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#giancarloesposito — Public Fediverse posts

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  1. Jodie Foster – „Money Monster“ (2016)

    Dieser Blog erteilt weder Finanz- und Anlagetips, noch juristische Beratung. Gelegentlich, allerdings, rutscht mir hier und da ein politisches Wort in den Text. Was natürlich immer nur (m)eine Meinung ist, und nur selten ein Urteil. Hier mögen Sie nun bitte all das berücksichtigen und sich am Ende selbst ein solches bilden, wenn George Clooney in Glitzerjacke und mit dummen Sprüchen den Kapitalismus als Unterhaltung verkauft. Mit George Clooney, Julia Roberts und Jack O’Connell. (ZDF, Neu!)

    Zum Blog: nexxtpress.de/mediathekperlen/
  2. By Any Means Movie Release: New Featurette Highlights Giancarlo Esposito

    The By Any Means movie release is fast approaching, and Paramount Pictures has shared a new look at the historical drama. A recently released featurette focuses on the performance of Giancarlo Esposito, who portrays Vernon Dahmer in the film....

    #ByAnyMeans #EleganceBratton #GiancarloEsposito #ParamountPictures

    themovieblog.com/2026/09/by-an

  3. By Any Means Movie Release: New Featurette Highlights Giancarlo Esposito

    The By Any Means movie release is fast approaching, and Paramount Pictures has shared a new look at the historical drama. A recently released featurette focuses on the performance of Giancarlo Esposito, who portrays Vernon Dahmer in the film....

    #ByAnyMeans #EleganceBratton #GiancarloEsposito #ParamountPictures

    themovieblog.com/2026/09/by-an

  4. By Any Means Movie Release: New Featurette Highlights Giancarlo Esposito

    The By Any Means movie release is fast approaching, and Paramount Pictures has shared a new look at the historical drama. A recently released featurette focuses on the performance of Giancarlo Esposito, who portrays Vernon Dahmer in the film....

    #ByAnyMeans #EleganceBratton #GiancarloEsposito #ParamountPictures

    themovieblog.com/2026/09/by-an

  5. John Turturro Got a Rare Lead Film Role and May NoGet an Oscar Nod

    John Turturro has led a consistently rich, varied career on screens big and small, on stages around New…
    #NewsBeep #News #Celebrities #CA #Canada #Entertainment #GiancarloEsposito #JohnTurturro #stevebuscemi #Telluride #TheOnlyLivingPickpocketinNewYork
    newsbeep.com/ca/882313/

  6. In "THE ONLY LIVING PICKPOCKET IN NEW YORK" spielt #JohnTurturro einen Kleinkriminellen, der sich auch als alter New Yorker noch mit neuen Problemen herumschlagen muss. Schöne Charakterstudie auch in Nebenrollen mit konischen alternden New-Yorker*innen wie #SteveBuscemi & #GiancarloEsposito besetzt:

    News | Empfehlungen | The Only...

  7. „Susan… verzweifelt gesucht“ (1985)

    Madonna ist wohl der einzige Grund, warum sich bis heute fast alle, die alt genug dafür sind, noch an diesen Film erinnern. Für mich ist aber Susan Seidelman und die Tatsache, dass ihr hier einer der definitiven New-York-City Filme der 80er gelungen ist, ein mehr als guter Grund, warum wir ihn überhaupt noch ansehen sollten. Und neben der Stadt gibt es auch noch die eine oder andere darstellerische Sehenswürdigkeit wiederzuentdecken. (ARTE, Wh.)

    Zum Blog: nexxtpress.de/mediathekperlen/
  8. The Gentlemen – Season 1, Episode 2: Tackle Tommy Woo Woo (2024) – Review

    Episode 2, Tackle Tommy Woo Woo, delivers a stylish, darkly comic cleanup job that doubles down on Guy Ritchie’s signature blend of aristocratic absurdity and underworld menace.

    Picking up in the immediate, blood-spattered aftermath of the previous episode’s shocking violence, the episode moves at a clip. The aristocratic Horniman brothers and their no-nonsense groundskeeper are suddenly hunting a different kind of prey across the sprawling estate. Tommy Dixon’s young money counter Jethro, who had the misfortune of witnessing the fatal confrontation, makes a desperate bid for freedom. What follows is a tense, darkly humorous pursuit that sets the tone for what’s to come: the upper-crust world of Halstead Manor colliding with the messy, improvised realities of organised crime.

