#fontsonfriday — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #fontsonfriday, aggregated by home.social.
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#FontsOnFriday & this from St Peter & Paul's Shernborne, Norfolk is absolutely nuts
an incredibly lyrical and fluid design for ~1170, believed part of the Norfolk school of North West Norfolk -
#FontsOnFriday & this from St Peter & Paul's Shernborne, Norfolk is absolutely nuts
an incredibly lyrical and fluid design for ~1170, believed part of the Norfolk school of North West Norfolk -
#FontsOnFriday & this from St Peter & Paul's Shernborne, Norfolk is absolutely nuts
an incredibly lyrical and fluid design for ~1170, believed part of the Norfolk school of North West Norfolk -
#FontsOnFriday & this from St Peter & Paul's Shernborne, Norfolk is absolutely nuts
an incredibly lyrical and fluid design for ~1170, believed part of the Norfolk school of North West Norfolk -
#FontsOnFriday & this from St Peter & Paul's Shernborne, Norfolk is absolutely nuts
an incredibly lyrical and fluid design for ~1170, believed part of the Norfolk school of North West Norfolk -
The font in Walsoken Church, #Norfolk, by John Sell Cotman, early 19th Century.
#FontsOnFriday #church #churches #medieval -
The font in Walsoken Church, #Norfolk, by John Sell Cotman, early 19th Century.
#FontsOnFriday #church #churches #medieval -
The font in Walsoken Church, #Norfolk, by John Sell Cotman, early 19th Century.
#FontsOnFriday #church #churches #medieval -
The font in Walsoken Church, #Norfolk, by John Sell Cotman, early 19th Century.
#FontsOnFriday #church #churches #medieval -
The font in Walsoken Church, #Norfolk, by John Sell Cotman, early 19th Century.
#FontsOnFriday #church #churches #medieval -
Three Lions on a font...
The Plantagenet arms of Norfolk on the 15th Century font at Sustead seem appropriate for #FontsOnFriday after Wednesday night's excitement. However, the six French fleurs-de-lys (actually the arms of the locally prominent Paston family) are waiting around the corner... -
Three Lions on a font...
The Plantagenet arms of Norfolk on the 15th Century font at Sustead seem appropriate for #FontsOnFriday after Wednesday night's excitement. However, the six French fleurs-de-lys (actually the arms of the locally prominent Paston family) are waiting around the corner... -
Three Lions on a font...
The Plantagenet arms of Norfolk on the 15th Century font at Sustead seem appropriate for #FontsOnFriday after Wednesday night's excitement. However, the six French fleurs-de-lys (actually the arms of the locally prominent Paston family) are waiting around the corner... -
Three Lions on a font...
The Plantagenet arms of Norfolk on the 15th Century font at Sustead seem appropriate for #FontsOnFriday after Wednesday night's excitement. However, the six French fleurs-de-lys (actually the arms of the locally prominent Paston family) are waiting around the corner... -
Three Lions on a font...
The Plantagenet arms of Norfolk on the 15th Century font at Sustead seem appropriate for #FontsOnFriday after Wednesday night's excitement. However, the six French fleurs-de-lys (actually the arms of the locally prominent Paston family) are waiting around the corner... -
The recently reset 12th Century font in Hereford Cathedral for #FontsonFriday. The bowl has 12 figures and an unusual Greek key pattern above. Four lions against the columnar stem appear to be emerging from water! This stem cannot be part of the original font structure, so I wonder what it was?
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The recently reset 12th Century font in Hereford Cathedral for #FontsonFriday. The bowl has 12 figures and an unusual Greek key pattern above. Four lions against the columnar stem appear to be emerging from water! This stem cannot be part of the original font structure, so I wonder what it was?
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The recently reset 12th Century font in Hereford Cathedral for #FontsonFriday. The bowl has 12 figures and an unusual Greek key pattern above. Four lions against the columnar stem appear to be emerging from water! This stem cannot be part of the original font structure, so I wonder what it was?
