#gericault — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #gericault, aggregated by home.social.
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Joku täällä aneli taannoin satunnaisia #sarjakuva-ruutuja, mutta minäpä katson ja korotan: ajattelin esitellä muutamaa itselleni erityisen merkityksellistä ruutua. Saa osallistua, jos hotsittaa.
Tässä ensimmäinen, #Fred: #Filemon 2: A:n haaksirikkoinen (WSOY:n uusintapainoksesta, 1993). #Géricault'in alkuperäismaalaus Le Radeau de la Méduse’kin tunnistettaneen.
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Joku täällä aneli taannoin satunnaisia #sarjakuva-ruutuja, mutta minäpä katson ja korotan: ajattelin esitellä muutamaa itselleni erityisen merkityksellistä ruutua. Saa osallistua, jos hotsittaa.
Tässä ensimmäinen, #Fred: #Filemon 2: A:n haaksirikkoinen (WSOY:n uusintapainoksesta, 1993). #Géricault'in alkuperäismaalaus Le Radeau de la Méduse’kin tunnistettaneen.
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Joku täällä aneli taannoin satunnaisia #sarjakuva-ruutuja, mutta minäpä katson ja korotan: ajattelin esitellä muutamaa itselleni erityisen merkityksellistä ruutua. Saa osallistua, jos hotsittaa.
Tässä ensimmäinen, #Fred: #Filemon 2: A:n haaksirikkoinen (WSOY:n uusintapainoksesta, 1993). #Géricault'in alkuperäismaalaus Le Radeau de la Méduse’kin tunnistettaneen.
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Joku täällä aneli taannoin satunnaisia #sarjakuva-ruutuja, mutta minäpä katson ja korotan: ajattelin esitellä muutamaa itselleni erityisen merkityksellistä ruutua. Saa osallistua, jos hotsittaa.
Tässä ensimmäinen, #Fred: #Filemon 2: A:n haaksirikkoinen (WSOY:n uusintapainoksesta, 1993). #Géricault'in alkuperäismaalaus Le Radeau de la Méduse’kin tunnistettaneen.
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Joku täällä aneli taannoin satunnaisia #sarjakuva-ruutuja, mutta minäpä katson ja korotan: ajattelin esitellä muutamaa itselleni erityisen merkityksellistä ruutua. Saa osallistua, jos hotsittaa.
Tässä ensimmäinen, #Fred: #Filemon 2: A:n haaksirikkoinen (WSOY:n uusintapainoksesta, 1993). #Géricault'in alkuperäismaalaus Le Radeau de la Méduse’kin tunnistettaneen.
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Théodore Géricault's "Return from Russia" masterfully captures the haunting aftermath of war, showcasing the profound sorrow of soldiers and their horses. This print serves as a poignant reminder of the cost of conflict. What emotions does this piece evoke in you?
#Art #Géricault #Lithography #ClevelandArt
https://clevelandart.org/art/1931.48 -
Théodore Géricault's "Return from Russia" masterfully captures the haunting aftermath of war, showcasing the profound sorrow of soldiers and their horses. This print serves as a poignant reminder of the cost of conflict. What emotions does this piece evoke in you?
#Art #Géricault #Lithography #ClevelandArt
https://clevelandart.org/art/1931.48 -
Théodore Géricault's "Return from Russia" masterfully captures the haunting aftermath of war, showcasing the profound sorrow of soldiers and their horses. This print serves as a poignant reminder of the cost of conflict. What emotions does this piece evoke in you?
#Art #Géricault #Lithography #ClevelandArt
https://clevelandart.org/art/1931.48 -
Théodore Géricault's "Return from Russia" masterfully captures the haunting aftermath of war, showcasing the profound sorrow of soldiers and their horses. This print serves as a poignant reminder of the cost of conflict. What emotions does this piece evoke in you?
#Art #Géricault #Lithography #ClevelandArt
https://clevelandart.org/art/1931.48 -
Medium and Message: Varnish and the mists of grime
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Medium and Message: Varnish and the mists of grime
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Medium and Message: Varnish and the mists of grime
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Medium and Message: Varnish and the mists of grime
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Medium and Message: Varnish and the mists of grime
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Radeau de la méduse
Bateau ivre sans muse
A vaux l'eau les fachos
Cannibales d'ideauxNotre siècle se noie
Sans remords sans émoi
Dans un océan de peurs
D'indifférence et de leurresA nous de résister !
