Campaign Diary: Shadow of the Dragon Queen Part 24: Howard Shore Intensifies
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Campaign Diary: Shadow of the Dragon Queen Part 24: Howard Shore Intensifies
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This article is starting something that I hope to continue in the future. Diegetic is an adjective derived from the noun diegesis, which just means conveying information in fiction via narrative. Diegetic generally means: existing or occurring within the world of a narrative rather than as something external to that world. The term is usually used when referring to music, which means, the music in a movie, play, or show is music that exists in the world, that the characters can hear, versus something like the soundtrack, which is a storytelling convention to convey emotion to the viewer, which is not part of the world, or something the characters can hear.
I’ve used this a little looser when talking about how things like rolling big numbers on damage roles convey information in the story. The number doesn’t literally exist, but the “rating” of how effective the attack is does exist in the setting. That’s not to say you shouldn’t attempt to wrap that number in descriptions, but the number itself is already starting to convey the story when it’s generated.
Mission Statement
I’m looking at something a little more specific in this series. Some rules constrain how level-based fantasy games work. Some of those rules don’t mean anything in the narrative of the world itself. For example, people don’t express all of the skills you can learn in a culture with a set list of skill names, but the rules define skills to make it easier to determine what characters can do, and how often they can leverage those abilities. Some rules tell you the upper limit of how many skills or languages your character can have at the start of the campaign, but no one in the campaign is going to say that someone can’t know more than X number of languages.
On the other hand, some rules are simplifications of the reality of the world you are using in your story. In most settings, we assume that people in the setting have an idea of what a cleric, druid, or paladin is. Magical scholars understand what the different magical sources are, and in many 5e SRD settings, many scholars have expressly discussed magic as categorized into the schools that exist in the SRD rules. What I want to look at in this series is how these diegetic rules can inform the story of your game.
Tales of the Valiant: Ritual Spells
In Tales of the Valiant, in contrast to ritual spells as defined in the standard 5e SRD, ritual spells aren’t spells that can be cast as rituals instead of spending a spell slot. They are spells that can only be cast as rituals, and the number of rituals available to spellcasters is tracked separately from spells cast with slots. In a way, it’s an extension of the concept of cantrips, in that they are magical abilities that a spellcaster always has access to, without being limited to a finite number of resources per long rest.
Something that 5e SRD rules, as well as the Black Flag SR, communicates, is that NPCs aren’t always built the same way as player characters. A stat block representing a cleric may be able to add spells into multi-attack routines, may have magical attacks only defined in the stat block, and not by external rules text, or may have a signature ability of a subclass that they can access, but with the details calculated in a different manner than the PC version of the ability, or expressed as a recharge ability instead of “proficiency bonus number per long rest,” as an example.
Some groups want to feel like characters with player-character abilities are among the very few in the world with that amount of easily available power. There may be spellcasters, but they aren’t slinging multiple combat-ready spells a dozen times per day. The tactic of saying that NPCs don’t have comparable abilities similar to PCs can work, but in some cases, you may not want there to be a lack of powerful NPC spellcasters, you may just want a dearth of adventuring spellcasters.
Because of the division of spells into standard spells and ritual spells, a GM running Tales of the Valiant has an additional storytelling tool that they can access. What if most of your NPCs only have access to rituals? How does that change the tone and feel of the setting? What would those spellcasters contribute to the world, and what would player characters be able to count on if this is true?
What Creates the Divide
We’re going to look like what ritual abilities look like for different sources of power, but before we look at that, why would player characters access magic in a different way than NPCs? While player characters may be just that exceptional, I think we have some real-world examples that can inform why PCs and NPCs don’t wield the same magical resources.
It’s possible that being able to cast non-ritual spells is the equivalent of being a magical athlete. With enough dedication and practice, anyone that can wield magic could cast non-ritual spells, but it takes constant practice and use to maintain that style of magic. Spell slots are essentially packets of energy, and not every spellcaster may practice the talent to collect and hold enough discreet energy to power non-ritual spells.
That also means that an adventurer who retires from adventuring may not retain their ability to cast non-ritual spells. Like an athlete who doesn’t continue to practice their sport, the ability to use that extraordinary ability might atrophy. In that way, you can have your powerful casters as quest-givers who remember adventuring, but they’re in no shape to delve into dungeons and sling fireballs because they’ve only been dealing with rituals for the last decade or so.
Non-Adventuring Spellcaster Capabilities
Because NPCs can have whatever stat block the GM wants to use, there is no reason to overly quantify what NPC spellcasters can do, in similar terms to how player characters access their powers. However, that doesn’t mean it isn’t useful to think about what it would mean for spellcasters to only have access to ritual spells.
One consideration should be cantrips. Cantrips don’t require spell slots, so even a spellcasters that can only use ritual spells may retain the ability to use cantrips. This works well to represent spellcasters that were once adventurers, because they may not have spell slots, but they still know how to throw a firebolt enough to make it hurt. If you don’t want your NPC spellcasters to even have this level of combat, it’s easy to assume that your NPC spellcasters don’t have cantrips that do damage, change armor class, or modify armor class.
NPC spellcasters may also spend their time crafting items, rather than practicing their day-to-day spellcasting. It can take a long time to craft really powerful items, and maybe not spending time on gathering ambient energy into spell slots makes that process just a wee bit faster. These spellcasters can still count as a particular class when it comes to having access to magic items, so they may still be carrying powerful items. Attunement slots can help to explain why that NPC doesn’t have enough magic on them to annihilate others even without spell slots, because there will be a limit to what they can have attuned at any given time.
