#fullalbum — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #fullalbum, aggregated by home.social.
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Doing It In Lagos
https://amf.didiermary.fr/doing-lagos-boogie-pop-disco/
Boogie, Pop & Disco in 1980’s Nigeria
#80smusic #AfroFunk #Compilation #Disco #FullAlbum #Nigeria #OldAfricanMusic
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Dollar Brand – The Children of Africa
https://amf.didiermary.fr/dollar-brand-the-children-of-africa/
The Children of Africa (aka Banyana) by Abdullah Ibrahim (Dollar Brand), recorded in NYC and released in 1976. [...]
#AbdullahIbrahim #FullAlbum #Jazz #SouthAfrica #Vinyl #AfroJazz
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Dollar Brand – The Children of Africa
https://amf.didiermary.fr/dollar-brand-the-children-of-africa/
The Children of Africa (aka Banyana) by Abdullah Ibrahim (Dollar Brand), recorded in NYC and released in 1976. [...]
#AbdullahIbrahim #FullAlbum #Jazz #SouthAfrica #Vinyl #AfroJazz
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Dollar Brand – The Children of Africa
https://amf.didiermary.fr/dollar-brand-the-children-of-africa/
The Children of Africa (aka Banyana) by Abdullah Ibrahim (Dollar Brand), recorded in NYC and released in 1976. [...]
#AbdullahIbrahim #FullAlbum #Jazz #SouthAfrica #Vinyl #AfroJazz
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Dollar Brand – The Children of Africa
https://amf.didiermary.fr/dollar-brand-the-children-of-africa/
The Children of Africa (aka Banyana) by Abdullah Ibrahim (Dollar Brand), recorded in NYC and released in 1976. [...]
#AbdullahIbrahim #FullAlbum #Jazz #SouthAfrica #Vinyl #AfroJazz
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Dollar Brand – The Children of Africa
https://amf.didiermary.fr/dollar-brand-the-children-of-africa/
The Children of Africa (aka Banyana) by Abdullah Ibrahim (Dollar Brand), recorded in NYC and released in 1976. [...]
#AbdullahIbrahim #FullAlbum #Jazz #SouthAfrica #Vinyl #AfroJazz
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Highlife Time
https://amf.didiermary.fr/highlife-time/
“Highlife Time – Nigerian and Ghanaian Sound from the 60s and Early 70s” a 2xCD or 2xLP compilation by Vampi Soul.
Highlife, dance music played mostly in Ghana and Nigeria, represents one of the century’s first fusions of African roots and western music, and before 1970 it ruled dancefloors across much of West Africa. […]
#60smusic #70smusic #FullAlbum #Ghana #Highlife #Nigeria #OldAfricanMusic
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Highlife Time
https://amf.didiermary.fr/highlife-time/
“Highlife Time – Nigerian and Ghanaian Sound from the 60s and Early 70s” a 2xCD or 2xLP compilation by Vampi Soul.
Highlife, dance music played mostly in Ghana and Nigeria, represents one of the century’s first fusions of African roots and western music, and before 1970 it ruled dancefloors across much of West Africa. […]
#60smusic #70smusic #FullAlbum #Ghana #Highlife #Nigeria #OldAfricanMusic
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Highlife Time
https://amf.didiermary.fr/highlife-time/
“Highlife Time – Nigerian and Ghanaian Sound from the 60s and Early 70s” a 2xCD or 2xLP compilation by Vampi Soul.
Highlife, dance music played mostly in Ghana and Nigeria, represents one of the century’s first fusions of African roots and western music, and before 1970 it ruled dancefloors across much of West Africa. […]
#60smusic #70smusic #FullAlbum #Ghana #Highlife #Nigeria #OldAfricanMusic
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Highlife Time
https://amf.didiermary.fr/highlife-time/
“Highlife Time – Nigerian and Ghanaian Sound from the 60s and Early 70s” a 2xCD or 2xLP compilation by Vampi Soul.
