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#filmessay — Public Fediverse posts

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  1. When theology takes priority over storytelling, complex human experiences can become simplified into reassuring moral lessons. The Song (2014) and I Still Believe (2020) reveal the artistic costs of inspirational certainty.
    #FilmCriticism #FilmReview #FaithBased #MovieAnalysis #FilmEssay #TheSong #IStillBelieve #Cinema
    pablohoneyfish.wordpress.com/2

  2. From the body-snatching absurdity of Resurrection (1999) to the culturally hollow Europudding mess of Semana Santa (2002), late-90s and early-00s thriller clones aggressively strip-mined theological dread. But can a movie survive when it trades narrative logic and religious depth for cheap shock value?
    #Se7en #Resurrection #FilmEssay #Thriller #Horror #MovieReview
    pablohoneyfish.wordpress.com/2

  3. Why do so many horror prequels fail? Hannibal Rising, Pet Sematary: Bloodlines, and The First Omen undermine the mystery, ambiguity, and dread that made their originals effective. Sometimes the scariest thing is what remains unexplained.
    #Horror #MovieReview #FilmCriticism #FilmEssay #HannibalLecter #PetSematary #TheFirstOmen #Cinema
    pablohoneyfish.wordpress.com/2

  4. Loitering with Intent, I Like Movies, and Mile End Kicks build entire narratives around artistic ambition while avoiding the actual labor of making art. These films confuse creative identity with creative process — turning artistic struggle into atmosphere instead of action.
    #FilmCriticism #FilmEssay #Cinema #FilmAnalysis #MovieReview #LoiteringWithIntent #ILikeMovies #MileEndKicks #Screenwriting
    pablohoneyfish.wordpress.com/2

  5. Racing Stripes (2005) and The Year of the Dog (2022) projects human ambition, labor, and emotional needs onto animals while masking domination as connection, empowerment, or recovery. From zebra domestication myths to sled-dog labor and addiction narratives, both films reveal how easily audiences are encouraged to mistake animal compliance for fulfillment.
    #Film #Animals #Cinema #MovieReview #RacingStripes #TheYearOfTheDog #MovieAnalysis #FilmCriticism #FilmEssay
    pablohoneyfish.wordpress.com/2

  6. Two early-2010s films. Two “good girls” performing social stigma without enduring its material consequences. Easy A and The Pregnancy Project are stories about visibility, performative marginalization, and the commodification of female suffering in modern media culture.
    #EasyA #ThePregnancyProject #MovieReview #FilmAnalysis #EmmaStone #TeenMovies #TheScarletLetter #Cinema #MovieEssay #FilmEssay
    pablohoneyfish.wordpress.com/2

  7. How do you “unmask” performers whose entire careers depended on performance itself? Man of a Thousand Faces, Chaplin, and The Life and Death of Peter Sellers reveal less about their subjects than about the anxieties, values, and fantasies of their times.
    #FilmCriticism #Cinema #LonChaney #CharlieChaplin #PeterSellers #Biopic #FilmEssay #MovieReview #RichardAttenborough #JamesCagney #RobertDowneyJr #GeoffreyRush
    pablohoneyfish.wordpress.com/2

  8. Modern “prestige” stripper movies want the aesthetics of sex work without the labor, risk, or reality behind it. Films like Hustlers, Lap Dance, and Secret Life of a Sorority Girl sanitize exotic dancing into a glossy backdrop for crime plots and “empowerment” while avoiding the actual vocational reality of stripping itself.
    #FilmCriticism #MovieReview #Hustlers #FilmAnalysis #Sex #Movies #FilmEssay #JenniferLopez
    pablohoneyfish.wordpress.com/2

  9. From Acrimony to Mea Culpa to Duplicity, Tyler Perry’s thrillers don’t invite interpretation—they define it. Titles explain themselves. Characters announce their psychology. Law, science, and investigation become background props for emotional inevitability.
    #TylerPerry #FilmAnalysis #MovieReview #Thriller #Acrimony #MeaCulpa #Duplicity #FilmTheory #Screenwriting #Cinema #FilmEssay
    pablohoneyfish.wordpress.com/2

