home.social

#folksinger — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #folksinger, aggregated by home.social.

  1. Delighted tae be back at Edinburgh Festival Fringe this year 🏴󠁧󠁢󠁳󠁣󠁴󠁿🎉 I sold my shows oot last year and would love to again. If you're looking for Scots folksongs, this is the show for you!

    📍Ukrainian Community Centre
    🗓️ Fri 21 / Sun 23 August
    ⏰ 18:00 / 19:30
    💰 £20/17
    🎟️ Tickets → bit.ly/fringeif

    #ScotsLanguage #Doric #Folksinger

  2. Delighted tae be back at Edinburgh Festival Fringe this year 🏴󠁧󠁢󠁳󠁣󠁴󠁿🎉 I sold my shows oot last year and would love to again. If you're looking for Scots folksongs, this is the show for you!

    📍Ukrainian Community Centre
    🗓️ Fri 21 / Sun 23 August
    ⏰ 18:00 / 19:30
    💰 £20/17
    🎟️ Tickets → bit.ly/fringeif

    #ScotsLanguage #Doric #Folksinger

  3. Back up north this summer and really looking forward to performing at Glenfarg Folk Club again 🏴󠁧󠁢󠁳󠁣󠁴󠁿- playing some new songs too!
    Hope to see you there 🙏🏽
    #folkmusic #singersongwriter #americana #rootsmusic #folksinger #acoustic #gigs #livemusic #Fife #scotland #music

  4. Back up north this summer and really looking forward to performing at Glenfarg Folk Club again 🏴󠁧󠁢󠁳󠁣󠁴󠁿- playing some new songs too!
    Hope to see you there 🙏🏽
    #folkmusic #singersongwriter #americana #rootsmusic #folksinger #acoustic #gigs #livemusic #Fife #scotland #music

  5. Today is the International Day of Reflection and Commemoration of the 1995 Genocide in Srebrenica. This song, Whaur Dae Ye Lie was written by Karine Polwart in the Scots language. Written for the women of Srebrenica, commemorating the atrocities and genocide that happened on 11th July 1995.

    #Bosnia #Srebrenica #folksinger

  6. Today is the International Day of Reflection and Commemoration of the 1995 Genocide in Srebrenica. This song, Whaur Dae Ye Lie was written by Karine Polwart in the Scots language. Written for the women of Srebrenica, commemorating the atrocities and genocide that happened on 11th July 1995.

    #Bosnia #Srebrenica #folksinger

  7. Lovely morning in the
    woods surrounded by #bluebells and birdsong. For me, field #archery is a total break from
    #music and it gives me the mental space to process new melodies and lyrics 🎶
    #folkmusic #singersongwriter #songwriting #americana #folksinger #singer #songwriter

  8. Lovely morning in the
    woods surrounded by #bluebells and birdsong. For me, field #archery is a total break from
    #music and it gives me the mental space to process new melodies and lyrics 🎶
    #folkmusic #singersongwriter #songwriting #americana #folksinger #singer #songwriter

  9. Sometimes It’s Too Much’ written a few years ago- just released 🎶
    I had this little banjo riff that felt so right for these tender words.
    The whole arrangement was basically about using space & melody to bring a wistful ray of hope into a dark place.
    👇🏽

    open.spotify.com/track/6Q19tCW

    #music #folkmusic #americana #singersongwriter #banjo #singer #folksinger #rootsmusic #newrelease

  10. Sometimes It’s Too Much’ written a few years ago- just released 🎶
    I had this little banjo riff that felt so right for these tender words.
    The whole arrangement was basically about using space & melody to bring a wistful ray of hope into a dark place.
    👇🏽

    open.spotify.com/track/6Q19tCW

    #music #folkmusic #americana #singersongwriter #banjo #singer #folksinger #rootsmusic #newrelease

  11. Little snippet of ‘Selkie’ from my EP ‘Skail’ played @folkandroots unplugged at Soho Folk & Blues club. Loved the opportunity to play acoustically - just voice, guitar and the natural reverb of a small room - to an appreciative and welcoming audience 🎶
    #folkmusic #music #singersongwriter #acoustic #scottish #music #song #folk #folksinger