Highlife, dance music played mostly in Ghana and Nigeria, represents one of the century’s first fusions of African roots and western music, and before 1970 it ruled dancefloors across much of West Africa. […]
#60smusic #70smusic #FullAlbum #Ghana #Highlife #Nigeria #OldAfricanMusic
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The Indestructible Beat of Soweto
https://amf.didiermary.fr/indestructible-beat-soweto/
The Indestructible Beat of Soweto is a compilation album released in 1985, featuring twelve tracks by artists from South Africa. The sleeve notes state that all songs are in the mbaqanga style, a guitar-based style popular at the time in the townships of Johannesburg and Durban, but the tracks actually cover four different styles, mbaqanga, […]
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The Indestructible Beat of Soweto
https://amf.didiermary.fr/indestructible-beat-soweto/
The Indestructible Beat of Soweto is a compilation album released in 1985, featuring twelve tracks by artists from South Africa. The sleeve notes state that all songs are in the mbaqanga style, a guitar-based style popular at the time in the townships of Johannesburg and Durban, but the tracks actually cover four different styles, mbaqanga, […]
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The Indestructible Beat of Soweto
https://amf.didiermary.fr/indestructible-beat-soweto/
The Indestructible Beat of Soweto is a compilation album released in 1985, featuring twelve tracks by artists from South Africa. The sleeve notes state that all songs are in the mbaqanga style, a guitar-based style popular at the time in the townships of Johannesburg and Durban, but the tracks actually cover four different styles, mbaqanga, […]
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The Indestructible Beat of Soweto
https://amf.didiermary.fr/indestructible-beat-soweto/
The Indestructible Beat of Soweto is a compilation album released in 1985, featuring twelve tracks by artists from South Africa. The sleeve notes state that all songs are in the mbaqanga style, a guitar-based style popular at the time in the townships of Johannesburg and Durban, but the tracks actually cover four different styles, mbaqanga, […]
-
The Indestructible Beat of Soweto
https://amf.didiermary.fr/indestructible-beat-soweto/
The Indestructible Beat of Soweto is a compilation album released in 1985, featuring twelve tracks by artists from South Africa. The sleeve notes state that all songs are in the mbaqanga style, a guitar-based style popular at the time in the townships of Johannesburg and Durban, but the tracks actually cover four different styles, mbaqanga, […]
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smoke signals / nerduban. 1968 [full album • double lp • analog psych noir rock]
Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”
This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
Double LP – Reel-to-Reel Archive Edition🎵 FULL TRACKLIST:
- REEL A – Side One
00:00:00 — 1. Signal in the Dust
00:02:22 — 2. The Light Stays On
00:07:02 — 3. Down from the Rooftop
00:11:54 — 4. She Spoke in Tremolo
00:15:54 — 5. Only the Drums Remember
00:19:43 — 6. Room Full of Nothing
00:23:27 — 7. Half a Cigarette
00:27:20 — 8. Ash on the Snare- REEL A – Side Two
00:30:03 — 9. Ceiling Fan Waltz
00:33:17 — 10. Farfisa Lullaby
00:36:52 — 11. The Back Door Swings
00:40:01 — 12. No One Said Goodbye
00:43:09 — 13. Velour Transmission
00:45:42 — 14. Crying Through the Spring Tank
00:48:31 — 15. Don’t Wake the Light- REEL B – Side Three
00:51:20 — 16. Dust Tape Bloom
00:57:00 — 17. Violet Matches
00:59:44 — 18. Flicker Hour
01:04:14 — 19. Echo Static Love Song
01:07:03 — 20. Ashtray Weather
01:10:43 — 21. Mirage in 7/4
01:15:58 — 22. Midnight Is a Window
01:20:02 — 23. Farfisa of Babylon- REEL B – Side Four
01:23:52 — 24. Ghosts Hum in B Minor
01:28:12 — 25. She Left Before the Downbeat
01:32:29 — 26. Tape Deck Gospel
01:36:14 — 27. No Key, Just Room Tone
01:40:44 — 28. Amp Sleeps with One Eye Open
01:44:58 — 29. Last Call at the Violet Lantern
01:48:23 — 30. Smoke Signals (Title Track)——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle
LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing: “Nerduban never played for the crowd. They played for the shadows in the room.”
Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025
#PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel
#1960sRock #1968 #abstract #Ambient #analog #analogPsych #analogPsychNoirRock #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #fullAlbum #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noir #noirPsychedelia #noirRock #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern