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#frieze — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #frieze, aggregated by home.social.

  1. Here’s What You Missed Off Frieze at Felix, BUTTER and Beyond

    misryoum.com/us/us/heres-what-

    At the Other Art Fair, strong sales underscored the importance of facilitating direct connections between artists and collectors. Courtesy the Other Art Fair Art week in L.A. isn’t just about Frieze but also the gallery shows and parties, as...

    #Heres #What #You #Missed #Off #Frieze #Felix #BUTTER #and #Beyond #US_News_Hub #misryoum_com

  2. Frieze Projects' 'Body & Soul' stages site-specific work across L.A.

    misryoum.com/us/lifestyle/frie

    “If I love you, I have to make you conscious of the things you don’t see.”James Baldwin’s quote about the artist’s role in society is emblazoned on billboards across Los Angeles this winter. Created by artist Patrick Martinez, the...

    #Frieze #Projects #Body #Soul #stages #sitespecific #work #across #US_News_Hub #misryoum_com

  3. The fashion and art at Frieze L.A., captured in photos

    misryoum.com/us/lifestyle/the-

    Erica Mahinay, showing with Make Room Gallery at Frieze L.A. Some art shows are not just about the art. At Frieze L.A., it’s also about seeing — and being seen.On Thursday morning, over 100 artists, gallerists and collectors representing...

    #The #fashion #and #art #Frieze #captured #photos #US_News_Hub #misryoum_com

  4. When I Remember Through You by Grace Schwindt. 2025 Frieze exhibition in Regent's Park, London.

    #sculpture #regentspark #london #frieze

  5. When I Remember Through You by Grace Schwindt. 2025 Frieze exhibition in Regent's Park, London.

    #sculpture #regentspark #london #frieze

  6. Requiem by Reena Saini Kallat, one of the exhibits in the 2025 Frieze Sculpture exhibition in Regent's Park, London.

    #sculpture #regentspark #london #frieze

  7. "WHAT BRAZEN SCAMP conceived the standing dinner? If we can trust Frieze New York to be a weathervane, this post-pandemic hedge against the formal repast is here to stay. Should we thank the galleries for saving us from resentful placement in the social Siberia of a seated dinner or slap them for depriving us of a square meal?"

    What a great opening graf. artforum.com/columns/linda-yab #arts #frieze

  8. "WHAT BRAZEN SCAMP conceived the standing dinner? If we can trust Frieze New York to be a weathervane, this post-pandemic hedge against the formal repast is here to stay. Should we thank the galleries for saving us from resentful placement in the social Siberia of a seated dinner or slap them for depriving us of a square meal?"

    What a great opening graf. artforum.com/columns/linda-yab #arts #frieze

  9. Dragon Ball Z Taiketsu with Andrew Young (Behold!)

    Gather ‘round, Dragon Ball devotees and gluttons for punishment! This week on Play Comics, we’re subjecting ourselves to the digital equivalent of getting hit by Frieza’s Death Beam repeatedly-Dragon Ball Z Taiketsu for the Game Boy Advance. Imagine taking the most explosive anime franchise in history and cramming it into a game with all the fiery intensity of a damp firecracker. Spoiler alert: This isn’t a battle for glory-it’s a battle for survival against one of the most bafflingly awful licensed games ever conceived.

    Joining me in this masochistic quest is Andrew Young from Behold!, who’s agreed to lend his expertise (and his remaining sanity) to dissect this pixelated travesty. Together, we’ll answer the burning question: How did a game about planet-destroying superhumans end up feeling as thrilling as watching paint dry on Master Roshi’s houseboat? Hint: It involves more clipping issues than Yamcha’s career and combat mechanics flatter than Krillin’s scalp.

    From animations that resemble a PowerPoint presentation gone rogue to a soundtrack that sounds like a kazoo orchestra trapped in a washing machine, Taiketsu doesn’t just drop the ball-it spikes it into the core of the Earth, unleashes a Spirit Bomb of disappointment, and then forgets to animate the explosion. Whether you’re here for the schadenfreude or just morbid curiosity, grab your Dragon Radar and a stiff drink. This episode’s gonna hurt. A lot.

    Learn such things as:

    • What happens when the developers are put not only behind the 8 ball, but also in front of a really high cliff on a windy day and that cliff is made of ice?
    • So I guess games really do need a story don’t they? Even if it’s just a hand wave at one.
    • Is this the new worst representation of the comic source material?
    • And so much more!

    You can find Andrew by looking at the Behold! account on Twitter or of course the Behold! website. You should especially check out the episode looking at X-Men 97 because I love that series and need something good in my life, and the episode looking at Fan4stick because it has me in it.

    If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you’re interested in.

    If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store.

    Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix.

    You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscaston Twitter and in the Play Comics Podcast Fan Groupon Facebook.

    A big thanks to the Kickstarter campaign for I Brought A Gorilla to a Gunfight and the Kickstarter campaign for Starlite for the promos today.

    Intro/Outro Music by Backing Track, who forgot that this game exists and is now on a mission to destroy me because I brought this fact back to light.

    #AndrewYoung #Android16 #Android18 #Atari #Broly #Frieze #FutureTrunks #GameBoyAdvance #Goku #Gotenks #ImprefectCell #JumpComics #Krillin #MajinBuu #Nappa #PerfectCell #Piccolo #Shueisha #SuperBuu #Taditz #Vegeta #VizMedia #WebfootTechnologies

  10. ⬆️ @Carlbovis

    Convince me that classical #architecture and #design were not influenced by #nature.

    For context, compare the picture of #ChaffinchWings and tail in the previous post to the #volute and the #frieze in the sketch below which shows the classical #Entablature, #Capital, and neck of the #ColumnShaft in the #IonicOrder.

  11. ⬆️ @Carlbovis

    Convince me that classical #architecture and #design were not influenced by #nature.

    For context, compare the picture of #ChaffinchWings and tail in the previous post to the #volute and the #frieze in the sketch below which shows the classical #Entablature, #Capital, and neck of the #ColumnShaft in the #IonicOrder.

  12. ⬆️ @Carlbovis

    Convince me that classical #architecture and #design were not influenced by #nature.

    For context, compare the picture of #ChaffinchWings and tail in the previous post to the #volute and the #frieze in the sketch below which shows the classical #Entablature, #Capital, and neck of the #ColumnShaft in the #IonicOrder.

  13. Have a courageous Day of Ares aka Mars' Day aka aka Tuesday 🗡️

    "I will make you [Kadmos] the son-in-law of #Ares and Kythereia [#Aphrodite]; gods shall be guests at your wedding-feast on the earth!"
    Nonnus, Dionysiaca 2.660

    🏛 Part of a #frieze found at #Delphi, Greece:
    wabash.edu/photo-albums/album/

    @antiquidons @mythology
    #DayOfAres #GreekRomanArt #mythology

  14. Have a courageous Day of Ares aka Mars' Day aka aka Tuesday 🗡️

    "I will make you [Kadmos] the son-in-law of #Ares and Kythereia [#Aphrodite]; gods shall be guests at your wedding-feast on the earth!"
    Nonnus, Dionysiaca 2.660

    🏛 Part of a #frieze found at #Delphi, Greece:
    wabash.edu/photo-albums/album/

    @antiquidons @mythology
    #DayOfAres #GreekRomanArt #mythology

  15. carlos amorales’ asemic works @ the 2017 venice biennale

    […] In continuity with previous research, Amorales’ Life in the folds introduces a formal language that unfolds in a variety of media within the installation. The artist developed a series of compositions that transit from abstraction to an illegible text, and this, to a phonetic language and to three-dimensional forms that emit music, to converge cinematographically in the story of the lynching of a migrant family. […]

    https://www.typeroom.eu/article/type-infused-art-fills-m-xico-s-pavilion-la-biennale

    *

    Le immagini della violenza non sono mostrate. Nel momento del linciaggio prendono il sopravvento la figura del burattinaio e la musica. Nel padiglione durante la proiezione un ensemble interpreta dal vivo la colonna sonora e gli eventi della storia suonando le ocarine.

    Si tratta di Ensemble Liminare, un gruppo indipendente di musica contemporanea con sede a Città del Messico e dedicato alla musica sperimentale. Intanto due attori distribuiscono il giornale creato dall’artista e scritto con l’alfabeto criptato, che contiene un saggio critico su alcune questioni politiche messicane.

    […] “Dal punto di vista artistico, ho studiato il modo in cui la scrittura è crittografata, inventando una forma di tipografia astratta: una strategia che preserva i contenuti dei testi, altrimenti messi a tacere se fossero resi leggibili. Per il Padiglione del Messico alla Biennale Arte 2017 ho codificato un alfabeto secondo le leggi delle lingue formali, partendo dall’astrazione fino a raggiungere il livello della figurazione, in cui la comunicazione può avvenire apertamente”.

    https://www.domusweb.it/it/arte/2017/05/30/carlos_amorales_life_in_the_folds_.html

    *

    pdf: https://websitebienal-live-df11cd13de634d7ba62-70a8fe0.aldryn-media.com/filer_public/83/13/8313db1d-4f29-42ec-a853-de340ede8703/caam_newspaper_315x420_lr_1.pdf

    presskit: https://cdn.contemporaryartlibrary.org/store/doc/1816/docfile/original-d2ad6ddd122a6e2a295adad838e6d413.pdf

