#feministfilmhistory — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #feministfilmhistory, aggregated by home.social.
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Stay tuned for our upcoming books on data and power in the field of cultural heritage, on plurality and disambiguation in the context of data-based research, and on situated film histories and data visualization - published with the excellent meson press✨ 🎬 📚
#FeministFilmHistory #MediaStudies #DH #Metadata #WomenAndFilm
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Passend dazu eröffnet am Freitag die von Gerlinde Waz gemeinsam mit Kristina Jaspers und Philipp Stiasny kuratierte Retrospektive "Filmpionierinnen!" im Zeughauskino in Berlin!
Die Retrospektive widmet sich dem Filmschaffen von Regisseurinnen in Deutschland von 1917 bis 1932 und bringt einige Werke erstmals wieder auf die Leinwand.
https://www.dhm.de/zeughauskino/filmreihe/filmpionierinnen/
📆 Freitag, 31.10.2025
⌚ 19 Uhr#WomenFilmPioneers #FeministFilmHistory #SilentFilm #EarlyCinema #FrauenUndFilm
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Mitte der 1990er führten Gerlinde Waz & Gabriele Hansch die bahnbrechende Studie “Filmpionierinnen in Deutschland” durch, in der sie die Rolle von Frauen in der Stummfilmzeit erforschten. Die Projektergebnisse konnten bis heute nicht veröffentlicht werden. Nur ein Teil wurde durch das Projekt f_films zugänglich gemacht. In diesem Interview reflektiert Gerlinde Waz über ihren Forschungsprozess.
https://doi.org/10.5281/zenodo.17234510
#DigitalFilmHistory #FeministFilmHistory #EarlyCinema #DH #WomenFilmPioneers
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In the early 2000s, Kerstin Herlt managed the pioneering f_films project, which aimed to document the contributions of female filmmakers to European cinema. In this interview, she recalls the project's history. While some of the results were later added to the DFF database, others are only accessible via the project website, which is no longer updated and therefore somewhat hidden.
https://doi.org/10.5281/zenodo.17234382
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory
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In the early 2000s, Kerstin Herlt managed the pioneering f_films project, which aimed to document the contributions of female filmmakers to European cinema. In this interview, she recalls the project's history. While some of the results were later added to the DFF database, others are only accessible via the project website, which is no longer updated and therefore somewhat hidden.
https://doi.org/10.5281/zenodo.17234382
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory
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In the early 2000s, Kerstin Herlt managed the pioneering f_films project, which aimed to document the contributions of female filmmakers to European cinema. In this interview, she recalls the project's history. While some of the results were later added to the DFF database, others are only accessible via the project website, which is no longer updated and therefore somewhat hidden.
https://doi.org/10.5281/zenodo.17234382
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory
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In the early 2000s, Kerstin Herlt managed the pioneering f_films project, which aimed to document the contributions of female filmmakers to European cinema. In this interview, she recalls the project's history. While some of the results were later added to the DFF database, others are only accessible via the project website, which is no longer updated and therefore somewhat hidden.
https://doi.org/10.5281/zenodo.17234382
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory
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In the early 2000s, Kerstin Herlt managed the pioneering f_films project, which aimed to document the contributions of female filmmakers to European cinema. In this interview, she recalls the project's history. While some of the results were later added to the DFF database, others are only accessible via the project website, which is no longer updated and therefore somewhat hidden.
https://doi.org/10.5281/zenodo.17234382
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory
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Anfang der 2000er Jahre leitete Kerstin Herlt das wegweisende Projekt f_films und gibt in diesem Interview Einblick in seine Entstehung und Umsetzung. Das Ziel des frühen digitalen Projekts war die Dokumentation und Sichtbarmachung von Filmemacherinnen des europäischen Kinos, wobei ein Teil der im Projekt erstellten Daten in die Datenbank des DFF eingespeist wurde.
