#fakemusic — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #fakemusic, aggregated by home.social.
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CW: hilariously "wires crossed" klezmer AI slop
what is going on here
https://www.youtube.com/watch?v=eXRYwgiskSY -
https://www.wacoca.com/videos/3208777/celebrity/ 月光 / B’z LIVE RIPPER Style:J-RePOP もう一つの世界 #aiカバー #AI山田制作所 #B'z #B'z過ぎる部 #B’zBand #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #hawaiian #JPOP #JRePOP #jpop #LIVE #Music #pop #rap #REGGAE #Remix #repop #RIPPER #ROCK #SKA #soul #StyleJRePOP #TENFIELD #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #月光 #生成AI
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https://www.wacoca.com/videos/3208777/celebrity/ 月光 / B’z LIVE RIPPER Style:J-RePOP もう一つの世界 #aiカバー #AI山田制作所 #B'z #B'z過ぎる部 #B’zBand #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #hawaiian #JPOP #JRePOP #jpop #LIVE #Music #pop #rap #REGGAE #Remix #repop #RIPPER #ROCK #SKA #soul #StyleJRePOP #TENFIELD #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #月光 #生成AI
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https://www.wacoca.com/videos/3208777/celebrity/ 月光 / B’z LIVE RIPPER Style:J-RePOP もう一つの世界 #aiカバー #AI山田制作所 #B'z #B'z過ぎる部 #B’zBand #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #hawaiian #JPOP #JRePOP #jpop #LIVE #Music #pop #rap #REGGAE #Remix #repop #RIPPER #ROCK #SKA #soul #StyleJRePOP #TENFIELD #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #月光 #生成AI
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https://www.wacoca.com/videos/3208777/celebrity/ 月光 / B’z LIVE RIPPER Style:J-RePOP もう一つの世界 #aiカバー #AI山田制作所 #B'z #B'z過ぎる部 #B’zBand #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #hawaiian #JPOP #JRePOP #jpop #LIVE #Music #pop #rap #REGGAE #Remix #repop #RIPPER #ROCK #SKA #soul #StyleJRePOP #TENFIELD #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #月光 #生成AI
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https://www.wacoca.com/videos/3208777/celebrity/ 月光 / B’z LIVE RIPPER Style:J-RePOP もう一つの世界 #aiカバー #AI山田制作所 #B'z #B'z過ぎる部 #B’zBand #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #hawaiian #JPOP #JRePOP #jpop #LIVE #Music #pop #rap #REGGAE #Remix #repop #RIPPER #ROCK #SKA #soul #StyleJRePOP #TENFIELD #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #月光 #生成AI
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https://www.wacoca.com/videos/3206225/celebrity/ 紅蓮華 / 龍玄とし Hard Rock Style:J-RePOP もう一つの世界 ##トシ #aiカバー #AI山田制作所 #B'z過ぎる部 #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #HARD #hawaiian #JPOP #JRePOP #jpop #Music #pop #rap #REGGAE #Remix #repop #ROCK #SKA #soul #StyleJRePOP #TENFIELD #ToshI #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #生成AI #紅蓮華 #龍玄とし
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https://www.wacoca.com/videos/3206225/celebrity/ 紅蓮華 / 龍玄とし Hard Rock Style:J-RePOP もう一つの世界 ##トシ #aiカバー #AI山田制作所 #B'z過ぎる部 #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #HARD #hawaiian #JPOP #JRePOP #jpop #Music #pop #rap #REGGAE #Remix #repop #ROCK #SKA #soul #StyleJRePOP #TENFIELD #ToshI #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #生成AI #紅蓮華 #龍玄とし
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https://www.wacoca.com/videos/3206225/celebrity/ 紅蓮華 / 龍玄とし Hard Rock Style:J-RePOP もう一つの世界 ##トシ #aiカバー #AI山田制作所 #B'z過ぎる部 #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #HARD #hawaiian #JPOP #JRePOP #jpop #Music #pop #rap #REGGAE #Remix #repop #ROCK #SKA #soul #StyleJRePOP #TENFIELD #ToshI #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #生成AI #紅蓮華 #龍玄とし
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https://www.wacoca.com/videos/3206225/celebrity/ 紅蓮華 / 龍玄とし Hard Rock Style:J-RePOP もう一つの世界 ##トシ #aiカバー #AI山田制作所 #B'z過ぎる部 #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #HARD #hawaiian #JPOP #JRePOP #jpop #Music #pop #rap #REGGAE #Remix #repop #ROCK #SKA #soul #StyleJRePOP #TENFIELD #ToshI #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #生成AI #紅蓮華 #龍玄とし
