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#editorialphotography — Public Fediverse posts

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  1. Here is a photo I shot of Big Ben for Getty Images. Nothing special, right?

    Well, sure, if you just look at it as a whole. But would you be surprised if I told you that I submitted a photo to Getty, shot with smartphone? Look at all that detail in the 100 per cent crops!

    Shot this with the #Leica #Leitzphone by #Xiaomi.

    I submitted it, and it was just accepted into Getty's catalogue.

    #Photography #EditorialPhotography #Photojournalism #PhonePhotography

  2. Here is a photo I shot of Big Ben for Getty Images. Nothing special, right?

    Well, sure, if you just look at it as a whole. But would you be surprised if I told you that I submitted a photo to Getty, shot with smartphone? Look at all that detail in the 100 per cent crops!

    Shot this with the #Leica #Leitzphone by #Xiaomi.

    I submitted it, and it was just accepted into Getty's catalogue.

    #Photography #EditorialPhotography #Photojournalism #PhonePhotography

  3. Here is a photo I shot of Big Ben for Getty Images. Nothing special, right?

    Well, sure, if you just look at it as a whole. But would you be surprised if I told you that I submitted a photo to Getty, shot with smartphone? Look at all that detail in the 100 per cent crops!

    Shot this with the #Leica #Leitzphone by #Xiaomi.

    I submitted it, and it was just accepted into Getty's catalogue.

    #Photography #EditorialPhotography #Photojournalism #PhonePhotography

  4. Here is a photo I shot of Big Ben for Getty Images. Nothing special, right?

    Well, sure, if you just look at it as a whole. But would you be surprised if I told you that I submitted a photo to Getty, shot with smartphone? Look at all that detail in the 100 per cent crops!

    Shot this with the #Leica #Leitzphone by #Xiaomi.

    I submitted it, and it was just accepted into Getty's catalogue.

    #Photography #EditorialPhotography #Photojournalism #PhonePhotography

  5. Here is a photo I shot of Big Ben for Getty Images. Nothing special, right?

    Well, sure, if you just look at it as a whole. But would you be surprised if I told you that I submitted a photo to Getty, shot with smartphone? Look at all that detail in the 100 per cent crops!

    Shot this with the #Leica #Leitzphone by #Xiaomi.

    I submitted it, and it was just accepted into Getty's catalogue.

    #Photography #EditorialPhotography #Photojournalism #PhonePhotography

  6. Instagram just untied your grid from the calendar.

    As of this week you can reorder your posts into any arrangement, regardless of when you published them. Most coverage is treating this as a small feature. For anyone who uses Instagram as a working portfolio, it is bigger than that.

    It splits two things that used to be one: your timeline (when you posted) and your portfolio (the order people see). For the first time, the first impression on your profile is a deliberate choice rather than an accident of chronology.

    In my latest piece I break down how to use it as both craft and business: how to sequence the first nine, how to keep tonal flow together when the work is mostly black and white, and why the grid is the top of your funnel for clients and bookings.

    #photography #photographybusiness #portfolio #editorialphotography

    marcosecchi.substack.com/p/you

  7. Instagram just untied your grid from the calendar.

    As of this week you can reorder your posts into any arrangement, regardless of when you published them. Most coverage is treating this as a small feature. For anyone who uses Instagram as a working portfolio, it is bigger than that.

    It splits two things that used to be one: your timeline (when you posted) and your portfolio (the order people see). For the first time, the first impression on your profile is a deliberate choice rather than an accident of chronology.

    In my latest piece I break down how to use it as both craft and business: how to sequence the first nine, how to keep tonal flow together when the work is mostly black and white, and why the grid is the top of your funnel for clients and bookings.

    #photography #photographybusiness #portfolio #editorialphotography

    marcosecchi.substack.com/p/you

  8. Instagram just untied your grid from the calendar.

    As of this week you can reorder your posts into any arrangement, regardless of when you published them. Most coverage is treating this as a small feature. For anyone who uses Instagram as a working portfolio, it is bigger than that.

    It splits two things that used to be one: your timeline (when you posted) and your portfolio (the order people see). For the first time, the first impression on your profile is a deliberate choice rather than an accident of chronology.

    In my latest piece I break down how to use it as both craft and business: how to sequence the first nine, how to keep tonal flow together when the work is mostly black and white, and why the grid is the top of your funnel for clients and bookings.

    #photography #photographybusiness #portfolio #editorialphotography

    marcosecchi.substack.com/p/you

  9. Instagram just untied your grid from the calendar.

    As of this week you can reorder your posts into any arrangement, regardless of when you published them. Most coverage is treating this as a small feature. For anyone who uses Instagram as a working portfolio, it is bigger than that.