https://doi.org/10.5281/zenodo.17234348
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory #DigitalHumanities
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Anfang der 2000er Jahre leitete Kerstin Herlt das wegweisende Projekt f_films und gibt in diesem Interview Einblick in seine Entstehung und Umsetzung. Das Ziel des frühen digitalen Projekts war die Dokumentation und Sichtbarmachung von Filmemacherinnen des europäischen Kinos, wobei ein Teil der im Projekt erstellten Daten in die Datenbank des DFF eingespeist wurde.
https://doi.org/10.5281/zenodo.17234348
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory #DigitalHumanities
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Anfang der 2000er Jahre leitete Kerstin Herlt das wegweisende Projekt f_films und gibt in diesem Interview Einblick in seine Entstehung und Umsetzung. Das Ziel des frühen digitalen Projekts war die Dokumentation und Sichtbarmachung von Filmemacherinnen des europäischen Kinos, wobei ein Teil der im Projekt erstellten Daten in die Datenbank des DFF eingespeist wurde.
https://doi.org/10.5281/zenodo.17234348
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory #DigitalHumanities
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Anfang der 2000er Jahre leitete Kerstin Herlt das wegweisende Projekt f_films und gibt in diesem Interview Einblick in seine Entstehung und Umsetzung. Das Ziel des frühen digitalen Projekts war die Dokumentation und Sichtbarmachung von Filmemacherinnen des europäischen Kinos, wobei ein Teil der im Projekt erstellten Daten in die Datenbank des DFF eingespeist wurde.
https://doi.org/10.5281/zenodo.17234348
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory #DigitalHumanities
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Anfang der 2000er Jahre leitete Kerstin Herlt das wegweisende Projekt f_films und gibt in diesem Interview Einblick in seine Entstehung und Umsetzung. Das Ziel des frühen digitalen Projekts war die Dokumentation und Sichtbarmachung von Filmemacherinnen des europäischen Kinos, wobei ein Teil der im Projekt erstellten Daten in die Datenbank des DFF eingespeist wurde.
https://doi.org/10.5281/zenodo.17234348
#DigitalFilmHistory #FeministFilmHistory #DH #DFF #EarlyCinema #Metadata #FilmHistory #DigitalHumanities
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Kate Saccone has served as a project manager for the Women Film Pioneers Project (WFPP) since 2013. In her interview, she talks about the origins, community, and editorial practices of the WFPP and addresses the platform's role as a social networking space for feminist film historians. She also outlines the WFPP's strategies for long-term preservation and accessibility.
https://doi.org/10.5281/zenodo.17234442
#FeministFilmHistory #WFPP #DigitalScholarlyPublishing #Metadata #EarlyCinema #DH #DataPractices
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Kate Saccone has served as a project manager for the Women Film Pioneers Project (WFPP) since 2013. In her interview, she talks about the origins, community, and editorial practices of the WFPP and addresses the platform's role as a social networking space for feminist film historians. She also outlines the WFPP's strategies for long-term preservation and accessibility.
https://doi.org/10.5281/zenodo.17234442
#FeministFilmHistory #WFPP #DigitalScholarlyPublishing #Metadata #EarlyCinema #DH #DataPractices
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Kate Saccone has served as a project manager for the Women Film Pioneers Project (WFPP) since 2013. In her interview, she talks about the origins, community, and editorial practices of the WFPP and addresses the platform's role as a social networking space for feminist film historians. She also outlines the WFPP's strategies for long-term preservation and accessibility.
https://doi.org/10.5281/zenodo.17234442
#FeministFilmHistory #WFPP #DigitalScholarlyPublishing #Metadata #EarlyCinema #DH #DataPractices
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Kate Saccone has served as a project manager for the Women Film Pioneers Project (WFPP) since 2013. In her interview, she talks about the origins, community, and editorial practices of the WFPP and addresses the platform's role as a social networking space for feminist film historians. She also outlines the WFPP's strategies for long-term preservation and accessibility.
https://doi.org/10.5281/zenodo.17234442
#FeministFilmHistory #WFPP #DigitalScholarlyPublishing #Metadata #EarlyCinema #DH #DataPractices
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Kate Saccone has served as a project manager for the Women Film Pioneers Project (WFPP) since 2013. In her interview, she talks about the origins, community, and editorial practices of the WFPP and addresses the platform's role as a social networking space for feminist film historians. She also outlines the WFPP's strategies for long-term preservation and accessibility.
