#erg — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #erg, aggregated by home.social.
-
https://www.europesays.com/afrique/31252/ Avec 87 millions d’euros pour ERG, le suisse Mercuria poursuit son ancrage dans le cuivre africain #2025 #87 #africain #ancrage #Cuivre #d’euros #ERG #Europe #EuropeAfrique #LaTribuneAfrique #Mercuria #millions #poursuit #Suisse #UE #UEAfrique #UnionEuropéenne #UnionEuropéenneAfrique
-
Another morning another half hour ut2 feet out on the #erg as the river is running too high. I would done parkrun after but I'm heading up to Druridge bay for a half tomorrow. Monday probably brings more erg with the threat of setting the ergs up on sliders.
#rowing #rowersofmastodon -
Another #erg session as there was too much river in the river. Twice in a week is at least once too often. 35min Ut2 fingers crossed for a dry Saturday or it may be three sessions.
#rowers #rowersofmastodon
#garmin #beatyesterday -
Трёхмерная система развития продукта: потребности, цели и мотивация
Стал замечать, что в современной продуктовой разработке царствует методологический хаос и даже фреймворкоблудие. Продакты и команды мечутся между удовлетворением «потребностей пользователей», решением «задач» через Jobs to be Done и внедрением «геймификационных механик», не особо вникая, как эти концепции связаны между собой. Результат довольно предсказуем: продукты, которые прекрасны на бумаге, не находят отклика у аудитории. Сегодня хочу поделиться своим видением системного подхода, который объединяет разрозненные методологии в единый практический инструмент.
https://habr.com/ru/articles/964886/
#jtbd #erg #product_management #system_thinking #growth #business_model
-
A few scans of knitted font specimens @GreenFabric merci @vvvvvilay
#erg #typography -
Quelques pages de la compile des fontes dessinées cette année à l'erg dans le cadre du cours de dessin de caractères. Risographiée en 50 exemplaires à @erg en juin 2025.
Preview of the riso publication compiling the fonts designed this year @erg
Team B3, Master : Masha Benoît, Pierre Gauthier, Loïs Leprêtre, Noemi Luna Lindao, Lucie Mazzi, Rosa Mentis, LéoPaillette, Guillaume Ribault, Gabriel Van de Linden et Ludi Loiseau.
-
Gli undici pilastri luminosi che conducono i viandanti verso le oasi del deserto saudita https://www.jacoporanieri.com/blog/?p=42802
#tecnologia #sistemi #soluzioni #pericolo #deserto #ambiente #escursionisti #deserto #salvataggio #ricerca #luci #laser #sauditi #arabia #invenzioni #medioriente #luoghi #dalmondo #viaggi #erg #nafud
-
Gli undici pilastri luminosi che conducono i viandanti verso le oasi del deserto saudita https://www.jacoporanieri.com/blog/?p=42802
#tecnologia #sistemi #soluzioni #pericolo #deserto #ambiente #escursionisti #deserto #salvataggio #ricerca #luci #laser #sauditi #arabia #invenzioni #medioriente #luoghi #dalmondo #viaggi #erg #nafud
-
From 2000 to 2003 I worked with the #LKB and now I am looking at the #ERG to see how some #MRS things are done. It is fun to see the output. Something I worked a lot with back then.
#blastFromThePast #GrammarEngineering #Grammar #Linguistics #HPSG
-
The "cloud" by ERG, envelops the viewer in thoughts of nature and technology, bridging the gap between art and perception. How does this piece shift your understanding of spatial relationships?
#Rijksmuseum #Art #ContemporaryArt #ERG #PieterBoersma
https://www.rijksmuseum.nl/nl/collectie/NG-2018-122 -
Sorry, #GAEREA, #Coma ist zwar echt #Mega, aber wenn #TorstenHirsch mit #Agrypnie wieder #ProgressivePostBlackMetal vom #allerfeinsten #verbricht ist der Platz #mein #AlbumdesJahres dann leider sofort #fest #belegt.
