#experimentalfilm — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #experimentalfilm, aggregated by home.social.
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Einen wichtigen Teil von dem, was wir in #StartingWithFragments abendfüllend zu sagen versucht haben, erzählt Uli Sappok dreißig Jahre früher in "Der narrative Film" in nur vier Minuten. Super Film!
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Einen wichtigen Teil von dem, was wir in #StartingWithFragments abendfüllend zu sagen versucht haben, erzählt Uli Sappok dreißig Jahre früher in "Der narrative Film" in nur vier Minuten. Super Film!
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aemi’s 2026 touring programme ‘Desire Lines’
The Model, Sligo, Saturday, October 31 at 10:00 AM GMT
aemi’s new touring programme ‘Desire Lines’ premiered at the Irish Film Institute on Thursday 22nd January 2026. Featuring films by Chloe Brenan, Collectif Faire Part, Eóin Heaney, Olivia Normile and Basma al-Sharif, the programme will tour to Irish and international venues across 2026.
Upcoming screenings:
aemi @ The Model: ‘Desire Lines’ – showing from September 2nd to October 31st
aemi & Louth International Film Festival: ‘Desire Lines’ – 25th September
aemi & Mermaid Arts Centre: ‘Desire Lines’ – 6th October
‘Desire Lines’ is a term from the field of landscape architecture used, as Sara Ahmed writes in Queer Phenomenology (2006) to ‘describe unofficial paths, those marks left on the ground that show everyday comings and goings, where people deviate from the paths they are supposed to follow.’ Taken as a whole, the films featured in ‘Desire Lines’ by Basma al-Sharif, Chloe Brenan, Olivia Normile, Collectif Faire Part and Eóin Heaney, offer up a picture of imposed and chosen deviation, a picture that takes in experiences of isolation and displacement alongside those of collective resistance and revelation, taking care to capture the fleeting moments where these possibilities can briefly intersect.
‘Desire Lines’ is aemi’s 2026 touring programme, an annual selection of artist and experimental film that brings together a range of voices from Irish and international contemporary practice.
https://flypost.ie/event/aemis-2026-touring-programme-desire-lines
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On November 12, 2002, Ciao! Manhattan premiered in Amsterdam. Here’s some original Edie Sedgwick art!
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#CiaoManhattan #EdieSedgwick #ExperimentalFilm #Art #FanArt -
Zveme!
📍 Distorted Session #10: Zaostřeno na Maďarsko
📅 středa 22. 7. od 17:00
🏛️ Dům umění města BrnaVe středu 22. 7. uvedeme v Domě umění experimentální film Arizona Diary (1992) maďarského mediálního umělce a filmaře Pétera Forgácse, který bude projekci osobně přítomen.
Film vznikl během cesty po Arizoně s básníkem Györgyem Petrim a umělcem Györgyem Galántaiem. Zachycuje jejich rozhovory, Petriho poezii i setkání se Steinou a Woodym Vašulkovými a vytváří osobitý filmový deník na pomezí dokumentu a uměleckého experimentu.
Po projekci bude následovat diskuse s Péterem Forgácsem o filmu i jeho dlouhodobé práci s archivními materiály, kterou proslul mimo jiné v cyklu Private Hungary.
Ukázka filmu: https://vimeo.com/1643916
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📍 Distorted Session #10: Focus on Hungary
📅 Wednesday, July 22, at 5 pm
🏛️ House of Arts BrnoOn Wednesday, July 22, we will screen the experimental film Arizona Diary (1992) by Hungarian media artist and filmmaker Péter Forgács, who will be present at the screening.
The film was made during a trip through Arizona with poet György Petri and artist György Galántai. It captures their conversations, Petri’s poetry, and their encounter with Steina and Woody Vašulka, creating a distinctive film diary that straddles between documentary and artistic experiment.
The screening will be followed by a discussion with Péter Forgács about the film and his long-term work with archival materials, for which he is known, among other things, for his series Private Hungary.
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Zveme!