https://doi.org/10.5281/zenodo.17234442
#FeministFilmHistory #WFPP #DigitalScholarlyPublishing #Metadata #EarlyCinema #DH #DataPractices
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In the early 1990s, renowned film scholar Jane Gaines founded the Women Film Pioneers Project (WFPP), a digital scholarly resource dedicated to women’s involvement in film production during the silent film era. In this interview, she reflects on the impact of the WFPP on her own research at the intersection of empirical approaches and speculative historiography.
The interview: https://doi.org/10.5281/zenodo.17234308
The WFPP: https://wfpp.columbia.edu/
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In the early 1990s, renowned film scholar Jane Gaines founded the Women Film Pioneers Project (WFPP), a digital scholarly resource dedicated to women’s involvement in film production during the silent film era. In this interview, she reflects on the impact of the WFPP on her own research at the intersection of empirical approaches and speculative historiography.
The interview: https://doi.org/10.5281/zenodo.17234308
The WFPP: https://wfpp.columbia.edu/
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In the early 1990s, renowned film scholar Jane Gaines founded the Women Film Pioneers Project (WFPP), a digital scholarly resource dedicated to women’s involvement in film production during the silent film era. In this interview, she reflects on the impact of the WFPP on her own research at the intersection of empirical approaches and speculative historiography.
The interview: https://doi.org/10.5281/zenodo.17234308
The WFPP: https://wfpp.columbia.edu/
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In the early 1990s, renowned film scholar Jane Gaines founded the Women Film Pioneers Project (WFPP), a digital scholarly resource dedicated to women’s involvement in film production during the silent film era. In this interview, she reflects on the impact of the WFPP on her own research at the intersection of empirical approaches and speculative historiography.
The interview: https://doi.org/10.5281/zenodo.17234308
The WFPP: https://wfpp.columbia.edu/
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In the early 1990s, renowned film scholar Jane Gaines founded the Women Film Pioneers Project (WFPP), a digital scholarly resource dedicated to women’s involvement in film production during the silent film era. In this interview, she reflects on the impact of the WFPP on her own research at the intersection of empirical approaches and speculative historiography.
The interview: https://doi.org/10.5281/zenodo.17234308
The WFPP: https://wfpp.columbia.edu/
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We’ve published our interview series on data practices, provenance, and categorizations in film history!✨
The series consists of seven interviews with data editors, scholars, software developers, and project managers from our project partners Women Film Pioneers Project and DFF – Deutsches Filminstitut & Filmmuseum, and examines their databases & #RDM practices.
https://doi.org/10.5281/zenodo.17233942
#DigitalFilmHistory #Metadata #FilmArchives #DataFeminism #FeministFilmHistory #DigitalHumanities #DH
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We’ve published our interview series on data practices, provenance, and categorizations in film history!✨
The series consists of seven interviews with data editors, scholars, software developers, and project managers from our project partners Women Film Pioneers Project and DFF – Deutsches Filminstitut & Filmmuseum, and examines their databases & #RDM practices.
https://doi.org/10.5281/zenodo.17233942
#DigitalFilmHistory #Metadata #FilmArchives #DataFeminism #FeministFilmHistory #DigitalHumanities #DH
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We’ve published our interview series on data practices, provenance, and categorizations in film history!✨
The series consists of seven interviews with data editors, scholars, software developers, and project managers from our project partners Women Film Pioneers Project and DFF – Deutsches Filminstitut & Filmmuseum, and examines their databases & #RDM practices.
https://doi.org/10.5281/zenodo.17233942
#DigitalFilmHistory #Metadata #FilmArchives #DataFeminism #FeministFilmHistory #DigitalHumanities #DH
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We’ve published our interview series on data practices, provenance, and categorizations in film history!✨
The series consists of seven interviews with data editors, scholars, software developers, and project managers from our project partners Women Film Pioneers Project and DFF – Deutsches Filminstitut & Filmmuseum, and examines their databases & #RDM practices.