-
Sorry, #GAEREA, #Coma ist zwar echt #Mega, aber wenn #TorstenHirsch mit #Agrypnie wieder #ProgressivePostBlackMetal vom #allerfeinsten #verbricht ist der Platz #mein #AlbumdesJahres dann leider sofort #fest #belegt.
-
Sorry, #GAEREA, #Coma ist zwar echt #Mega, aber wenn #TorstenHirsch mit #Agrypnie wieder #ProgressivePostBlackMetal vom #allerfeinsten #verbricht ist der Platz #mein #AlbumdesJahres dann leider sofort #fest #belegt.
-
#UKPolitics Not surprised in the least. #FascistFarage shoved the #Tory 'wets' to one side. Into the gap strode the rest of the #ERG . I feel for #KenClarke. Medium term I expect #Labour and #Starmer to voice increasingly #right_wing views. Another #Brexit #Bonus
https://www.theguardian.com/politics/live/2024/oct/10/labour-workers-bill-jobs-keir-starmer-tory-party-leadership-jenrick-badenoch-uk-politics-live?CMP=share_btn_url&page=with%3Ablock-6707d4ac8f0813ecba0d902b#block-6707d4ac8f0813ecba0d902b -
By Dear Hollow
Perhaps I misjudged Agrypnie in 2021. Perhaps that 1.5 was a little harsh – maybe I read the words “avant-garde” and saw red. Still, Metamorphosis was a hodgepodge of all things post-y and melodic, dragging the lake with melodeath and symphonic black in reckless abandon, sporting vocal tirades with more propensity for destroying its crystallinity than creating it. In this way, Erg is better, streamlining its attack. It’s still your favorite post-black, with all the frills and hearts prominently planted on their sleeves you expect, but armed with a more prominent riff and a trver vibe, your favorite German post-black duo is back and badder than ever.
I underrated Metamorphosis. Its lasting impression was one of stagnation rather than offensiveness, so I would rate it somewhere in the 2.0 ballpark if I reviewed today.1 Just like in 2021, Agrypnie focuses on subtle and interwoven melodies with plodding guitar riffs, juggled with vocalist/guitarist/bassist Torsten’s grungy barks, significantly toning down the outside influence for something that feels like a more rushed Harakiri for the Sky. Drummer Flo is a tour-de-force as usual, whirlwinds of blastbeats and catchy fills saturating the palette. Sporting a thinner, trver production that still manages muscularity periodically, Erg is nothing but consistent. Erg is redemption, and I’m gonna rate Agrpynie correctly this time.
Erg is at its best when subtle melodies shine through the blazing riffs, and instruments do this effectively. Tracks like opener “Aus rauchlosem Feuer,” “Sturm,” and “Blut – Teil II” offer this balance aplenty, Agrypnie letting its ghostly leads and subtle symphonics float in and out of the main down-tuned riffs. It adds an appropriately haunted aura, dark and unsettling, but ultimately forsakes its roots in sanguinity, a shapeshifting melody that balances between ominous and beautiful. The best tracks here are “Entitat” and “Geister,” due to their incorporation of more muscular riffage that balances out the fragile Deafheaven-esque melody and collaborates with Torsten’s rough vocals more effectively. Each track within Erg is a fairly lengthy affair, with instrumental interlude “Blut – Teil I” alone dipping below five minutes, so Agrypnie divides the workload. Particularly in the first half, each track is composed of two parts, the melody in the exposition creeping and ominous, only to explode in frantic climax in the second. This gives these tracks a definite sense of direction, a comfortable predictability, and a smoother dynamic – as usually the second halves compose the more memorable material. The paper-thin production benefits the more tremolo-guided tracks like “Meer ohne Wasser” and “Entitat,” giving them a razor edge.
