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#evermore — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #evermore, aggregated by home.social.

  1. Taylor Swift - Willow

    https://u2be.ovh/w/hnwyABb8USJ1YPyXeRd7Ug?start=0s&subtitle=en&autoplay=1

    "Willow," released on December 11, 2020, showcases Taylor Swift at the age of 31, further exploring her artistic evolution through chamber folk sounds. As the lead single from her album "Evermore," it captures an enchanting narrative of love and destiny, drawing listeners into a world of metaphors and lush instrumentation. The song's music video, directed by Swift herself, serves as a continuation of her storytelling, linking back to her previous work in "Cardigan." This blend of fantasy and emotional depth resonates with Swift's fans and critics alike.

    Follow Taylor Swift:
    ► Follow Taylor Alison Swift:
    @[email protected] https://u2be.ovh/a/taylorswift
    ► Subscribe to the official Taylor Swift channel:
    @[email protected] https://u2be.ovh/c/taylor_swift
    ► Listen to Taylor Swift's "evermore":
    https://u2be.ovh/w/p/tQRDNymRzHWc7yvWnRCFqq
    ► Listen to Taylor Swift's "evermore (Taylor’s version)":
    https://u2be.ovh/w/p/wiW5W32HmZf9ZLSwT4zxoM

    🎵 L Y R I C S 🎵:
    I'm like the water when your ship rolled in that night
    Rough on the surface, but you cut through like a knife
    And if it was an open-shut case
    I never would've known from that look on your face
    Lost in your current like a priceless wine

    The more that you say, the less I know
    Wherever you stray, I follow
    I'm begging for you to take my hand
    Wreck my plans, that's my man

    Life was a willow, and it bent right to your wind
    Head on the pillow, I can feel you sneaking in
    As if you were a mythical thing
    Like you were a trophy or a champion ring
    But there was one prize I'd cheat to win

    The more that you say, the less I know
    Wherever you stray, I follow
    I'm begging for you to take my hand
    Wreck my plans, that's my man
    You know that my train can take you home
    Anywhere else is hollow
    I'm begging for you to take my hand
    Wreck my plans, that's my man

    Life was a willow, and it bent right to your wind
    They count me out time and time again
    Life was a willow, and it bent right to your wind
    But I come back stronger than a '90's trend

    Wait for the signal, and I'll meet you after dark
    Show me the places where the others gave you scars
    Now this is an open-shut case
    I guess I should've known from the look on your face
    Every bait-and-switch was a work of art

    The more that you say, the less I know
    Wherever you stray, I follow
    I'm begging for you to take my hand
    Wreck my plans, that's my man
    You know that my train can take you home
    Anywhere else is hollow
    I'm begging for you to take my hand
    Wreck my plans, that's my man

    The more that you say, the less I know
    Wherever you stray, I follow
    Begging for you to take my hand
    Wreck my plans, that's my man
    You know that my train can take you home
    Anywhere else is hollow
    Begging for you to take my hand
    Wreck my plans, that's my man

    Hey, that's my man
    Yeah, that's my man
    Yeah, that's my man
    Every bait-and-switch was a work of art
    That's my man
    Hey, that's my man
    I'm begging for you to take my hand
    Wreck my plans, that's my man

    Album Artist: Taylor Swift
    Album(s): Evermore
    Written by: Taylor Swift, Aaron Dessner
    Music genre(s): chamber folk
    Released: 2020
    Decade for first release: #2020s

    #taylorswift #evermore #willow #chamberfolk #2020s #lovesongs #music #swiftie #swifties #taylornation

    Official music video by Taylor Swift performing “willow” – off her evermore album.

  2. Taylor Swift - Willow

    https://u2be.ovh/w/hnwyABb8USJ1YPyXeRd7Ug?start=0s&subtitle=en&autoplay=1

    "Willow," released on December 11, 2020, showcases Taylor Swift at the age of 31, further exploring her artistic evolution through chamber folk sounds. As the lead single from her album "Evermore," it captures an enchanting narrative of love and destiny, drawing listeners into a world of metaphors and lush instrumentation. The song's music video, directed by Swift herself, serves as a continuation of her storytelling, linking back to her previous work in "Cardigan." This blend of fantasy and emotional depth resonates with Swift's fans and critics alike.

