#fountainhead — Public Fediverse posts

lol– isn't this literally the plot of #AynRand's #Fountainhead?

The pseudo-intellectuals among the #MAGA types purport to be Ayn Rand acolytes. Her individualist diatribes against socialism as the highest ideal, used architecture as a vehicle. She preached that "classic" design for everything was the path of stagnant dullards, unlike her protagonist.

Meanwhile maga pushes exactly that – everyone has to wear the same hat and conform to the leader's ideology. Who's the collectivist now?

#uspoli

@breakfastgolem #dirtydancing #aynrand #fountainhead

Ingurgitating Oblivion – Ontology of Nought Review

By Dear Hollow

I’ve spent over twenty hours with Ontology of Nought, trying to learn the German Ingurgitating Oblivion’s method in the madness. I’m still lost. I’m still stumbling blindly through the dead ends, the hairpin turns, the ominous spires, and the high walls that enclose its labyrinth, attempting to discover its light but knowing that it will only be by chance if I do. I cannot find a pattern, a clue, or an architectural basis anywhere. It’s blind memorization and utter void of context, and I have never been so baffled and intrigued by something calling itself death metal.

The lack of reference makes Ontology of Nought such a difficult album to score. Laced dissonance, choppy rhythms, blackened death intensity, and technical arpeggios, tied together with spoken word, a haunting atmosphere, and vicious noise, avant-garde veterans Ingurgitating Oblivion1 somehow avoids sounding like the trademarks of any of the bands who use them. Their first album in seven years consists of five tracks spanning nearly an hour and fifteen minutes, the eighteen-minute closer divided into three movements. It shifts patiently, organically, but with the intention and direction of the blind leading the blind. Ingurgitating Oblivion constructs Ontology of Nought not as a collection of highlights and riffs, but as a sonic labyrinth composed of mile-high walls, experimental twists, jagged spires, and brutal nihilism.

Disjointedly, Ingurgitating Oblivion recalls acts like Serocs, Coma Cluster Void, and Flourishing, a fusion of dissonant, blackened, and avant-garde death metal, sprawled together with ambiance and murky songwriting – however, Ontology of Nought is a free jazz expedition a la Sun Ra or Peter Brötzmann at heart. Opener “Uncreation’s Whirring Loom You Ply with Crippled Fingers” sets the tone with a haunting ambiance, interspersed by nearly mathcore-inspired marbled rhythms and manic drumming and featuring wild jazzy solos. The suffocating sprawl of noise and dissonance gives “To Weave the Tapestry of Nought” a dangerous grin atop its cantankerous rhythms, and the crescendos of lush ambiance, cumbersome keys, and clean vocals are downright haunting and strangely infectious. The women’s choir of “Lest I Should Perish with Travel, Effete and Weary, as My Knees Refuse to Bear Me Thither” shines through this tapestry of noise, interspersed by blackened death bomb explosions. Closer “The Barren Earth Oozes Blood, and Shakes and Moans, To Drink Her Children’s Gore” is a tour-de-force of spidery keys, unhinged drumming and sick riffs, epic solos, crawling leads, scathing noise, and crystalline ambiance, an eighteen-minute behemoth with which Ingurgitating Oblivion will test your patience and your sanity in some of the best ways, the patience of prior tracks stricken to the bone.

It’s easy to draw comparisons to Midnight Odyssey or Swallow the Sun in Ontology of Nought’s challenging runtime, but at least those atmoblack and melodeath/doom legends have shreds of consistency. Ingurgitating Oblivion shifts dramatically across each song’s ten-to-nineteen-minute track-lengths in ways that rob distinctiveness in favor of an ever-changing amorphousness, leaving memorability by the wayside. Most damning is centerpiece “The Blossoms of Your Tomorrow Shall Unfold in My Heart,” which lacks the oomph or highlight to stand out amid the crushing sea of experimentalisms and jarring shifts, compared to the haunting “To Weave…” and the actualized clarity of “Lest I Should Perish…” It’s ultimately small potatoes, however, because despite the myriad spins, I still cannot seem to wrap my head around Ontology’s shifting sands of jarring tonal and musical changes. This makes Ingurgitating Oblivion almost entirely inaccessible, requiring an obscene amount of concentration – in an inherently difficult style – for an asinine amount of time. In the spirit of free jazz, Ontology of Nought feels nearly entirely improvised, so it’s difficult to tell if its insanity is a puzzle worth solving or an empty pretentious pursuit.

When I started listening to Ingurgitating Oblivion, I was reading “The Library of Babel” by Jorge Luis Borges – and the comparisons fit. While the short story about infinite numbers of identically structured hexagons and books clashes with the insane apparent randomness coursing through Ontology of Nought, the lesson remains the same: the choice of purpose in the minute or despair in the infinite. How each listener approaches this album will differ, as the experimentalism is maddening and the runtime is extravagant. The sounds contained herein are unlike any others, with intensity, experimentalism, and organicity playing an infinite sonic game of chess worthy of both shudder and intrigue. Listen to it once – replay mileage will vary.

Rating: 3.5/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Willowtip Records
Websites: ingurgitatingoblivion1.bandcamp.com | ingurgitating-oblivion.de | facebook.com/IngurgitatingOblivionOfficial
Releases Worldwide: September 27th, 2024

#2024 #35 #AtmosphericDeathMetal #AvantGardeDeathMetal #AvantGardeMetal #BlackenedDeathMetal #ComaClusterVoid #DeathMetal #DefeatedSanity #DissonantDeathMetal #Flourishing #Fountainhead #FreeJazz #GermanMetal #IngurgitatingOblivion #Jazz #MentallyDefiled #MidnightOdyssey #OntologyOfNought #PeterBrötzmann #Review #Reviews #Sep24 #Serocs #SunRa #SwallowTheSun #TechnicalDeathMetal #WillowtipRecords

Ingurgitating Oblivion – Ontology of Nought Review

By Dear Hollow

I’ve spent over twenty hours with Ontology of Nought, trying to learn the German Ingurgitating Oblivion’s method in the madness. I’m still lost. I’m still stumbling blindly through the dead ends, the hairpin turns, the ominous spires, and the high walls that enclose its labyrinth, attempting to discover its light but knowing that it will only be by chance if I do. I cannot find a pattern, a clue, or an architectural basis anywhere. It’s blind memorization and utter void of context, and I have never been so baffled and intrigued by something calling itself death metal.

The lack of reference makes Ontology of Nought such a difficult album to score. Laced dissonance, choppy rhythms, blackened death intensity, and technical arpeggios, tied together with spoken word, a haunting atmosphere, and vicious noise, avant-garde veterans Ingurgitating Oblivion1 somehow avoids sounding like the trademarks of any of the bands who use them. Their first album in seven years consists of five tracks spanning nearly an hour and fifteen minutes, the eighteen-minute closer divided into three movements. It shifts patiently, organically, but with the intention and direction of the blind leading the blind. Ingurgitating Oblivion constructs Ontology of Nought not as a collection of highlights and riffs, but as a sonic labyrinth composed of mile-high walls, experimental twists, jagged spires, and brutal nihilism.

Disjointedly, Ingurgitating Oblivion recalls acts like Serocs, Coma Cluster Void, and Flourishing, a fusion of dissonant, blackened, and avant-garde death metal, sprawled together with ambiance and murky songwriting – however, Ontology of Nought is a free jazz expedition a la Sun Ra or Peter Brötzmann at heart. Opener “Uncreation’s Whirring Loom You Ply with Crippled Fingers” sets the tone with a haunting ambiance, interspersed by nearly mathcore-inspired marbled rhythms and manic drumming and featuring wild jazzy solos. The suffocating sprawl of noise and dissonance gives “To Weave the Tapestry of Nought” a dangerous grin atop its cantankerous rhythms, and the crescendos of lush ambiance, cumbersome keys, and clean vocals are downright haunting and strangely infectious. The women’s choir of “Lest I Should Perish with Travel, Effete and Weary, as My Knees Refuse to Bear Me Thither” shines through this tapestry of noise, interspersed by blackened death bomb explosions. Closer “The Barren Earth Oozes Blood, and Shakes and Moans, To Drink Her Children’s Gore” is a tour-de-force of spidery keys, unhinged drumming and sick riffs, epic solos, crawling leads, scathing noise, and crystalline ambiance, an eighteen-minute behemoth with which Ingurgitating Oblivion will test your patience and your sanity in some of the best ways, the patience of prior tracks stricken to the bone.