The most glaring problem for Agrypnie is a remnant from last go: Torsten’s vocals. You would expect his bark to permeate more hardcore-influenced or post-metal-adjacent in bulkier stylings, but it remains a detriment to the fragile structures that compose post-black’s trademarks.2 Each track, even the highlights, grow weary with the bark swinging in like Miley Cyrus on a wrecking ball. “Meer ohne Wasser,” “Blut – Teil II,” and “Stunde des Wolfes” are derailed painfully by this element, and effective instrumental compositions feel all for naught. While the instruments are effectively performed, the frustration with the thinner production is that it puts all elements on the same level, with riffs, melodies, and vocals all battling for the spotlight, only Flo’s drumming anchoring the proceedings – worsened by Erg’s bloated fifty-four-minute runtime. Unfortunately for Agrypnie, the equilibrium between riff, melody, and vocals remain elusive, and remain in the shadow of better acts in a divisive style.
Harakiri for the Sky may not be upper tier yet, but their effective balance between heart-wrenching melody, head-bobbing riffs, and emotive vocals remains a highlight within post-black. Agrypnie can afford no such luxury. While Erg is a better accomplishment than its predecessor in a more streamlined approach that dispenses of unnecessary influences and scattershot songwriting, it is nonetheless held back by painfully anachronistic vocals and damagingly thin mix. It’s one step in the right direction for Torsten and Flo, but Agrypnie takes one step back. Behold, the correct score.
Rating: 2.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: AOP Records
Websites: agrypnie.bandcamp.com | facebook.com/agrypnie.official
Releases Worldwide: September 13th, 2024#20 #2024 #Agrypnie #AOPRecords #BlackMetal #Blackgaze #Deafheaven #Erg #GermanMetal #HarakiriForTheSky #PostBlackMetal #Review #Reviews #Sep24
-
By Dear Hollow
Perhaps I misjudged Agrypnie in 2021. Perhaps that 1.5 was a little harsh – maybe I read the words “avant-garde” and saw red. Still, Metamorphosis was a hodgepodge of all things post-y and melodic, dragging the lake with melodeath and symphonic black in reckless abandon, sporting vocal tirades with more propensity for destroying its crystallinity than creating it. In this way, Erg is better, streamlining its attack. It’s still your favorite post-black, with all the frills and hearts prominently planted on their sleeves you expect, but armed with a more prominent riff and a trver vibe, your favorite German post-black duo is back and badder than ever.
I underrated Metamorphosis. Its lasting impression was one of stagnation rather than offensiveness, so I would rate it somewhere in the 2.0 ballpark if I reviewed today.1 Just like in 2021, Agrypnie focuses on subtle and interwoven melodies with plodding guitar riffs, juggled with vocalist/guitarist/bassist Torsten’s grungy barks, significantly toning down the outside influence for something that feels like a more rushed Harakiri for the Sky. Drummer Flo is a tour-de-force as usual, whirlwinds of blastbeats and catchy fills saturating the palette. Sporting a thinner, trver production that still manages muscularity periodically, Erg is nothing but consistent. Erg is redemption, and I’m gonna rate Agrpynie correctly this time.
Erg is at its best when subtle melodies shine through the blazing riffs, and instruments do this effectively. Tracks like opener “Aus rauchlosem Feuer,” “Sturm,” and “Blut – Teil II” offer this balance aplenty, Agrypnie letting its ghostly leads and subtle symphonics float in and out of the main down-tuned riffs. It adds an appropriately haunted aura, dark and unsettling, but ultimately forsakes its roots in sanguinity, a shapeshifting melody that balances between ominous and beautiful. The best tracks here are “Entitat” and “Geister,” due to their incorporation of more muscular riffage that balances out the fragile Deafheaven-esque melody and collaborates with Torsten’s rough vocals more effectively. Each track within Erg is a fairly lengthy affair, with instrumental interlude “Blut – Teil I” alone dipping below five minutes, so Agrypnie divides the workload. Particularly in the first half, each track is composed of two parts, the melody in the exposition creeping and ominous, only to explode in frantic climax in the second. This gives these tracks a definite sense of direction, a comfortable predictability, and a smoother dynamic – as usually the second halves compose the more memorable material. The paper-thin production benefits the more tremolo-guided tracks like “Meer ohne Wasser” and “Entitat,” giving them a razor edge.