📍 Distorted Session #10: Zaostřeno na Maďarsko
📅 středa 22. 7. od 17:00
🏛️ Dům umění města BrnaVe středu 22. 7. uvedeme v Domě umění experimentální film Arizona Diary (1992) maďarského mediálního umělce a filmaře Pétera Forgácse, který bude projekci osobně přítomen.
Film vznikl během cesty po Arizoně s básníkem Györgyem Petrim a umělcem Györgyem Galántaiem. Zachycuje jejich rozhovory, Petriho poezii i setkání se Steinou a Woodym Vašulkovými a vytváří osobitý filmový deník na pomezí dokumentu a uměleckého experimentu.
Po projekci bude následovat diskuse s Péterem Forgácsem o filmu i jeho dlouhodobé práci s archivními materiály, kterou proslul mimo jiné v cyklu Private Hungary.
Ukázka filmu: https://vimeo.com/1643916
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📍 Distorted Session #10: Focus on Hungary
📅 Wednesday, July 22, at 5 pm
🏛️ House of Arts BrnoOn Wednesday, July 22, we will screen the experimental film Arizona Diary (1992) by Hungarian media artist and filmmaker Péter Forgács, who will be present at the screening.
The film was made during a trip through Arizona with poet György Petri and artist György Galántai. It captures their conversations, Petri’s poetry, and their encounter with Steina and Woody Vašulka, creating a distinctive film diary that straddles between documentary and artistic experiment.
The screening will be followed by a discussion with Péter Forgács about the film and his long-term work with archival materials, for which he is known, among other things, for his series Private Hungary.
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How we celebrated the USA in 1976.
200 is a 1975 animated short film directed by Vince Collins, made in honor of the United States #Bicentennial.
The film is a trippy, short impressionistic history of the US through its famous symbols.
https://youtu.be/a1-r8A3cx6E?si=WpkFgPymB20zTJ7l
More info: https://en.wikipedia.org/wiki/200_(film)
#UnitedStates #Film #AnimatedMovies #ExperimentalFilm #Psychedelic #1976 #1970s #AmericanSymbols -
How we celebrated the USA in 1976.
200 is a 1975 animated short film directed by Vince Collins, made in honor of the United States #Bicentennial.
The film is a trippy, short impressionistic history of the US through its famous symbols.
https://youtu.be/a1-r8A3cx6E?si=WpkFgPymB20zTJ7l
More info: https://en.wikipedia.org/wiki/200_(film)
#UnitedStates #Film #AnimatedMovies #ExperimentalFilm #Psychedelic #1976 #1970s #AmericanSymbols -
Reflx Lab’s New Experimental Film Turns the World Into a Red and Orange Hellscape https://petapixel.com/2026/07/01/reflx-labs-new-experimental-film-turns-the-world-into-a-red-and-orange-hellscape/ #reflxlabdiablo100 #experimentalfilm #redscalefilm #diablo100 #35mmfilm #redscale #reflxlab #Analog #analog #News #film
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Reflx Lab’s New Experimental Film Turns the World Into a Red and Orange Hellscape https://petapixel.com/2026/07/01/reflx-labs-new-experimental-film-turns-the-world-into-a-red-and-orange-hellscape/ #reflxlabdiablo100 #experimentalfilm #redscalefilm #diablo100 #35mmfilm #redscale #reflxlab #Analog #analog #News #film
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In this episode you'll learn
• What Other Cinema is and why it matters
• The vision of Craig Baldwin
• How found-footage filmmaking transforms existing media
• Why San Francisco became a center of experimental cinema
#OtherCinema
#CraigBaldwin
#ExperimentalFilm
youtu.be/c3ljDnYtBYI
Other Cinema: Sanctuary of Und... -
aemi & IFI present: TRANCE FILMS
Irish Film Institute (IFI), Tuesday, June 30 at 06:30 PM GMT+1
aemi presents a very special international programme of experimental ‘trance films’.