It’s easy to draw comparisons to Midnight Odyssey or Swallow the Sun in Ontology of Nought’s challenging runtime, but at least those atmoblack and melodeath/doom legends have shreds of consistency. Ingurgitating Oblivion shifts dramatically across each song’s ten-to-nineteen-minute track-lengths in ways that rob distinctiveness in favor of an ever-changing amorphousness, leaving memorability by the wayside. Most damning is centerpiece “The Blossoms of Your Tomorrow Shall Unfold in My Heart,” which lacks the oomph or highlight to stand out amid the crushing sea of experimentalisms and jarring shifts, compared to the haunting “To Weave…” and the actualized clarity of “Lest I Should Perish…” It’s ultimately small potatoes, however, because despite the myriad spins, I still cannot seem to wrap my head around Ontology’s shifting sands of jarring tonal and musical changes. This makes Ingurgitating Oblivion almost entirely inaccessible, requiring an obscene amount of concentration – in an inherently difficult style – for an asinine amount of time. In the spirit of free jazz, Ontology of Nought feels nearly entirely improvised, so it’s difficult to tell if its insanity is a puzzle worth solving or an empty pretentious pursuit.

When I started listening to Ingurgitating Oblivion, I was reading “The Library of Babel” by Jorge Luis Borges – and the comparisons fit. While the short story about infinite numbers of identically structured hexagons and books clashes with the insane apparent randomness coursing through Ontology of Nought, the lesson remains the same: the choice of purpose in the minute or despair in the infinite. How each listener approaches this album will differ, as the experimentalism is maddening and the runtime is extravagant. The sounds contained herein are unlike any others, with intensity, experimentalism, and organicity playing an infinite sonic game of chess worthy of both shudder and intrigue. Listen to it once – replay mileage will vary.

Rating: 3.5/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Willowtip Records
Websites: ingurgitatingoblivion1.bandcamp.com | ingurgitating-oblivion.de | facebook.com/IngurgitatingOblivionOfficial
Releases Worldwide: September 27th, 2024

#2024 #35 #AtmosphericDeathMetal #AvantGardeDeathMetal #AvantGardeMetal #BlackenedDeathMetal #ComaClusterVoid #DeathMetal #DefeatedSanity #DissonantDeathMetal #Flourishing #Fountainhead #FreeJazz #GermanMetal #IngurgitatingOblivion #Jazz #MentallyDefiled #MidnightOdyssey #OntologyOfNought #PeterBrötzmann #Review #Reviews #Sep24 #Serocs #SunRa #SwallowTheSun #TechnicalDeathMetal #WillowtipRecords

Ingurgitating Oblivion – Ontology of Nought Review

By Dear Hollow

I’ve spent over twenty hours with Ontology of Nought, trying to learn the German Ingurgitating Oblivion’s method in the madness. I’m still lost. I’m still stumbling blindly through the dead ends, the hairpin turns, the ominous spires, and the high walls that enclose its labyrinth, attempting to discover its light but knowing that it will only be by chance if I do. I cannot find a pattern, a clue, or an architectural basis anywhere. It’s blind memorization and utter void of context, and I have never been so baffled and intrigued by something calling itself death metal.

The lack of reference makes Ontology of Nought such a difficult album to score. Laced dissonance, choppy rhythms, blackened death intensity, and technical arpeggios, tied together with spoken word, a haunting atmosphere, and vicious noise, avant-garde veterans Ingurgitating Oblivion1 somehow avoids sounding like the trademarks of any of the bands who use them. Their first album in seven years consists of five tracks spanning nearly an hour and fifteen minutes, the eighteen-minute closer divided into three movements. It shifts patiently, organically, but with the intention and direction of the blind leading the blind. Ingurgitating Oblivion constructs Ontology of Nought not as a collection of highlights and riffs, but as a sonic labyrinth composed of mile-high walls, experimental twists, jagged spires, and brutal nihilism.

Disjointedly, Ingurgitating Oblivion recalls acts like Serocs, Coma Cluster Void, and Flourishing, a fusion of dissonant, blackened, and avant-garde death metal, sprawled together with ambiance and murky songwriting – however, Ontology of Nought is a free jazz expedition a la Sun Ra or Peter Brötzmann at heart. Opener “Uncreation’s Whirring Loom You Ply with Crippled Fingers” sets the tone with a haunting ambiance, interspersed by nearly mathcore-inspired marbled rhythms and manic drumming and featuring wild jazzy solos. The suffocating sprawl of noise and dissonance gives “To Weave the Tapestry of Nought” a dangerous grin atop its cantankerous rhythms, and the crescendos of lush ambiance, cumbersome keys, and clean vocals are downright haunting and strangely infectious. The women’s choir of “Lest I Should Perish with Travel, Effete and Weary, as My Knees Refuse to Bear Me Thither” shines through this tapestry of noise, interspersed by blackened death bomb explosions. Closer “The Barren Earth Oozes Blood, and Shakes and Moans, To Drink Her Children’s Gore” is a tour-de-force of spidery keys, unhinged drumming and sick riffs, epic solos, crawling leads, scathing noise, and crystalline ambiance, an eighteen-minute behemoth with which Ingurgitating Oblivion will test your patience and your sanity in some of the best ways, the patience of prior tracks stricken to the bone.