    It splits two things that used to be one: your timeline (when you posted) and your portfolio (the order people see). For the first time, the first impression on your profile is a deliberate choice rather than an accident of chronology.

    In my latest piece I break down how to use it as both craft and business: how to sequence the first nine, how to keep tonal flow together when the work is mostly black and white, and why the grid is the top of your funnel for clients and bookings.

    #photography #photographybusiness #portfolio #editorialphotography

    marcosecchi.substack.com/p/you

  10. Instagram just untied your grid from the calendar.

    As of this week you can reorder your posts into any arrangement, regardless of when you published them. Most coverage is treating this as a small feature. For anyone who uses Instagram as a working portfolio, it is bigger than that.

    It splits two things that used to be one: your timeline (when you posted) and your portfolio (the order people see). For the first time, the first impression on your profile is a deliberate choice rather than an accident of chronology.

    In my latest piece I break down how to use it as both craft and business: how to sequence the first nine, how to keep tonal flow together when the work is mostly black and white, and why the grid is the top of your funnel for clients and bookings.

    #photography #photographybusiness #portfolio #editorialphotography

    marcosecchi.substack.com/p/you

  11. Stop guessing why your work isn't getting licensed.

    In the world of professional photojournalism, your ability to curate is as important as your ability to frame a shot. I’ve spent 30+ years in London, Edinburgh, and across Europe working to the highest editorial benchmarks. Now, I’m opening up my curation process to you.

    The Photography Curation Audit is live.

    Identify "filler" that dilutes your brand.

    Align your selection with Getty-level standards.

    Learn the logic of professional sequencing.

    The audit is open.
    marcosecchi.substack.com/p/pho

    #Photojournalism #GettyImages #PhotographyWorkshop #EditorialPhotography #CuratedContent

  12. Stop guessing why your work isn't getting licensed.

    In the world of professional photojournalism, your ability to curate is as important as your ability to frame a shot. I’ve spent 30+ years in London, Edinburgh, and across Europe working to the highest editorial benchmarks. Now, I’m opening up my curation process to you.

    The Photography Curation Audit is live.

    Identify "filler" that dilutes your brand.

    Align your selection with Getty-level standards.

    Learn the logic of professional sequencing.

    The audit is open.
    marcosecchi.substack.com/p/pho

    #Photojournalism #GettyImages #PhotographyWorkshop #EditorialPhotography #CuratedContent

  13. Stop guessing why your work isn't getting licensed.

    In the world of professional photojournalism, your ability to curate is as important as your ability to frame a shot. I’ve spent 30+ years in London, Edinburgh, and across Europe working to the highest editorial benchmarks. Now, I’m opening up my curation process to you.

    The Photography Curation Audit is live.

    Identify "filler" that dilutes your brand.

    Align your selection with Getty-level standards.

    Learn the logic of professional sequencing.

    The audit is open.
    marcosecchi.substack.com/p/pho

    #Photojournalism #GettyImages #PhotographyWorkshop #EditorialPhotography #CuratedContent

  14. Stop guessing why your work isn't getting licensed.

    In the world of professional photojournalism, your ability to curate is as important as your ability to frame a shot. I’ve spent 30+ years in London, Edinburgh, and across Europe working to the highest editorial benchmarks. Now, I’m opening up my curation process to you.

    The Photography Curation Audit is live.

    Identify "filler" that dilutes your brand.

    Align your selection with Getty-level standards.

    Learn the logic of professional sequencing.

    The audit is open.
    marcosecchi.substack.com/p/pho

    #Photojournalism #GettyImages #PhotographyWorkshop #EditorialPhotography #CuratedContent

  15. Stop guessing why your work isn't getting licensed.

    In the world of professional photojournalism, your ability to curate is as important as your ability to frame a shot. I’ve spent 30+ years in London, Edinburgh, and across Europe working to the highest editorial benchmarks. Now, I’m opening up my curation process to you.

    The Photography Curation Audit is live.

    Identify "filler" that dilutes your brand.

    Align your selection with Getty-level standards.

    Learn the logic of professional sequencing.

    The audit is open.
    marcosecchi.substack.com/p/pho

    #Photojournalism #GettyImages #PhotographyWorkshop #EditorialPhotography #CuratedContent

  16. 21 sierpnia przypada rocznica urodzin Patricka Demarcheliera – jednego z najwybitniejszych fotografów świata mody. Jego zdjęcia ozdabiały „Vogue”, „Harper’s Bazaar”, „Elle” i kampanie największych marek. Urodzony w 1943 we Francji, zmarł w 2022 roku. (fot. Wikipedia) #PatrickDemarchelier #fashionlegend #editorialphotography