The most glaring problem for Agrypnie is a remnant from last go: Torsten’s vocals. You would expect his bark to permeate more hardcore-influenced or post-metal-adjacent in bulkier stylings, but it remains a detriment to the fragile structures that compose post-black’s trademarks.2 Each track, even the highlights, grow weary with the bark swinging in like Miley Cyrus on a wrecking ball. “Meer ohne Wasser,” “Blut – Teil II,” and “Stunde des Wolfes” are derailed painfully by this element, and effective instrumental compositions feel all for naught. While the instruments are effectively performed, the frustration with the thinner production is that it puts all elements on the same level, with riffs, melodies, and vocals all battling for the spotlight, only Flo’s drumming anchoring the proceedings – worsened by Erg’s bloated fifty-four-minute runtime. Unfortunately for Agrypnie, the equilibrium between riff, melody, and vocals remain elusive, and remain in the shadow of better acts in a divisive style.
Harakiri for the Sky may not be upper tier yet, but their effective balance between heart-wrenching melody, head-bobbing riffs, and emotive vocals remains a highlight within post-black. Agrypnie can afford no such luxury. While Erg is a better accomplishment than its predecessor in a more streamlined approach that dispenses of unnecessary influences and scattershot songwriting, it is nonetheless held back by painfully anachronistic vocals and damagingly thin mix. It’s one step in the right direction for Torsten and Flo, but Agrypnie takes one step back. Behold, the correct score.
Rating: 2.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: AOP Records
Websites: agrypnie.bandcamp.com | facebook.com/agrypnie.official
Releases Worldwide: September 13th, 2024#20 #2024 #Agrypnie #AOPRecords #BlackMetal #Blackgaze #Deafheaven #Erg #GermanMetal #HarakiriForTheSky #PostBlackMetal #Review #Reviews #Sep24
-
By Dear Hollow
Perhaps I misjudged Agrypnie in 2021. Perhaps that 1.5 was a little harsh – maybe I read the words “avant-garde” and saw red. Still, Metamorphosis was a hodgepodge of all things post-y and melodic, dragging the lake with melodeath and symphonic black in reckless abandon, sporting vocal tirades with more propensity for destroying its crystallinity than creating it. In this way, Erg is better, streamlining its attack. It’s still your favorite post-black, with all the frills and hearts prominently planted on their sleeves you expect, but armed with a more prominent riff and a trver vibe, your favorite German post-black duo is back and badder than ever.
I underrated Metamorphosis. Its lasting impression was one of stagnation rather than offensiveness, so I would rate it somewhere in the 2.0 ballpark if I reviewed today.1 Just like in 2021, Agrypnie focuses on subtle and interwoven melodies with plodding guitar riffs, juggled with vocalist/guitarist/bassist Torsten’s grungy barks, significantly toning down the outside influence for something that feels like a more rushed Harakiri for the Sky. Drummer Flo is a tour-de-force as usual, whirlwinds of blastbeats and catchy fills saturating the palette. Sporting a thinner, trver production that still manages muscularity periodically, Erg is nothing but consistent. Erg is redemption, and I’m gonna rate Agrpynie correctly this time.
Erg is at its best when subtle melodies shine through the blazing riffs, and instruments do this effectively. Tracks like opener “Aus rauchlosem Feuer,” “Sturm,” and “Blut – Teil II” offer this balance aplenty, Agrypnie letting its ghostly leads and subtle symphonics float in and out of the main down-tuned riffs. It adds an appropriately haunted aura, dark and unsettling, but ultimately forsakes its roots in sanguinity, a shapeshifting melody that balances between ominous and beautiful. The best tracks here are “Entitat” and “Geister,” due to their incorporation of more muscular riffage that balances out the fragile Deafheaven-esque melody and collaborates with Torsten’s rough vocals more effectively. Each track within Erg is a fairly lengthy affair, with instrumental interlude “Blut – Teil I” alone dipping below five minutes, so Agrypnie divides the workload. Particularly in the first half, each track is composed of two parts, the melody in the exposition creeping and ominous, only to explode in frantic climax in the second. This gives these tracks a definite sense of direction, a comfortable predictability, and a smoother dynamic – as usually the second halves compose the more memorable material. The paper-thin production benefits the more tremolo-guided tracks like “Meer ohne Wasser” and “Entitat,” giving them a razor edge.