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    Theo James continues to anchor the series with quiet authority as Eddie Horniman. His military bearing and innate sense of fair play create compelling friction against the pragmatic ruthlessness of the people now surrounding him. Eddie refuses the easy, permanent solution to the witness problem. Instead he engineers an elaborate framing scheme designed to pin the killing on Jethro while simultaneously offering the young man money and a ticket out of the country. The plan requires coordination, risk, and a willingness to get his own hands dirty, something the former peacekeeping officer discovers in a brutal apartment confrontation that leaves him wounded.

    Opposite him, Kaya Scodelario’s Susie Glass remains the cool, calculating presence who understands the rules of this world far better than the new Duke. Her impatience with Eddie’s idealism never tips into pure villainy; she is a professional trying to contain damage while protecting a lucrative operation. The dynamic between them is full of mutual suspicion and reluctant respect. Scodelario brings a sharp, grounded presence that is a juxtaposition to more flamboyant supporting characters and keeps the stakes feeling real.

    Daniel Ings continues to excel as Freddy, the chaotic older brother whose cocaine-fueled recklessness created the crisis. Even when sidelined during parts of the cleanup, his presence looms. The episode reuse the humiliating video footage of him in a chicken suit, turning it into both a plot device and a source of bleak comedy when it surfaces again. Vinnie Jones, as the estate’s gamekeeper Geoff, provides reliable Ritchie-universe muscle and dry understatement, while the introduction of Felix, the day-drinking “cleaner”, adds another layer of professional criminal competence mixed with large dose of humour.

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    The episode’s centerpiece is the arrival of Tommy’s far more formidable brother, the evangelical cocaine baron known as “The Gospel” (Pearce Quigley). The confrontation at the manor is a highly entertaining tense negotiation and verbal sparring match. Eddie must sell a carefully constructed story under the scrutiny of men who are neither stupid nor intimidated. Ritchie stages these scenes with his characteristic dialogue and shifting power dynamics, letting the threat hang in the air without immediate explosion. The Gospel’s combination of religious extremism and cold business pragmatism makes him a memorable addition to the expanding criminal element.

    Eddie doesn’t just have to deal with the working class underworld. His attendance at a high-society gathering hosted by the smooth, wealthy Stanley Johnston (Giancarlo Esposito) who is also circling the estate’s hidden cannabis operation. The party sequence allows the series to contrast polished wealth with the realities of the drug trade, while also setting up plot points around larger ambitions and potential alliances. Susie’s revelations about Johnston’s true business underscore how naïve Eddie still is about the scale of the world he has entered. These scenes prevent the episode from feeling like pure crisis management; they build out the world that Eddie operates in, making this more than a single messy cover-up.

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    Ritchie’s direction remains one of the show’s chief pleasures. His stylistic tics maintain the glossy, kinetic energy of his films while adapting to episodic television. Action is staged with clarity and impact rather than pure chaos, and the humour lands through character and situation rather than forced gags. Predictive-text mishaps, coded messages, and carefully planted physical evidence generate both suspense and laughs. Eddie’s eventual decision to show his brother the underground cannabis operation beneath their ancestral home is a quietly powerful moment of reluctant acceptance. The world he inherited is not the one he thought he was joining.

    By the time Eddie seeks a meeting with Susie’s imprisoned father (Ray Winstone) and begins attempting to renegotiate the entire arrangement, the episode has successfully shifted from pure cleanup to longer-term strategy. The closing images introduce a quiet, ominous note that undercuts Eddie’s sense of having done the relatively decent thing and highlights that at the moment he is just another pawn in the crimal game. In the world of The Gentlemen, good intentions are rarely enough, and the machinery of the criminal enterprise continues turning whether the aristocrats approve or not.

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    Episode 2 solidifies the series’ tone and strengths. It balances stylish action, black comedy, and character tension with confidence. The performances are strong across the board and fresh ways are found to collide class, crime, and consequence. This is Ritchie reminding everyone that he is the master of this genre.