    *

    https://www.frieze.com/article/text-interface-gentle-disruptions-carlos-amorales

    *

    Irmgard Emmelhainz, Contribution to Carlos Amorales’ exhibition catalogue “Life in the Folds” accompanying his multimedia installation at the Mexican Pavillion for the 57th Venice Biennale: https://www.academia.edu/33458256/Amorales2_docx

    More infos in this very interesting Artribune video: https://www.facebook.com/artribune/videos/carlos-amorales-life-in-the-folds/1396124490457290/

    https://vimeo.com/218745938?share=copy

    (also watch https://youtu.be/s09lq8c5V5s)

    *

    The title comes from here:

    _____________________________

    two previous asemic experiments:

    The language of the dead (2012):  https://estudioamorales.com/la-lengua-de-los-muertos/

    (an interview: https://www.baxterst.org/photography-and-violence-5-the-language-of-the-dead-an-interview-with-carlos-amorales/)

    and

    Liquid Archive (1999–2010). The archive was a collection of digital images dating back to 1998 that Amorales used to form a figurative alphabet and visually abstract language composed of shapes, lines, and nodes instead of words. The graphics that comprised the alphabet transformed over the years from identifiable forms, such as birds and airplanes, to organic shapes that resemble east asian calligraphy.

    https://www.kurimanzutto.com/archive/from-the-archive-carlos-amorales#slide:4;tab:slideshow;enlarge:true

    #abstraction #alfabetoCriptato #art #arte #Artribune #asemic #asemicNewspaper #asemicWriting #Biennale2017 #CarlosAmorales #EnsembleLiminare #Frieze #giornale #giornaleAsemico #HenriMichaux #illegible #illegibleText #IrmgardEmmelhainz #Kurimanzutto #LaVieDansLesPlis #LifeInTheFolds #LiquidArchive #newspaper #scritturaAsemica #TheLanguageOfTheDead #VeniceBiennale

  16. [In a country like #China, where free expression is more or less limited, the uniquely seductive, fluorescent-lit and very sensual #paintings of #Chinese #artist Tao Siqi stand out. The artist, who is based in #Shanghai, pursues an open exploration of bodily sensation: pleasure, disgust, attraction and repulsion. After her debut at #Frieze New York 2024 with #CapsuleShanghai in the Focus section, her paintings started attracting the attention of international collectors.

    Siqui is in her late twenties and unassuming—perhaps the opposite of what you might expect from her oftentimes provocative work. When Observer met the artist in her Shanghai studio, the vast range of references in her paintings outstripped her English vocabulary, but with the help of translators, we were able to dive deeper into the rich narrative and literary references embedded in the work. We talked with the painter about her primary sources of inspiration, her process and some of the places she feels her paintings are taking her.]

    observer.com/2024/08/interview

    #EroticArt #Censorship #ArtScene #ChineseArtists #Painter #VisualArt #FineArt #InternationalArt #AsianMastodon

  17. [In a country like #China, where free expression is more or less limited, the uniquely seductive, fluorescent-lit and very sensual #paintings of #Chinese #artist Tao Siqi stand out. The artist, who is based in #Shanghai, pursues an open exploration of bodily sensation: pleasure, disgust, attraction and repulsion. After her debut at #Frieze New York 2024 with #CapsuleShanghai in the Focus section, her paintings started attracting the attention of international collectors.

    Siqui is in her late twenties and unassuming—perhaps the opposite of what you might expect from her oftentimes provocative work. When Observer met the artist in her Shanghai studio, the vast range of references in her paintings outstripped her English vocabulary, but with the help of translators, we were able to dive deeper into the rich narrative and literary references embedded in the work. We talked with the painter about her primary sources of inspiration, her process and some of the places she feels her paintings are taking her.]

    observer.com/2024/08/interview

    #EroticArt #Censorship #ArtScene #ChineseArtists #Painter #VisualArt #FineArt #InternationalArt #AsianMastodon

  18. Today's Flickr photo with the most hits: this section of the frieze at the Roman theatre of Perge; Archaeological Museum, Antalya.

    #sculpture #HighRelief #roman #theatre #perge #turkey #frieze

  19. Vehicle for Social Justice, Bound for Frieze Art Fair

    "Expect patterns of repeating rainbow umbrellas to highlight his continuing support for Los Angeles street vendors, predominantly immigrants, in their struggles against police harassment, hate crimes and a bureaucratic permitting process."

    nytimes.com/2023/02/13/arts/de via NYT
    Photo: Alex Welsh for NYT
    #RubenOchoa #Frieze #FriezeArtFair #FriezeLA #FriezeLosAngeles