  12. Little snippet of ‘Selkie’ from my EP ‘Skail’ played @folkandroots unplugged at Soho Folk & Blues club. Loved the opportunity to play acoustically - just voice, guitar and the natural reverb of a small room - to an appreciative and welcoming audience 🎶
    #folkmusic #music #singersongwriter #acoustic #scottish #music #song #folk #folksinger

  13. Can’t wait for my first gig of 2026 at the legendary Kingsmead House Concerts on Sunday January 11th - hope you can make it along 🎶

    #music #livemusic #folkmusic #singersongwriter #americana #folksinger #rootsmusic #acoustic #guitarist #singer #songwriter

  14. Can’t wait for my first gig of 2026 at the legendary Kingsmead House Concerts on Sunday January 11th - hope you can make it along 🎶

    #music #livemusic #folkmusic #singersongwriter #americana #folksinger #rootsmusic #acoustic #guitarist #singer #songwriter

  15. Vaya album de #blues “acústico” 😮‍💨

    #FolkSinger, de lo mejor* de #MuddyWaters


    *Digo, fuera de las letras potencialmente misóginas y preocupantemente ambiguas sobre edades de niñas en uniforme escolar 😅 Pero al menos esas no las escribió el Waters

    https://music.apple.com/mx/album/folk-singer/1423326717?l=en-GB
  16. Vaya album de #blues “acústico” 😮‍💨

    #FolkSinger, de lo mejor* de #MuddyWaters


    *Digo, fuera de las letras potencialmente misóginas y preocupantemente ambiguas sobre edades de niñas en uniforme escolar 😅 Pero al menos esas no las escribió el Waters

    https://music.apple.com/mx/album/folk-singer/1423326717?l=en-GB
  17. Finally feeling back to normal after a bad dose of Covid and a painful back injury which put me out of action for weeks.
    Had a great walk in the sunshine along the Southbank today - back to recording next week 🎶

    #folkmusic #americana #folksinger #singersongwriter #recording #newsongs #songwriting

  18. Finally feeling back to normal after a bad dose of Covid and a painful back injury which put me out of action for weeks.
    Had a great walk in the sunshine along the Southbank today - back to recording next week 🎶

    #folkmusic #americana #folksinger #singersongwriter #recording #newsongs #songwriting

  19. Hallo zusammen, ich bin Angelo Carresi. Ich bezeichne mich selbst als Liedermacher und freue mich nun hier vertreten zu sein.
    Dieses Foto ist mittlerweile auch schon wieder sieben Jahre alt, es stammt von einem Konzert mit meiner Band Mokes.
    #musik #liedermacher #songwriter #FolkSinger #band

  20. Pardon the self-promotion, but... new song up on my "eff it, music should be free" website.
    harriehq.neocities.org

    & on YouTube bc watching the view count go up gives me dopamine. 🙃❤️
    youtu.be/K0gunwJphPU

    #prairiegothic #midwestgothic #folksinger #actuallyautistic #audhdmusician

  21. Looking forward to returning to perform as part of the Softly Softly Sessions of unplugged acoustic music on Sunday 18th May from 3pm in #Broadstairs.
    Always a good opportunity to showcase some new songs in front of an attentive audience - hope to see you there 🎶

    #folkmusic #americana #music #singersongwriter #rootsmusic #folkshow #livemusic #gig #folksinger #singer #guitarist #songwriter #storytelling #acoustic #unplugged #acousticshow #scottishartist #kent

  22. Looking forward to returning to perform as part of the Softly Softly Sessions of unplugged acoustic music on Sunday 18th May from 3pm in #Broadstairs.
    Always a good opportunity to showcase some new songs in front of an attentive audience - hope to see you there 🎶

    #folkmusic #americana #music #singersongwriter #rootsmusic #folkshow #livemusic #gig #folksinger #singer #guitarist #songwriter #storytelling #acoustic #unplugged #acousticshow #scottishartist #kent

  23. Looking forward to performing at Banbury Folk Club in Oxfordshire on Wednesday 2nd April - hope to see you there 🎶
    For tickets, call box office: 07845821041 or send club a message on their FB page.