https://doi.org/10.5281/zenodo.17233942
#DigitalFilmHistory #Metadata #FilmArchives #DataFeminism #FeministFilmHistory #DigitalHumanities #DH
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We’ve published our interview series on data practices, provenance, and categorizations in film history!✨
The series consists of seven interviews with data editors, scholars, software developers, and project managers from our project partners Women Film Pioneers Project and DFF – Deutsches Filminstitut & Filmmuseum, and examines their databases & #RDM practices.
https://doi.org/10.5281/zenodo.17233942
#DigitalFilmHistory #Metadata #FilmArchives #DataFeminism #FeministFilmHistory #DigitalHumanities #DH
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The final program of #NECS2025 in Lisbon is now available with two contributions by #DAVIF PI @SarahMaiDang!
✨ On Thursday, 19 June at 11am she will give a paper on missing data, algorithmic bias and power in film and media studies (room G.1.5 - panel B7)
✨ On Friday, 20 June at 9:20am Sarah-Mai Dang will be the respondent in a panel on digital approaches in amateur media historiography (room B.1.2 - panel D14)
Full program: https://cms.necs.org/sites/default/files/documents/conference/necs2025_program_v2.pdf
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The final program of #NECS2025 in Lisbon is now available with two contributions by #DAVIF PI @SarahMaiDang!
✨ On Thursday, 19 June at 11am she will give a paper on missing data, algorithmic bias and power in film and media studies (room G.1.5 - panel B7)
✨ On Friday, 20 June at 9:20am Sarah-Mai Dang will be the respondent in a panel on digital approaches in amateur media historiography (room B.1.2 - panel D14)
Full program: https://cms.necs.org/sites/default/files/documents/conference/necs2025_program_v2.pdf
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The final program of #NECS2025 in Lisbon is now available with two contributions by #DAVIF PI @SarahMaiDang!
✨ On Thursday, 19 June at 11am she will give a paper on missing data, algorithmic bias and power in film and media studies (room G.1.5 - panel B7)
✨ On Friday, 20 June at 9:20am Sarah-Mai Dang will be the respondent in a panel on digital approaches in amateur media historiography (room B.1.2 - panel D14)
Full program: https://cms.necs.org/sites/default/files/documents/conference/necs2025_program_v2.pdf
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The final program of #NECS2025 in Lisbon is now available with two contributions by #DAVIF PI @SarahMaiDang!
✨ On Thursday, 19 June at 11am she will give a paper on missing data, algorithmic bias and power in film and media studies (room G.1.5 - panel B7)
✨ On Friday, 20 June at 9:20am Sarah-Mai Dang will be the respondent in a panel on digital approaches in amateur media historiography (room B.1.2 - panel D14)
Full program: https://cms.necs.org/sites/default/files/documents/conference/necs2025_program_v2.pdf
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Wie beeinflussen institutionelle Datenpraktiken unser Verständnis von Filmgeschichte?
Diese und andere Fragen haben wir heute mit Bianca Sedmak, Kristina Rose und Natalie Filipiak von unserem Projektpartner DFF - Deutsches Filminstitut & Filmmuseum diskutiert und unsere aktuellen Forschungsergebnisse präsentiert. Wir freuen uns sehr über die inzwischen schon vier Jahre andauernde sehr produktive Zusammenarbeit✨ 🤝 🎬
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Wie beeinflussen institutionelle Datenpraktiken unser Verständnis von Filmgeschichte?
Diese und andere Fragen haben wir heute mit Bianca Sedmak, Kristina Rose und Natalie Filipiak von unserem Projektpartner DFF - Deutsches Filminstitut & Filmmuseum diskutiert und unsere aktuellen Forschungsergebnisse präsentiert. Wir freuen uns sehr über die inzwischen schon vier Jahre andauernde sehr produktive Zusammenarbeit✨ 🤝 🎬
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Wie beeinflussen institutionelle Datenpraktiken unser Verständnis von Filmgeschichte?