The most glaring problem for Agrypnie is a remnant from last go: Torsten’s vocals. You would expect his bark to permeate more hardcore-influenced or post-metal-adjacent in bulkier stylings, but it remains a detriment to the fragile structures that compose post-black’s trademarks.2 Each track, even the highlights, grow weary with the bark swinging in like Miley Cyrus on a wrecking ball. “Meer ohne Wasser,” “Blut – Teil II,” and “Stunde des Wolfes” are derailed painfully by this element, and effective instrumental compositions feel all for naught. While the instruments are effectively performed, the frustration with the thinner production is that it puts all elements on the same level, with riffs, melodies, and vocals all battling for the spotlight, only Flo’s drumming anchoring the proceedings – worsened by Erg’s bloated fifty-four-minute runtime. Unfortunately for Agrypnie, the equilibrium between riff, melody, and vocals remain elusive, and remain in the shadow of better acts in a divisive style.
Harakiri for the Sky may not be upper tier yet, but their effective balance between heart-wrenching melody, head-bobbing riffs, and emotive vocals remains a highlight within post-black. Agrypnie can afford no such luxury. While Erg is a better accomplishment than its predecessor in a more streamlined approach that dispenses of unnecessary influences and scattershot songwriting, it is nonetheless held back by painfully anachronistic vocals and damagingly thin mix. It’s one step in the right direction for Torsten and Flo, but Agrypnie takes one step back. Behold, the correct score.
Rating: 2.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: AOP Records
Websites: agrypnie.bandcamp.com | facebook.com/agrypnie.official
Releases Worldwide: September 13th, 2024#20 #2024 #Agrypnie #AOPRecords #BlackMetal #Blackgaze #Deafheaven #Erg #GermanMetal #HarakiriForTheSky #PostBlackMetal #Review #Reviews #Sep24
-
Dive into the dimension-defying realm of ERG's cloud at #Rijksmuseum. It’s 1970, Pieter Boersma spun art & space into a captivating vortex. What realities do you envision?
#ArtTalk #ERG #Rijksmuseum #TimeTravelThroughArt
https://www.rijksmuseum.nl/nl/collectie/NG-2018-124 -
JohnsonがLGBTQI+プライド月間を祝う。Maya FarrHendersonを紹介
https://www.nasa.gov/centers-and-facilities/johnson/johnson-celebrates-lgbtqi-pride-month-meet-maya-farrhenderson/
NASAジョンソン宇宙センターでのMayaの活動やERGの役割についてのエピソード。多様性と包括性を重視し、未来の宇宙探査に貢献する姿勢が描かれる。 #NASA #宇宙探査 #ERG -
Top #DiversityEquityInclusion officer for #Nike sentenced to 5 years in #federalprison for nearly $5 million in alleged #ConArtist #kickback #fraud #schemes
She went from working at MTV/Viacom and #CoxCommunications and became a "Global #Diversity Program Manager" at #Facebook, where the #ERG exec issued millions in #Venmo, #PayPal and Ca$h App payments thru accounts of friends and relatives.
