#grievances — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #grievances, aggregated by home.social.
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Thursday, June 11, 2026
Ukraine has a billion-dollar winter survival plan. It just can't pay for it yet ..... Russian-occupied Mariupol port no longer operational after Ukrainian strikes ..... How Trump failed to force Ukraine into a bad 'peace' deal ..... Ukrainian defense company teams up with Taurus missile maker to develop deep strike systems ..... and morehttps://activitypub.writeworks.uk/2026/06/thursday-june-11-2026/
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Thursday, June 11, 2026
Ukraine has a billion-dollar winter survival plan. It just can't pay for it yet ..... Russian-occupied Mariupol port no longer operational after Ukrainian strikes ..... How Trump failed to force Ukraine into a bad 'peace' deal ..... Ukrainian defense company teams up with Taurus missile maker to develop deep strike systems ..... and morehttps://activitypub.writeworks.uk/2026/06/thursday-june-11-2026/
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Thursday, June 11, 2026
Ukraine has a billion-dollar winter survival plan. It just can't pay for it yet ..... Russian-occupied Mariupol port no longer operational after Ukrainian strikes ..... How Trump failed to force Ukraine into a bad 'peace' deal ..... Ukrainian defense company teams up with Taurus missile maker to develop deep strike systems ..... and morehttps://activitypub.writeworks.uk/2026/06/thursday-june-11-2026/
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Waaaah! Someone took my unearned privilege away!!
#Trump said in an interview that he believed #CivilRights era protections resulted in #white people being “very badly treated,” his strongest indication that the concept of “reverse discrimination” is driving his aggressive crusade against diversity policies.
Speaking to NYT…, Trump echoed #grievances amplified by VP #JDVance & other top officials who in recent weeks have urged white men to file federal complaints with the #EEOC.
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Waaaah! Someone took my unearned privilege away!!
#Trump said in an interview that he believed #CivilRights era protections resulted in #white people being “very badly treated,” his strongest indication that the concept of “reverse discrimination” is driving his aggressive crusade against diversity policies.
Speaking to NYT…, Trump echoed #grievances amplified by VP #JDVance & other top officials who in recent weeks have urged white men to file federal complaints with the #EEOC.
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#Russia has launched a wave of attacks on #Ukraine cities as President #Zelensky arrived in Washington for talks with #Trump. While Ukrainians & Russians continue to die on the battlefield & in major cities, Zelensky is listening to Trump air #grievances & #ConspiracyTheories about the 2020 election & crime in Washington.
#geopolitics #PutinsPuppet #StrongmanFanboy #TACO #InternationalLaw #LawsOfWar #StandWithUkraine
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#Russia has launched a wave of attacks on #Ukraine cities as President #Zelensky arrived in Washington for talks with #Trump. While Ukrainians & Russians continue to die on the battlefield & in major cities, Zelensky is listening to Trump air #grievances & #ConspiracyTheories about the 2020 election & crime in Washington.
#geopolitics #PutinsPuppet #StrongmanFanboy #TACO #InternationalLaw #LawsOfWar #StandWithUkraine
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Organisation Raises Smart City Concerns.
https://aliyesha.com/sub/articles/news/display/hp_organisation_raises_smart_city_concerns
#himachalpradesh #dharamshala #india #news #press #governance #municipal #janchetna #smartcity #grievances
Enjoy tracker free reading with us. #privacy #privacymatters
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By Twelve
The last time Avernus released a full-length album, the year was 1997, which means the release of Grievances represents the longest delay between a debut and sophomore album I’m aware of. Twenty-seven years is a long time for fans to wait, but you have to admire the dedication! These U.S.-based doom-slingers experimented with death and doom metal back in ye olde 1990s before life and limbo got in the way. The intervening years are a long time to hone a sound, so there was no telling what to expect with Grievances—except one look at that cover should tell you we’re in for some serious doom metal. With only that to go on, I was eager to see how nearly three decades make a sophomore album.
Straightaway it’s clear that the years have been kind to Avernus, as Grievances sounds excellent. The guitars (Erik Kikke, Rick McCoy, and James Genez)1 have a great tone to them, with just the right amount of distortion to sound both heavy and clear. McCoy’s growls evoke Swallow the Sun, and even the drumming (Rick Yifrach) sounds great, with enough punch to adapt to the many shifting paces and moods adorning Grievances. Rounding out the Avernus sound, synths from Genez made subtle appearances to add layers to most tracks, sometimes acting as a lead (“Exitus”) but generally supporting the many guitars acting as the heroes. Add to this an excellent mix that emphasizes each contributing player, and we’re off to a great start within seconds of pressing play.
