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  1. "The Singer in Green," Edgar Degas, c. 1884.

    Degas (1834-1917) is normally grouped with the Impressionists, although he didn't identify as one and regarded himself as a Realist. One thinks he's blowing smoke here; his style is definitely Impressionist, even if he didn't paint outside as they did. His subject matter was mostly dancers and entertainers.

    He did start off as a meticulous naturalist, depicting his subjects and forms very realistically, but as he aged and his career evolved, he merged more into an Impressionist mode. In the 1880s, when this was painted, he was growing more abstract in his forms and was experimenting with vibrant and saturated colors, like the turquoise elements of the model's costume.

    In his time, his work attracted both admiration and contempt, and his later embrace of antisemitic views (and other right-wing views) hurt his reputation. His longtime friend Mary Cassatt clashed with him over this, and was amused when a collector exhibited their work together in support of women's suffrage.

    From the Metropolitan Museum of Art, New York.

    #Art #EdgarDegas #Impressionism #WomenInArt #Singer

  2. "The Singer in Green," Edgar Degas, c. 1884.

    Degas (1834-1917) is normally grouped with the Impressionists, although he didn't identify as one and regarded himself as a Realist. One thinks he's blowing smoke here; his style is definitely Impressionist, even if he didn't paint outside as they did. His subject matter was mostly dancers and entertainers.

    He did start off as a meticulous naturalist, depicting his subjects and forms very realistically, but as he aged and his career evolved, he merged more into an Impressionist mode. In the 1880s, when this was painted, he was growing more abstract in his forms and was experimenting with vibrant and saturated colors, like the turquoise elements of the model's costume.

    In his time, his work attracted both admiration and contempt, and his later embrace of antisemitic views (and other right-wing views) hurt his reputation. His longtime friend Mary Cassatt clashed with him over this, and was amused when a collector exhibited their work together in support of women's suffrage.

    From the Metropolitan Museum of Art, New York.

    #Art #EdgarDegas #Impressionism #WomenInArt #Singer

  3. "The Singer in Green," Edgar Degas, c. 1884.

    Degas (1834-1917) is normally grouped with the Impressionists, although he didn't identify as one and regarded himself as a Realist. One thinks he's blowing smoke here; his style is definitely Impressionist, even if he didn't paint outside as they did. His subject matter was mostly dancers and entertainers.

    He did start off as a meticulous naturalist, depicting his subjects and forms very realistically, but as he aged and his career evolved, he merged more into an Impressionist mode. In the 1880s, when this was painted, he was growing more abstract in his forms and was experimenting with vibrant and saturated colors, like the turquoise elements of the model's costume.

    In his time, his work attracted both admiration and contempt, and his later embrace of antisemitic views (and other right-wing views) hurt his reputation. His longtime friend Mary Cassatt clashed with him over this, and was amused when a collector exhibited their work together in support of women's suffrage.

    From the Metropolitan Museum of Art, New York.

    #Art #EdgarDegas #Impressionism #WomenInArt #Singer

  4. "The Singer in Green," Edgar Degas, c. 1884.

    Degas (1834-1917) is normally grouped with the Impressionists, although he didn't identify as one and regarded himself as a Realist. One thinks he's blowing smoke here; his style is definitely Impressionist, even if he didn't paint outside as they did. His subject matter was mostly dancers and entertainers.

    He did start off as a meticulous naturalist, depicting his subjects and forms very realistically, but as he aged and his career evolved, he merged more into an Impressionist mode. In the 1880s, when this was painted, he was growing more abstract in his forms and was experimenting with vibrant and saturated colors, like the turquoise elements of the model's costume.

    In his time, his work attracted both admiration and contempt, and his later embrace of antisemitic views (and other right-wing views) hurt his reputation. His longtime friend Mary Cassatt clashed with him over this, and was amused when a collector exhibited their work together in support of women's suffrage.

    From the Metropolitan Museum of Art, New York.

    #Art #EdgarDegas #Impressionism #WomenInArt #Singer

  5. ¿Y si la pintura ayudara a leer una canción de Spinetta?