    🌟🌟🌟🌟🌟

    RETURN TO THE GENTLEMEN REVIEWS #2020s #2024 #Comedy #Crime #DanielIngs #GiancarloEsposito #GuyRitchie #JoelyRichardson #KayaScodelario #PearceQuigley #RayWinstone #TheGentlemen #TheoJames #Thriller #TVReview #VinnieJones
  9. The Gentlemen – Season 1, Episode 1: Refined Aggression (2024) – Review

    Guy Ritchie’s films have always thrived on the juxtaposition of the polished British upper against a criminal working class. His 2019 film The Gentlemen was a riotous delight, blending snappy dialogue, intricate plotting, and larger-than-life characters into a love letter to the underbelly of high society. Expanding that world into a Netflix series, the first episode of Season 1 serves as a confident and entertaining reintroduction to this style. While it treads familiar ground, it does so with enough fresh twists, strong performances, and visual flair to leave you excited to see where this goes.

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    The episode opens with Edward “Eddie” Horniman (Theo James), a composed British Army captain stationed on the tense Turkey-Syria border. Eddie’s life of disciplined service is abruptly interrupted when he’s summoned home to the sprawling Halstead estate. His father, the 12th Duke of Halstead, is on his deathbed. Upon arrival, Eddie reunites with his family: his flamboyant and deeply irresponsible older brother Freddy (Daniel Ings), their mother Sabrina (Joely Richardson), and sister Charlotte (Jasmine Blackborow). Straight away, we get the set up for the series as Eddie, the second son, inherits the title, the manor, and the vast grounds, bypassing Freddy entirely.

    This inheritance upends centuries of tradition and immediately sets the central conflict in motion. Freddy, a cocaine-fueled mess of entitlement and poor decisions, is apoplectic. His rant about biblical birthrights and family betrayal is delivered with such unhinged energy by Ings that it becomes one of the episode’s early highlights, equal parts hilarious and pathetic with Ritchie directing using all of stylised tricks. Eddie, by contrast, is the picture of reluctant duty. Theo James brings a perfect blend of stoic charm and quiet intensity to the role in what could be seen as a dry run for him being the next 007. You believe he’s a man who’d rather return to military service than navigate this aristocratic snake pit, yet he steps up with a sense of refined responsibility that makes him instantly compelling as the reluctant protagonist.

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    The real fireworks begin when Eddie discovers the source of his family’s hidden wealth and Freddy’s massive debts. Freddy owes a staggering £8 million to the Dixon brothers, a pair of vicious Scouse gangsters led by the unhinged Tommy Dixon (Peter Serafinowicz). The revelation that the Halstead estate sits atop a massive, high-tech cannabis operation run in partnership with the Glass family adds layers of complication and intrigue. Susie Glass (Kaya Scodelario) emerges as a standout presence: sharp, ambitious, and unflinchingly pragmatic. Scodelario nails the character’s cool confidence, making Susie a formidable counterpart to Eddie. Their initial meeting crackles with tension and subtle chemistry, hinting at the complex alliance to come.

    What follows is classic Guy Ritchie territory: rapid-fire negotiations, double-crosses, humiliating power plays, and moments of sudden violence. Eddie attempts to liquidate assets, including a prized wine collection, to pay off the debt and protect his brother. Susie intervenes to renegotiate terms, reducing the sum but demanding Freddy’s participation in a deeply embarrassing video. The chicken dance scene, where a coked-up Freddy is forced to strut and cluck like a barnyard bird, is outrageous, cringeworthy, and uproariously funny. It perfectly captures the show’s tone: blending humiliation with dark humor while underscoring how far the once-mighty aristocracy has fallen.

    As with all Guy Ritchie productions, the supporting characters add the texture . Regular Vinnie Jones as the loyal groundskeeper Geoff brings gruff authenticity and quiet menace. Giancarlo Esposito appears as Stanley Johnston, a smooth American investor circling the estate like a shark, delivering lines with his trademark gravitas. Even smaller roles, like the Dixon brothers’ entourage, pop with their quirks and accents that add colour to the proceedings.

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    The episode’s climax is both gripping and shocking. As Tommy arrives to collect payment and oversee the humiliating video, tensions boil over. Freddy’s drug-fueled rage culminates in a shocking act of violence that leaves a body on the estate grounds and Eddie’s carefully maintained control shattered. It’s an ending that raises the stakes dramatically, transforming what could have been a simple debt payoff into a full-blown entanglement in the criminal underworld. Eddie’s expression in the final moments, equal parts horror and dawning realisation, perfectly sets up the series’ central question: Can this refined gentleman survive, or even thrive, in this brutal new reality?