    Follow Taylor Swift:
    ► Follow Taylor Alison Swift:
    @[email protected] https://u2be.ovh/a/taylorswift
    ► Subscribe to the official Taylor Swift channel:
    @[email protected] https://u2be.ovh/c/taylor_swift
    ► Listen to Taylor Swift's "evermore":
    https://u2be.ovh/w/p/tQRDNymRzHWc7yvWnRCFqq
    ► Listen to Taylor Swift's "evermore (Taylor’s version)":
    https://u2be.ovh/w/p/wiW5W32HmZf9ZLSwT4zxoM

    🎵 L Y R I C S 🎵:
    I'm like the water when your ship rolled in that night
    Rough on the surface, but you cut through like a knife
    And if it was an open-shut case
    I never would've known from that look on your face
    Lost in your current like a priceless wine

    The more that you say, the less I know
    Wherever you stray, I follow
    I'm begging for you to take my hand
    Wreck my plans, that's my man

    Life was a willow, and it bent right to your wind
    Head on the pillow, I can feel you sneaking in
    As if you were a mythical thing
    Like you were a trophy or a champion ring
    But there was one prize I'd cheat to win

    The more that you say, the less I know
    Wherever you stray, I follow
    I'm begging for you to take my hand
    Wreck my plans, that's my man
    You know that my train can take you home
    Anywhere else is hollow
    I'm begging for you to take my hand
    Wreck my plans, that's my man

    Life was a willow, and it bent right to your wind
    They count me out time and time again
    Life was a willow, and it bent right to your wind
    But I come back stronger than a '90's trend

    Wait for the signal, and I'll meet you after dark
    Show me the places where the others gave you scars
    Now this is an open-shut case
    I guess I should've known from the look on your face
    Every bait-and-switch was a work of art

    The more that you say, the less I know
    Wherever you stray, I follow
    I'm begging for you to take my hand
    Wreck my plans, that's my man
    You know that my train can take you home
    Anywhere else is hollow
    I'm begging for you to take my hand
    Wreck my plans, that's my man

    The more that you say, the less I know
    Wherever you stray, I follow
    Begging for you to take my hand
    Wreck my plans, that's my man
    You know that my train can take you home
    Anywhere else is hollow
    Begging for you to take my hand
    Wreck my plans, that's my man

    Hey, that's my man
    Yeah, that's my man
    Yeah, that's my man
    Every bait-and-switch was a work of art
    That's my man
    Hey, that's my man
    I'm begging for you to take my hand
    Wreck my plans, that's my man

    Album Artist: Taylor Swift
    Album(s): Evermore
    Written by: Taylor Swift, Aaron Dessner
    Music genre(s): chamber folk
    Released: 2020
    Decade for first release: #2020s

    #taylorswift #evermore #willow #chamberfolk #2020s #lovesongs #music #swiftie #swifties #taylornation

    Official music video by Taylor Swift performing “willow” – off her evermore album.

  3. Evermore – Mournbraid Review By Holdeneye

    When last we saw Sweden’s Evermore, they arrived within these halls, wielding a platter of power metal that was as muscular as it was melodic. The songs on 2023’s In Memorium hit me right in the feels, the crunch of its guitars hit me right in the nuts, and overall, I really enjoyed the record and its beefy, Avantasia-with-the-fat-trimmed-off vibe. While I had some issues with the vocal performance on In Memorium, I saw enough potential in Evermore to be legitimately excited when I saw the promo for follow-up Mournbraid splash into the sump. Once again sporting a be-womaned cover, said promo touts a “sound made of aggressive guitar riffs, soaring epic vocals, and unforgettable hooks—all amplified by a massive, neat production.” It’s a bold claim, but can the music live up to it?

    It doesn’t take long for that question to be answered. On first proper track “Underdark,” Evermore sounds heavier than ever and hookier than one of those full-body Velcro suits that sticks you to the wall. In the review for In Memorium, I pointed out that that album’s lead single recycled elements of an Amon Amarth song, and interestingly enough, I can make a similar claim this time around, albeit with even more brutal source material; both “Underdark” and its preceding instrumental intro seem to rehash a melody from The Lion King soundtrack. But no worries! Once again, the pieces work so well together to kick things off that I can’t even be mad.