  10. When cinema trades truth for aesthetic and myth, what gets lost? In Dreamland, violence becomes romance and consequence fades into fantasy. In Mary Queen of Scots, history is reshaped through visual bias and selective storytelling. Two films, opposite styles—same problem: the past and its people reduced to beautiful, convenient illusions.
    #FilmCriticism #Cinema #MovieReview #Dreamland #MaryQueenOfScots #MargotRobbie #FilmTheory #Storytelling #IndieFilm #Drama #FilmEssay
    pablohoneyfish.wordpress.com/2

  11. I’ve always thought that Jodie Foster is either very smart or endowed with the uncanny ability to project intelligence. The Beaver (2011) is neither of those things, but its problem is not so much that it’s dumb as that it’s lazy.
    #FilmCriticism #TheBeaver #JodieFoster #MelGibson #MovieReview #PsychologicalDrama #Cinema #FilmAnalysis #MentalHealthInFilm #Satire #FilmEssay
    pablohoneyfish.wordpress.com/2

  12. Like many a shoestring, found-footage horror flick, Name the Demon (2024) exists somewhere between genuine boredom and contrived coincidence. I’ll buy that due to an increase in both the demand for the ritual and scrutiny over the Catholic Church, the Vatican requires that all exorcisms be recorded. What’s the excuse, though, for filming absolutely everything else?
    #NameTheDemon #FilmEssay #HorrorMovies #ExorcismFilm #CinemaAnalysis #FoundFootage
    pablohoneyfish.wordpress.com/2

  13. True Crime (1995) functions as a cautionary case study in narrative execution. It sacrifices procedural and contextual realism for the sake of immediate melodrama, resulting in structural absurdities that undermine its thematic ambitions.
    #TrueCrime1995 #AliciaSilverstone #90sCinema #FilmCriticism #CultMovies #BadMoviesWeLove #MovieReview #TeenThriller #FilmEssay #CinemaSatire
    pablohoneyfish.wordpress.com/2

  14. Reihe „Architektur im Film“: wir zeigen den #Dokumentarfilm „Die Sonneninsel“ von ⁨#ThomasElsaesser aus dem Jahr 2017 zusammen mit dem Zentrum für Baukultur ⁨⁨⁨#ZfBK⁩⁩⁩⁩⁩⁩⁩⁩
    **********************************************
    – Wann: Mittwoch, 17. September, 20.00 Uhr
    – Wo: ⁨⁨⁨⁨⁨ZfBk im Kulturpalast (Eingang über Galeriestraße)
    – Eintritt frei, wir freuen uns über eine Spende
    – Fassung: deutsch
    **********************************************

    Weitere Informationen: ⁨⁩zfbk.de/programm/architektur-i

    ⁨⁨⁨⁨⁨⁨⁨⁨#Frankfurt #MartinElsaesser #LeberechtMigge #NeuesBauen #Menageatrois #Architektur⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#architecture⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨#Documentary #Filmessay #Kino⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨#Film⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨#Cinema⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨#Movie⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨#FilmBubble⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨#DresdenBubble⁩⁩⁩⁩⁩⁩⁩

  15. Werner Herzog is a great filmmaker — but everything he could get wrong about Nosferatu, he did.
    Murnau’s Nosferatu understood horror’s need for myth and closure. Herzog’s 1979 remake traded shadowplay for color, archetype for irony — and bled the story dry.
    A horror film isn’t over until the evil is vanquished and the natural order reset. Herzog killed the heroine and the point.
    #HorrorCriticism #FilmEssay #WernerHerzog #Nosferatu #HorrorCinema
    ninetypercentcrapmoviereviews.

  16. 🎥 Excited to share the trailer for Agon — a 26-minute film essay inspired by Democracy and Media in Europe: A Discursive-Material Approach

    Directed by Ali Minanto & @nicocarpentier, Agon blends Prague’s aesthetics, intercultural dialogue, fiction, dance & theory — exploring the meaning, space & struggle of democracy.

    📽 Trailer: vimeo.com/1083254168

    🌐 Website: constructionsofdemocracy.eu/

    Film coming soon!