The films selected here bypass comprehension, these are works that are experienced first and understood later (if at all). In his notes on Austrian filmmaker Jung an Tagen’s A Flock of Rotations Christian Höller describes how ‘there is no boundary here, no outside, no escape’ and this applies across a selection of films that take us from an explicitly digital realm to the far more earthly realm of the Atacama Desert in Daïchi Saïto’s EARTHEARTHEARTH (screening here in a beautiful 35mm print). As Alejandro Bachmann notes in relation to Happy Doom ‘the boundaries between inside and outside, me and the world, the virtual and the material, all become permeable, ambiguous, irrelevant’. A perfect descriptor for a programme that skirts the outer realm of psychedelia and cinema.
The screening includes two works screening from 35mm prints, both courtesy of Light Cone.
FILM INFO:
A Flock of Rotations, Jung an Tagen, 2026, Austria, 11 mins
Fuddy Duddy, Siegfried A. Fruhauf, 2016, Austria, 5 mins
Happy Doom,Billy Roisz, 2023, Austria, 3 mins
Ville Maria, Alexandre Larose, 2006-2009, Canada, 12 mins
EARTHEARTHEARTH, Daïchi Saïto, 2021, Japan, 30 minsTotal running time: 61 minutes
A Flock of Rotations – Jung an Tagen
Continuously falling pitches – descending into infinity.
Fuddy Duddy – Siegfried A. Fruhauf
In Siegfried A. Fruhauf´s Fuddy Duddy, something resembling a big bang is seen, with an energy resulting from the struggle between order and chaos. Everything we see takes place within a linear force field – whatever happens in the black and white images that arise from invisible sources of artistic creativity, whatever reveals its presence the instant it disappears. The lines themselves begin to flicker. It is as if they emerge from lidless eyes – were it only possible – yet they do not give way. The crucial grid underlying classical aesthetics of harmony and measurement begins to glow, but it does not go up in flames- Bert Rebhandl
Happy Doom – Billy Roisz
HAPPY DOOM is an audiovisual poem, an ode to color intoxication and vertigo. The screen a vibrating membrane that simultaneously spits and swallows colors and noisy beats – a hypnotic deformed circumpolar psychedelic short trip.
Ville Maria – Alexandre Larose
This film is inspired from a dream during which I fall from the top of a high-rise building facing the sky- Alexandre Larose
EARTHEARTHEARTH – Daïchi Saïto
Dawn breaks where land is flesh
And bones’ echoes;
You’ve lived through extinctions –
Stars, skies, sand and seas;
Future is catching us up at last,
And all the dead are ahead of us.A major film from a singular artist, earthearthearth is a pulsing, painterly tour de force. – Michael Sicinski
With special thanks to our colleagues at SixpackFilm and Light Cone
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The Kite Ballet — Thaís Muniz
The Dock Arts Centre, Saturday, June 20 at 10:00 AM GMT+1
The Kite Ballet is a multidisciplinary series comprising the eponymous film, alongside textiles and sculpture. The work reflects on territoriality, community, joy, and degrowth, while advocating for play in adulthood as a revolutionary act.
The Kite Ballet by Thaís Muniz intertwines poetic and mythical elements with political, historical, and symbolic themes, amplifying the voices of local activists from the Itapuã area in Salvador, Brazil. The film portrays a group of kite runners in their weekly communal ritual, highlighting the threat of private development and ecological displacement of Afro-Indigenous sacred territory, where joy and spiritual practices have thrived for centuries. The film advocates for play and negotiation with nature as revolutionary acts.
Thaís Muniz is a Brazilian-Irish visual artist and researcher working across multiple mediums to explore the intersections of inherited and acquired identities, memory, transit, and inward love. Her community-oriented practice unfolds through intimate communal learning processes, including workshop, performance, installation, sculpture, and film. Her work also spans photography, celebrations, and activations, often incorporating archives, personal memorabilia, and symbology.
Muniz’s practice engages with the reimagination of realities through mechanisms of refusal, dreaming, and personal magic, challenging and expanding canonical systems of representation, building connections, and opening conversations. A central aspect of her work involves activating spaces through presence and critically engaging with the geopolitics of place.
More information about this exhibition can be found via The Dock's website.
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aemi & IFI present: TRANCE FILMS
Irish Film Institute (IFI), Tuesday, June 30 at 06:30 PM GMT+1
aemi presents a very special international programme of experimental ‘trance films’.
