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  1. Why the 90s Movie ‘The Craft’ Still Resonates with Millennial Women

    For young women, uniqueness, independence and presenting a certain difference to the norm were qualities often frowned upon – right from the dawn of mankind through to the decadent, sometimes very sexist 1980s. But in the 1990s, a myriad versions of the female and the feminine began taking shape, reflected both on television and in film. ‘The Craft’ was one film that both reflected and inspired the way women could reclaim their power – not just in image, and not just through magic.

    Story by Siân Alison

     

    “We are the weirdos, Mister.”

    This film quote captures the teenage experience perfectly, especially in the 1990s. For millions of millennial women, The Craft isn’t just a 90s cult movie, it’s a time capsule to that specific decade. It was a story about friendship, belonging and discovering that being different didn’t have to be a weakness; indeed, it ought to be seen as a strength. Nearly thirty years later, the themes of The Craft still resonate, proving that the film’s real magic was never witchcraft at all, but its understanding of what it meant to grow up feeling like an outsider.

    Released in 1996, The Craft followed four teenage girls brought together by loneliness, rejection and a fascination with witchcraft. On the surface, it was a stylish supernatural thriller but beneath the spells, magic and black lace, was a surprisingly honest exploration of identity and the desire to belong.

    Those themes in the 1990s felt painfully familiar to most teenagers, it’s a reminder of school corridors, misunderstood friendships, teenage insecurities and the comforting idea that maybe the outcasts could have a little power, too. Long before social media gave every niche community a place to gather, finding people who accepted you wasn’t always easy. The Craft explored something many teenagers desperately wanted which was finding people and friends who understood you. Sarah, Nancy, Bonnie and Rochelle weren’t the popular girls, they were the girls who existed on the outside looking in, and as an adult it’s easy to understand why the film became so popular. Millennials who grew up in the ’90s will probably remember what that felt like;in the 1990s you weren’t expected to be unique or different, you were supposed to fit in and blend.

    The girls in the movie found strength in each other, embraced and encouraged one another’s talents. This is just one of the reasons the film still resonates today. Unlike many teen films of the era, The Craft didn’t shy away from difficult subjects. Bullying, racism, body image, abuse and self-harm weren’t just plot stories to create drama; they shaped the characters and the choices they made. Watching the film today, those themes remain strikingly relevant and still shocking.

    The film also celebrated individuality long before it became fashionable, and certainly a different style to the Barbie-pink aesthetic of eras that preceded it. Black lipstick, kohl eyeliner, silver jewellery and gothic fashion weren’t presented as something to apologise for, they were part of the characters’ identity. Decades before social media embraced alternative aesthetics, The Craft suggested there was strength in refusing to conform.

    Perhaps the film’s greatest strength, however, lies in its portrayal of female friendship. One of the reasons the film has aged so well is that it never presents female friendship as simple but, more truthfully, complicated. The characters support and protect each other, but they also become jealous, competitive and destructive. Looking back as adults, it’s that complexity that feels so believable. The Craft understood that friendship can be both a source of strength and a source of pain.

    As teenagers, many viewers were captivated by the magic but watching it now, it’s the emotional message that stands out. Each girl turns to witchcraft hoping it will solve the problems that dominate adolescence, popularity, beauty, revenge, acceptance and love. Instead, the film reminds us that shortcuts rarely bring happiness and that power without self-awareness can quickly become destructive. That said, witchcraft with real intent can do wonders in achieving what one truly wants. Sometimes with a catch.

    Nancy’s story is perhaps the clearest example. Played by Fairuza Balk, her character’s power very quickly gives her confidence and control, but it also isolates her. She becomes consumed by the very thing she believed would save her.

    It’s a surprisingly mature message for what many people remember simply as a supernatural teen film. There is a great lesson we learned as teenagers and that was realising that power isn’t always freedom, and using shortcuts to solve problems can come with consequences.

    The film also asks a timeless question… What happens when power becomes more important than happiness?

    It’s a question that still feels remarkably relevant today. Part of The Craft‘s lasting appeal also comes from its timing. It belongs to a world before smartphones, social media and influencers shaping teenage life (albeit often negatively). Watching the film today feels like opening an old photo album. The fashion, the music and the teenage bedrooms instantly transport millennials back to an era when friendships were built face-to-face and Friday nights often meant a trip to the video rental shop rather than scrolling through endless streaming options.

    That’s a reason why the film continues to attract new audiences while remaining so deeply nostalgic for those who grew up with it. Its visual style still feels iconic, but it’s the themes beneath the surface that have given it such remarkable staying power. Identity, belonging, friendship and self-acceptance aren’t ideas that belong solely to the 1990s or only to teenage girls; they’re experiences that every generation understands.