    This all works because Ritchie knows exactly what it is: a glossy, witty crime caper that delights in subverting expectations of British nobility. It balances laugh-out-loud humour with genuine tension, strong ensemble performances with stylish direction, and intricate plotting with accessible entertainment. Theo James and Kaya Scodelario anchor the series beautifully, while Daniel Ings steals every scene that he is in as the chaotic Freddy. By the end, you’re fully invested in Eddie’s predicament and the larger power struggles simmering beneath the surface of polite society.

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    This level of energy, wit, and visual panache, makes The Gentlemen one of Netflix’s most addictive offerings. It’s a refined blend of aggression, elegance, and irreverent fun hooks you from the get go and proves that Ritchie is the master of class clashing crime dramedy.

    🌟🌟🌟🌟🌟

    RETURN TO THE GENTLEMEN REVIEWS

    #2020s #2024 #Comedy #Crime #DanielIngs #GiancarloEsposito #GuyRitchie #JoelyRichardson #KayaScodelario #TheGentlemen #TheoJames #Thriller #TVReview #VinnieJones
  10. ‘Breaking Bad’ and ‘Better Call Saul’ star Giancarlo Esposito accepts Islamic faith after shooting in Saudi Arabia |

    Giancarlo Esposito accepts Islam as his faith in Saudi Arabia Giancarlo Esposito, who is best known for his…
    #NewsBeep #News #Celebrities #7Dogs #AU #Australia #BetterCallSaul #BreakingBad #Entertainment #GiancarloEsposito #Islamconversion
    newsbeep.com/au/751116/

  11. Breaking Bad’s Giancarlo Esposito Embraces Islam

    Casablanca – American actor Giancarlo Esposito has reportedly embraced Islam during his stay in Saudi Arabia. A video…
    #NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #BreakingNews #GiancarloEsposito #Headlines #Topstories #TopStories
    newsbeep.com/us/717561/

  12. Bryan Singer – „Die üblichen Verdächtigen“ (1995)

    Trauen Sie dieser Geschichte nicht eine Sekunde! Konzentrieren Sie sich auf die Kleinigkeiten! Warten Sie mit ihrem Urteil über „Gut und Böse“! Wenn Sie dazu nicht bereit oder in der Lage sind, dann schauen Sie diesen Film besser nicht. Wenn Sie sich aber darauf einlassen, dann belohnen Sie sich möglicherweise selbst. (ARD, Wh.)

    Zum Blog: nexxtpress.de/mediathekperlen/
  13. I can’t describe how cool it was to meet Giancarlo Esposito at Hong Kong Comic Con this past Sunday. He’s one of my favorite actors so when I saw he would be in Hong Kong I didn’t want to miss my chance to say hi
    •
    #hongkong #comiccon #hongkongcomiccon #giancarloesposito #breakingbad #theboys #revolution #themandalorian #mandalorian #meetandgreet

  14. The Boys (Season 5 Review) | A Messy but Entertaining Final Season

    The Boys Season 5 delivers brutal confrontations, emotional character moments, and a solid finale, but uneven pacing and too many setup storylines stop it from fully feeling like the epic final season it should have been.

    wornoutspines.com/2026/05/20/t

  15. 𝗕𝗿𝗲𝗮𝗸𝗶𝗻𝗴 𝗕𝗮𝗱-𝗮𝗰𝘁𝗲𝘂𝗿 𝗚𝗶𝗮𝗻𝗰𝗮𝗿𝗹𝗼 𝗘𝘀𝗽𝗼𝘀𝗶𝘁𝗼 𝗻𝗮𝗮𝗿 𝗗𝘂𝘁𝗰𝗵 𝗖𝗼𝗺𝗶𝗰 𝗖𝗼𝗻

    Giancarlo Esposito is deze zomer te gast op Heroes Dutch Comic Con. Dat heeft de organisatie bekendgemaakt.

    rtl.nl/boulevard/artikel/55916

    #GiancarloEsposito #DutchComicCon #BreakingBad

  16. GENERAL STRIKE THIS FRIDAY JAN. 30TH in solidarity w Minneapolis & everyone else being terrorized right now. ○ Actress Eva Longoria (Desperate ...

    The upsurge of resistance, unlike anything that has been seen in decades, is beginning to find many important expressions, including among classical and popular musicians, actors, writers and even professional athletes.#BruceSpringsteen #ReneeFleming #PhilipGlass #ConorOberst #LucindaWilliams #NeilYoung #TyreseHailburton #GiancarloEsposito #EdwardNorton #generalstrike
    Artists voice growing opposition to Trump, call for “general strike” and “revolution”

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