#Meta, determined her $4.9m #embezzlement schemes began within weeks of joining the #SocialMedia empire, who'd reputedly found her through posts on #LinkedIn, and employed her for 4 years before she moved in to #grift Nike. The Oregon based sportswear mfg giant, who also discovered fiscal irregularities under her aegis, told prosecutors her “complete lack of #accountability or #remorse was incredibly disappointing,”
The attached video shows Barbara Furlow-Smiles describing her inclusive #PayItForward #philosophy while engaging with young #JobSeekers before she was #terminated by #FacebookHQ.
https://www.cnbc.com/2024/05/16/facebook-nike-furlow-smile-prison-fraud.html
-
Brexit blamed as court ruling leaves UK immigration policy in chaos | The Independent
https://www.independent.co.uk/news/uk/politics/brexit-immigration-court-ruling-northern-ireland-b2544791.html#Brexit
#NorthernIreland
#Immigration
#AsylumSeekers
#IllegalImmigrationAct
#SDLP
#Hanna
#Pursglove
#SafetyOfRwandaAsylumAndImmigrationBill
#Rwanda
#Sunak
#WindsorFramework
#ERG
#Jones
#Major
#Blair
#Braverman
#Francois
#ECHR
#DUP
#Robinson
#GFA
#EU -
Brexit blamed as court ruling leaves UK immigration policy in chaos | The Independent
https://www.independent.co.uk/news/uk/politics/brexit-immigration-court-ruling-northern-ireland-b2544791.html#Brexit
#NorthernIreland
#Immigration
#AsylumSeekers
#IllegalImmigrationAct
#SDLP
#Hanna
#Pursglove
#SafetyOfRwandaAsylumAndImmigrationBill
#Rwanda
#Sunak
#WindsorFramework
#ERG
#Jones
#Major
#Blair
#Braverman
#Francois
#ECHR
#DUP
#Robinson
#GFA
#EU -
Brexit blamed as court ruling leaves UK immigration policy in chaos | The Independent
https://www.independent.co.uk/news/uk/politics/brexit-immigration-court-ruling-northern-ireland-b2544791.html#Brexit
#NorthernIreland
#Immigration
#AsylumSeekers
#IllegalImmigrationAct
#SDLP
#Hanna
#Pursglove
#SafetyOfRwandaAsylumAndImmigrationBill
#Rwanda
#Sunak
#WindsorFramework
#ERG
#Jones
#Major
#Blair
#Braverman
#Francois
#ECHR
#DUP
#Robinson
#GFA
#EU -
Brexit blamed as court ruling leaves UK immigration policy in chaos | The Independent
https://www.independent.co.uk/news/uk/politics/brexit-immigration-court-ruling-northern-ireland-b2544791.html#Brexit
#NorthernIreland
#Immigration
#AsylumSeekers
#IllegalImmigrationAct
#SDLP
#Hanna
#Pursglove
#SafetyOfRwandaAsylumAndImmigrationBill
#Rwanda
#Sunak
#WindsorFramework
#ERG
#Jones
#Major
#Blair
#Braverman
#Francois
#ECHR
#DUP
#Robinson
#GFA
#EU -
Brexit blamed as court ruling leaves UK immigration policy in chaos | The Independent
https://www.independent.co.uk/news/uk/politics/brexit-immigration-court-ruling-northern-ireland-b2544791.html#Brexit
#NorthernIreland
#Immigration
#AsylumSeekers
#IllegalImmigrationAct
#SDLP
#Hanna
#Pursglove
#SafetyOfRwandaAsylumAndImmigrationBill
#Rwanda
#Sunak
#WindsorFramework
#ERG
#Jones
#Major
#Blair
#Braverman
#Francois
#ECHR
#DUP
#Robinson
#GFA
#EU -
Tory MP Natalie Elphicke defects as Rishi Sunak ambushed at PMQs | The Independent
https://www.independent.co.uk/news/uk/politics/natalie-elphicke-tory-mp-defects-labour-sunak-b2541723.html#Tory
#RedTories
#Tories
#PMQs
#ERG
#Elphicke
#Starmer
#Sunak
#HardRight
#Levido
#Holden
#TrussSupporter
#Poulter
#Symmons
#McDonnell
#Abbott
#Corbyn
#Duffield
#Osamar
#Holocaust -
Hey presenters, speakers, #devrel, evangelists, advocates. Also #HR, #ESG, #DEI, #ERG peeps. #EventMarketing & #CorporateComms too. And #AI & #ComputerVision nerds.
