#femalevocalists — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #femalevocalists, aggregated by home.social.
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♬〜 Linda Ronstadt - Desperado 💿Don't Cry Now
#CountryRock #Oldies #Country #AlnSh #FemaleVocalists #NowPlaying -
Lucius - Wildewoman (The New Recordings)
Given the strength of the performances and material, it’s hard to criticize Lucius for re-recording their debut, but it’s also hard to see why it was necessary.
(Which probably means it’s a business/label decision, now that they’ve left Mom+Pop.)
#nowplaying #vinyl #lucius #randb #pop #FemaleVocalists #BerkleeCollegeofMusic
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#TheMetalDogArticleList
#BraveWords
LEAH Releases “Archangel” Single Feat. Current / Former DELAIN Members TIMO SOMERS, SANDER ZOER
Celtic metal singer-songwriter has released new single “Archangel” featuring former Delain guitarist Timo Somers and current Delain drummer Sander Zoer.#Leah
#Archangel
#TimoSomers
#SanderZoer
#Delain
#MetalMusic
#SymphonicMetal
#FemaleVocalists -
#TheMetalDogArticleList
#BraveWords
DORO - "My Story As A Metal Frontwoman" (Video)https://bravewords.com/news/doro-my-story-as-a-metal-frontwoman-video
#Doro #MetalFrontwoman #WomenInMetal #FemaleVocalists #RockMusic #Musicians #RockLegends #LoudNRaw #30YearsStrong #MyStoryAsAFrontwoman #FemaleEmpowerment
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#TheMetalDogArticleList
#louder
"Playing our songs in t-shirts and jeans is not the way." Brothers Of Metal look like vikings, play power metal and are annoying elitists - and they're loving every second of it
Could Brothers Of Metal make viking metal bigger than ever?https://www.loudersound.com/features/brothers-of-metal-introduction-feature
#BrothersOfMetal
#PowerMetal
#RootsOfYggdrasil
#ProphesyOfRagnarok
#GodsOfThunder
#YoutubeSensation
#EuropeanTours
#FemaleVocalists
#SwedishMetal
#FolkMetal -
#TheMetalDogArticleList
#louder
"Playing our songs in t-shirts and jeans is not the way." Brothers Of Metal look like vikings, play power metal and are annoying elitists - and they're loving every second of it
Could Brothers Of Metal make viking metal bigger than ever?https://www.loudersound.com/features/brothers-of-metal-introduction-feature
#BrothersOfMetal
#PowerMetal
#RootsOfYggdrasil
#ProphesyOfRagnarok
#GodsOfThunder
#YoutubeSensation
#EuropeanTours
#FemaleVocalists
#SwedishMetal
#FolkMetal -
#TheMetalDogArticleList
#louder
"Playing our songs in t-shirts and jeans is not the way." Brothers Of Metal look like vikings, play power metal and are annoying elitists - and they're loving every second of it
Could Brothers Of Metal make viking metal bigger than ever?https://www.loudersound.com/features/brothers-of-metal-introduction-feature
#BrothersOfMetal
#PowerMetal
#RootsOfYggdrasil
#ProphesyOfRagnarok
#GodsOfThunder
#YoutubeSensation
#EuropeanTours
#FemaleVocalists
#SwedishMetal
#FolkMetal -
#TheMetalDogArticleList
#louder
"Playing our songs in t-shirts and jeans is not the way." Brothers Of Metal look like vikings, play power metal and are annoying elitists - and they're loving every second of it
Could Brothers Of Metal make viking metal bigger than ever?https://www.loudersound.com/features/brothers-of-metal-introduction-feature
#BrothersOfMetal
#PowerMetal
#RootsOfYggdrasil
#ProphesyOfRagnarok
#GodsOfThunder
#YoutubeSensation
#EuropeanTours
#FemaleVocalists
#SwedishMetal
#FolkMetal -
#TheMetalDogArticleList
#louder
"Playing our songs in t-shirts and jeans is not the way." Brothers Of Metal look like vikings, play power metal and are annoying elitists - and they're loving every second of it
Could Brothers Of Metal make viking metal bigger than ever?https://www.loudersound.com/features/brothers-of-metal-introduction-feature
#BrothersOfMetal
#PowerMetal
#RootsOfYggdrasil
#ProphesyOfRagnarok
#GodsOfThunder
#YoutubeSensation
#EuropeanTours
#FemaleVocalists
#SwedishMetal
#FolkMetal -