Grievances is primarily a doom metal album. And after 27 years, Avernus seems to have shed most of their death metal influence, except perhaps in the pacing of the music. “Nemesis” is a quintessentially modern doom song, opening with gorgeous arpeggios and subtle keys before transitioning into a melancholic theme that persists throughout the nine-minute song. This main idea allows the guitars to shine and gives the song a hopeful feel to contrast against its opening woe. Similarly, “Return to Dust” is a powerful track, with a memorable chorus and a comforting theme. These songs remind me a bit of My Dying Bride in the guitar work and prevailing sadness that hangs over Grievances. There’s a gothic influence in the compositions, a general preference for long songs, and an energy that keeps you engaged across the full runtime. It’s a strong sound, and Avernus performs it well.
The main drawback for Grievances is its length, and, sadly, the length of nearly every song on the album. “Nemesis,” “The Burning Down,” and “Quietus” all feature too-long interludes that feel mostly like filler, and few of the album’s eight-or-nine-minute songs quite justify their length. There are also several interlude tracks on the album that give the impression of recycled song ideas rather than thematic, connective tissue making things more coherent. “Open Arms” and “Plateau” are two such tracks; they’re genuinely beautiful, but at three minutes apiece awkwardly tread the line between proper song and album break. In the back half of Grievances are “Utter Uphoria,” a spacey track with touches of electronica that feel very out-of-place, and “Abandoned,” a five-minute song in which almost nothing happens. When you put all of this together, it’s hard not to regard Grievances as an album with quite a bit of bloat. Even though none of the songs are bad, I can easily picture an alternate album that is fifteen or even twenty minutes shorter, and I think I would have much preferred that version.
The good news is that there isn’t any part of Grievances that isn’t enjoyable; perhaps the lengthy break between albums meant that Avernus had a lot of ideas going into this and the vast majority of them are good. If you’re just a little less picky than me about album flow, you’ll probably enjoy Grievances significantly more than I do. Every song, band member, and idea sounds great—the ideas just tend to stay a little overlong. Still, there are much worse things than too much of a good thing and the world of doom metal will be better off to have Avernus back in it. I am certainly looking forward to seeing where they take this next.
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: M-Theory Audio
Websites: avernus.bandcamp.com | facebook.com/avernusdoommetal
Releases Worldwide: September 20th, 2024#2024 #30 #AmericanMetal #Avernus #DoomMetal #GothicMetal #Grievances #MTheoryAudio #MyDyingBride #Review #Reviews #Sep24 #SwallowTheSun
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By Twelve
The last time Avernus released a full-length album, the year was 1997, which means the release of Grievances represents the longest delay between a debut and sophomore album I’m aware of. Twenty-seven years is a long time for fans to wait, but you have to admire the dedication! These U.S.-based doom-slingers experimented with death and doom metal back in ye olde 1990s before life and limbo got in the way. The intervening years are a long time to hone a sound, so there was no telling what to expect with Grievances—except one look at that cover should tell you we’re in for some serious doom metal. With only that to go on, I was eager to see how nearly three decades make a sophomore album.
Straightaway it’s clear that the years have been kind to Avernus, as Grievances sounds excellent. The guitars (Erik Kikke, Rick McCoy, and James Genez)1 have a great tone to them, with just the right amount of distortion to sound both heavy and clear. McCoy’s growls evoke Swallow the Sun, and even the drumming (Rick Yifrach) sounds great, with enough punch to adapt to the many shifting paces and moods adorning Grievances. Rounding out the Avernus sound, synths from Genez made subtle appearances to add layers to most tracks, sometimes acting as a lead (“Exitus”) but generally supporting the many guitars acting as the heroes. Add to this an excellent mix that emphasizes each contributing player, and we’re off to a great start within seconds of pressing play.
Grievances is primarily a doom metal album. And after 27 years, Avernus seems to have shed most of their death metal influence, except perhaps in the pacing of the music. “Nemesis” is a quintessentially modern doom song, opening with gorgeous arpeggios and subtle keys before transitioning into a melancholic theme that persists throughout the nine-minute song. This main idea allows the guitars to shine and gives the song a hopeful feel to contrast against its opening woe. Similarly, “Return to Dust” is a powerful track, with a memorable chorus and a comforting theme. These songs remind me a bit of My Dying Bride in the guitar work and prevailing sadness that hangs over Grievances. There’s a gothic influence in the compositions, a general preference for long songs, and an energy that keeps you engaged across the full runtime. It’s a strong sound, and Avernus performs it well.
