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  1. La processione del Venerdì Santo — The procession of Holy Friday — Gabriel Bella

    This painting depicts the Easter procession held at night between Holy Thursday and Holy Friday, when the Scuola della Passione showed the relics of the Blood of Christ to the other schools and confraternities.

    As Francesco Sansovino wrote:

    They are seen once a year in procession, that is, on the night of Holy Thursday when the miraculous blood is shown to the other brotherhoods.

    The officials of the Scuola della Passione are seen on the right, with the Guardiano grando carrying the relic under a baldachin.

    #Engravings #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/la-processione-del-venerdi-santo-the-procession-of-holy-friday-gabriel-bella/

  2. La processione del Venerdì Santo — The procession of Holy Friday — Gabriel Bella

    This painting depicts the Easter procession held at night between Holy Thursday and Holy Friday, when the Scuola della Passione showed the relics of the Blood of Christ to the other schools and confraternities.

    As Francesco Sansovino wrote:

    They are seen once a year in procession, that is, on the night of Holy Thursday when the miraculous blood is shown to the other brotherhoods.

    The officials of the Scuola della Passione are seen on the right, with the Guardiano grando carrying the relic under a baldachin.

    #Engravings #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/la-processione-del-venerdi-santo-the-procession-of-holy-friday-gabriel-bella/

  3. Diana acconcia alla venetiana — Diana with Venetian hairstyle — Habiti delle Donne Venetiane — 18

    This print depicts a young woman in the guise of Diana, goddess of the hunt, with her usual attributes: the crescent moon, an arrow, the dog, the cape to pull over the head, and a natural setting.

    Rather unusually, her hair is set in the particular Venetian style, which was in fashion in the late 1500s and early 1600s.

    #Diana #Engravings #HairDo #histodons #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/diana-acconcia-alla-venetiana-diana-with-venetian-hairstyle-habiti-delle-donne-venetiane-18/

  4. Diana acconcia alla venetiana — Diana with Venetian hairstyle — Habiti delle Donne Venetiane — 18

    This print depicts a young woman in the guise of Diana, goddess of the hunt, with her usual attributes: the crescent moon, an arrow, the dog, the cape to pull over the head, and a natural setting.

    Rather unusually, her hair is set in the particular Venetian style, which was in fashion in the late 1500s and early 1600s.

    #Diana #Engravings #HairDo #histodons #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/diana-acconcia-alla-venetiana-diana-with-venetian-hairstyle-habiti-delle-donne-venetiane-18/

  5. Una che si concia con due specchi — A woman dressing her hair with two mirrors — Habiti delle Donne Venetiane — 8

    This print depicts a Venetian woman dressing her hair using two mirrors, so she can see the back too.

    The particular Venetian hairstyle with the hair set as a crescent moon, or as two horns, was popular in the later 1500s and early 1600s.

    #Engravings #HairDo #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/una-che-si-concia-con-due-specchi-a-woman-dressing-her-hair-with-two-mirrors-habiti-delle-donne-venetiane-8/

  6. Una che si concia con due specchi — A woman dressing her hair with two mirrors — Habiti delle Donne Venetiane — 8

    This print depicts a Venetian woman dressing her hair using two mirrors, so she can see the back too.

    The particular Venetian hairstyle with the hair set as a crescent moon, or as two horns, was popular in the later 1500s and early 1600s.

    #Engravings #HairDo #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/una-che-si-concia-con-due-specchi-a-woman-dressing-her-hair-with-two-mirrors-habiti-delle-donne-venetiane-8/

  7. La cazza del toro — Running with bulls — Habiti delle Donne Venetiane — 12

    This print depicts the traditional bull hunts or bull runs, which often took place in Venice. They were especially popular for the grand feast on Fat Thursday (Giovedì grasso) during the famous carnival.

    Bulls were let loose in the squares, at times with ropes tied to their horns, and people ran in front or behind them, and sometimes dogs were set on the bulls.