The films selected here bypass comprehension, these are works that are experienced first and understood later (if at all). In his notes on Austrian filmmaker Jung an Tagen’s A Flock of Rotations Christian Höller describes how ‘there is no boundary here, no outside, no escape’ and this applies across a selection of films that take us from an explicitly digital realm to the far more earthly realm of the Atacama Desert in Daïchi Saïto’s EARTHEARTHEARTH (screening here in a beautiful 35mm print). As Alejandro Bachmann notes in relation to Happy Doom ‘the boundaries between inside and outside, me and the world, the virtual and the material, all become permeable, ambiguous, irrelevant’. A perfect descriptor for a programme that skirts the outer realm of psychedelia and cinema.
The screening includes two works screening from 35mm prints, both courtesy of Light Cone.
FILM INFO:
A Flock of Rotations, Jung an Tagen, 2026, Austria, 11 mins
Fuddy Duddy, Siegfried A. Fruhauf, 2016, Austria, 5 mins
Happy Doom,Billy Roisz, 2023, Austria, 3 mins
Ville Maria, Alexandre Larose, 2006-2009, Canada, 12 mins
EARTHEARTHEARTH, Daïchi Saïto, 2021, Japan, 30 minsTotal running time: 61 minutes
A Flock of Rotations – Jung an Tagen
Continuously falling pitches – descending into infinity.
Fuddy Duddy – Siegfried A. Fruhauf
In Siegfried A. Fruhauf´s Fuddy Duddy, something resembling a big bang is seen, with an energy resulting from the struggle between order and chaos. Everything we see takes place within a linear force field – whatever happens in the black and white images that arise from invisible sources of artistic creativity, whatever reveals its presence the instant it disappears. The lines themselves begin to flicker. It is as if they emerge from lidless eyes – were it only possible – yet they do not give way. The crucial grid underlying classical aesthetics of harmony and measurement begins to glow, but it does not go up in flames- Bert Rebhandl
Happy Doom – Billy Roisz
HAPPY DOOM is an audiovisual poem, an ode to color intoxication and vertigo. The screen a vibrating membrane that simultaneously spits and swallows colors and noisy beats – a hypnotic deformed circumpolar psychedelic short trip.
Ville Maria – Alexandre Larose
This film is inspired from a dream during which I fall from the top of a high-rise building facing the sky- Alexandre Larose
EARTHEARTHEARTH – Daïchi Saïto
Dawn breaks where land is flesh
And bones’ echoes;
You’ve lived through extinctions –
Stars, skies, sand and seas;
Future is catching us up at last,
And all the dead are ahead of us.A major film from a singular artist, earthearthearth is a pulsing, painterly tour de force. – Michael Sicinski
With special thanks to our colleagues at SixpackFilm and Light Cone
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aemi & Docs Ireland present: Desire Lines + Q&A with Chloe Brenan, Eóin Heaney & Olivia Normile
Queen's Film Theatre, Belfast, Wednesday, June 17 at 06:00 PM GMT+1
aemi is thrilled to partner once again with Docs Ireland in Belfast to present a special screening of our 2026 touring programme 'Desire Lines' followed by a Q&A with featured filmmakers led by Rose Baker, Head of Programming at Belfast International Film Festival.
aemi & Docs Ireland present: Desire Lines
aemi is delighted to present ‘Desire Lines‘ at the eighth edition of the very brilliant Docs Ireland. This year’s edition of the aemi touring programme brings together a variety of innovative approaches to the documentary form from contemporary Irish and international filmmakers.
Featuring films by Chloe Brenan, Collectif Faire Part, Eóin Heaney, Olivia Normile and Basma al-Sharif, the programme is touring to Irish and international venues across 2026.
‘Desire Lines’ is a term from the field of landscape architecture used, as Sara Ahmed writes in Queer Phenomenology (2006) to ‘describe unofficial paths, those marks left on the ground that show everyday comings and goings, where people deviate from the paths they are supposed to follow.’ Taken as a whole, the films featured in ‘Desire Lines’ offer up a picture of imposed and chosen deviation, a picture that takes in experiences of isolation and displacement alongside those of collective resistance and revelation, taking care to capture the fleeting moments where these possibilities can briefly intersect.
