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#generativemusic — Public Fediverse posts

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  1. I am very happy that my project "Teleonomies – Intelligence: Artificial and Complex" has been awarded a one-year artistic research grant from the Musikfonds (STIP-5).

    I've been working intensively on the project since the start of the year and look forward to expanding the research further in the coming months.

    The question of how AI and physical machines can actively become co-creators of musical processes lies at the heart of this work. I am currently developing a system in which a swarm of modular robots, floating on a specially constructed air table, explores the relationships between data, movement and sound, thereby giving rise to new musical realities. The installation examines how machine agents not only process data, but also translate it into spatial and sonic experiences. The focus is on complex systems, self-organisation and the question of how musical form can emerge in real time from local interactions.

    What fascinates me most is the idea of music as a process: composition not as defining a finished work, but as designing the conditions for a system to unfold on its own.

    The project builds on earlier work that I began over ten years ago during a residency at the Laboratory for Artificial Intelligence at the University of Zurich, under the supervision of Rolf Pfeifer, and takes this work further within the intersection of AI, robotics and algorithmic composition.

    I am very much looking forward to the coming months and to sharing insights into the research process.

    #Musikfonds #AI #robotics #complexsystems #generativemusic

  2. I am very happy that my project "Teleonomies – Intelligence: Artificial and Complex" has been awarded a one-year artistic research grant from the Musikfonds (STIP-5).

    I've been working intensively on the project since the start of the year and look forward to expanding the research further in the coming months.

    The question of how AI and physical machines can actively become co-creators of musical processes lies at the heart of this work. I am currently developing a system in which a swarm of modular robots, floating on a specially constructed air table, explores the relationships between data, movement and sound, thereby giving rise to new musical realities. The installation examines how machine agents not only process data, but also translate it into spatial and sonic experiences. The focus is on complex systems, self-organisation and the question of how musical form can emerge in real time from local interactions.

    What fascinates me most is the idea of music as a process: composition not as defining a finished work, but as designing the conditions for a system to unfold on its own.

    The project builds on earlier work that I began over ten years ago during a residency at the Laboratory for Artificial Intelligence at the University of Zurich, under the supervision of Rolf Pfeifer, and takes this work further within the intersection of AI, robotics and algorithmic composition.

    I am very much looking forward to the coming months and to sharing insights into the research process.

    #Musikfonds #AI #robotics #complexsystems #generativemusic

  3. "Fluidante" is a quadrophonic recording from the Latent Russando framework which will be performed at this year's International Computer Music Conference #ICMC in Hamburg. Drop by if you're there! icmc2026.ligeti-zentrum.de/eve #icmc2026 #algorithmic #composition #generativemusic

  4. Hi you all, how about you? My first album in this year.
    An attempt to fuse generative sounds and emotions through algorithms, and a reflection on war. I’d like you to check it out. #experimental #electroacoustic #generativemusic #vcvrack

    takeshihayashi.bandcamp.com/al

  5. Hi you all, how about you? My first album in this year.
    An attempt to fuse generative sounds and emotions through algorithms, and a reflection on war. I’d like you to check it out. #experimental #electroacoustic #generativemusic #vcvrack

    takeshihayashi.bandcamp.com/al

  6. So nice to see my piece in action, and having people ask em about it. It seems to be striking a chord (no pun intended).
    #art #robotics #generativemusic #arduino #maker #artist #xylophone #glockenspiel #algorave

  7. So nice to see my piece in action, and having people ask em about it. It seems to be striking a chord (no pun intended).
    #art #robotics #generativemusic #arduino #maker #artist #xylophone #glockenspiel #algorave

  8. Patternuary 6 (2024): a hypnotic piano pattern with Mégra — a playful collision of code and melody. Is the string the pattern, the resulting Markov chain, or both? Short, puzzling, beautiful. Give it a listen and geek out! #Patternuary #Piano #Markov #GenerativeMusic #AlgorithmicMusic #CreativeCoding #MusicTheory #English
    see.ellipsenpark.de/videos/wat

  9. Patternuary 6 (2024): a hypnotic piano pattern with Mégra — a playful collision of code and melody. Is the string the pattern, the resulting Markov chain, or both? Short, puzzling, beautiful. Give it a listen and geek out! #Patternuary #Piano #Markov #GenerativeMusic #AlgorithmicMusic #CreativeCoding #MusicTheory #English
    see.ellipsenpark.de/videos/wat