#TheMetalDogArticleList
#BraveWords
Former NIGHTWISH Vocalist TARJA TURUNEN - "My Story As A Metal Frontwoman" (Video)
Finland's Chaoszine recently caught up with former Nightwish vocalist and current solo artist Tarja Turunen to discuss her journey as a metal vocalist. Check out the...#TarjaTurunen #Nightwish #MetalFrontwoman #FeminemEmpowerment #WomenInMetal #RoleModel #FemalePower #MetalMusic #Vocals #FemaleVocalists #FemaleMusicians #HardRock #MetalNews
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#NowPlaying #TheMetalDogIsNowPlaying
#JaneWeaver
The Silver Globe
Mission DesireYouTube Search:
https://youtube.com/results?search_query=Jane+Weaver+The+Silver+Globe+Mission+DesireLyrics:
#experimental #femalevocalists #psychedelicpop #spacepop #NeoPsychedelia -
#NowPlaying #TheMetalDogIsNowPlaying
#Delerium
Karma
Till the End of TimeYouTube Search:
https://youtube.com/results?search_query=Delerium+Karma+Till+the+End+of+Time -
Can E-Flat Be Sexist?: Canonical Keys as Marginalizing Practice in Jazz
Gender is an increasingly prominent filter in jazz research. Close inspection shows that even the presumably neutral territory of key signatures creates gendered reverberations. This chapter examines how replicating the “canonical” keys of jazz standards marginalizes female singers, who comprise the predominant sex of jazz vocalists. The argument is first contextualized through examining how canonical keys are set and perpetuated through jazz standards, jazz practice and fake books. These canonical keys, whilst mostly drawn from instrumental practice, generally accommodate male vocal range. The keys of 40 well-known standards recorded by renowned female vocalists were compared to printed keys in fake books. This comparison shows that keys recorded by female singers seldom match the printed keys. A discussion of jazz vocal style and function follows, to explain why singing in canonical keys can lead to jazz female singers’ marginalization, and why transposition to a suitable key is fundamental to achieving an authentic jazz vocal sound. The chapter concludes by outlining several implications of this analysis for jazz practice and education, particularly in relation to the developing female jazz singer. It recommends ways to foster inclusivity regarding female vocalists and key choice.
#jazzresearch #gender #keysignatures #canonicalkeys #jazzstandards #fakebooks #femalevocalists #jazzvocalstyle #marginalization #transposition #authenticjazzsound #inclusivity #femalejazzsingers #keychoice #jazz #music #singer #keys
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Can E-Flat Be Sexist?: Canonical Keys as Marginalizing Practice in Jazz
Gender is an increasingly prominent filter in jazz research. Close inspection shows that even the presumably neutral territory of key signatures creates gendered reverberations. This chapter examines how replicating the “canonical” keys of jazz standards marginalizes female singers, who comprise the predominant sex of jazz vocalists. The argument is first contextualized through examining how canonical keys are set and perpetuated through jazz standards, jazz practice and fake books. These canonical keys, whilst mostly drawn from instrumental practice, generally accommodate male vocal range. The keys of 40 well-known standards recorded by renowned female vocalists were compared to printed keys in fake books. This comparison shows that keys recorded by female singers seldom match the printed keys. A discussion of jazz vocal style and function follows, to explain why singing in canonical keys can lead to jazz female singers’ marginalization, and why transposition to a suitable key is fundamental to achieving an authentic jazz vocal sound. The chapter concludes by outlining several implications of this analysis for jazz practice and education, particularly in relation to the developing female jazz singer. It recommends ways to foster inclusivity regarding female vocalists and key choice.