This screening will be followed by a Q&A led by Rose Baker, Head of Programming at Belfast International Film Festival with featured filmmakers Chloe Brenan, Eóin Heaney and Olivia Normile.
FILM INFORMATION
Morning Circle / Morgenkreis, Basma al-Sharif, 2025, Canada/UAE, 21minutes
Verdigris, Chloe Brenan, 2025, Ireland 12 minutes
as above, so below (Limits and Demonstrations), Olivia Normile, 2025, Ireland, 3 minutes
Speech For A Melting Statue, Collectif Faire Part, 2023, Belgium, Congo, Democratic Republic, 10 minutes
Body Diagrams (Limits and Demonstrations), Olivia Normile, 2025, Ireland, 1 minute 30 seconds
PARISH, Eóin Heaney, 2024, Ireland, 27 minutesTotal running time 75 minutes -
Saints & Scholars Club - Documentary Screening & Panel Discussion
Joly theatre, Hamilton building, Trinity College Dublin, Friday, May 15 at 05:45 PM GMT+1
Screening of Non Aligned: Scenes from the Labudović Reels (2022), with panel discussion on Yugoslavia and the Non-Aligned Movement, & post-screening pints.
Join Saints & Scholars Club for a special screening of 'NON-ALIGNED', with panel discussion and contributions from Dr Harun Šiljak, artist & archivist Petra Matić, Sajeev Narajan (Kranthi Ireland), and Elain Ross (Student Neutrality Front).
Get your FREE tickets here: https://www.eventbrite.com/e/saints-scholars-present-non-aligned-2022-tickets-1988072998857?aff=erelexpmlt
https://ainriail.org/event/saints-and-scholars-club-documentary-screening-and-panel-discussion
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R.I.P. Valie Export
She struck me as an extremely sharp person on the two occasions I encountered her: in 1988 in Berlin and in 2009 at WORM Rotterdam.
moving images from her retrospective exhibition at C/O Berlin in 2024:
https://archive.org/details/2024-05-04-EXPORT18/2024-05-04-EXPORT18.av1.mp4
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R.I.P. Valie Export
She struck me as an extremely sharp person on the two occasions I encountered her: in 1988 in Berlin and in 2009 at WORM Rotterdam.
moving images from her retrospective exhibition at C/O Berlin in 2024:
https://archive.org/details/2024-05-04-EXPORT18/2024-05-04-EXPORT18.av1.mp4
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1st Video HackBo Experimental Screening!
Fri May 15th, 5pm, Bogotá, Colombiaw/ (among others) The Darlings of Cancel Culture’s first short film!
http://thedarlingsofcancelculture.bandcamp.com
#hackbo
#hackbosque
#thedarlingsofcancelculture
#wemgehörtdiewelt
#bogota
#experimentalfilm
#videoart
#experimentalart -
1st Video HackBo Experimental Screening!
Fri May 15th, 5pm, Bogotá, Colombiaw/ (among others) The Darlings of Cancel Culture’s first short film!
http://thedarlingsofcancelculture.bandcamp.com
#hackbo
#hackbosque
#thedarlingsofcancelculture
#wemgehörtdiewelt
#bogota
#experimentalfilm
#videoart
#experimentalart -
dancer, filmmaker, sound-maker based in Las Vegas. working at the edges of movement and perception — what the body knows before the mind does. making a short dance film at dawn in the desert this month. drawn to slow attention, deep time, inquiry, things that leave traces
also: synesthesia, notebook pages, cracked earth, ink, ecologies of being
#introduction #dance #experimentalfilm #soundart #creativecoding #somaticpractice #deeplistening #ecology #experimentalart
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Pramod Prahti, "Explorer", 1968, experimental Indian film making. #^https://en.wikipedia.org/wiki/Pramod_Pati
#^
Explorer (Pramod Pati, 1968)
by JustAnotherFilmBuff on YouTube
As a Westener it is quite hard to say sthg. of value to this, but i am quite fascinated by those images and sound collage.