    #MeDeMAP #FilmEssay #Democracy #ArtAndResearch #Agon

  17. 🎞 Hoje é dia de estreia no IHC: o filme-ensaio "Aventuras no Império: uma história mal contada", escrito e realizado por Rui Lopes, estreou no Fidelidade Arte Lisboa, no âmbito do ciclo de cinema que acompanha a exposição "O Chão é Lava!".

    👉 Querem saber mais? Basta ler a notícia no nosso site:
    ihc.fcsh.unl.pt/rui-lopes-aven

    #Histodons #Cinema #FilmStudies #EstadoNovo #PortugueseImperialism #Macao #FilmEssay #RuiLopes #Colonialism #Colonialismo #Macau #FilmeEnsaio #ImpérioPortuguês

  18. Die niederländische Regisseurin Bianca Stigter hat aus drei Minuten #Amateuraufnahmen, die jüdisches Leben im polnischen Nasielsk im Jahr 1938 zeigen, einen 69-minütigen #Filmessay montiert. Der Film ist in der bpb-Mediathek verfügbar, weitere Materialien gibt es auf kinofenster.de.

  19. Die Regisseurin Bianca Stigter hat aus drei Minuten #Amateuraufnahmen, die jüdisches Leben im polnischen Nasielsk im Jahr 1938 zeigen, einen 69-minütigen #Filmessay montiert. Der Film ist in der bpb-Mediathek verfügbar: bpb.de/mediathek/video/518439/

    Weitere Materialien gibt es auf kinofenster.de
    Via Bundeszentrale für Politische Bildung auf X.

  20. Cause I need to remind myself of the power of hope. How it is a little thing that spreads. How it is power and rational. How despair is blinding and irritational

    youtu.be/KUuf_ZzZGVM?si=lktlSG

    #filmEssay #LOTR

  21. 🏅 Leonor Areal‘s film-essay "Where is Pessoa?" was awarded an honourable mention in the Outros Olhares section of the 29th edition of the Caminhos do Cinema Português festival, “for transforming an over 100-year-old current affairs film into a modern crime thriller”. 👏👏👏

    👉 Read the full story on our website: ihc.fcsh.unl.pt/en/pessoa-hono

    @films
    @histodons

    #Histodons #FilmStudies #FilmEssay #FernandoPessoa #MovingImage #AwardWinningFilms #SilentFilms #HistoricalFilms

  22. 📻 Leonor Areal foi convidada ao programa "Uma Noite em Forma de Assim", na Antena 1, para conversar sobre o seu filme-ensaio "Onde está o Pessoa?".

    Além da descoberta pessoana que o filme revela, houve ainda tempo para falar sobre o seu trabalho como investigadora e documentarista.

    youtube.com/watch?v=8VfAR-IEB-

    #Histodons #FilmStudies #FernandoPessoa #MovingImage #FilmEssay #Documentary #ImagemEmMovimento #Documentário #FestivaisDeCinema

  23. Back to the old tricks.

    #Bales2023FilmChallenge March 29: Deception on #SmokeAndMirrorsDay

    Vérités et Mensonges is what it's actually called, but you may know it as F for Fake (1973). Orson Welles and three uncredited fellow conspirators – Gary Graver, Oja Kodar, and François Reichenbach – delve into the world of #art forger Elmyr de Hory by way of his biographer Clifford Irving. Welles et al free-associate with concepts of art, lies, #deception, and #authenticity. Houdin, Welles, Picasso and Hughes, hoaxers, hucksters and artists in their own right. And then it's over: this work of art, this sleight of hand, this demonstration of factuality, an exposé.

    #film #cinema #OrsonWelles #OjaKodar #HowardHughes #hoax #FForFake #FilmEssay #documentary #FilMastodon #CineMastodon @film letterboxd.com/12pt9/list/bale

  24. I finished the film SANS SOLEIL (1983, d. Chris Marker). I've seen it before and it's one of my favorites. Amazing film that often gets called a documentary but is really a film essay of sorts; a kind of meditation on society, time, memory, culture, and the nature of being. Marker was one of the greatest and most enigmatic filmmakers.
    #ChrisMarker #SansSoleil #cinema #film #documentary #Filmessay #memory #time #art #AvantGarde

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