    Today, The Craft remains far more than a cult classic. It reminds us that growing up isn’t about becoming someone else to fit in; it’s about finding the people who make you realise you never had to. It’s nice to revisit a film that reminded an entire generation of outsiders that being different wasn’t something to fear.

    That’s the real magic of The Craft, and it’s why millennials continue to return to it decades later.

     

    You can stream ‘The Craft’ free on SBS On Demand or Tubi, and the film is also available to view on Paramount+ and Netflix.

     

    An interview with Australia’s foremost modern Witch, Fiona Horne

    That Madonna and Kylie collab is out and it’s pretty fab, but wait, did Madonna just throw shade at Pepsi at the end of the video?

    ‘Ice Cream Man’ big on the kill variety, unapologetic as all-hell, and not for the faint of heart (or stomach)… but we’ll probably watch it again on stream

    Hands in the air for a ‘Romy and Michele’ movie sequel is finally in production

    Pre-Owned vs New Rolex: What Buyers Need to Know

    THE CREAM WINTER ESSENTIALS GUIDE 2026

    How to Shop for Cannabis Responsibly in New York City in 2026

    FOUND OBJECTS: VOLUME 01 (The Downloads)

    Rate this:

    #1990TheCraft #CREAMMAGAZINE #FairuzaBalk #FILM #FionaHorne #generationX #generationY #millennials #POPCULTURE #SiânAlison #TELEVISION #the90sLook #the90sVibe #theCraft #theCraftFilm #witchcraft #witchcraftInAustralia #witchcraftInTheUs
  2. This week’s #SundayFunnies leading road dogs and their crew are Fairuza Balk, Billy Crudup, Anna Paquin, Kate Hudson, Jason Lee, John Fedevich, Patrick Fugit, Mark Kozelek, Olivia Rosewood and Noah Taylor
    #AlmostFamous #FairuzaBalk #BillyCrudup, #AnnaPaquin #KateHudson #JasonLee #JohnFedevich #PatrickFugit #MarkKozelek #OliviaRosewood #NoahTaylor

  3. #datocurioso

    ¿Sabían que el compromiso de Fairuza Balk con la autenticidad en la película The Craft (1996) la llevó a integrarse profundamente en la comunidad esotérica, convirtiéndose en una practicante real y propietaria de un referente histórico del ocultismo en Los Ángeles?

    Durante la preparación para su papel como Nancy Downs, Balk buscó asesoría para asegurar que las prácticas representadas tuvieran una base real. Esta búsqueda la condujo a "Panpipes Magickal Marketplace", la tienda de suministros ocultistas más antigua de los Estados Unidos. Su involucramiento no fue meramente profesional; Balk se sumergió en el estudio de la Wicca y el paganismo, integrando estas filosofías a su vida personal de manera permanente. 

    En un giro poco común para una figura de Hollywood, Fairuza Balk terminó comprando la tienda Panpipes para evitar que cerrara, manteniéndola bajo su propiedad durante casi una década (de 1995 a 2001). A diferencia de la percepción pública, Balk ha aclarado en diversas entrevistas que su camino espiritual se aleja de la teatralidad del cine, enfocándose en la conexión con la naturaleza y el respeto por las tradiciones antiguas.

    Su legado no solo reside en su interpretación icónica, sino en su esfuerzo por dignificar la representación de la brujería en los medios, alejándola de los clichés y reconociéndola como un sistema de creencias y una práctica de vida seria y documentada.

    #FairuzaBalk #TheCraft #Wicca #Paganismo #Historia #Cine #Ocultismo #Brujeria #bruja

  4. Wim Wenders – „Don’t Come Knocking“ (2005)

    Ein Mann steigt aus und geht. Nicht aus dem Leben – aus dem Bild. Die Kamera bleibt stehen. Der Western-Held reitet davon. Zurück bleibt nur die Kulisse. Kein Schnitt. Keine Musik. Nur: Stille. Und erschütternd große Bilder. So beginnt Wim Wenders’ elegischer Film aus dem Jahr 2005. Ein Abgesang, ein Erinnerungsstück, eine Reise in der Film-Geisterbahn des amerikanischen Traums. (ARTE)

  5. I was merely *thinking* about yesterday, and she shows up in a FB ad today. What is this sorcery?

  6. Dang, #FairuzaBalk hat ja schon als Kind so wilde Augen.

  7. #TheCraft, 1996, directed by #AndrewFleming and starring #FairuzaBalk, is currently part of the #HighSchoolHorror collection on #TheCriterionChannel.

    It was better than I expected, mostly because of #Fairuza's performance and is a rare #movie with four #female leads, who all behave badly (to very different extent, but still).

    Not great #cinema, but good fun, for me, even with the bugs.

    criterionchannel.com/videos/th

    criterionchannel.com/high-scho

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