    #folkmusic #americana #folkshow #singersongwriter #music #livemusic #gigs #Banbury #scottishartist #rootsmusic #acoustic #concert #guitarist #banjo #singer #folksinger #folkclub

  24. Looking forward to performing at Banbury Folk Club in Oxfordshire on Wednesday 2nd April - hope to see you there 🎶
    For tickets, call box office: 07845821041 or send club a message on their FB page.

    #folkmusic #americana #folkshow #singersongwriter #music #livemusic #gigs #Banbury #scottishartist #rootsmusic #acoustic #concert #guitarist #banjo #singer #folksinger #folkclub

  25. Excited to be heading up north to perform at the iconic Glenfarg Folk Club in Fife tomorrow evening - doors open 7.30pm, hope to see you there 🏴󠁧󠁢󠁳󠁣󠁴󠁿🎶

    #folkmusic #music #americana #folksinger #folkshow #Fife #Glenfarg #singersongwriter #guitarist #banjo #singer #songwriter #concert #livemusic #gigs #indiefolk #scotland

  26. Excited to be heading up north to perform at the iconic Glenfarg Folk Club in Fife tomorrow evening - doors open 7.30pm, hope to see you there 🏴󠁧󠁢󠁳󠁣󠁴󠁿🎶

    #folkmusic #music #americana #folksinger #folkshow #Fife #Glenfarg #singersongwriter #guitarist #banjo #singer #songwriter #concert #livemusic #gigs #indiefolk #scotland

  27. Bill Fay, Cult Folk Musician, Dies at 81

    billboard.com/music/music-news…

    Bill Fay, the British cult folk singer-songwriter, has passed away at the age of 81.


    #obituary #FolkSinger #music
    #billfay

  28. J'écoute le prochain album en exclu de My North Eye. Vous ne pourrez pas l'écouter tout de suite mais en attendant il existe de quoi se sustenter en cliquant ici : mynortheye.bandcamp.com/

    #folksong #sadness #folk #singer #folksinger #darkfolk #rouen #acousticSongs

  29. Really great night with Kristel Snellen at Acoustic Alley, in The Hague 👌
    Lovely audience, excellent sound engineer and just one ticket short of a full house! 🎶🏴󠁧󠁢󠁳󠁣󠁴󠁿🇳🇱

    Quite foggy at Schipol airport before my flight.

    #folkmusic #americana #singersongwriter #folksinger #folkshow #rootsmusic #livemusic #Netherlands #thehague #acousticalley #acoustic #music #folk #scottishartist @ldmbookings

  30. Thrilled to see 'Dark Harvest' included in both of these US folk album charts for 2024! To see a Scottish/British artist in this list is pretty cool and I'm grateful to all the US radio stations and presenters who have been playing the songs and spreading the word 🙏🎶

    #folkmusic #americana #singersongwriter #rootsmusic #music #folksinger #folkchart #topalbums #scottishartist #folk #singer #songwriter #guitarist #musician

  31. We are really excited to announce that our new single 'Song to the Siren - Live!' - our interpretation of the classic song written by Tim Buckley Music and Larry Beckett - is set for release on Friday 24th January, 2025.

    It's been refreshing to work on this song as a duo playing almost all the instruments ourselves - including Starlite on the drums and me on bass pedals and real Leslie 145 🙂

    #Folk #BritishFolk #acousticmusic #folksinger #music #MastoMusic #FediMusic

    youtu.be/sWmYuBlJeTI?si=1MSh4t

  32. Super stoked to see 'Dark Harvest' in the Lonesome Highway Magazine Favourite Albums as chosen by Paul McGee 🙏
    To get placed among that selection of brilliant artists is very humbling and a lovely surprise to close 2024 🥰

    #americana #folkmusic #music #singersongwriter #rootsmusic #songwriter #scottishartist #favourite #favouritealbums #americanamusic #albums #folksinger