#jazzresearch #gender #keysignatures #canonicalkeys #jazzstandards #fakebooks #femalevocalists #jazzvocalstyle #marginalization #transposition #authenticjazzsound #inclusivity #femalejazzsingers #keychoice #jazz #music #singer #keys
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Can E-Flat Be Sexist?: Canonical Keys as Marginalizing Practice in Jazz
Gender is an increasingly prominent filter in jazz research. Close inspection shows that even the presumably neutral territory of key signatures creates gendered reverberations. This chapter examines how replicating the “canonical” keys of jazz standards marginalizes female singers, who comprise the predominant sex of jazz vocalists. The argument is first contextualized through examining how canonical keys are set and perpetuated through jazz standards, jazz practice and fake books. These canonical keys, whilst mostly drawn from instrumental practice, generally accommodate male vocal range. The keys of 40 well-known standards recorded by renowned female vocalists were compared to printed keys in fake books. This comparison shows that keys recorded by female singers seldom match the printed keys. A discussion of jazz vocal style and function follows, to explain why singing in canonical keys can lead to jazz female singers’ marginalization, and why transposition to a suitable key is fundamental to achieving an authentic jazz vocal sound. The chapter concludes by outlining several implications of this analysis for jazz practice and education, particularly in relation to the developing female jazz singer. It recommends ways to foster inclusivity regarding female vocalists and key choice.
#jazzresearch #gender #keysignatures #canonicalkeys #jazzstandards #fakebooks #femalevocalists #jazzvocalstyle #marginalization #transposition #authenticjazzsound #inclusivity #femalejazzsingers #keychoice #jazz #music #singer #keys
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Can E-Flat Be Sexist?: Canonical Keys as Marginalizing Practice in Jazz
Gender is an increasingly prominent filter in jazz research. Close inspection shows that even the presumably neutral territory of key signatures creates gendered reverberations. This chapter examines how replicating the “canonical” keys of jazz standards marginalizes female singers, who comprise the predominant sex of jazz vocalists. The argument is first contextualized through examining how canonical keys are set and perpetuated through jazz standards, jazz practice and fake books. These canonical keys, whilst mostly drawn from instrumental practice, generally accommodate male vocal range. The keys of 40 well-known standards recorded by renowned female vocalists were compared to printed keys in fake books. This comparison shows that keys recorded by female singers seldom match the printed keys. A discussion of jazz vocal style and function follows, to explain why singing in canonical keys can lead to jazz female singers’ marginalization, and why transposition to a suitable key is fundamental to achieving an authentic jazz vocal sound. The chapter concludes by outlining several implications of this analysis for jazz practice and education, particularly in relation to the developing female jazz singer. It recommends ways to foster inclusivity regarding female vocalists and key choice.
#jazzresearch #gender #keysignatures #canonicalkeys #jazzstandards #fakebooks #femalevocalists #jazzvocalstyle #marginalization #transposition #authenticjazzsound #inclusivity #femalejazzsingers #keychoice #jazz #music #singer #keys
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Can E-Flat Be Sexist?: Canonical Keys as Marginalizing Practice in Jazz
Gender is an increasingly prominent filter in jazz research. Close inspection shows that even the presumably neutral territory of key signatures creates gendered reverberations. This chapter examines how replicating the “canonical” keys of jazz standards marginalizes female singers, who comprise the predominant sex of jazz vocalists. The argument is first contextualized through examining how canonical keys are set and perpetuated through jazz standards, jazz practice and fake books. These canonical keys, whilst mostly drawn from instrumental practice, generally accommodate male vocal range. The keys of 40 well-known standards recorded by renowned female vocalists were compared to printed keys in fake books. This comparison shows that keys recorded by female singers seldom match the printed keys. A discussion of jazz vocal style and function follows, to explain why singing in canonical keys can lead to jazz female singers’ marginalization, and why transposition to a suitable key is fundamental to achieving an authentic jazz vocal sound. The chapter concludes by outlining several implications of this analysis for jazz practice and education, particularly in relation to the developing female jazz singer. It recommends ways to foster inclusivity regarding female vocalists and key choice.
#jazzresearch #gender #keysignatures #canonicalkeys #jazzstandards #fakebooks #femalevocalists #jazzvocalstyle #marginalization #transposition #authenticjazzsound #inclusivity #femalejazzsingers #keychoice #jazz #music #singer #keys