Did you know #PowerPoint can add realtime speaker subtitles *during* presos?
I didn't & it sorta blew my mind!
-
Exploring the dimensional depths of ERG's "Cloud" at #Rijksmuseum, a 1970 masterpiece by Pieter Boersma. An ephemeral dance of form, light and shadow. What does it invoke in you? 🌫️⚪✨
#Art #ERG #Cloud #Rijks
https://www.rijksmuseum.nl/nl/collectie/NG-2018-125 -
Exploring the transient beauty in ERG's "Cloud" at the #Rijksmuseum. Pieter Boersma's 1970 masterstroke blending art and reality. The ephemeral crafted into timeless. Do you see the cloud or the art?
#ArtInAmsterdam #CloudArt #ERG #ContemporaryArt
https://www.rijksmuseum.nl/nl/collectie/NG-2018-124 -
Exploring the realms of space and perception, #EventstructureResearchGroup's artwork 'Cloud' at #Rijksmuseum stimulates a surreal connection with the universe. Does this masterpiece make you feel more aware of the space around you?
#ArtDiscussion #ERG #PieterBoersma
https://www.rijksmuseum.nl/nl/collectie/NG-2018-124 -
Exploring the ethereal beauty of ERG's "cloud" at #Rijksmuseum. Captured perfectly by Pieter Boersma (1970), it teases the line between reality and fantasy. Can art show us the unseen? Chime in with your ideas!
#ArtAppreciation #EtherealBeauty #ERG
https://www.rijksmuseum.nl/nl/collectie/NG-2018-124 -
I would agree if the #ERG had of had a bigger showing at the #WindsorFramework vote. They aren't the force that they once were.
#Braverman will stay there until it is advantageous for #Sunak to get rid of her....closer to the election
-
Watching the news coverage of the #LE2023 & the usual suspects are starting the #excuses for the #Tories performance. Plus who is to blame! Can I put forward my candidate of blame - the #DUP
My reasoning - May gave 'Dame' #Foster £1bn & #DUP to keep her in power. #Foster phoned May, threatened her not to agree to the #WithdrawalAgreement or she pull her support for her government.
This gave #ERG the confidence to move against her, knowing they had the #DUP backing. So they moved
-
Watching the news coverage of the #LE2023 & the usual suspects are starting the #excuses for the #Tories performance. Plus who is to blame! Can I put forward my candidate of blame - the #DUP
My reasoning - May gave 'Dame' #Foster £1bn & #DUP to keep her in power. #Foster phoned May, threatened her not to agree to the #WithdrawalAgreement or she pull her support for her government.
This gave #ERG the confidence to move against her, knowing they had the #DUP backing. So they moved
-
Watching the news coverage of the #LE2023 & the usual suspects are starting the #excuses for the #Tories performance. Plus who is to blame! Can I put forward my candidate of blame - the #DUP
My reasoning - May gave 'Dame' #Foster £1bn & #DUP to keep her in power. #Foster phoned May, threatened her not to agree to the #WithdrawalAgreement or she pull her support for her government.
This gave #ERG the confidence to move against her, knowing they had the #DUP backing. So they moved
-
Watching the news coverage of the #LE2023 & the usual suspects are starting the #excuses for the #Tories performance. Plus who is to blame! Can I put forward my candidate of blame - the #DUP
My reasoning - May gave 'Dame' #Foster £1bn & #DUP to keep her in power. #Foster phoned May, threatened her not to agree to the #WithdrawalAgreement or she pull her support for her government.
This gave #ERG the confidence to move against her, knowing they had the #DUP backing. So they moved
-
Watching the news coverage of the #LE2023 & the usual suspects are starting the #excuses for the #Tories performance. Plus who is to blame! Can I put forward my candidate of blame - the #DUP
My reasoning - May gave 'Dame' #Foster £1bn & #DUP to keep her in power. #Foster phoned May, threatened her not to agree to the #WithdrawalAgreement or she pull her support for her government.