    #BullFights #Carnival #Dress #Engravings #FatThursday #histodons #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/la-cazza-del-toro-running-with-bulls-habiti-delle-donne-venetiane-12/

  8. La cazza del toro — Running with bulls — Habiti delle Donne Venetiane — 12

    This print depicts the traditional bull hunts or bull runs, which often took place in Venice. They were especially popular for the grand feast on Fat Thursday (Giovedì grasso) during the famous carnival.

    Bulls were let loose in the squares, at times with ropes tied to their horns, and people ran in front or behind them, and sometimes dogs were set on the bulls.

    #BullFights #Carnival #Dress #Engravings #FatThursday #histodons #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/la-cazza-del-toro-running-with-bulls-habiti-delle-donne-venetiane-12/

  9. Cortegiana vestita a la foresta — Courtesan dressed as a foreigner — Habiti delle Donne Venetiane — 13

    This print depicts a Venetian courtesan, who has dressed according to other traditions, supposedly to attract attention.

    The dress is characterised as being as lascivious as possible.

    #Dress #Engravings #histodons #Prostitution #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/cortegiana-vestita-a-la-foresta-courtesan-dressed-as-a-foreigner-habiti-delle-donne-venetiane-13/

  10. Cortegiana vestita a la foresta — Courtesan dressed as a foreigner — Habiti delle Donne Venetiane — 13

    This print depicts a Venetian courtesan, who has dressed according to other traditions, supposedly to attract attention.

    The dress is characterised as being as lascivious as possible.

    #Dress #Engravings #histodons #Prostitution #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/cortegiana-vestita-a-la-foresta-courtesan-dressed-as-a-foreigner-habiti-delle-donne-venetiane-13/

  11. Cortegiana vestita da inverno — Courtesan dressed for winter — Habiti delle Donne Venetiane — 11

    This print depicts a Venetian courtesan dressed for the winter.

    Her hair is set in the characteristic Venetian fashion of a crescent moon, her dress of fine brocade has a wide ruff, and she wears a pearl necklace. She has a pair of gloves in her hand.

    Compared to the print of a famous courtesan, the outfit is slight less ostentatious.

    #Dress #Engravings #Prostitution #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/cortegiana-vestita-da-inverno-courtesan-dressed-for-winter-habiti-delle-donne-venetiane-11/

  12. Cortegiana vestita da inverno — Courtesan dressed for winter — Habiti delle Donne Venetiane — 11

    This print depicts a Venetian courtesan dressed for the winter.

    Her hair is set in the characteristic Venetian fashion of a crescent moon, her dress of fine brocade has a wide ruff, and she wears a pearl necklace. She has a pair of gloves in her hand.

    Compared to the print of a famous courtesan, the outfit is slight less ostentatious.

    #Dress #Engravings #Prostitution #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/cortegiana-vestita-da-inverno-courtesan-dressed-for-winter-habiti-delle-donne-venetiane-11/

  13. Cortegiana famosa — Famous courtesan — Habiti delle Donne Venetiane — 10

    This print depicts a supposedly famous Venetian courtesan of the time, dressed as a fine lady in the Venetian fashion.

    She has her hair set in the peculiar Venetian style of a crescent moon, and she wears a lavish dress of brocade, adorned with lace and pearls.

    In her hands, she holds a small dog, which was, according to the text, a characteristic of that particular woman.

    #Dress #Engravings #histodons #Prostitution #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/cortegiana-famosa-famous-courtesan-habiti-delle-donne-venetiane-10/

  14. Cortegiana famosa — Famous courtesan — Habiti delle Donne Venetiane — 10

    This print depicts a supposedly famous Venetian courtesan of the time, dressed as a fine lady in the Venetian fashion.

    She has her hair set in the peculiar Venetian style of a crescent moon, and she wears a lavish dress of brocade, adorned with lace and pearls.