  33. #WeShallOvercome with the #PowerOfThePeoples 💗✌️✊️💗

    The most accomplished interpretive #folksinger of the 1960s, #JoanBaez has influenced nearly every aspect of popular music in a career still going strong. Baez is possessed of a once-in-a-lifetime soprano, which, since the late '50s, she has put in the service of folk and pop #music as well as a variety of political causes. Starting out in Boston, Baez first gained recognition at the 1959 Newport Folk Festival, then cut her debut album, Joan Baez (October 1960), for Vanguard Records. It was made up of 13 traditional songs, some of them children's ballads, given near-definitive treatment. A moderate success on release, the album took off after the breakthrough of Joan Baez, Vol. 2 (September 1961), and both albums became huge hits, as did Baez's third album, Joan Baez in Concert, Pt. 1 (September 1962). Each album went gold and stayed in the bestseller charts more than two years.

    From 1962 to 1964, Baez was the popular face of #FolkMusic, headlining festivals and concert tours and singing at political events, including the August 1963 March on Washington. During this period, she began to champion the work of folk songwriter Bob Dylan, and gradually her repertoire moved from traditional material toward the socially conscious work of the emerging generation of '60s artists like him. Her albums of this period were Joan Baez in Concert, Pt. 2 (November 1963) and Joan Baez 5 (October 1964), which contained her cover of Phil Ochs' "There But for Fortune," a Top Ten hit in the U.K. Like other popular folk performers, Baez was affected by the changes in popular music wrought by the appearance of the Beatles in the U.S. in 1964 and Dylan's introduction of folk-rock in 1965, and she began to augment her simple acoustic guitar backing with other instruments, initially on Farewell, Angelina (October 1965). It was followed by a Christmas album, Noël (October 1966), and Joan (August 1967), albums on which she was accompanied by an orchestra conducted by Peter Schickele. Baez continued to experiment in the late '60s, releasing Baptism (June 1968), in which she recited poetry, and Any Day Now (December 1968), a double album of Dylan songs done with country backing, which went gold.

    In March 1968, Baez had married #antiwar protest leader David Harris, who was imprisoned as a draft evader. Harris was a country music fan, and Baez's turn toward country, which continued on David's Album (June 1969) and One Day at a Time (March 1970), reflected his taste. Blessed Are... (August 1971) was a gold-selling double album that spawned a gold Top Ten hit in Baez's cover of the Band's "The Night They Drove Old Dixie Down." It was followed by Carry It On (December 1971), the soundtrack to a documentary about Baez and Harris. Baez switched record label affiliation to A&M Records with Come from the Shadows (May 1972), which moved her in a more pop direction. Where Are You Now, My Son? (May 1973) included sounds taped during Baez's visit to Hanoi in December 1972. In the late '60s and early '70s, Baez moved toward pop/rock music and also began to write her own songs, culminating in the gold-selling Diamonds & Rust (April 1975), which was followed by the entirely self-written Gulf Winds (October 1976). Baez moved to the Portrait label of CBS Records with Blowin' Away (June 1977), but she left the label after Honest Lullaby (May 1979), and her next album, European Tour (1980), was released only outside the U.S. It was another seven years before she found an American record label, Gold Castle, for Recently (1987), which was followed by the live album Diamonds & Rust in the Bullring (January 1989) and Speaking of Dreams (October 1989). Baez moved to Virgin Records for Play Me Backwards (August 1992).

    In 1993, Vanguard released Rare, Live & Classic, a three-CD boxed set retrospective. Ring Them Bells, a live album on which Baez was joined by musical descendants like Mary Chapin Carpenter and Indigo Girls, came out on Guardian Records in 1995. Gone from Danger, her first studio album in five years, followed in 1997, and it was another six years before the release of Dark Chords on a Big Guitar in 2003. A November 2004 concert in New York was documented on the 2005 release Bowery Songs. Baez's 24th studio album, Day After Tomorrow, produced by Steve Earle, was released on September 9, 2008, by Bobolink/Razor & Tie, followed by Sing Me Home almost exactly a year later in 2009.. ~ William Ruhlmann, Rovi