    En este nuevo Apunte spinetteano propongo un cruce entre Edgar Degas y "Qué ves el cielo" de Invisible. A veces, una imagen permite descubrir sentidos que permanecían ocultos en la música.

    📖 Leelo aquí: matiasrotulo.com/2026/07/degas

    #Spinetta #Invisible #LuisAlbertoSpinetta #EdgarDegas #Arte #Pintura #Literatura #Ensayo #RockArgentino #ApuntesSpinetteanos

  6. ¿Y si la pintura ayudara a leer una canción de Spinetta?

    En este nuevo Apunte spinetteano propongo un cruce entre Edgar Degas y "Qué ves el cielo" de Invisible. A veces, una imagen permite descubrir sentidos que permanecían ocultos en la música.

    📖 Leelo aquí: matiasrotulo.com/2026/07/degas

    #Spinetta #Invisible #LuisAlbertoSpinetta #EdgarDegas #Arte #Pintura #Literatura #Ensayo #RockArgentino #ApuntesSpinetteanos

  7. ¿Y si la pintura ayudara a leer una canción de Spinetta?

    En este nuevo Apunte spinetteano propongo un cruce entre Edgar Degas y "Qué ves el cielo" de Invisible. A veces, una imagen permite descubrir sentidos que permanecían ocultos en la música.

    📖 Leelo aquí: matiasrotulo.com/2026/07/degas

    #Spinetta #Invisible #LuisAlbertoSpinetta #EdgarDegas #Arte #Pintura #Literatura #Ensayo #RockArgentino #ApuntesSpinetteanos

  8. ¿Y si la pintura ayudara a leer una canción de Spinetta?

    En este nuevo Apunte spinetteano propongo un cruce entre Edgar Degas y "Qué ves el cielo" de Invisible. A veces, una imagen permite descubrir sentidos que permanecían ocultos en la música.

    📖 Leelo aquí: matiasrotulo.com/2026/07/degas

    #Spinetta #Invisible #LuisAlbertoSpinetta #EdgarDegas #Arte #Pintura #Literatura #Ensayo #RockArgentino #ApuntesSpinetteanos

  9. 🖼️ A Rovigo una mostra sul rapporto tra Zandomeneghi e Degas, a Palazzo Roverella.
    @rovigo

    Forse sarà un po' la classica mostra blockbuster, che potrebbe essere fatta ovunque, ma anche l'occasione di vedere dal vivo alcune opere e poi in caso approfondire in autonomia.

    Devo dire però che spesso i cataloghi di Roverella sono curati abbastanza bene, per quanto schifosamente cari!

    artedossier.it/it/art-news/rov

    #Rovigo #PalazzoRoverella #EdgarDegas #FedericoZandomeneghi #arte #cultura

  10. 🖼️ A Rovigo una mostra sul rapporto tra Zandomeneghi e Degas, a Palazzo Roverella.
    @rovigo

    Forse sarà un po' la classica mostra blockbuster, che potrebbe essere fatta ovunque, ma anche l'occasione di vedere dal vivo alcune opere e poi in caso approfondire in autonomia.

    Devo dire però che spesso i cataloghi di Roverella sono curati abbastanza bene, per quanto schifosamente cari!

    artedossier.it/it/art-news/rov

    #Rovigo #PalazzoRoverella #EdgarDegas #FedericoZandomeneghi #arte #cultura

  11. #Bildungsfernsehen

    arteptweb-a.akamaihd.net/am/pt

    Die sexualisierte Gewalt in der Kunst

    Proserpina und die Anderen

    54 Min.
    Verfügbar n u r ❗ bis zum 27/02/2026

    #Kultur und #Pop
    #Kunst #Doku

    Seit Jahrhunderten stilisiert die Kunst Gewalt gegen Frauen – und nennt sie Schönheit. Eine animierte Proserpina befreit sich aus Plutos Armen und führt uns durch #Meisterwerke von der #Antike bis heute: von römischen Sarkophagen bis Bernini, von Artemisia Gentileschi bis Marina Abramović. Diese filmische Reise eröffnet einen neuen Blick auf die Darstellung sexualisierter Gewalt in der Kunst.
    #Jahrhunderte

    Seit Jahrhunderten hat die #westlicheKunst Gewalt gegen #Frauen idealisiert – als #Mythos, Allegorie und #Schönheit.