    In her hands, she holds a small dog, which was, according to the text, a characteristic of that particular woman.

    #Dress #Engravings #histodons #Prostitution #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/cortegiana-famosa-famous-courtesan-habiti-delle-donne-venetiane-10/

  15. Habiti Antichi et Moderni (1590) — Cesare Vecellio

    The Degli Habiti antichi et moderni di Diverse Parti del Mondo, libri due fatti da Cesare Vecellio, et con discorsi da lui dichiarati (1590) by Cesare Vecellio (1521–1601) is a large work of over four hundred illustrations of how people from all over the world dressed (or were thought or perceived to dress) in the late 1500s.

    Around one hundred of the illustrations are of Venetian dresses. Most of the rest are European, but there are images of Turks, Indians, Chinese, Japanese, Egyptians, Ethiopians and even indigenous Americans too.

    The title means On the ancient and modern Dress from Various Parts of the World, two books made by Cesare Vecellio, with an introduction by himself.

    The first edition was followed by a second, with more illustrations, in 1598, and two other posthumous editions.

    #Dress #Engravings #histodons #Venezia #Venice

    Read more here: https://historywalksvenice.com/article/sources-and-publications/habiti-antichi-et-moderni-cesare-vecellio/

  16. Habiti Antichi et Moderni (1590) — Cesare Vecellio

    The Degli Habiti antichi et moderni di Diverse Parti del Mondo, libri due fatti da Cesare Vecellio, et con discorsi da lui dichiarati (1590) by Cesare Vecellio (1521–1601) is a large work of over four hundred illustrations of how people from all over the world dressed (or were thought or perceived to dress) in the late 1500s.

    Around one hundred of the illustrations are of Venetian dresses. Most of the rest are European, but there are images of Turks, Indians, Chinese, Japanese, Egyptians, Ethiopians and even indigenous Americans too.

    The title means On the ancient and modern Dress from Various Parts of the World, two books made by Cesare Vecellio, with an introduction by himself.

    The first edition was followed by a second, with more illustrations, in 1598, and two other posthumous editions.

    #Dress #Engravings #histodons #Venezia #Venice

    Read more here: https://historywalksvenice.com/article/sources-and-publications/habiti-antichi-et-moderni-cesare-vecellio/

  17. The preparation of Theriac — two prints (1600s)

    These two prints depict elements of the public preparation of theriac at the Testa d'Oro pharmacy in Venice, at the Rialto bridge, which is seen in the background.

    Teriaca (also triaca; English: theriac or treacle) was a kind of wonder medicine and general antidote, of which Venice was the main producer in Europe. The authorised pharmacies were obliged by the authorities to do much of the work in public, to prove that they didn't cheat on the ingredients or on the procedure.

    While unsigned and undated, the prints are likely from the 1600s. The Testa d'Oro pharmacy made theriac from 1603, and made quite a show of it.

    #Engravings #histodons #Medicine #Theriac #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/the-preparation-of-theriac-two-prints-1600s/

  18. The preparation of Theriac — two prints (1600s)

    These two prints depict elements of the public preparation of theriac at the Testa d'Oro pharmacy in Venice, at the Rialto bridge, which is seen in the background.

    Teriaca (also triaca; English: theriac or treacle) was a kind of wonder medicine and general antidote, of which Venice was the main producer in Europe. The authorised pharmacies were obliged by the authorities to do much of the work in public, to prove that they didn't cheat on the ingredients or on the procedure.

    While unsigned and undated, the prints are likely from the 1600s. The Testa d'Oro pharmacy made theriac from 1603, and made quite a show of it.

    #Engravings #histodons #Medicine #Theriac #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/the-preparation-of-theriac-two-prints-1600s/

  19. Veduta della Piazzetta di S. Marco — Il Gran Teatro di Venezia — plate 5

    The Piazzetta is the part of the Piazza San Marco closest to the lagoon, around the two columns.