#India #ExperimentalFilm #extraMovie -
Our Lady of the Sphere (1968) – Larry Jordan – Experimental Film – Von Juan Carlos Gómez Millo
https://www.youtube.com/watch?v=owf3UXKUDv4
The experimental film features ambiguous characters (a boy, a deep-sea diver and a mystical lady with a orbital head) on a surrealist dream-like journey full of various imagery through juxtaposed with symbols and images from themes such as antiquity to the space age, accompanied by alternating backgrounds, before the film ends in a garden.
#1968 #ExperimentalFilm #Film #JuanCarlosGómezMillo #LarryJordan #OurLadyOfTheSphere -
Crimson Muse Studio — Private Reserve Vol. 1
A collection of twenty stylized, previously unseen cinematic moments exploring mood, texture, and experimentation.
https://powershopz.com/CrimsonMuseStudio/216692#CrimsonMuseStudio #AICinema #ExperimentalFilm #IndieCinema #Anthology
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25 years filmwerkplaats Rotterdam; celebration & screenings at WORM Rotterdam during International Film Festival Rotterdam, 3rd February 2026.
With Esther Urlus, Lichun Tseng, Nan Wang, Judith van der Made, Joost Van Veen, Francien van Everdingen, Ieke Trinks, Tim Leyendekker, Li-chen Kuo, Raluca Croitoru & many others
https://archive.org/details/2026-02-03-filmwerkplaats_25_years.av1
[also happens to be the 400th video in my archive of documenting DIY events (mostly) in Rotterdam.]
#experimentalfilm #handmadefilm #16mmfilm #8mmfilm #artistrunfilmlab #IFFRr #IFFR2026
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25 years filmwerkplaats Rotterdam; celebration & screenings at WORM Rotterdam during International Film Festival Rotterdam, 3rd February 2026.
With Esther Urlus, Lichun Tseng, Nan Wang, Judith van der Made, Joost Van Veen, Francien van Everdingen, Ieke Trinks, Tim Leyendekker, Li-chen Kuo, Raluca Croitoru & many others
https://archive.org/details/2026-02-03-filmwerkplaats_25_years.av1
[also happens to be the 400th video in my archive of documenting DIY events (mostly) in Rotterdam.]
#experimentalfilm #handmadefilm #16mmfilm #8mmfilm #artistrunfilmlab #IFFRr #IFFR2026
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Today at 20.00-21.00 on Radio WORM: debut of my new monthly radio program 'Slow Scan TV' - a one-hour transmission of analog images via audio, using 1970s slow scan tv technology (originally developed for transmitting images over amateur radio).
The first episode will celebrate today's 25th anniversary of filmwerkplaats Rotterdam, with a slow scan tv version of a black-and-white 8mm/16mm film portrait of filmwerkplaats shot by me, Francien Van Everdingen and Lichun Tseng in November 2025. Its original 1300 frames/54 seconds will be transmitted as 100 frames in 60 minutes.
To receive/see the images, I recommend the Open Source Android app Robot36 :
https://f-droid.org/en/packages/xdsopl.robot36
https://play.google.com/store/apps/details?id=xdsopl.robot36
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Today at 20.00-21.00 on Radio WORM: debut of my new monthly radio program 'Slow Scan TV' - a one-hour transmission of analog images via audio, using 1970s slow scan tv technology (originally developed for transmitting images over amateur radio).
The first episode will celebrate today's 25th anniversary of filmwerkplaats Rotterdam, with a slow scan tv version of a black-and-white 8mm/16mm film portrait of filmwerkplaats shot by me, Francien Van Everdingen and Lichun Tseng in November 2025. Its original 1300 frames/54 seconds will be transmitted as 100 frames in 60 minutes.
To receive/see the images, I recommend the Open Source Android app Robot36 :
https://f-droid.org/en/packages/xdsopl.robot36
https://play.google.com/store/apps/details?id=xdsopl.robot36
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Somnambulists – Directed by Mieczyslaw Waskowski 1958
https://www.youtube.com/watch?v=2BiFwUzybE0
Best of Polish Experimental Film and Animation.