    Von römischen Sarkophagen über die #Meisterwerke der #Renaissance und des #Barocks bis hin zur #Moderne:
    Unzählige #Darstellungen zeigen Frauen als #passiveObjekte männlicher Begierde.

    Ihr #Leid wird ästhetisiert und erotisiert – im Namen der Kunst.

    Der #Dokumentarfilm sensibilisiert für einen neuen Blick auf diese #Bilder. Kritisch, bewusst, ohne moralischen Zeigefinger.

    Im Zentrum steht Proserpina, die von Pluto entführte #Göttin. Sie wird lebendig, befreit sich aus seinem festen Griff und wird zur #Erzählerin. Mit ihr entdecken die #Zuschauerinnen und #Zuschauer Werke von #Tizian, #Rubens, #Bernini und anderen – und lassen die Gewalt hinter dem Schönen erkennen, die kulturellen #Codes, die unser Sehen geprägt haben.
    Proserpina besucht auf ihrer Entdeckungsreise Experten und #Expertinnen aus #Wissenschaft, Kultur und Kunst. Sie entschlüsseln, wie diese #Bildwelten entstanden sind, wie sie damals wirkten – und was sie uns heute noch sagen. Wie prägt diese visuelle #Tradition unseren gegenwärtigen Blick auf den weiblichen Körper?

    Der #Film würdigt #Künstlerinnen und Künstler wie #Artemisia #Gentileschi, die Schmerz in #Widerstand verwandelte, oder #EdgarDegas, der #Verletzlichkeit sichtbar machte. Und er führt in die #Gegenwart – zu #MarinaAbramović, Jago und anderen, die gängige Narrative hinterfragen und neue Perspektiven auf Macht und Geschlecht eröffnen.

    Entstanden ist eine visuell kraftvolle Reise durch europäische und amerikanische #Museen – die unsere Augen öffnet für das, was immer sichtbar war, doch oft nie wirklich gesehen wurde.

    arte.tv/de/videos/122188-000-A

    #Regie #MariangelaBarbanente

    Land #Deutschland #Italien #USA
    Jahr 2025
    Herkunft #ZDF

    #FediLZ #FrauLebenFreiheit #Bildung #Proserpina
    #Gewalt #Vergewaltigung
    #Kunstgeschichte
    #GewaltinderKunst

  12. #Bildungsfernsehen

    arteptweb-a.akamaihd.net/am/pt

    Die sexualisierte Gewalt in der Kunst

    Proserpina und die Anderen

    54 Min.
    Verfügbar n u r ❗ bis zum 27/02/2026

    #Kultur und #Pop
    #Kunst #Doku

    Seit Jahrhunderten stilisiert die Kunst Gewalt gegen Frauen – und nennt sie Schönheit. Eine animierte Proserpina befreit sich aus Plutos Armen und führt uns durch #Meisterwerke von der #Antike bis heute: von römischen Sarkophagen bis Bernini, von Artemisia Gentileschi bis Marina Abramović. Diese filmische Reise eröffnet einen neuen Blick auf die Darstellung sexualisierter Gewalt in der Kunst.
    #Jahrhunderte

    Seit Jahrhunderten hat die #westlicheKunst Gewalt gegen #Frauen idealisiert – als #Mythos, Allegorie und #Schönheit.

    Von römischen Sarkophagen über die #Meisterwerke der #Renaissance und des #Barocks bis hin zur #Moderne:
    Unzählige #Darstellungen zeigen Frauen als #passiveObjekte männlicher Begierde.

    Ihr #Leid wird ästhetisiert und erotisiert – im Namen der Kunst.

    Der #Dokumentarfilm sensibilisiert für einen neuen Blick auf diese #Bilder. Kritisch, bewusst, ohne moralischen Zeigefinger.

