...

    #art #artists #theory #writing #publishing #music #design #culturalstudies

  28. 1/4

    Not so long ago, an event like ALTEREGOISM — organised by the everyone is a girl collective (everyoneisagirl.substack.com/) and drawing on thinkers such as #timothymorton #markfisher Sherry Turkle, #GillesDeleuze and #GuyDebord — would have taken the form of a cultural theory or cultural studies seminar. You’d have most likely found it in a university setting or arts venue such as the ICA.

    But ALTEREGOISM didn’t happen in an established, formal institution. It took place in a packed room above a vintage clothes shop called Bread & Butter in Shoreditch (of course it had to be East London!).

    breadandbuttercollection.com/?

    It didn’t just involve theory — it brought together art, music, fashion, new media and performance. And it wasn’t just academics either but also artists, designers, curators, DJs, writers, publishers...

    #art #artists #theory #writing #publishing #music #design #culturalstudies

  29. Alain Deneault: en guerre contre la médiocratie | #AuPoste

    A la sempiternelle question, Que faire?, le philosophe répond: «Faire que! Faire mal. Mal faire les choses, ne pas suivre les conseils…

    A retrouver sur auposte.fr/alain-deneault-en-g

    Soutenez #AuPoste pour défendre les libertés et une gauche critique 🙏 Adonnez-vous! ► donorbox.org/au-poste

    #Anarchie #Capitalisme #Démocratie #Environnement #Essai #GuyDebord #Industrie #Manchette #Peertube #Saison08

  30. Alain Deneault: en guerre contre la médiocratie | #AuPoste

    A la sempiternelle question, Que faire?, le philosophe répond: «Faire que! Faire mal. Mal faire les choses, ne pas suivre les conseils…

    A retrouver sur auposte.fr/alain-deneault-en-g

    Soutenez #AuPoste pour défendre les libertés et une gauche critique 🙏 Adonnez-vous! ► donorbox.org/au-poste

    #Anarchie #Capitalisme #Démocratie #Environnement #Essai #GuyDebord #Industrie #Manchette #Peertube #Saison08

  31. Out today: Gerald Fiebig/David Wallraf split tape on Grubenwehr Freiburg -

    HURLEMENTS

    A hommage to Guy Debord's first film Hurlements En Favour De Sade. C40 tape in box with sticker and printed essay.

    grubenwehrfreiburg.bandcamp.co

    #Noise #GuyDebord #SituationistInternational

  32. "In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation."

    #GuyDebord, 1967

    #SI #situationist

  33. "In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation."

    #GuyDebord, 1967

    #SI #situationist

  34. @LALegault @freakazoid
    this sounds like a pre-#guydebord fantasy. But I feel you :/ maybe there is a way.
    Worst case scenario @PatrickWirth is right and when climate and energy crisis are going to hit hard (I mean critically hard for the westerners) we'll get them all back at once to put this whole world to an end ;) (well ok that's a fantasy too, but you started it)

  35. @LALegault @freakazoid
    this sounds like a pre-#guydebord fantasy. But I feel you :/ maybe there is a way.
    Worst case scenario @PatrickWirth is right and when climate and energy crisis are going to hit hard (I mean critically hard for the westerners) we'll get them all back at once to put this whole world to an end ;) (well ok that's a fantasy too, but you started it)

  36. #7books to know me? Only 7? 🤣
    📖
    * The Society of the Spectacle (Guy Debord)
    * In Watermelon Sugar (Richard Brautigan)
    * The Complete Chronicles of Conan (Robert E. Howard)
    * The Three Stigmata of Palmer Eldritch (Philip K Dick)
    * Future Shock (Alvin Toffler)
    * Kaz the Minotaur (Richard A. Knaak)
    * Fox in Socks (Theodor Seuss Geisel)
    📚
    #books #scifi #swordandsorcery #brautigan #richardbrautigan #philipkdick #bookstodon #seuss #drseuss #literature #debord #guydebord #conanthebarbarian #robertehoward #rehoward