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https://www.wacoca.com/videos/3206225/celebrity/ 紅蓮華 / 龍玄とし Hard Rock Style:J-RePOP もう一つの世界 ##トシ #aiカバー #AI山田制作所 #B'z過ぎる部 #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #HARD #hawaiian #JPOP #JRePOP #jpop #Music #pop #rap #REGGAE #Remix #repop #ROCK #SKA #soul #StyleJRePOP #TENFIELD #ToshI #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #生成AI #紅蓮華 #龍玄とし
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CW: klezmer AI slop
sigh, another utterly tasteless youtube klezmer slop channel popped up, which I noticed because a Russian guy keeps sharing its videos to facebook groups. I don't think he created it, I think he is just un-discerning enough to not recognize the difference or care.
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I just discovered Fake Music, and it is absolutely hilarious. AI generated cover versions of great songs that sound kinda fake and generic, yet still somehow very entertaining, in a silly way.
https://youtu.be/cOwegr9VoW8
https://youtu.be/v8SLCwLzy2IThose two are very generic 1980s synth pop, and it being entirely synthesised by an AI makes it just the right amount of silly.
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"For more than a year, I devoted myself to answering these questions. I spoke with former employees, reviewed internal Spotify records and company Slack messages, and interviewed and corresponded with numerous musicians. What I uncovered was an elaborate internal program. Spotify, I discovered, not only has partnerships with a web of production companies, which, as one former employee put it, provide Spotify with “music we benefited from financially,” but also a team of employees working to seed these tracks on playlists across the platform. In doing so, they are effectively working to grow the percentage of total streams of music that is cheaper for the platform. The program’s name: Perfect Fit Content (PFC). The PFC program raises troubling prospects for working musicians. Some face the possibility of losing out on crucial income by having their tracks passed over for playlist placement or replaced in favor of PFC; others, who record PFC music themselves, must often give up control of certain royalty rights that, if a track becomes popular, could be highly lucrative. But it also raises worrying questions for all of us who listen to music. It puts forth an image of a future in which—as streaming services push music further into the background, and normalize anonymous, low-cost playlist filler—the relationship between listener and artist might be severed completely."
https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/
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"For more than a year, I devoted myself to answering these questions. I spoke with former employees, reviewed internal Spotify records and company Slack messages, and interviewed and corresponded with numerous musicians. What I uncovered was an elaborate internal program. Spotify, I discovered, not only has partnerships with a web of production companies, which, as one former employee put it, provide Spotify with “music we benefited from financially,” but also a team of employees working to seed these tracks on playlists across the platform. In doing so, they are effectively working to grow the percentage of total streams of music that is cheaper for the platform. The program’s name: Perfect Fit Content (PFC). The PFC program raises troubling prospects for working musicians. Some face the possibility of losing out on crucial income by having their tracks passed over for playlist placement or replaced in favor of PFC; others, who record PFC music themselves, must often give up control of certain royalty rights that, if a track becomes popular, could be highly lucrative. But it also raises worrying questions for all of us who listen to music. It puts forth an image of a future in which—as streaming services push music further into the background, and normalize anonymous, low-cost playlist filler—the relationship between listener and artist might be severed completely."