A nous de dénoncer
La violence pernicieuse
De ces hordes creuses. -
Radeau de la méduse
Bateau ivre sans muse
A vaux l'eau les fachos
Cannibales d'ideauxNotre siècle se noie
Sans remords sans émoi
Dans un océan de peurs
D'indifférence et de leurresA nous de résister !
A nous de dénoncer
La violence pernicieuse
De ces hordes creuses. -
Radeau de la méduse
Bateau ivre sans muse
A vaux l'eau les fachos
Cannibales d'ideauxNotre siècle se noie
Sans remords sans émoi
Dans un océan de peurs
D'indifférence et de leurresA nous de résister !
A nous de dénoncer
La violence pernicieuse
De ces hordes creuses. -
Radeau de la méduse
Bateau ivre sans muse
A vaux l'eau les fachos
Cannibales d'ideauxNotre siècle se noie
Sans remords sans émoi
Dans un océan de peurs
D'indifférence et de leurresA nous de résister !
A nous de dénoncer
La violence pernicieuse
De ces hordes creuses. -
Radeau de la méduse
Bateau ivre sans muse
A vaux l'eau les fachos
Cannibales d'ideauxNotre siècle se noie
Sans remords sans émoi
Dans un océan de peurs
D'indifférence et de leurresA nous de résister !
A nous de dénoncer
La violence pernicieuse
De ces hordes creuses. -
Géricault’s "Return from Russia" starkly contrasts glory with despair, depicting wounded soldiers against a snow-filled landscape. This lithograph reveals war's grim reality. How does this artwork reshape your understanding of historical conflict?
#ClevelandArt #Gericault #ArtHistory
https://clevelandart.org/art/1931.48 -
Géricault’s "Return from Russia" starkly contrasts glory with despair, depicting wounded soldiers against a snow-filled landscape. This lithograph reveals war's grim reality. How does this artwork reshape your understanding of historical conflict?
#ClevelandArt #Gericault #ArtHistory
https://clevelandart.org/art/1931.48 -
Géricault’s "Return from Russia" starkly contrasts glory with despair, depicting wounded soldiers against a snow-filled landscape. This lithograph reveals war's grim reality. How does this artwork reshape your understanding of historical conflict?
#ClevelandArt #Gericault #ArtHistory
https://clevelandart.org/art/1931.48 -
Géricault’s "Return from Russia" starkly contrasts glory with despair, depicting wounded soldiers against a snow-filled landscape. This lithograph reveals war's grim reality. How does this artwork reshape your understanding of historical conflict?
#ClevelandArt #Gericault #ArtHistory
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" masterfully captures the grim aftermath of battle, showcasing the stark reality instead of glorifying war. The nuanced use of color and tone brings depth to this somber scene. What emotions does this artwork evoke for you?
#Art #Géricault #ClevelandArt #Lithography
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" masterfully captures the grim aftermath of battle, showcasing the stark reality instead of glorifying war. The nuanced use of color and tone brings depth to this somber scene. What emotions does this artwork evoke for you?
#Art #Géricault #ClevelandArt #Lithography
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" masterfully captures the grim aftermath of battle, showcasing the stark reality instead of glorifying war. The nuanced use of color and tone brings depth to this somber scene. What emotions does this artwork evoke for you?
#Art #Géricault #ClevelandArt #Lithography
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" masterfully captures the grim aftermath of battle, showcasing the stark reality instead of glorifying war. The nuanced use of color and tone brings depth to this somber scene. What emotions does this artwork evoke for you?
#Art #Géricault #ClevelandArt #Lithography
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" is a striking commentary on the harsh realities of war, capturing the despair of wounded soldiers amidst a bleak winter landscape. How does this contrast to the glorification of battle in other works?
#ArtHistory #Géricault #ClevelandArt
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" is a striking commentary on the harsh realities of war, capturing the despair of wounded soldiers amidst a bleak winter landscape. How does this contrast to the glorification of battle in other works?
#ArtHistory #Géricault #ClevelandArt
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" is a striking commentary on the harsh realities of war, capturing the despair of wounded soldiers amidst a bleak winter landscape. How does this contrast to the glorification of battle in other works?
#ArtHistory #Géricault #ClevelandArt
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" is a striking commentary on the harsh realities of war, capturing the despair of wounded soldiers amidst a bleak winter landscape. How does this contrast to the glorification of battle in other works?
#ArtHistory #Géricault #ClevelandArt
https://clevelandart.org/art/1931.48 -
Géricault's "Return from Russia" is a striking commentary on the harsh realities of war, capturing the despair of wounded soldiers amidst a bleak winter landscape. How does this contrast to the glorification of battle in other works?