    Commonly seen there, in the early 1700s, were a prison ship, a street brawl and noblemen in the broglio, engaging in the less noble side of Venetian politics.

    #Engravings #histodons #Prisons #VenetianNobility #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/veduta-della-piazzetta-di-s-marco-il-gran-teatro-di-venezia-plate-5/

  20. Veduta della Piazzetta di S. Marco — Il Gran Teatro di Venezia — plate 5

    The Piazzetta is the part of the Piazza San Marco closest to the lagoon, around the two columns.

    Commonly seen there, in the early 1700s, were a prison ship, a street brawl and noblemen in the broglio, engaging in the less noble side of Venetian politics.

    #Engravings #histodons #Prisons #VenetianNobility #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/veduta-della-piazzetta-di-s-marco-il-gran-teatro-di-venezia-plate-5/

  21. Giuoco del calzo — Habiti d’huomeni et donne venetiane — 35

    The game of Calcio — a rugby-like game — was usually played in the Bersaglio di Sant'Alvise during Lent. Only noblemen could play calcio there.

    #Engravings #Sports #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/giuoco-del-calzo-habiti-dhuomeni-et-donne-venetiane-35/

  22. Giuoco del calzo — Habiti d’huomeni et donne venetiane — 35

    The game of Calcio — a rugby-like game — was usually played in the Bersaglio di Sant'Alvise during Lent. Only noblemen could play calcio there.

    #Engravings #Sports #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/giuoco-del-calzo-habiti-dhuomeni-et-donne-venetiane-35/

  23. I Procuratori di S. Marcho — Habiti d’huomeni et donne venetiane — 3

    The position of Procuratore di San Marco was one of the highest honorifics of the Republic of Venice, ranking just below the Doge.

    Here, a Procuratore di San Marco is depicted seated, in the formal dress of the position. Outside a window, the Redentore church is visible.

    They were, as all other high-ranking magistrates of the Republic of Venice, dressed in the traditional toga or vesta.

    #Engravings #Sources #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/i-procuratori-di-s-marcho-habiti-dhuomeni-et-donne-venetiane-3/

  24. I Procuratori di S. Marcho — Habiti d’huomeni et donne venetiane — 3

    The position of Procuratore di San Marco was one of the highest honorifics of the Republic of Venice, ranking just below the Doge.

    Here, a Procuratore di San Marco is depicted seated, in the formal dress of the position. Outside a window, the Redentore church is visible.

    They were, as all other high-ranking magistrates of the Republic of Venice, dressed in the traditional toga or vesta.

    #Engravings #Sources #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/i-procuratori-di-s-marcho-habiti-dhuomeni-et-donne-venetiane-3/

  25. A headless ghost. Where? you ask yourself. There - right in the background way behind the people having a nice chat. This 18th engraver had no idea of drama, did he? #ghost #ghosts #haunting #18thCentury #engravings

  26. A headless ghost. Where? you ask yourself. There - right in the background way behind the people having a nice chat. This 18th engraver had no idea of drama, did he? #ghost #ghosts #haunting #18thCentury #engravings

  27. Veduta del Campo de’ Giesuiti — Il Gran Teatro di Venezia — plate 35

    The Campo dei Gesuiti in Cannaregio was a popular venue for playing pallone, which is a distant ancestor of tennis.

    The game was not without its problems, and it was forbidden there in 1710, for reasons the print makes quite clear.

    #Engravings #Games #Garbage #Schools #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-35-veduta-del-campo-de-giesuiti/

  28. Veduta del Campo de’ Giesuiti — Il Gran Teatro di Venezia — plate 35

    The Campo dei Gesuiti in Cannaregio was a popular venue for playing pallone, which is a distant ancestor of tennis.

    The game was not without its problems, and it was forbidden there in 1710, for reasons the print makes quite clear.