It’s easy to draw comparisons to Midnight Odyssey or Swallow the Sun in Ontology of Nought’s challenging runtime, but at least those atmoblack and melodeath/doom legends have shreds of consistency. Ingurgitating Oblivion shifts dramatically across each song’s ten-to-nineteen-minute track-lengths in ways that rob distinctiveness in favor of an ever-changing amorphousness, leaving memorability by the wayside. Most damning is centerpiece “The Blossoms of Your Tomorrow Shall Unfold in My Heart,” which lacks the oomph or highlight to stand out amid the crushing sea of experimentalisms and jarring shifts, compared to the haunting “To Weave…” and the actualized clarity of “Lest I Should Perish…” It’s ultimately small potatoes, however, because despite the myriad spins, I still cannot seem to wrap my head around Ontology’s shifting sands of jarring tonal and musical changes. This makes Ingurgitating Oblivion almost entirely inaccessible, requiring an obscene amount of concentration – in an inherently difficult style – for an asinine amount of time. In the spirit of free jazz, Ontology of Nought feels nearly entirely improvised, so it’s difficult to tell if its insanity is a puzzle worth solving or an empty pretentious pursuit.

When I started listening to Ingurgitating Oblivion, I was reading “The Library of Babel” by Jorge Luis Borges – and the comparisons fit. While the short story about infinite numbers of identically structured hexagons and books clashes with the insane apparent randomness coursing through Ontology of Nought, the lesson remains the same: the choice of purpose in the minute or despair in the infinite. How each listener approaches this album will differ, as the experimentalism is maddening and the runtime is extravagant. The sounds contained herein are unlike any others, with intensity, experimentalism, and organicity playing an infinite sonic game of chess worthy of both shudder and intrigue. Listen to it once – replay mileage will vary.

Rating: 3.5/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Willowtip Records
Websites: ingurgitatingoblivion1.bandcamp.com | ingurgitating-oblivion.de | facebook.com/IngurgitatingOblivionOfficial
Releases Worldwide: September 27th, 2024

#2024 #35 #AtmosphericDeathMetal #AvantGardeDeathMetal #AvantGardeMetal #BlackenedDeathMetal #ComaClusterVoid #DeathMetal #DefeatedSanity #DissonantDeathMetal #Flourishing #Fountainhead #FreeJazz #GermanMetal #IngurgitatingOblivion #Jazz #MentallyDefiled #MidnightOdyssey #OntologyOfNought #PeterBrötzmann #Review #Reviews #Sep24 #Serocs #SunRa #SwallowTheSun #TechnicalDeathMetal #WillowtipRecords

Watch the Oscar-nominated #biography #documentary “#AynRand: A Sense of Life” FREE by logging in to the #Kanopy streaming service with your public #library card or #university account:

https://www.kanopy.com/product/ayn-rand

Watch the trailer here: https://youtu.be/woFY7LhVlKo

#bookstodon #AtlasShrugged #TheFountainhead #Fountainhead #Oscars #AcademyAwards #philosophy #Objectivism

"Nobody in the industry has managed to solve the hallucination problem"
said #SandarPichai in @60Minutes

Let us reflect on the nigh metaphysical scope of his words rendered as a snapshot of #Fountainhead

#HallucinationProblem #midjourney #ai #GoogleBard #robopoieses

"Nobody in the industry has managed to solve the hallucination problem"
said #SandarPichai in @60Minutes

Let us reflect on the nigh metaphysical scope of his words rendered as a snapshot of #Fountainhead

#HallucinationProblem #midjourney #ai #GoogleBard #robopoieses

"Nobody in the industry has managed to solve the hallucination problem"
said #SandarPichai in @60Minutes

Let us reflect on the nigh metaphysical scope of his words rendered as a snapshot of #Fountainhead

#HallucinationProblem #midjourney #ai #GoogleBard #robopoieses

67 years ago:
Fountainhead (JP)
Original title: 泉
A botanist woos the secretary of an industrialist whose company threatens the local water supply.
1956-02-26
https://www.themoviedb.org/movie/142656
#Fountainhead #MasakiKobayashi #KeijiSada #ClassicFilm #ClassicMovies #Movies #Film

Last night I finished part 1, the first 200 pages.