    If you’re like me, when you saw the color palette used for Mournbraid’s cover art, you expected the music to take a turn for the darker, and if you’re like me, you were right. Each iteration of Evermore gets heavier, while still residing squarely within the confines of “melodic power metal,” and they are undoubtedly at their best when they lean into that heft. The more aggressive tracks, like “Mournbraid,” the aforementioned “Underdark,” “Ravens at the Gates” (whose melo-death riffing places the emphasis on ‘At the Gates’), and my personal anthem for 2026, the Dream Evil-esque “Armored Will,” are Evermore’s sweet spot, and they are only made more powerful by Mournbraid’s stellar production—I can’t remember the last time I’ve heard a guitar tone this mighty.

    But the deliciousness of the beef makes the blandness of the more subdued side dish all the more glaring. Plopped right in the middle of Mournbraid is “Oath of Apathy,” an unfortunately titled, 7-minute slog of emotion that fails to grab my heartstrings and pulls the emergency brake on the album’s momentum. I won’t count closer “Old Man’s Tale” against Evermore since it’s labeled as a bonus track, but it suffers the same fate, even if it did manage to bring a tear to my eye once when I realized that I am officially the old man in the tale. Fortunately, every other song here is a banger, so I found it relatively easy to overlook this one blunder, although it did keep me from whipping out and slapping down my 4.0.

    With Mournbraid, Evermore did just about everything I asked them to do. The vocals seemed to work much better this time around, the band dialed up the heaviness, and that guitar tone, oh God, the guitar tone! These guys have struck the perfect balance between savory and sweet in the world of power metal, and not even a mid-album detour from said balance could keep me from enjoying the hell out of this record. Greatness is coming for these guys. I can feel it in my old bones.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 256 kbps mp3
    Label: Scarlet Records
    Website: facebook.com/evermoremetal
    Releases Worldwide: March 20th, 2026

    #2026 #35 #AtTheGates #Avantasia #DreamEvil #Evermore #Mar26 #Mournbraid #PowerMetal #Review #Reviews #ScarletRecords #SwedishMetal
  4. Evermore – Mournbraid Review By Holdeneye

    When last we saw Sweden’s Evermore, they arrived within these halls, wielding a platter of power metal that was as muscular as it was melodic. The songs on 2023’s In Memorium hit me right in the feels, the crunch of its guitars hit me right in the nuts, and overall, I really enjoyed the record and its beefy, Avantasia-with-the-fat-trimmed-off vibe. While I had some issues with the vocal performance on In Memorium, I saw enough potential in Evermore to be legitimately excited when I saw the promo for follow-up Mournbraid splash into the sump. Once again sporting a be-womaned cover, said promo touts a “sound made of aggressive guitar riffs, soaring epic vocals, and unforgettable hooks—all amplified by a massive, neat production.” It’s a bold claim, but can the music live up to it?

    It doesn’t take long for that question to be answered. On first proper track “Underdark,” Evermore sounds heavier than ever and hookier than one of those full-body Velcro suits that sticks you to the wall. In the review for In Memorium, I pointed out that that album’s lead single recycled elements of an Amon Amarth song, and interestingly enough, I can make a similar claim this time around, albeit with even more brutal source material; both “Underdark” and its preceding instrumental intro seem to rehash a melody from The Lion King soundtrack. But no worries! Once again, the pieces work so well together to kick things off that I can’t even be mad.

    If you’re like me, when you saw the color palette used for Mournbraid’s cover art, you expected the music to take a turn for the darker, and if you’re like me, you were right. Each iteration of Evermore gets heavier, while still residing squarely within the confines of “melodic power metal,” and they are undoubtedly at their best when they lean into that heft. The more aggressive tracks, like “Mournbraid,” the aforementioned “Underdark,” “Ravens at the Gates” (whose melo-death riffing places the emphasis on ‘At the Gates’), and my personal anthem for 2026, the Dream Evil-esque “Armored Will,” are Evermore’s sweet spot, and they are only made more powerful by Mournbraid’s stellar production—I can’t remember the last time I’ve heard a guitar tone this mighty.