    #Engravings #Games #Garbage #Schools #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-35-veduta-del-campo-de-giesuiti/

  29. Loggietta — Habiti d’huomeni et donne venetiane — 11

    The Loggetta di Sansovino under the bell tower in the Piazza San Marco was where the tribunal of the Procuratori di San Marco met during the sessions of the Maggior Consiglio.

    #Engravings #Sources #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/habiti-dhuomeni-et-donne-venetiane-11-loggietta/

  30. Loggietta — Habiti d’huomeni et donne venetiane — 11

    The Loggetta di Sansovino under the bell tower in the Piazza San Marco was where the tribunal of the Procuratori di San Marco met during the sessions of the Maggior Consiglio.

    #Engravings #Sources #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/habiti-dhuomeni-et-donne-venetiane-11-loggietta/

  31. Veduta delle due Chiese di S. Nicolò e S. Giuseppe di Castello — Il Gran Teatro di Venezia — plate 16

    The area, where the Giardini Pubblici and the Biennale are today, looked very different in the 1700s.

    In this print, we have the church of San Nicolò dei Marinai / San Nicolò di Castello, the ospedale dei marinai, and several other buildings, all demolished in the early 1800s to make room for the Giardini Pubblici.

    #Engravings #Sources #Venezia #Venice #VeniceLost

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-16-veduta-delle-due-chiese-di-s-nicolo-e-s-giuseppe-di-castello/

  32. Veduta delle due Chiese di S. Nicolò e S. Giuseppe di Castello — Il Gran Teatro di Venezia — plate 16

    The area, where the Giardini Pubblici and the Biennale are today, looked very different in the 1700s.

    In this print, we have the church of San Nicolò dei Marinai / San Nicolò di Castello, the ospedale dei marinai, and several other buildings, all demolished in the early 1800s to make room for the Giardini Pubblici.

    #Engravings #Sources #Venezia #Venice #VeniceLost

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-16-veduta-delle-due-chiese-di-s-nicolo-e-s-giuseppe-di-castello/

  33. La Piazza di S. Marco — Il Gran Teatro di Venezia — plate 1

    This print depicts Piazza San Marco during a session of the Maggior Consiglio.

    There are people in the square, but almost no noblemen, as participation in the meetings of the Greater Council was compulsory, except for a few.

    #Engravings #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-1-la-piazza-di-s-marco/

  34. La Piazza di S. Marco — Il Gran Teatro di Venezia — plate 1

    This print depicts Piazza San Marco during a session of the Maggior Consiglio.

    There are people in the square, but almost no noblemen, as participation in the meetings of the Greater Council was compulsory, except for a few.

    #Engravings #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-1-la-piazza-di-s-marco/

  35. Veduta della Chiesa di S. Giustina — Il Gran Teatro di Venezia — plate 18

    The Church of Santa Giustina in the Sestiere Castello was once much more ornate than it is today, and the palace of a branch of the Gradenigo family has also known better times.

    The square was home to a local traghetto, which was a taxi service in gondolas.

    The artist Giovanni Grevembroch lived in the Gradenigo palace in the 1740s and 1750s.

    #Churches #Engravings #Sources #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-18-veduta-della-chiesa-di-s-giustina/

  36. Veduta della Chiesa di S. Giustina — Il Gran Teatro di Venezia — plate 18

    The Church of Santa Giustina in the Sestiere Castello was once much more ornate than it is today, and the palace of a branch of the Gradenigo family has also known better times.

    The square was home to a local traghetto, which was a taxi service in gondolas.

    The artist Giovanni Grevembroch lived in the Gradenigo palace in the 1740s and 1750s.

    #Churches #Engravings #Sources #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-18-veduta-della-chiesa-di-s-giustina/

  37. Gran Consiglio — Habiti d’huomeni et donne venetiane — 12

    A meeting of the Maggior Consiglio of the Republic of Venice. The Maggior Consiglio was the sovereign body and the highest authority of the republic.