#1958 #Animation #ExperimentalFilm #Film #MieczyslawWaskowski #Polen #Somnambulists #Video
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Somnambulists – Directed by Mieczyslaw Waskowski 1958
https://www.youtube.com/watch?v=2BiFwUzybE0
Best of Polish Experimental Film and Animation.
#1958 #Animation #ExperimentalFilm #Film #MieczyslawWaskowski #Polen #Somnambulists #Video
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Reihe „Kino mit Tino – ein persönlicher Kanon“: Dieses Mal eine skurrile Krimikomödie von Peter Greenaway
**********************************************
– Wann: Do., 15. Januar, 20.00
– Wo: Filmgalerie Phase IV, #DresdenNeustadt
– Eintritt frei, wir freuen uns über eine Spende
– Fassung: Der Film läuft in der englischen Originalfassung mit deutschen Untertiteln
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Drei Frauen aus drei Generationen entledigen sich ihrer Männer mit Hilfe eines Leichenbeschauers und versuchen, die Morde zu vertuschen. Doch bald interessieren sich zwei Detektive für die mysteriösen Todesfälle … (1/2)#PeterGreenaway #BritischesKino #BritishCinema #Krimi #Krimikomödie #comedy #crime #Drama #Experimentalfilm #ExperimentalCinema #AuteurCinema #AuteurFilm #Film #Kino #Movies #Cinema #cinemastodon #DresdenBubble
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Reihe „Kino mit Tino – ein persönlicher Kanon“: Dieses Mal eine skurrile Krimikomödie von Peter Greenaway
**********************************************
– Wann: Do., 15. Januar, 20.00
– Wo: Filmgalerie Phase IV, #DresdenNeustadt
– Eintritt frei, wir freuen uns über eine Spende
– Fassung: Der Film läuft in der englischen Originalfassung mit deutschen Untertiteln
**********************************************
Drei Frauen aus drei Generationen entledigen sich ihrer Männer mit Hilfe eines Leichenbeschauers und versuchen, die Morde zu vertuschen. Doch bald interessieren sich zwei Detektive für die mysteriösen Todesfälle … (1/2)#PeterGreenaway #BritischesKino #BritishCinema #Krimi #Krimikomödie #comedy #crime #Drama #Experimentalfilm #ExperimentalCinema #AuteurCinema #AuteurFilm #Film #Kino #Movies #Cinema #cinemastodon #DresdenBubble
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Recently I got to see several short films from artists in the MFA program at San Francisco State University. Here are some favorites, with descriptions from the artists. (1/4)
#film #experimentalfilm #shortfilm -
Recently I got to see several short films from artists in the MFA program at San Francisco State University. Here are some favorites, with descriptions from the artists. (1/4)
#film #experimentalfilm #shortfilm -
Every ritual begins in the shadows. The brush, the mirror, the awakening. She is only at the beginning of her path. The darkness doesn't hide her. It becomes her. The Witch is coming.
Wishing you a calm and good year ahead 😈
#ShortVideo #TheWitch #DarkAesthetic #WitchCore #ExperimentalFilm #GothicVibes #DarkArt #Tombzz
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Every ritual begins in the shadows. The brush, the mirror, the awakening. She is only at the beginning of her path. The darkness doesn't hide her. It becomes her. The Witch is coming.
Wishing you a calm and good year ahead 😈
#ShortVideo #TheWitch #DarkAesthetic #WitchCore #ExperimentalFilm #GothicVibes #DarkArt #Tombzz
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I’m a filmmaker always curious about exploring new techniques 🎥✨ Instead of doing this alone (or never finding the time to really dive in), I organize hands-on workshops where everyone is welcome to experiment together 🤝🎨
Interested in joining one of my courses in Amsterdam? 👉 Check out my website.
#FilmmakerLife #ExperimentalFilm #FilmWorkshop #16mmFilm #Amsterdam 🎞️✨
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Pvt. Ravel’s Bolero — a 28-minute experimental anti-war documentary film built around the escalating structure of Ravel’s Bolero.
