#endrohrapokalypse — Public Fediverse posts

The countdown for Endrohr Apokalypse is on!

The seven pillars of the brutalistic exhibition space are occupied by the Tailpipe Candelabrums (Formation Endrohr Apokalypse): tailpipes from the local tuning scene replace the seven trumpets of the Bamberg Apocalypse. From them unfold the sounds of trained bodies under extreme stress – soundscape that intertwines physical optimization, technical intensification and sacred proclamation.

With works created especially for the exhibition, the show explores parallels between technology and theology: from ritualised practices and promises of salvation to the question of how technical systems are increasingly taking on functions that were previously reserved for religious orders.

🗓 Final weekend
🎉 Finissage: January 21 with Diskopeter
📍 Kunstverein Ingolstadt

#EndrohrApokalypse #Olsen #KunstvereinIngolstadt #ContemporaryArt #InstallationArt #Brutalism #Autostadt #Technology #Theology #Apocalypse #Diskopeter

Die Arbeit „Kinetic Fart (Bewegungspfad Ungestüm)” markiert am Eingang der Ausstellung „Endrohr Apokalypse” den Anfang.
Engelartige Boten schweben im Raum und erzeugen eine liturgische Stimmung zwischen himmlischen Weihrauchwolken und irdischen Auto-Duftbäumen. Als unwegige Beweger fungieren diese programmierten Raumerfrischer wie Zwischenwesen, die zugleich an sakrale Rauchzeichen und an die aromatisierte Gegenwart des Autointerieurs erinnern.
In ihrer schwebenden Unbestimmtheit knüpfen sie an den archetypischen Startpunkt für Ordnungssysteme an, über dem die Frage nach der Stellung des Menschen im Kosmos zwischen Duftwolke, Auspuffästhetik und ritueller Atmosphäre schwebt.

Noch bis zum 18.Januar 2026 in der Ausstellung „Endrohr Apokalypse” im Kunstverein Ingolstadt

#endrohrapokalypse #KunstvereinIngolstadt #olsen #kineticart

Endrohr Apokalypse – solo exhibition at Kunstverein Ingolstadt.

Opening: 21 November 2025, 7 PM — with DJ Diskopeter
Venue: Kunstverein Ingolstadt, Galerie im Theater, Schlosslände 1, 85049 Ingolstadt
Exhibition period: 22 November 2025 – 18 January 2026

Within the brutalist architecture of the Stadttheater, the exhibition unfolds a scenario oscillating between sacrality and technical high-fidelity.

With site-specific works created especially for this setting, the exhibition explores the parallels between technology and theology.

The room’s seven supporting columns become carriers of a parallel shift between the Bamberg Apocalypse and the automotive city of Ingolstadt. seven tailpipes from the car tuning scene – from four-flow to duplex to Y-pipes – resound with the sounds of bodybuilders straining and lifting weights: a resonance chamber of strength, exhaustion, and faith in progress.
The works deal with technology as an effort to save effort. But they also refer to the efforts of the art and culture scene, which is reaching its limits in the face of budget cuts. As a result of the crisis in the automotive industry and reduced municipal funding, a cultural institution that was once a symbol of the city's spirit of upward momentum is coming to a standstill: after the exhibition, the Kunstverein's premises will remain closed until further notice.

The exhibition reflects on the self-inflicted consequences of modern hubris, the belief in progress, and the exhaustion of a society that produces its own revelations.

#kunstvereiningolstadt #EndrohrApokalypse #Olsen #ContemporaryArt #InstallationArt #Brutalism #Technology #Theology #Apocalypse