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The recently reset 12th Century font in Hereford Cathedral for #FontsonFriday. The bowl has 12 figures and an unusual Greek key pattern above. Four lions against the columnar stem appear to be emerging from water! This stem cannot be part of the original font structure, so I wonder what it was?
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The recently reset 12th Century font in Hereford Cathedral for #FontsonFriday. The bowl has 12 figures and an unusual Greek key pattern above. Four lions against the columnar stem appear to be emerging from water! This stem cannot be part of the original font structure, so I wonder what it was?
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#Stunday Hexham Abbey Font cover Might as well do an early #FontsonFriday before I forget !
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#Stunday Hexham Abbey Font cover Might as well do an early #FontsonFriday before I forget !
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#Stunday Hexham Abbey Font cover Might as well do an early #FontsonFriday before I forget !
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The medieval wooden font in the little church at Efenechtyd in North #Wales. It's a lovely thing: the colour of treacle and invitingly tactile. Exceedingly rare, it's survival is probably due to the fact that the great Welsh folklorist and antiquarian Elias Owen was vicar here. #FontsOnFriday
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3/3 But perhaps East Anglia's most impressive Green Man is a bit further south on the edge of the Suffolk town of Sudbury, just over the border at Bulmer, Essex. A 15th Century this time, and vines bearing luscious bunches of grapes you could almost pick. #FontsOnFriday
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3/3 But perhaps East Anglia's most impressive Green Man is a bit further south on the edge of the Suffolk town of Sudbury, just over the border at Bulmer, Essex. A 15th Century this time, and vines bearing luscious bunches of grapes you could almost pick. #FontsOnFriday
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3/3 But perhaps East Anglia's most impressive Green Man is a bit further south on the edge of the Suffolk town of Sudbury, just over the border at Bulmer, Essex. A 15th Century this time, and vines bearing luscious bunches of grapes you could almost pick. #FontsOnFriday
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The early 14th Century font at Tostock, Suffolk, for #FontsonFriday, one of several East Anglian fonts with a Green Man on it (or foliate head, as I expect we're supposed to call him nowadays). Tostock: www.suffolkchurches.co.uk/tostock.htm
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The early 14th Century font at Tostock, Suffolk, for #FontsonFriday, one of several East Anglian fonts with a Green Man on it (or foliate head, as I expect we're supposed to call him nowadays). Tostock: www.suffolkchurches.co.uk/tostock.htm
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The early 14th Century font at Tostock, Suffolk, for #FontsonFriday, one of several East Anglian fonts with a Green Man on it (or foliate head, as I expect we're supposed to call him nowadays). Tostock: www.suffolkchurches.co.uk/tostock.htm
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The early 14th Century font at Tostock, Suffolk, for #FontsonFriday, one of several East Anglian fonts with a Green Man on it (or foliate head, as I expect we're supposed to call him nowadays). Tostock: www.suffolkchurches.co.uk/tostock.htm
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The early 14th Century font at Tostock, Suffolk, for #FontsonFriday, one of several East Anglian fonts with a Green Man on it (or foliate head, as I expect we're supposed to call him nowadays). Tostock: www.suffolkchurches.co.uk/tostock.htm
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Norton sub Hamdon, Somerset
Font of 1894 with wonderful spiky fish as feet. It is among the finest Arts & Crafts work in the country and one of the best designs by Henry Wilson. Carved by Richard Gillman of Trask & Co. in pink alabaster.
#Somerset #FontsOnFriday #FishFriday #Architecture #ArtsAndCrafts
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Norton sub Hamdon, Somerset
Font of 1894 with wonderful spiky fish as feet. It is among the finest Arts & Crafts work in the country and one of the best designs by Henry Wilson. Carved by Richard Gillman of Trask & Co. in pink alabaster.
#Somerset #FontsOnFriday #FishFriday #Architecture #ArtsAndCrafts
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Norton sub Hamdon, Somerset
Font of 1894 with wonderful spiky fish as feet. It is among the finest Arts & Crafts work in the country and one of the best designs by Henry Wilson. Carved by Richard Gillman of Trask & Co. in pink alabaster.