  10. Two browser-based instruments, one live rig. The Dodecahedron (3D harmonic explorer) now passes MIDI through to hardware — receiving Euclidean drum patterns on Ch 10 via IAC Driver and forwarding them to an AKAI MPC, while sending its own melodic output on Ch 2. Full chain: Euclidean → Dodecahedron → MPC, all in sync with tunable latency offset. No DAW needed — just two web apps and WebMIDI. Try them out & let me know what you think! #WebMIDI #GenerativeMusic

    youtube.com/watch?v=kXSpTdQH3dE

  11. Euclidean Rhythms — a 3D polyrhythm sequencer that turns math into music. Bjorklund's algorithm distributes beats as evenly as possible across a cycle, producing patterns found in Cuban clave, West African bell rhythms, and Brazilian samba. Stack up to 5 rings, pick from 9 voices, twist the knobs, and send MIDI to your gear. Try it free at euclidean.newritual.com #EuclideanRhythms #Polyrhythm #WebAudio #MusicTech #GenerativeMusic #Sequencer #WebMIDI #BjorklundAlgorithm

    youtube.com/shorts/MhQFKKcDn70

  12. 90 seconds traversing a musical dodecahedron at dodecahedron.newritual.com — 12 faces, 12 unique keys. This journey swings between Locrian darkness and Ionian brightness, switching from arpeggios to drones and back mid-flight. All 12 pitch classes visited. One of ~110 quadrillion possible configurations. #musictheory #dodecahedron #generativemusic #experimentalmusic #composition

    youtube.com/shorts/1N0B91un9SM

  13. This 2-min piece was composed on a musical dodecahedron at dodecahedron.newritual.com — 12 faces, 12 pitch classes, 7 modes. Each face holds a unique key. How many possible dodecahedra are there? Burnside's lemma meets music theory: ~110 quadrillion distinct configurations, after accounting for rotational symmetry. This is just one. #musictheory #dodecahedron #combinatorics #math #generativemusic #composition

    youtube.com/shorts/LMe4Rkp966U

  14. Calling AI-generated music the 'evolution of radio' is like calling frozen pizza the future of Italian cuisine. Technically true, spiritually bankrupt. 🎧💻 #AI #GenerativeMusic #RadioButWorse

  15. I jammed a bit with the awake-passersby script on the monome norns, using a Novation Launchpad Mini. #norns #jamuary #generativeMusic #electronic #experimental #ambient

  16. @DBG3D @t36s Okay, I found another nice excerpt, a bit more minimal than the above, but maybe also more clear to hear the approach described earlier. Just to explain once more, all the samples used are only one-shot single notes (produced by Simon Pyke/Freefarm). All melodies, chords, chord progressions, rhythm and the overall arrangement are fully generated (mostly but not exclusively) via cellular automata. The composition system also had other means to create/control, e.g. probabilistically trigger the recording of notes/events of selected tracks/channels for a few bars and then replay these phrases later, maybe using a different time scale, transpose, mirror and/or with different instruments... This proved to be highly effective (and musical) in terms of longer progressions and to create more interesting multilayered compositions/progressions. Some phrases were kept in a memory pool for up to 12 hours (the piece ran for 3 months)...

    As you can hopefully tell, the visuals for that installation were audio-responsive (not really audio per se, but responding to the events of the composer). Likewise, if the visuals would become too agitated/intense, an event would be sent to the composer to quickly dial down/thin out the musical intensity (e.g. trigger tempo change, mute tracks, lower velocity etc.). This hybrid, coupled two-way feedback worked very well in practice and there were so many moments I wish I would have recordings of...

    #GenerativeArt #GenerativeMusic #MusicComposition #CellularAutomata #AudioReactive #Installation #VictoriaAlbertMuseum #Video

  17. Exciting news at Sonic Fauna HQ!

    I reached out to the San Diego State University Sound Lab about using their Echo Thief impulse responses in the new Spaces reverb module. That conversation has turned into a collaboration.

    The core ambiences of the module will be powered by a diverse set of these IRs. Early demos coming in the next couple of days.

    Join the conversation on Discord!
    discord.gg/wYbHpjNR

    #indiedev #generativemusic #electronic #glitch #sounddesign #music #daw #ambient #spaces

  18. OpenAI is reportedly cooking up a new generative music tool! 🎵
    It'll create tracks from text and audio prompts – imagine custom soundtracks for your cat videos or instant guitar accompaniment for your shower opera. The future of tech-powered tunes is here.

    What's the first thing you'd compose with it? #AI #GenerativeMusic #OpenAI #TechNews
    techcrunch.com/2025/10/25/open