I'm quite overwhelmed. I'm beginning to think I get what some of the fuzz is about.

Reading it has calmed me down. Got me to reevaluate things from perspective previously unknown to me. Pointed me to possible solutions on problems I'm working on. Some very promising.

I'm beginning to dread there is only ~500 pages left. I need more, it feels like! #Fountainhead

Of course, it helps that How I Met your Mother is a favorite series, that I've seen x times.

And I enjoy watching channels like:

- The 1BM https://youtube.com/@TheB1M
- Tomorrow's Build https://youtube.com/@TomorrowsBuild

So, of course the architecture theme is pulling me in. #Fountainhead

50 pages in and I'm enjoying reading Fountainhead.

It is fascinating and not at all what I'd expected.

It has already got me thinking, and reevaluating things. And beginning to explain why it is so *worshiped* by many conservatives. #Fountainhead

Time to get starting reading the first heavy brick of the year. 694 pages of text in small font and with minimal row space.

Will be interesting to find out why it is such a big deal with conservatives and the likes.

#Fountainhead

Poor Earnings, Shallow Recession To Drag S&P 500 Initially, But I Expect Strong Recovery To 4,151 By Year-End 2023

https://seekingalpha.com/article/4566328-poor-earnings-shallow-recession-s-and-p-500-lower-initially-recover-to-4151-by-year-end-2023?source=feed

#Fountainhead #COMP.IND #CSTNL #RYARX #VFINX #SP500 #NFLX #ADBE #AAPL #ASML #NVDA #ACTV #AFMC #AFSM #ARKK #AVUV #BAPR #BAUG #BBMC #BBSC #BFOR #BFTR #BJUL #BJUN #BKMC #BKSE #BMAR #BMAY #BOCT #BOSS #BOUT #BUFF #CALF #CATH #CBSE #CSML

Poor Earnings, Shallow Recession To Drag S&P 500 Initially, But I Expect Strong Recovery To 4,151 By Year-End 2023

https://seekingalpha.com/article/4566328-poor-earnings-shallow-recession-s-and-p-500-lower-initially-recover-to-4151-by-year-end-2023?source=feed

#Fountainhead #COMP.IND #CSTNL #RYARX #VFINX #SP500 #NFLX #ADBE #AAPL #ASML #NVDA #ACTV #AFMC #AFSM #ARKK #AVUV #BAPR #BAUG #BBMC #BBSC #BFOR #BFTR #BJUL #BJUN #BKMC #BKSE #BMAR #BMAY #BOCT #BOSS #BOUT #BUFF #CALF #CATH #CBSE #CSML

Poor Earnings, Shallow Recession To Drag S&P 500 Initially, But I Expect Strong Recovery To 4,151 By Year-End 2023

https://seekingalpha.com/article/4566328-poor-earnings-shallow-recession-s-and-p-500-lower-initially-recover-to-4151-by-year-end-2023?source=feed

#Fountainhead #COMP.IND #CSTNL #RYARX #VFINX #SP500 #NFLX #ADBE #AAPL #ASML #NVDA #ACTV #AFMC #AFSM #ARKK #AVUV #BAPR #BAUG #BBMC #BBSC #BFOR #BFTR #BJUL #BJUN #BKMC #BKSE #BMAR #BMAY #BOCT #BOSS #BOUT #BUFF #CALF #CATH #CBSE #CSML

A little late for #GivingTuesday, but I’ve set up an online #donation campaign for the #AynRand Institute for my upcoming birthday! Help me create a culture in which individuals are free to pursue their own happiness!

https://gofund.me/261995ed

#Objectivism #charity #giving #AtlasShrugged #TheFountainhead #Fountainhead #Anthem #reality #reason #egoism #capitalism #RomanticRealism #America #USA #UnitedStates #LaissezFaire #individualism #IndividualRights

JOURNAL

Voilà, pour vous, le chant de la source.
😘

#water #watermusic #fountainhead #nature #music