    m.youtube.com/watch?v=nM39QUiA

  34. #WeShallOvercome with the #PowerOfThePeoples 💗✌️✊️💗

    The most accomplished interpretive #folksinger of the 1960s, #JoanBaez has influenced nearly every aspect of popular music in a career still going strong. Baez is possessed of a once-in-a-lifetime soprano, which, since the late '50s, she has put in the service of folk and pop #music as well as a variety of political causes. Starting out in Boston, Baez first gained recognition at the 1959 Newport Folk Festival, then cut her debut album, Joan Baez (October 1960), for Vanguard Records. It was made up of 13 traditional songs, some of them children's ballads, given near-definitive treatment. A moderate success on release, the album took off after the breakthrough of Joan Baez, Vol. 2 (September 1961), and both albums became huge hits, as did Baez's third album, Joan Baez in Concert, Pt. 1 (September 1962). Each album went gold and stayed in the bestseller charts more than two years.

    From 1962 to 1964, Baez was the popular face of #FolkMusic, headlining festivals and concert tours and singing at political events, including the August 1963 March on Washington. During this period, she began to champion the work of folk songwriter Bob Dylan, and gradually her repertoire moved from traditional material toward the socially conscious work of the emerging generation of '60s artists like him. Her albums of this period were Joan Baez in Concert, Pt. 2 (November 1963) and Joan Baez 5 (October 1964), which contained her cover of Phil Ochs' "There But for Fortune," a Top Ten hit in the U.K. Like other popular folk performers, Baez was affected by the changes in popular music wrought by the appearance of the Beatles in the U.S. in 1964 and Dylan's introduction of folk-rock in 1965, and she began to augment her simple acoustic guitar backing with other instruments, initially on Farewell, Angelina (October 1965). It was followed by a Christmas album, Noël (October 1966), and Joan (August 1967), albums on which she was accompanied by an orchestra conducted by Peter Schickele. Baez continued to experiment in the late '60s, releasing Baptism (June 1968), in which she recited poetry, and Any Day Now (December 1968), a double album of Dylan songs done with country backing, which went gold.

    In March 1968, Baez had married #antiwar protest leader David Harris, who was imprisoned as a draft evader. Harris was a country music fan, and Baez's turn toward country, which continued on David's Album (June 1969) and One Day at a Time (March 1970), reflected his taste. Blessed Are... (August 1971) was a gold-selling double album that spawned a gold Top Ten hit in Baez's cover of the Band's "The Night They Drove Old Dixie Down." It was followed by Carry It On (December 1971), the soundtrack to a documentary about Baez and Harris. Baez switched record label affiliation to A&M Records with Come from the Shadows (May 1972), which moved her in a more pop direction. Where Are You Now, My Son? (May 1973) included sounds taped during Baez's visit to Hanoi in December 1972. In the late '60s and early '70s, Baez moved toward pop/rock music and also began to write her own songs, culminating in the gold-selling Diamonds & Rust (April 1975), which was followed by the entirely self-written Gulf Winds (October 1976). Baez moved to the Portrait label of CBS Records with Blowin' Away (June 1977), but she left the label after Honest Lullaby (May 1979), and her next album, European Tour (1980), was released only outside the U.S. It was another seven years before she found an American record label, Gold Castle, for Recently (1987), which was followed by the live album Diamonds & Rust in the Bullring (January 1989) and Speaking of Dreams (October 1989). Baez moved to Virgin Records for Play Me Backwards (August 1992).

    In 1993, Vanguard released Rare, Live & Classic, a three-CD boxed set retrospective. Ring Them Bells, a live album on which Baez was joined by musical descendants like Mary Chapin Carpenter and Indigo Girls, came out on Guardian Records in 1995. Gone from Danger, her first studio album in five years, followed in 1997, and it was another six years before the release of Dark Chords on a Big Guitar in 2003. A November 2004 concert in New York was documented on the 2005 release Bowery Songs. Baez's 24th studio album, Day After Tomorrow, produced by Steve Earle, was released on September 9, 2008, by Bobolink/Razor & Tie, followed by Sing Me Home almost exactly a year later in 2009.. ~ William Ruhlmann, Rovi

    m.youtube.com/watch?v=nM39QUiA