The main drawback for Grievances is its length, and, sadly, the length of nearly every song on the album. “Nemesis,” “The Burning Down,” and “Quietus” all feature too-long interludes that feel mostly like filler, and few of the album’s eight-or-nine-minute songs quite justify their length. There are also several interlude tracks on the album that give the impression of recycled song ideas rather than thematic, connective tissue making things more coherent. “Open Arms” and “Plateau” are two such tracks; they’re genuinely beautiful, but at three minutes apiece awkwardly tread the line between proper song and album break. In the back half of Grievances are “Utter Uphoria,” a spacey track with touches of electronica that feel very out-of-place, and “Abandoned,” a five-minute song in which almost nothing happens. When you put all of this together, it’s hard not to regard Grievances as an album with quite a bit of bloat. Even though none of the songs are bad, I can easily picture an alternate album that is fifteen or even twenty minutes shorter, and I think I would have much preferred that version.
The good news is that there isn’t any part of Grievances that isn’t enjoyable; perhaps the lengthy break between albums meant that Avernus had a lot of ideas going into this and the vast majority of them are good. If you’re just a little less picky than me about album flow, you’ll probably enjoy Grievances significantly more than I do. Every song, band member, and idea sounds great—the ideas just tend to stay a little overlong. Still, there are much worse things than too much of a good thing and the world of doom metal will be better off to have Avernus back in it. I am certainly looking forward to seeing where they take this next.
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: M-Theory Audio
Websites: avernus.bandcamp.com | facebook.com/avernusdoommetal
Releases Worldwide: September 20th, 2024#2024 #30 #AmericanMetal #Avernus #DoomMetal #GothicMetal #Grievances #MTheoryAudio #MyDyingBride #Review #Reviews #Sep24 #SwallowTheSun
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By Twelve
The last time Avernus released a full-length album, the year was 1997, which means the release of Grievances represents the longest delay between a debut and sophomore album I’m aware of. Twenty-seven years is a long time for fans to wait, but you have to admire the dedication! These U.S.-based doom-slingers experimented with death and doom metal back in ye olde 1990s before life and limbo got in the way. The intervening years are a long time to hone a sound, so there was no telling what to expect with Grievances—except one look at that cover should tell you we’re in for some serious doom metal. With only that to go on, I was eager to see how nearly three decades make a sophomore album.
Straightaway it’s clear that the years have been kind to Avernus, as Grievances sounds excellent. The guitars (Erik Kikke, Rick McCoy, and James Genez)1 have a great tone to them, with just the right amount of distortion to sound both heavy and clear. McCoy’s growls evoke Swallow the Sun, and even the drumming (Rick Yifrach) sounds great, with enough punch to adapt to the many shifting paces and moods adorning Grievances. Rounding out the Avernus sound, synths from Genez made subtle appearances to add layers to most tracks, sometimes acting as a lead (“Exitus”) but generally supporting the many guitars acting as the heroes. Add to this an excellent mix that emphasizes each contributing player, and we’re off to a great start within seconds of pressing play.
Grievances is primarily a doom metal album. And after 27 years, Avernus seems to have shed most of their death metal influence, except perhaps in the pacing of the music. “Nemesis” is a quintessentially modern doom song, opening with gorgeous arpeggios and subtle keys before transitioning into a melancholic theme that persists throughout the nine-minute song. This main idea allows the guitars to shine and gives the song a hopeful feel to contrast against its opening woe. Similarly, “Return to Dust” is a powerful track, with a memorable chorus and a comforting theme. These songs remind me a bit of My Dying Bride in the guitar work and prevailing sadness that hangs over Grievances. There’s a gothic influence in the compositions, a general preference for long songs, and an energy that keeps you engaged across the full runtime. It’s a strong sound, and Avernus performs it well.
The main drawback for Grievances is its length, and, sadly, the length of nearly every song on the album. “Nemesis,” “The Burning Down,” and “Quietus” all feature too-long interludes that feel mostly like filler, and few of the album’s eight-or-nine-minute songs quite justify their length. There are also several interlude tracks on the album that give the impression of recycled song ideas rather than thematic, connective tissue making things more coherent. “Open Arms” and “Plateau” are two such tracks; they’re genuinely beautiful, but at three minutes apiece awkwardly tread the line between proper song and album break. In the back half of Grievances are “Utter Uphoria,” a spacey track with touches of electronica that feel very out-of-place, and “Abandoned,” a five-minute song in which almost nothing happens. When you put all of this together, it’s hard not to regard Grievances as an album with quite a bit of bloat. Even though none of the songs are bad, I can easily picture an alternate album that is fifteen or even twenty minutes shorter, and I think I would have much preferred that version.