An award-winning film that lands like a reckoning.
https://substack.com/profile/289465856-jz-murdock/note/c-188479434
#ExperimentalFilm #ShortFilm #ArtFilm #VideoArt #ClassicalMusic #WWI -
Pvt. Ravel’s Bolero — a 28-minute experimental anti-war documentary film built around the escalating structure of Ravel’s Bolero.
An award-winning film that lands like a reckoning.
https://substack.com/profile/289465856-jz-murdock/note/c-188479434
#ExperimentalFilm #ShortFilm #ArtFilm #VideoArt #ClassicalMusic #WWI -
After seven years in the making, we’re officially releasing my film dreamtext דברי חלום online, for free, today. You can find it at https://metatronarts.com/dreamtext/
dreamtext דברי חלום is a feature-length dream of coming to life in Israel. Four images of dancer Cheryl Nayowitz move past and through images of Israel and words spoken by the Holon Scratch Orchestra, along with music by the ensemble Gray Code. The film and its music are anchored by the song “Sachki Sachki,” sung by Vered Forbes.
The film has no story, dialogue, or characters (other than the dancer). While there is text in Hebrew and English, you don’t need to know either language to enjoy the film. The English is a dreamlike text, scrambled to approximate what you might hear while falling asleep. The Hebrew words that are heard and seen onscreen during much of the film are streams of consciousness, improvised by women’s voices on the themes of segments of the film. When we hear the song “Sachki Sachki,” the words appear onscreen both in the original Hebrew and in an English translation.
Last night for the first time since assembling the first full edit, I watched the movie end-to-end (on my TV, via YouTube, since I wanted to see how it would look to most people watching it). Though there are some imperfections, I can honestly say...
It’s the movie that I wanted to make.
I’m eager for you to see it, and to hear what you think of it.
#experimentalmusic #experimentalfilm #israel #Mazeldon #dance
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After seven years in the making, we’re officially releasing my film dreamtext דברי חלום online, for free, today. You can find it at https://metatronarts.com/dreamtext/
dreamtext דברי חלום is a feature-length dream of coming to life in Israel. Four images of dancer Cheryl Nayowitz move past and through images of Israel and words spoken by the Holon Scratch Orchestra, along with music by the ensemble Gray Code. The film and its music are anchored by the song “Sachki Sachki,” sung by Vered Forbes.
The film has no story, dialogue, or characters (other than the dancer). While there is text in Hebrew and English, you don’t need to know either language to enjoy the film. The English is a dreamlike text, scrambled to approximate what you might hear while falling asleep. The Hebrew words that are heard and seen onscreen during much of the film are streams of consciousness, improvised by women’s voices on the themes of segments of the film. When we hear the song “Sachki Sachki,” the words appear onscreen both in the original Hebrew and in an English translation.
Last night for the first time since assembling the first full edit, I watched the movie end-to-end (on my TV, via YouTube, since I wanted to see how it would look to most people watching it). Though there are some imperfections, I can honestly say...
It’s the movie that I wanted to make.
I’m eager for you to see it, and to hear what you think of it.
#experimentalmusic #experimentalfilm #israel #Mazeldon #dance
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I blurred my signature because it hasn’t much changed. The PO Box, the account, the bank: long gone. ISTR I had a Working Assets long distance phone plan, too, for my landline.
#sfcinematheque #lifetimemember #StevePolta #experimentalfilm #avantgardefilm #nonprofit #yearend
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¹ we’ll get to the one exception.
#sfcinematheque #lifetimemember #StevePolta #experimentalfilm #avantgardefilm #nonprofit #yearend
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People’ve deleted my posts elsewhere on this topic, blocked my account. All along, those in a position to address the issue¹ have resorted to hand-wringing & “oh, that’s a shame”.
Doubters: my check.
#sfcinematheque #lifetimemember #StevePolta #experimentalfilm #avantgardefilm #nonprofit #yearend
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In 1993 I gave #sfcinematheque $1500 ($3312 in 2025 dollars according to NerdWallet) to be a #lifetimemember. #StevePolta denied my annual publications benefit starting 2002 & eventually whittled all promised benefits to zero.
#experimentalfilm #avantgardefilm #nonprofit #yearend #bullypulpit