    Im Zentrum steht Proserpina, die von Pluto entführte #Göttin. Sie wird lebendig, befreit sich aus seinem festen Griff und wird zur #Erzählerin. Mit ihr entdecken die #Zuschauerinnen und #Zuschauer Werke von #Tizian, #Rubens, #Bernini und anderen – und lassen die Gewalt hinter dem Schönen erkennen, die kulturellen #Codes, die unser Sehen geprägt haben.
    Proserpina besucht auf ihrer Entdeckungsreise Experten und #Expertinnen aus #Wissenschaft, Kultur und Kunst. Sie entschlüsseln, wie diese #Bildwelten entstanden sind, wie sie damals wirkten – und was sie uns heute noch sagen. Wie prägt diese visuelle #Tradition unseren gegenwärtigen Blick auf den weiblichen Körper?

    Der #Film würdigt #Künstlerinnen und Künstler wie #Artemisia #Gentileschi, die Schmerz in #Widerstand verwandelte, oder #EdgarDegas, der #Verletzlichkeit sichtbar machte. Und er führt in die #Gegenwart – zu #MarinaAbramović, Jago und anderen, die gängige Narrative hinterfragen und neue Perspektiven auf Macht und Geschlecht eröffnen.

    Entstanden ist eine visuell kraftvolle Reise durch europäische und amerikanische #Museen – die unsere Augen öffnet für das, was immer sichtbar war, doch oft nie wirklich gesehen wurde.

    arte.tv/de/videos/122188-000-A

    #Regie #MariangelaBarbanente

    Land #Deutschland #Italien #USA
    Jahr 2025
    Herkunft #ZDF

    #FediLZ #FrauLebenFreiheit #Bildung #Proserpina
    #Gewalt #Vergewaltigung
    #Kunstgeschichte
    #GewaltinderKunst

  13. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  14. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  15. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  16. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  17. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  18. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  19. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  20. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  21. Miss La La

    Born in 1858 in Szczecin, Poland (then Germany) to a White German mother + a Black father, Olga Brown was an aerialist # muse to Edgar Degas featured in his painting
    'Miss La La at the Cirque Fernando'. From the age of 9 she performed in many acts, most notably with Theophila Szterker (Kaira La Blanche) as Olga & Kaira, "Black & White Butterflies" (Les Deux Papillons). Olga quit performing after Kaira tragically fell to her death in 1888. Olga married American contortionist Emmanuel Woodman + the 2 had 3 daughters

    #misslala #edgardegas #aerialist #circusperformer #misslalaatthecirquefernando #kairalablanche #lesdeuxpapillons #blackandwhitebutterflies #rememberlegends #circus #circusact #olgaandkaira #olgabrown

  22. (3/3) ... inscrits à l'état civil = avoir un patronyme (cf 1833 1843 1861) + Paris : naissance d'Hilaire Germain #EdgarDegas + décès du noble Héro de l'Indépendance USA rejeté par révolutionnaires de son pays #Lafayette (cf 1825) -> les États-Unis décrètent un deuil national d'1 mois, ce qui n'était jamais arrivé pour un 'étranger' bien qu'il a obtenu en cadeau la nationalité USA après la guerre d'Indépendance.

    #livre Père Goriot d'Honoré de #Balzac

    #year1834 #histoire #climat #climate

  23. (3/3) ... inscrits à l'état civil = avoir un patronyme (cf 1833 1843 1861) + Paris : naissance d'Hilaire Germain #EdgarDegas + décès du noble Héro de l'Indépendance USA rejeté par révolutionnaires de son pays #Lafayette (cf 1825) -> les États-Unis décrètent un deuil national d'1 mois, ce qui n'était jamais arrivé pour un 'étranger' bien qu'il a obtenu en cadeau la nationalité USA après la guerre d'Indépendance.