Diese und andere Fragen haben wir heute mit Bianca Sedmak, Kristina Rose und Natalie Filipiak von unserem Projektpartner DFF - Deutsches Filminstitut & Filmmuseum diskutiert und unsere aktuellen Forschungsergebnisse präsentiert. Wir freuen uns sehr über die inzwischen schon vier Jahre andauernde sehr produktive Zusammenarbeit✨ 🤝 🎬
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Wie beeinflussen institutionelle Datenpraktiken unser Verständnis von Filmgeschichte?
Diese und andere Fragen haben wir heute mit Bianca Sedmak, Kristina Rose und Natalie Filipiak von unserem Projektpartner DFF - Deutsches Filminstitut & Filmmuseum diskutiert und unsere aktuellen Forschungsergebnisse präsentiert. Wir freuen uns sehr über die inzwischen schon vier Jahre andauernde sehr produktive Zusammenarbeit✨ 🤝 🎬
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Wie beeinflussen institutionelle Datenpraktiken unser Verständnis von Filmgeschichte?
Diese und andere Fragen haben wir heute mit Bianca Sedmak, Kristina Rose und Natalie Filipiak von unserem Projektpartner DFF - Deutsches Filminstitut & Filmmuseum diskutiert und unsere aktuellen Forschungsergebnisse präsentiert. Wir freuen uns sehr über die inzwischen schon vier Jahre andauernde sehr produktive Zusammenarbeit✨ 🤝 🎬
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Thrilled to announce that @SarahMaiDang will be contributing to two panels at NECS 2025 Conference.
She will present on “Missing Data. Exploring Algorithmic Bias and Power in Film and Media Historical Research” in a panel organized with @josidie, Lisa Gotto, Elisa Linseisen, and Laura Katharina Mücke -- don't miss it! ✨📅 June 18-21, 2025
📍 Lusófona University, Lisbon
🔗 Program coming soon 👉 https://necs.org/conference#DAVIF #NECS2025 #DH #DigitalHumanities #FeministFilmHistory #Histodons
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Thrilled to announce that @SarahMaiDang will be contributing to two panels at NECS 2025 Conference.
She will present on “Missing Data. Exploring Algorithmic Bias and Power in Film and Media Historical Research” in a panel organized with @josidie, Lisa Gotto, Elisa Linseisen, and Laura Katharina Mücke -- don't miss it! ✨📅 June 18-21, 2025
📍 Lusófona University, Lisbon
🔗 Program coming soon 👉 https://necs.org/conference#DAVIF #NECS2025 #DH #DigitalHumanities #FeministFilmHistory #Histodons
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Thrilled to announce that @SarahMaiDang will be contributing to two panels at NECS 2025 Conference.
She will present on “Missing Data. Exploring Algorithmic Bias and Power in Film and Media Historical Research” in a panel organized with @josidie, Lisa Gotto, Elisa Linseisen, and Laura Katharina Mücke -- don't miss it! ✨📅 June 18-21, 2025
📍 Lusófona University, Lisbon
🔗 Program coming soon 👉 https://necs.org/conference#DAVIF #NECS2025 #DH #DigitalHumanities #FeministFilmHistory #Histodons
-
Thrilled to announce that @SarahMaiDang will be contributing to two panels at NECS 2025 Conference.
She will present on “Missing Data. Exploring Algorithmic Bias and Power in Film and Media Historical Research” in a panel organized with @josidie, Lisa Gotto, Elisa Linseisen, and Laura Katharina Mücke -- don't miss it! ✨📅 June 18-21, 2025
📍 Lusófona University, Lisbon
🔗 Program coming soon 👉 https://necs.org/conference#DAVIF #NECS2025 #DH #DigitalHumanities #FeministFilmHistory #Histodons
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Die #DHd2025 ist gestartet! ✨
Am Freitag gibt @p_junginger dort spannende Einblicke in ihre Dissertation und spricht über "Kontext, Unsicherheit und Geschlecht im Fokus der Modellierung: Datenprinzipien für die feministische Filmgeschichte".