#ArtHistory #Géricault #ClevelandArt
https://clevelandart.org/art/1931.48 -
🥳 Joyeux anniversaire #Géricault 🎂
Le @museedenon conserve un très beau portrait attribué à l'artiste :
🖼 Portrait attribué à Théodore Géricault, huile sur toile, entre 1811 et 1812, ancienne collection Carbillet © Philippe Bernard
🏛 À découvrir dans nos salles d'exposition permanente ! -
🥳 Joyeux anniversaire #Géricault 🎂
Le @museedenon conserve un très beau portrait attribué à l'artiste :
🖼 Portrait attribué à Théodore Géricault, huile sur toile, entre 1811 et 1812, ancienne collection Carbillet © Philippe Bernard
🏛 À découvrir dans nos salles d'exposition permanente ! -
"The man with the dishevelled hair - Looking misfortune in the face."
"Walking through the streets of Paris this winter, I was haunted by a portrait. It was an unknown man painted around the start of the 1800s, and spread across posters announcing a big Géricault exhibition at the Grand Palais. It was also on the cover of the commemorative catalogue, to mark the 200-year anniversary of Théodore Géricault’s birth..."
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"The man with the dishevelled hair - Looking misfortune in the face."
"Walking through the streets of Paris this winter, I was haunted by a portrait. It was an unknown man painted around the start of the 1800s, and spread across posters announcing a big Géricault exhibition at the Grand Palais. It was also on the cover of the commemorative catalogue, to mark the 200-year anniversary of Théodore Géricault’s birth..."
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Official photographs of the Navy's recovery of the debris of the downed Chinese spy balloon remind critic Will Heinrich of Winslow Homer's painting "The Herring Net," and remind a Met curator of Géricault's "Raft of the Medusa."
https://www.nytimes.com/2023/02/18/arts/design/china-balloon-notebook-homer.html
What comes to mind for me is John Singleton Copley's "Watson and the Shark."
https://www.nga.gov/collection/art-object-page.46471.html
#arthistory #painting #photography #maritime #melville #géricault #winslowhomer #johnsingletoncopley
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Official photographs of the Navy's recovery of the debris of the downed Chinese spy balloon remind critic Will Heinrich of Winslow Homer's painting "The Herring Net," and remind a Met curator of Géricault's "Raft of the Medusa."
https://www.nytimes.com/2023/02/18/arts/design/china-balloon-notebook-homer.html
What comes to mind for me is John Singleton Copley's "Watson and the Shark."
https://www.nga.gov/collection/art-object-page.46471.html
#arthistory #painting #photography #maritime #melville #géricault #winslowhomer #johnsingletoncopley
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Official photographs of the Navy's recovery of the debris of the downed Chinese spy balloon remind critic Will Heinrich of Winslow Homer's painting "The Herring Net," and remind a Met curator of Géricault's "Raft of the Medusa."
https://www.nytimes.com/2023/02/18/arts/design/china-balloon-notebook-homer.html
What comes to mind for me is John Singleton Copley's "Watson and the Shark."
https://www.nga.gov/collection/art-object-page.46471.html
#arthistory #painting #photography #maritime #melville #géricault #winslowhomer #johnsingletoncopley
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Official photographs of the Navy's recovery of the debris of the downed Chinese spy balloon remind critic Will Heinrich of Winslow Homer's painting "The Herring Net," and remind a Met curator of Géricault's "Raft of the Medusa."
https://www.nytimes.com/2023/02/18/arts/design/china-balloon-notebook-homer.html
What comes to mind for me is John Singleton Copley's "Watson and the Shark."
https://www.nga.gov/collection/art-object-page.46471.html
#arthistory #painting #photography #maritime #melville #géricault #winslowhomer #johnsingletoncopley
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Official photographs of the Navy's recovery of the debris of the downed Chinese spy balloon remind critic Will Heinrich of Winslow Homer's painting "The Herring Net," and remind a Met curator of Géricault's "Raft of the Medusa."
https://www.nytimes.com/2023/02/18/arts/design/china-balloon-notebook-homer.html
What comes to mind for me is John Singleton Copley's "Watson and the Shark."
https://www.nga.gov/collection/art-object-page.46471.html
#arthistory #painting #photography #maritime #melville #géricault #winslowhomer #johnsingletoncopley
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"A Painting for a World in Collapse."
What The Raft of the Medusa reveals about contemporary political art.
#culture #art #arthistory #history #Géricault
https://www.vulture.com/article/jerry-saltz-art-is-life-raft-of-the-medusa.html