    #Engravings #Republic #Sources #VenetianState #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/habiti-dhuomeni-et-donne-venetiane-12-gran-consiglio/

  38. Gran Consiglio — Habiti d’huomeni et donne venetiane — 12

    A meeting of the Maggior Consiglio of the Republic of Venice. The Maggior Consiglio was the sovereign body and the highest authority of the republic.

    #Engravings #Republic #Sources #VenetianState #Venezia #Venice

    Read more here: https://historywalksvenice.com/translation/habiti-dhuomeni-et-donne-venetiane-12-gran-consiglio/

  39. Veduta della Fondamenta della Croce di Venetia — Il Gran Teatro di Venezia — plate 48

    The Fondamenta della Croce, as depicted here, hasn't changed dramatically, but the entire area has been destroyed by the construction of the railroad station and the Piazzale Roma.

    In this print, there's also a series of traffic incidents, involving transport boats and gondolas, with altercations between the rowers.

    Road rage is nothing new.

    #Accidents #Engravings #Sources #Traffic #Venezia #Venice #VeniceLost

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-48-veduta-della-fondamenta-della-croce-di-venetia/

  40. Veduta della Fondamenta della Croce di Venetia — Il Gran Teatro di Venezia — plate 48

    The Fondamenta della Croce, as depicted here, hasn't changed dramatically, but the entire area has been destroyed by the construction of the railroad station and the Piazzale Roma.

    In this print, there's also a series of traffic incidents, involving transport boats and gondolas, with altercations between the rowers.

    Road rage is nothing new.

    #Accidents #Engravings #Sources #Traffic #Venezia #Venice #VeniceLost

    Read more here: https://historywalksvenice.com/translation/il-gran-teatro-di-venezia-plate-48-veduta-della-fondamenta-della-croce-di-venetia/

  41. Il Gran teatro di Venezia (1717) — Domenico Lovisa

    The Il Gran teatro di Venezia was published by the Venetian printer Domenico Lovisa sometimes in the 1710s or 1720s, in any case after 1715, when the application for a printing permit was made.

    The full title is a bit of a mouthful: Il Gran teatro di Venezia ovvero descrizzione esatta di cento delle più insigni prospettive, e di altretante celebri pitture della medesima città, il tutto disegnato, e intagliato eccelentemente da periti artefici, con la narrazione della fondazione delle chiese, monasteri, spedali, isolette, e altri luoghi sì pubblici, come privati ... tomi due in foglio imperiale — In Venezia : per Domenico Lovisa sotto i portici a Rialto.

    #Artists #Engravings #Vedute #Venezia #Venice

    Read more here: https://historywalksvenice.com/article/sources-and-publications/il-gran-teatro-di-venezia-domenico-lovisa/

  42. Il Gran teatro di Venezia (1717) — Domenico Lovisa

    The Il Gran teatro di Venezia was published by the Venetian printer Domenico Lovisa sometimes in the 1710s or 1720s, in any case after 1715, when the application for a printing permit was made.

    The full title is a bit of a mouthful: Il Gran teatro di Venezia ovvero descrizzione esatta di cento delle più insigni prospettive, e di altretante celebri pitture della medesima città, il tutto disegnato, e intagliato eccelentemente da periti artefici, con la narrazione della fondazione delle chiese, monasteri, spedali, isolette, e altri luoghi sì pubblici, come privati ... tomi due in foglio imperiale — In Venezia : per Domenico Lovisa sotto i portici a Rialto.

    #Artists #Engravings #Vedute #Venezia #Venice

    Read more here: https://historywalksvenice.com/article/sources-and-publications/il-gran-teatro-di-venezia-domenico-lovisa/

  43. #Poster designed by Félix Godefroy, drawing inspiration from Brazilian folk #engravings and the fiery flames of joy. It was commissioned by Pushin Wood for the NYE party #Extravaganza at EM2 Groningen. felixgodefroy.com

    #graphicdesign #typography #illustration #posterdesign #printdesign #posters #certainmagazine