    But the deliciousness of the beef makes the blandness of the more subdued side dish all the more glaring. Plopped right in the middle of Mournbraid is “Oath of Apathy,” an unfortunately titled, 7-minute slog of emotion that fails to grab my heartstrings and pulls the emergency brake on the album’s momentum. I won’t count closer “Old Man’s Tale” against Evermore since it’s labeled as a bonus track, but it suffers the same fate, even if it did manage to bring a tear to my eye once when I realized that I am officially the old man in the tale. Fortunately, every other song here is a banger, so I found it relatively easy to overlook this one blunder, although it did keep me from whipping out and slapping down my 4.0.

    With Mournbraid, Evermore did just about everything I asked them to do. The vocals seemed to work much better this time around, the band dialed up the heaviness, and that guitar tone, oh God, the guitar tone! These guys have struck the perfect balance between savory and sweet in the world of power metal, and not even a mid-album detour from said balance could keep me from enjoying the hell out of this record. Greatness is coming for these guys. I can feel it in my old bones.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 256 kbps mp3
    Label: Scarlet Records
    Website: facebook.com/evermoremetal
    Releases Worldwide: March 20th, 2026

    #2026 #35 #AtTheGates #Avantasia #DreamEvil #Evermore #Mar26 #Mournbraid #PowerMetal #Review #Reviews #ScarletRecords #SwedishMetal
  5. Evermore – Mournbraid Review By Holdeneye

    When last we saw Sweden’s Evermore, they arrived within these halls, wielding a platter of power metal that was as muscular as it was melodic. The songs on 2023’s In Memorium hit me right in the feels, the crunch of its guitars hit me right in the nuts, and overall, I really enjoyed the record and its beefy, Avantasia-with-the-fat-trimmed-off vibe. While I had some issues with the vocal performance on In Memorium, I saw enough potential in Evermore to be legitimately excited when I saw the promo for follow-up Mournbraid splash into the sump. Once again sporting a be-womaned cover, said promo touts a “sound made of aggressive guitar riffs, soaring epic vocals, and unforgettable hooks—all amplified by a massive, neat production.” It’s a bold claim, but can the music live up to it?

    It doesn’t take long for that question to be answered. On first proper track “Underdark,” Evermore sounds heavier than ever and hookier than one of those full-body Velcro suits that sticks you to the wall. In the review for In Memorium, I pointed out that that album’s lead single recycled elements of an Amon Amarth song, and interestingly enough, I can make a similar claim this time around, albeit with even more brutal source material; both “Underdark” and its preceding instrumental intro seem to rehash a melody from The Lion King soundtrack. But no worries! Once again, the pieces work so well together to kick things off that I can’t even be mad.

    If you’re like me, when you saw the color palette used for Mournbraid’s cover art, you expected the music to take a turn for the darker, and if you’re like me, you were right. Each iteration of Evermore gets heavier, while still residing squarely within the confines of “melodic power metal,” and they are undoubtedly at their best when they lean into that heft. The more aggressive tracks, like “Mournbraid,” the aforementioned “Underdark,” “Ravens at the Gates” (whose melo-death riffing places the emphasis on ‘At the Gates’), and my personal anthem for 2026, the Dream Evil-esque “Armored Will,” are Evermore’s sweet spot, and they are only made more powerful by Mournbraid’s stellar production—I can’t remember the last time I’ve heard a guitar tone this mighty.

    But the deliciousness of the beef makes the blandness of the more subdued side dish all the more glaring. Plopped right in the middle of Mournbraid is “Oath of Apathy,” an unfortunately titled, 7-minute slog of emotion that fails to grab my heartstrings and pulls the emergency brake on the album’s momentum. I won’t count closer “Old Man’s Tale” against Evermore since it’s labeled as a bonus track, but it suffers the same fate, even if it did manage to bring a tear to my eye once when I realized that I am officially the old man in the tale. Fortunately, every other song here is a banger, so I found it relatively easy to overlook this one blunder, although it did keep me from whipping out and slapping down my 4.0.