The good news is that there isn’t any part of Grievances that isn’t enjoyable; perhaps the lengthy break between albums meant that Avernus had a lot of ideas going into this and the vast majority of them are good. If you’re just a little less picky than me about album flow, you’ll probably enjoy Grievances significantly more than I do. Every song, band member, and idea sounds great—the ideas just tend to stay a little overlong. Still, there are much worse things than too much of a good thing and the world of doom metal will be better off to have Avernus back in it. I am certainly looking forward to seeing where they take this next.
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: M-Theory Audio
Websites: avernus.bandcamp.com | facebook.com/avernusdoommetal
Releases Worldwide: September 20th, 2024#2024 #30 #AmericanMetal #Avernus #DoomMetal #GothicMetal #Grievances #MTheoryAudio #MyDyingBride #Review #Reviews #Sep24 #SwallowTheSun
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[Video] '#Unhinged': #HarrisWalz #campaign #slams #Trump's constant 'airing of #grievances'
#MSNBC's #LawrenceODonnell is joined by #MichaelTyler, the #CommunicationsDirector for the #HarrisWalz #campaign, to discuss the #TrumpVance #campaign's #conflicting #messages on #reproductive #access and other key #campaign #issues. They are Shook!
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[Video] '#Unhinged': #HarrisWalz #campaign #slams #Trump's constant 'airing of #grievances'
#MSNBC's #LawrenceODonnell is joined by #MichaelTyler, the #CommunicationsDirector for the #HarrisWalz #campaign, to discuss the #TrumpVance #campaign's #conflicting #messages on #reproductive #access and other key #campaign #issues. They are Shook!
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Home Minister Anil Vij redressed to the grievances of people of the state.
#haryana #ambala #india #news #press #bjp #anilvij #governance #people #fraud #murder #malaria #hooliganism #grievances #lordram
Enjoy tracker free news reading with us. #privacy #privacymatters
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#Hamas has #legitimate #grievances with #Israel, but #kidnapping, #terrorizing, and #murdering innocent #civilians is the act of animals. Hamas has destroyed any legitimate claims to #righteousness they may have had when they began stealing #women and #children who had nothing to do with the conflict.
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#Hamas has #legitimate #grievances with #Israel, but #kidnapping, #terrorizing, and #murdering innocent #civilians is the act of animals. Hamas has destroyed any legitimate claims to #righteousness they may have had when they began stealing #women and #children who had nothing to do with the conflict.
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Those perceptions, acc/to senior DHS ofcls, may arise if #misinformation spreads in 2024, as it did in 2020, that the US #election system is rigged or flawed.…
“Recent tragic events highlight the continued heightened threat environment our nation faces, & these threats are driven by #ViolentExtremists who seek to further their ideological beliefs & personal #grievances,” Homeland Security Secy Alejandro Mayorkas said in a statement on the bulletin.…
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Those perceptions, acc/to senior DHS ofcls, may arise if #misinformation spreads in 2024, as it did in 2020, that the US #election system is rigged or flawed.…
“Recent tragic events highlight the continued heightened threat environment our nation faces, & these threats are driven by #ViolentExtremists who seek to further their ideological beliefs & personal #grievances,” Homeland Security Secy Alejandro Mayorkas said in a statement on the bulletin.…
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#Fascist #Republicans are unconstitutionally #penalizing their #politicalopponents for standing up for the #constitutionalright of the people peaceably to #assemble, and to #petition the #Government for a #redress of #grievances."
#Women #Transgender #LGBTQIA #Politics #RepublicanParty #Hate #Bigotry #Discrimination #Fascism
https://abcnews.go.com/US/wireStory/amid-polarization-minority-party-lawmakers-face-penalties-98385085 -
#Fascist #Republicans are unconstitutionally #penalizing their #politicalopponents for standing up for the #constitutionalright of the people peaceably to #assemble, and to #petition the #Government for a #redress of #grievances."
#Women #Transgender #LGBTQIA #Politics #RepublicanParty #Hate #Bigotry #Discrimination #Fascism
https://abcnews.go.com/US/wireStory/amid-polarization-minority-party-lawmakers-face-penalties-98385085