https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/
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"For more than a year, I devoted myself to answering these questions. I spoke with former employees, reviewed internal Spotify records and company Slack messages, and interviewed and corresponded with numerous musicians. What I uncovered was an elaborate internal program. Spotify, I discovered, not only has partnerships with a web of production companies, which, as one former employee put it, provide Spotify with “music we benefited from financially,” but also a team of employees working to seed these tracks on playlists across the platform. In doing so, they are effectively working to grow the percentage of total streams of music that is cheaper for the platform. The program’s name: Perfect Fit Content (PFC). The PFC program raises troubling prospects for working musicians. Some face the possibility of losing out on crucial income by having their tracks passed over for playlist placement or replaced in favor of PFC; others, who record PFC music themselves, must often give up control of certain royalty rights that, if a track becomes popular, could be highly lucrative. But it also raises worrying questions for all of us who listen to music. It puts forth an image of a future in which—as streaming services push music further into the background, and normalize anonymous, low-cost playlist filler—the relationship between listener and artist might be severed completely."
https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/
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"For more than a year, I devoted myself to answering these questions. I spoke with former employees, reviewed internal Spotify records and company Slack messages, and interviewed and corresponded with numerous musicians. What I uncovered was an elaborate internal program. Spotify, I discovered, not only has partnerships with a web of production companies, which, as one former employee put it, provide Spotify with “music we benefited from financially,” but also a team of employees working to seed these tracks on playlists across the platform. In doing so, they are effectively working to grow the percentage of total streams of music that is cheaper for the platform. The program’s name: Perfect Fit Content (PFC). The PFC program raises troubling prospects for working musicians. Some face the possibility of losing out on crucial income by having their tracks passed over for playlist placement or replaced in favor of PFC; others, who record PFC music themselves, must often give up control of certain royalty rights that, if a track becomes popular, could be highly lucrative. But it also raises worrying questions for all of us who listen to music. It puts forth an image of a future in which—as streaming services push music further into the background, and normalize anonymous, low-cost playlist filler—the relationship between listener and artist might be severed completely."
https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/
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"For more than a year, I devoted myself to answering these questions. I spoke with former employees, reviewed internal Spotify records and company Slack messages, and interviewed and corresponded with numerous musicians. What I uncovered was an elaborate internal program. Spotify, I discovered, not only has partnerships with a web of production companies, which, as one former employee put it, provide Spotify with “music we benefited from financially,” but also a team of employees working to seed these tracks on playlists across the platform. In doing so, they are effectively working to grow the percentage of total streams of music that is cheaper for the platform. The program’s name: Perfect Fit Content (PFC). The PFC program raises troubling prospects for working musicians. Some face the possibility of losing out on crucial income by having their tracks passed over for playlist placement or replaced in favor of PFC; others, who record PFC music themselves, must often give up control of certain royalty rights that, if a track becomes popular, could be highly lucrative. But it also raises worrying questions for all of us who listen to music. It puts forth an image of a future in which—as streaming services push music further into the background, and normalize anonymous, low-cost playlist filler—the relationship between listener and artist might be severed completely."
https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/
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"Rage against the machine: why ALVR doesn't recognize my pipewire setup and stream audio to my headset"
One hell of an album, very good and deep music, able to shake you up from the very core.
#FakeAlbums #FakeMusic #Linux #ALVR #LinuxGaming #Gaming #VR #Sarcasm
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Frank Ocean communities on Discord and leaked music forums were in a frenzy over newly discovered music from the reclusive artist. It turns out most of it was AI-generated and sold by a scammer.
https://www.vice.com/en/article/z3mn75/scammer-made-thousands-selling-leaked-frank-ocean-tracks-that-were-fake-ai-generated-the-line-steer-it
#ArtificialIntelligence #AI #aimusic #fakemusic #FrankOcean #deepfake #deepfakes #AudioDeepfakes