    With Mournbraid, Evermore did just about everything I asked them to do. The vocals seemed to work much better this time around, the band dialed up the heaviness, and that guitar tone, oh God, the guitar tone! These guys have struck the perfect balance between savory and sweet in the world of power metal, and not even a mid-album detour from said balance could keep me from enjoying the hell out of this record. Greatness is coming for these guys. I can feel it in my old bones.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 256 kbps mp3
    Label: Scarlet Records
    Website: facebook.com/evermoremetal
    Releases Worldwide: March 20th, 2026

    #2026 #35 #AtTheGates #Avantasia #DreamEvil #Evermore #Mar26 #Mournbraid #PowerMetal #Review #Reviews #ScarletRecords #SwedishMetal
  6. Evermore – Mournbraid Review By Holdeneye

    When last we saw Sweden’s Evermore, they arrived within these halls, wielding a platter of power metal that was as muscular as it was melodic. The songs on 2023’s In Memorium hit me right in the feels, the crunch of its guitars hit me right in the nuts, and overall, I really enjoyed the record and its beefy, Avantasia-with-the-fat-trimmed-off vibe. While I had some issues with the vocal performance on In Memorium, I saw enough potential in Evermore to be legitimately excited when I saw the promo for follow-up Mournbraid splash into the sump. Once again sporting a be-womaned cover, said promo touts a “sound made of aggressive guitar riffs, soaring epic vocals, and unforgettable hooks—all amplified by a massive, neat production.” It’s a bold claim, but can the music live up to it?

    It doesn’t take long for that question to be answered. On first proper track “Underdark,” Evermore sounds heavier than ever and hookier than one of those full-body Velcro suits that sticks you to the wall. In the review for In Memorium, I pointed out that that album’s lead single recycled elements of an Amon Amarth song, and interestingly enough, I can make a similar claim this time around, albeit with even more brutal source material; both “Underdark” and its preceding instrumental intro seem to rehash a melody from The Lion King soundtrack. But no worries! Once again, the pieces work so well together to kick things off that I can’t even be mad.

    If you’re like me, when you saw the color palette used for Mournbraid’s cover art, you expected the music to take a turn for the darker, and if you’re like me, you were right. Each iteration of Evermore gets heavier, while still residing squarely within the confines of “melodic power metal,” and they are undoubtedly at their best when they lean into that heft. The more aggressive tracks, like “Mournbraid,” the aforementioned “Underdark,” “Ravens at the Gates” (whose melo-death riffing places the emphasis on ‘At the Gates’), and my personal anthem for 2026, the Dream Evil-esque “Armored Will,” are Evermore’s sweet spot, and they are only made more powerful by Mournbraid’s stellar production—I can’t remember the last time I’ve heard a guitar tone this mighty.

    But the deliciousness of the beef makes the blandness of the more subdued side dish all the more glaring. Plopped right in the middle of Mournbraid is “Oath of Apathy,” an unfortunately titled, 7-minute slog of emotion that fails to grab my heartstrings and pulls the emergency brake on the album’s momentum. I won’t count closer “Old Man’s Tale” against Evermore since it’s labeled as a bonus track, but it suffers the same fate, even if it did manage to bring a tear to my eye once when I realized that I am officially the old man in the tale. Fortunately, every other song here is a banger, so I found it relatively easy to overlook this one blunder, although it did keep me from whipping out and slapping down my 4.0.

    With Mournbraid, Evermore did just about everything I asked them to do. The vocals seemed to work much better this time around, the band dialed up the heaviness, and that guitar tone, oh God, the guitar tone! These guys have struck the perfect balance between savory and sweet in the world of power metal, and not even a mid-album detour from said balance could keep me from enjoying the hell out of this record. Greatness is coming for these guys. I can feel it in my old bones.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 256 kbps mp3
    Label: Scarlet Records
    Website: facebook.com/evermoremetal
    Releases Worldwide: March 20th, 2026

    #2026 #35 #AtTheGates #Avantasia #DreamEvil #Evermore #Mar26 #Mournbraid #PowerMetal #Review #Reviews #ScarletRecords #SwedishMetal
  7. Evermore – Mournbraid Review By Holdeneye

    When last we saw Sweden’s Evermore, they arrived within these halls, wielding a platter of power metal that was as muscular as it was melodic. The songs on 2023’s In Memorium hit me right in the feels, the crunch of its guitars hit me right in the nuts, and overall, I really enjoyed the record and its beefy, Avantasia-with-the-fat-trimmed-off vibe. While I had some issues with the vocal performance on In Memorium, I saw enough potential in Evermore to be legitimately excited when I saw the promo for follow-up Mournbraid splash into the sump. Once again sporting a be-womaned cover, said promo touts a “sound made of aggressive guitar riffs, soaring epic vocals, and unforgettable hooks—all amplified by a massive, neat production.” It’s a bold claim, but can the music live up to it?