📅 Freitag, 07. März 2025, 9:30 – 11:00 Uhr
📍 Sitzung 1:2: Modellierung | HSBI B3
🔗 Programm: https://dhd2025.dig-hum.de/?page_id=8Kommt vorbei und diskutiert mit! 💬
#DH #DigitalHumanities #DataFeminism #FeministFilmHistory #WomenAndFilm #DigitalMethods
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Gestern fand das MCDCI-Kolloquium für Promovierende gemeinsam mit dem HERMES-Netzwerktreffen an der Philipps-Universität Marburg statt! 🎓
@p_junginger gab in ihrem Vortrag "Feministische Datenpraktiken zwischen Pluralität und Vereindeutigung" spannende Einblicke in ihre Dissertation.Ein inspirierender Austausch und ein toller Raum für Vernetzung! 🤝✨
#DAVIF #Presentation #UniMarburg #DataFeminism #FeministFilmHistory #DH #DigitalHumanities #DigitalMethods #WomenAndFilm
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Yesterday we had the pleasure of welcoming our current #DAVIF fellow Clara Auclair to Marburg!
We continued our discussions on #DataVisualizations and #WomenAndFilm and organized the proceedings of our closing conference “Cultural Heritage Data & Power”. So stay tuned✨
#GLAM #DataFeminism #DH #FeministFilmHistory #DH #Digital Humanities #DigitalHistory
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Yesterday we had the pleasure of welcoming our current #DAVIF fellow Clara Auclair to Marburg!
We continued our discussions on #DataVisualizations and #WomenAndFilm and organized the proceedings of our closing conference “Cultural Heritage Data & Power”. So stay tuned✨
#GLAM #DataFeminism #DH #FeministFilmHistory #DH #Digital Humanities #DigitalHistory
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Yesterday we had the pleasure of welcoming our current #DAVIF fellow Clara Auclair to Marburg!
We continued our discussions on #DataVisualizations and #WomenAndFilm and organized the proceedings of our closing conference “Cultural Heritage Data & Power”. So stay tuned✨
#GLAM #DataFeminism #DH #FeministFilmHistory #DH #Digital Humanities #DigitalHistory
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Yesterday we had the pleasure of welcoming our current #DAVIF fellow Clara Auclair to Marburg!
We continued our discussions on #DataVisualizations and #WomenAndFilm and organized the proceedings of our closing conference “Cultural Heritage Data & Power”. So stay tuned✨
#GLAM #DataFeminism #DH #FeministFilmHistory #DH #Digital Humanities #DigitalHistory
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Yesterday we had the pleasure of welcoming our current #DAVIF fellow Clara Auclair to Marburg!
We continued our discussions on #DataVisualizations and #WomenAndFilm and organized the proceedings of our closing conference “Cultural Heritage Data & Power”. So stay tuned✨
#GLAM #DataFeminism #DH #FeministFilmHistory #DH #Digital Humanities #DigitalHistory
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Das #DHd2025-Programm ist veröffentlicht! 🎉
Wir freuen uns, dass @p_junginger dort spannende Einblicke in ihre Forschung gibt. In ihrem Vortrag spricht sie über:
📌 "Kontext, Unsicherheit und Geschlecht im Fokus der Modellierung: Datenprinzipien für die feministische Filmgeschichte".📅 Freitag, 07. März 2025, 9:30 – 11:00 Uhr
📍 Sitzung 1:2: Modellierung | HSBI B3Zum Programm 👉 https://dhd2025.dig-hum.de/?page_id=8
#DH #DigitalHumanities #DataFeminism #FeministFilmHistory #Konferenz
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🚀 Reflecting on an exciting 2024 as we step into 2025!
This past year has been packed with:
✨ Attending numerous conferences
✨ An inspiring research stay at the University of Zurich @uzh, thanks to @josidie
✨ Collaborating on data visualizations with media designer @mschories
✨ Great exchanges with #DAVIF fellows Tim van der Heijden & Clara Auclair
✨ Hosting our wonderful closing conference "Cultural Heritage Data & Power"Looking forward to 2025! 🌟
#DH #FeministFilmHistory #Histodons #DataViz