#Somerset #FontsOnFriday #FishFriday #Architecture #ArtsAndCrafts
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Norton sub Hamdon, Somerset
Font of 1894 with wonderful spiky fish as feet. It is among the finest Arts & Crafts work in the country and one of the best designs by Henry Wilson. Carved by Richard Gillman of Trask & Co. in pink alabaster.
#Somerset #FontsOnFriday #FishFriday #Architecture #ArtsAndCrafts
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Norton sub Hamdon, Somerset
Font of 1894 with wonderful spiky fish as feet. It is among the finest Arts & Crafts work in the country and one of the best designs by Henry Wilson. Carved by Richard Gillman of Trask & Co. in pink alabaster.
#Somerset #FontsOnFriday #FishFriday #Architecture #ArtsAndCrafts
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A late #FF suggestion for the type bubble:
the delightful #FontsOnFriday hashtag as a timeline refresher -
A late #FF suggestion for the type bubble:
the delightful #FontsOnFriday hashtag as a timeline refresher -
A late #FF suggestion for the type bubble:
the delightful #FontsOnFriday hashtag as a timeline refresher -
A late #FF suggestion for the type bubble:
the delightful #FontsOnFriday hashtag as a timeline refresher -
A late #FF suggestion for the type bubble:
the delightful #FontsOnFriday hashtag as a timeline refresher -
Luppitt, Devon
South face of this fascinating late Saxon/early Norman font, with so much complex imagery.
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Luppitt, Devon
South face of this fascinating late Saxon/early Norman font, with so much complex imagery.
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Luppitt, Devon
South face of this fascinating late Saxon/early Norman font, with so much complex imagery.
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Luppitt, Devon
South face of this fascinating late Saxon/early Norman font, with so much complex imagery.
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Luppitt, Devon
South face of this fascinating late Saxon/early Norman font, with so much complex imagery.
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Today's the feast of St Mark, the author of the second canonical gospel, evangelist and perhaps first bishop of Alexandria. In church art he's often represented by a winged lion, a symbol drawn from the Book of Revelation, as here on the 15th Century font at Nettlestead, Suffolk. #FontsonFriday
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Today's the feast of St Mark, the author of the second canonical gospel, evangelist and perhaps first bishop of Alexandria. In church art he's often represented by a winged lion, a symbol drawn from the Book of Revelation, as here on the 15th Century font at Nettlestead, Suffolk. #FontsonFriday
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Today's the feast of St Mark, the author of the second canonical gospel, evangelist and perhaps first bishop of Alexandria. In church art he's often represented by a winged lion, a symbol drawn from the Book of Revelation, as here on the 15th Century font at Nettlestead, Suffolk. #FontsonFriday
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Today's the feast of St Mark, the author of the second canonical gospel, evangelist and perhaps first bishop of Alexandria. In church art he's often represented by a winged lion, a symbol drawn from the Book of Revelation, as here on the 15th Century font at Nettlestead, Suffolk. #FontsonFriday
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#FontsOnFriday
Norman font in scale-shaped,
St Illtud, Llantwit Major, Vale of Glamorgan, #Wales
More pictures on the page: https://church-travellers.eu/st-illtud-llantwit-major-vale-of-glamorgan/ -
#FontsOnFriday
Norman font in scale-shaped,
St Illtud, Llantwit Major, Vale of Glamorgan, #Wales
More pictures on the page: https://church-travellers.eu/st-illtud-llantwit-major-vale-of-glamorgan/ -
#FontsOnFriday
Norman font in scale-shaped,
St Illtud, Llantwit Major, Vale of Glamorgan, #Wales
More pictures on the page: https://church-travellers.eu/st-illtud-llantwit-major-vale-of-glamorgan/ -
Honeychurch, Devon
Norman font - one of my favourites because it and its cover are so wonky and cute and they live in a tiny but lovely church in a village with a great name.