This gave #ERG the confidence to move against her, knowing they had the #DUP backing. So they moved
-
Post $cript - Écoles sous #licence - #Typographie : usages, #économie, fichiers, licences.
#Schools under #licence - #Typography: uses, #economy, files, licenses.Seconde session bruxelloise
6 mars 2023, 18h30
erg, rue du Page 87, 1050 BruxellesConférences et discussion, ouvertes au public.
Avec #GarineGokceyan, #BenjaminGomez, #FemkeSnelting @Femke
Et l'orientation typographie de l'#erg @Ludi, l'atelier typographie de #LaCambre, et l’atelier de Communication graphique de la #HEAR Strasbourg.En janvier 2023, les logiciels Adobe ont arrêté de prendre en charge les polices Postscript de type 1. Ce retrait du format historique pose une série de questions pour les écoles d’art et leurs utilisateurices qui ont fait un investissement dans des polices considérées comme des grands classiques de la typographie au cours des années 1990. [...]
Comment conserver, renouveler l’accès à un patrimoine – typographique [...]? Comment déjouer les stratégies visant à faire croire qu’il faut payer pour être créatif·ve? Comment le web, les licences libres et les fontes variables ont twisté les casses et quels effets esthétiques en résultent? Quelles questions politiques, économiques et impérialistes sourdent sous les choix et les monopoles industriels?Deux rencontres aller-retour entre Strasbourg-Bruxelles
-
Post $cript - Écoles sous #licence - #Typographie : usages, #économie, fichiers, licences.
#Schools under #licence - #Typography: uses, #economy, files, licenses.Seconde session bruxelloise
6 mars 2023, 18h30
erg, rue du Page 87, 1050 BruxellesConférences et discussion, ouvertes au public.
Avec #GarineGokceyan, #BenjaminGomez, #FemkeSnelting @Femke
Et l'orientation typographie de l'#erg @Ludi, l'atelier typographie de #LaCambre, et l’atelier de Communication graphique de la #HEAR Strasbourg.En janvier 2023, les logiciels Adobe ont arrêté de prendre en charge les polices Postscript de type 1. Ce retrait du format historique pose une série de questions pour les écoles d’art et leurs utilisateurices qui ont fait un investissement dans des polices considérées comme des grands classiques de la typographie au cours des années 1990. [...]
Comment conserver, renouveler l’accès à un patrimoine – typographique [...]? Comment déjouer les stratégies visant à faire croire qu’il faut payer pour être créatif·ve? Comment le web, les licences libres et les fontes variables ont twisté les casses et quels effets esthétiques en résultent? Quelles questions politiques, économiques et impérialistes sourdent sous les choix et les monopoles industriels?Deux rencontres aller-retour entre Strasbourg-Bruxelles
-
Post $cript - Écoles sous #licence - #Typographie : usages, #économie, fichiers, licences.
#Schools under #licence - #Typography: uses, #economy, files, licenses.Seconde session bruxelloise
6 mars 2023, 18h30
erg, rue du Page 87, 1050 BruxellesConférences et discussion, ouvertes au public.
Avec #GarineGokceyan, #BenjaminGomez, #FemkeSnelting @Femke
Et l'orientation typographie de l'#erg @Ludi, l'atelier typographie de #LaCambre, et l’atelier de Communication graphique de la #HEAR Strasbourg.En janvier 2023, les logiciels Adobe ont arrêté de prendre en charge les polices Postscript de type 1. Ce retrait du format historique pose une série de questions pour les écoles d’art et leurs utilisateurices qui ont fait un investissement dans des polices considérées comme des grands classiques de la typographie au cours des années 1990. [...]
Comment conserver, renouveler l’accès à un patrimoine – typographique [...]? Comment déjouer les stratégies visant à faire croire qu’il faut payer pour être créatif·ve? Comment le web, les licences libres et les fontes variables ont twisté les casses et quels effets esthétiques en résultent? Quelles questions politiques, économiques et impérialistes sourdent sous les choix et les monopoles industriels?Deux rencontres aller-retour entre Strasbourg-Bruxelles