    It doesn’t take long for that question to be answered. On first proper track “Underdark,” Evermore sounds heavier than ever and hookier than one of those full-body Velcro suits that sticks you to the wall. In the review for In Memorium, I pointed out that that album’s lead single recycled elements of an Amon Amarth song, and interestingly enough, I can make a similar claim this time around, albeit with even more brutal source material; both “Underdark” and its preceding instrumental intro seem to rehash a melody from The Lion King soundtrack. But no worries! Once again, the pieces work so well together to kick things off that I can’t even be mad.

    If you’re like me, when you saw the color palette used for Mournbraid’s cover art, you expected the music to take a turn for the darker, and if you’re like me, you were right. Each iteration of Evermore gets heavier, while still residing squarely within the confines of “melodic power metal,” and they are undoubtedly at their best when they lean into that heft. The more aggressive tracks, like “Mournbraid,” the aforementioned “Underdark,” “Ravens at the Gates” (whose melo-death riffing places the emphasis on ‘At the Gates’), and my personal anthem for 2026, the Dream Evil-esque “Armored Will,” are Evermore’s sweet spot, and they are only made more powerful by Mournbraid’s stellar production—I can’t remember the last time I’ve heard a guitar tone this mighty.

    But the deliciousness of the beef makes the blandness of the more subdued side dish all the more glaring. Plopped right in the middle of Mournbraid is “Oath of Apathy,” an unfortunately titled, 7-minute slog of emotion that fails to grab my heartstrings and pulls the emergency brake on the album’s momentum. I won’t count closer “Old Man’s Tale” against Evermore since it’s labeled as a bonus track, but it suffers the same fate, even if it did manage to bring a tear to my eye once when I realized that I am officially the old man in the tale. Fortunately, every other song here is a banger, so I found it relatively easy to overlook this one blunder, although it did keep me from whipping out and slapping down my 4.0.

    With Mournbraid, Evermore did just about everything I asked them to do. The vocals seemed to work much better this time around, the band dialed up the heaviness, and that guitar tone, oh God, the guitar tone! These guys have struck the perfect balance between savory and sweet in the world of power metal, and not even a mid-album detour from said balance could keep me from enjoying the hell out of this record. Greatness is coming for these guys. I can feel it in my old bones.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 256 kbps mp3
    Label: Scarlet Records
    Website: facebook.com/evermoremetal
    Releases Worldwide: March 20th, 2026

    #2026 #35 #AtTheGates #Avantasia #DreamEvil #Evermore #Mar26 #Mournbraid #PowerMetal #Review #Reviews #ScarletRecords #SwedishMetal
  8. FELIZ ANIVERSARIO A #EVERMORE, MI álbum de #TaylorSwift. 🍂

    Dejo su tema homónimo solo por ese motivo Y PORQUE POR FAVOR 🛐:
    youtube.com/watch?v=EXLgZZE072g

  9. FELIZ ANIVERSARIO A #EVERMORE, MI álbum de #TaylorSwift. 🍂

    Dejo su tema homónimo solo por ese motivo Y PORQUE POR FAVOR 🛐:
    youtube.com/watch?v=EXLgZZE072g

  10. I wish Taylor Swift would move to a hut in the forest.

    Her ability to make some of the best music ever made seems to be tied to isolation and nature - so let's see if we can recreate those magic moments of creativity again.

    #Folklore #Evermore

  11. I wish Taylor Swift would move to a hut in the forest.

    Her ability to make some of the best music ever made seems to be tied to isolation and nature - so let's see if we can recreate those magic moments of creativity again.

    #Folklore #Evermore

  12. Okay hear me out. I am listening to #taylorswift #evermore and somebody told me it is a #christmas album and at first I was like nahhh but now I am like... yes. evermore is a #christmasalbum.

    Thoughts? Comments? Questions?