    #livre Père Goriot d'Honoré de #Balzac

    #year1834 #histoire #climat #climate

  24. (3/3) ... inscrits à l'état civil = avoir un patronyme (cf 1833 1843 1861) + Paris : naissance d'Hilaire Germain #EdgarDegas + décès du noble Héro de l'Indépendance USA rejeté par révolutionnaires de son pays #Lafayette (cf 1825) -> les États-Unis décrètent un deuil national d'1 mois, ce qui n'était jamais arrivé pour un 'étranger' bien qu'il a obtenu en cadeau la nationalité USA après la guerre d'Indépendance.

    #livre Père Goriot d'Honoré de #Balzac

    #year1834 #histoire #climat #climate

  25. Dziś przypada rocznica urodzin Edgara Degasa (1834–1917) – francuskiego malarza i rzeźbiarza, związanego z impresjonizmem. Znany z mistrzowskich przedstawień tancerek, ruchu i światła, pozostaje jedną z ikon sztuki XIX wieku. #EdgarDegas (fot. Wikipedia)

  26. Dziś przypada rocznica urodzin Edgara Degasa (1834–1917) – francuskiego malarza i rzeźbiarza, związanego z impresjonizmem. Znany z mistrzowskich przedstawień tancerek, ruchu i światła, pozostaje jedną z ikon sztuki XIX wieku. #EdgarDegas (fot. Wikipedia)

  27. Dziś przypada rocznica urodzin Edgara Degasa (1834–1917) – francuskiego malarza i rzeźbiarza, związanego z impresjonizmem. Znany z mistrzowskich przedstawień tancerek, ruchu i światła, pozostaje jedną z ikon sztuki XIX wieku. #EdgarDegas (fot. Wikipedia)

  28. Dziś przypada rocznica urodzin Edgara Degasa (1834–1917) – francuskiego malarza i rzeźbiarza, związanego z impresjonizmem. Znany z mistrzowskich przedstawień tancerek, ruchu i światła, pozostaje jedną z ikon sztuki XIX wieku. #EdgarDegas (fot. Wikipedia)

  29. Zanurz się w fascynującym świecie Edgara Degasa! 🎨 Musée d'Orsay zaprasza na wyjątkową wystawę poświęconą twórczości tego niezwykłego artysty. Odkryj jego niezwykłe spojrzenie na świat baletu, które uwiecznił w swoich dziełach. Nie przegap tej okazji, aby zobaczyć z bliska mistrzowskie prace jednego z najważniejszych impresjonistów. 🩰 #EdgarDegas #Wystawa #SztukaImpresjonizmu
    ---
    facebook.com/984619187035365/p

  30. Zanurz się w fascynującym świecie Edgara Degasa! 🎨 Musée d'Orsay zaprasza na wyjątkową wystawę poświęconą twórczości tego niezwykłego artysty. Odkryj jego niezwykłe spojrzenie na świat baletu, które uwiecznił w swoich dziełach. Nie przegap tej okazji, aby zobaczyć z bliska mistrzowskie prace jednego z najważniejszych impresjonistów. 🩰 #EdgarDegas #Wystawa #SztukaImpresjonizmu
    ---
    facebook.com/984619187035365/p

  31. Zanurz się w fascynującym świecie Edgara Degasa! 🎨 Musée d'Orsay zaprasza na wyjątkową wystawę poświęconą twórczości tego niezwykłego artysty. Odkryj jego niezwykłe spojrzenie na świat baletu, które uwiecznił w swoich dziełach. Nie przegap tej okazji, aby zobaczyć z bliska mistrzowskie prace jednego z najważniejszych impresjonistów. 🩰 #EdgarDegas #Wystawa #SztukaImpresjonizmu
    ---
    facebook.com/984619187035365/p

  32. Zanurz się w fascynującym świecie Edgara Degasa! 🎨 Musée d'Orsay zaprasza na wyjątkową wystawę poświęconą twórczości tego niezwykłego artysty. Odkryj jego niezwykłe spojrzenie na świat baletu, które uwiecznił w swoich dziełach. Nie przegap tej okazji, aby zobaczyć z bliska mistrzowskie prace jednego z najważniejszych impresjonistów. 🩰 #EdgarDegas #Wystawa #SztukaImpresjonizmu
    ---
    facebook.com/984619187035365/p