Wyrd Ritualists are probably the trickiest to support with this approach, because a Wyrd Ritualist with cantrips, rituals, but no spell slots, doesn’t look a lot different than a warlock. In fact, in Tales of the Valiant, it makes them look more like a 2014 Warlock. If you are going to present NPC spellcasters as “similar to PC classes, without spell slots,” you may also want to assume that a Wyrd Ritualist doesn’t have the Pact Magic feature, either. This makes sense if you assume that the Wyrd Ritualist is constantly making situational deals, rather than having one specific patron to grant more persistent abilities.
Wizards Are Always the Exception
One of the defining characteristics of the wizard is that they can continually add spells to their spellbooks, when they encounter new spells and can spend time studying them. That would seem to make wizard NPCs that don’t have access to spell slots a strange disconnect, implying that they may be entirely neglecting magic, not just the specialized practice of gathering energy for spell slots.
That doesn’t necessarily need to be the case. Wizards that don’t use spell slots can still get some utility from having tons of non-ritual spells in their spell books, outside of just keeping score with other wizards. While I’m mainly looking at wizards, to reflect why even a non-spell slot using wizard would still be collecting non-ritual spells, the following is true of most spellcasting NPCs.
Non-spellcasting NPCs might spend some of their time preparing scrolls, just in case they need to use something on the fly. Being loaded down with scrolls that require time and money to create isn’t really a viable alternative to having ready access to spell slots, when it comes to adventuring, but that old wizard that likes to take his time with his spellcasting may still feel as if it’s prudent to resources squirreled away, and they may also get a thrill learning a new spell, and enacting the spell as part of committing it to a scroll.
This also provides a reason for wizards, as well as other spellcasters, to have a number of scrolls on hand to either give to the PCs to aid them in their assigned tasks, as payment for their efforts, or as something available for purchase and trade.
Alternatives to Spellbooks
One other consideration you may want to make, specifically related to wizards, is what it means for a wizard to find a spell. If your NPC spellcasters are more likely to be magical theoreticians, you may want to introduce magical workbooks or theses. A player character wizard may be able to study this work and add a spell to their spellbook based on what they learned from the various topics expressed in the work. This shouldn’t take any more time or money than copying a spell from a spellbook.
You may want to quantify exactly what the PC wizard can get from a given thesis. You should probably specify what magical school the topics intersect with, and the most powerful effects the book details. That means you could detail a scholarly work like this:
In other words, if a wizard finds The Parameters and Intensity of Warding Symbols, you might determine that the book can be used to add Abjuration spells to a spellbook, and for the resources gained, you could say that a wizard studying the work can add up to three spells to their spellbook, which are of the 4th circle or lower. That same wizard can’t read the book again later, and get any more benefit, at least in terms of spells added to their spellbook. Those spells are literally in the book, but the topic combined with the native knowledge of the wizard, allows them to make a breakthrough in recreating various spells.
What Do Dedicated Ritual Casters Look Like
Not every ritual circle is created equal. It’s possible in the future, we’ll have more utility items that make sense for non-adventuring spellcasters, and you can also assume that ritual spellcasters have some utility rituals that haven’t been defined in the rules, although you should still be careful not to expand those undefined abilities beyond what the various power sources normally allow.
It may also be useful to think about what it means to be a ritual caster. As we discussed above, these may be retired adventurers, in which case, your casters are still defined as being wizards, clerics, etc. But if you increase the presence of ritual only casters, some of those casters may never have defined their spellcasting in the same way that various player character classes do.
Dedicated Ritualists in a Setting
Arcane Ritualists may be sages that study the flow of ambient magic, untethered by other forces. This does mean that Arcane Ritualists are probably, by default, going to feel a little more like Wizards, or maybe Bards, rather than Sorcerers. You may still have a sage or expert that doesn’t study magic so much as they never fully explored the source of their sorcerous powers, but regularly cast rituals in their everyday life, or as a profession. That may look a little more like a fortune teller or a medium than a more scholarly Arcane Ritualist.
Divine Ritualists may be dedicated to the worship of a single god or religious practice, but they are also a great example of what a priest may look like that is trained in the observance of worship for a pantheon or family of deities. They might invoke different religious rituals, targeting different gods, depending on the ritual being utilized.
Primordial Ritualists may have a more difficult time accessing Primordial energies outside of the wilder places in the world. They may not be able to do so if they aren’t under an open sky, or within a natural cavern or cave. They may not be able to perform rituals on drastically modified lands, like farms. In this way, trained druids may serve as the ambassadors to the places in the world that push out Primordial energies, in a way that a Primordial Ritualist cannot. Even a Primordial Ritualist from a more agrarian culture may still need to take a pilgrimage to untouched wilderness when they want to perform rituals, and people that want to interact with the ritualist and benefit from those rituals may need to climb or swim to reach those areas of Primordial power, or they may need to endure cold or heat while waiting for rituals to complete.
Tales of the Valiant presents us with an interesting story element in this regard. What does a Wyrd Ritualist look like? They won’t have the persistent connection from a patron helping them to access the power source, but these aren’t natural energies that would be quantified in the same way that you might assume an arcane sage to be measuring. In this case, a dedicated ritual caster using the Wyrd power source may need to make some kind of sacrifice or short-term promise to a different entity each time they enact a ritual.
In fact, if the PCs go to them for help, the PCs may need to sacrifice something meaningful to themselves so the ritual caster can proceed. You may be able to present an interesting contrast between an Arcane Ritualist working as a fortune teller or medium, or the potentially more dangerous and unpredictable Wyrd Ritualist fortune teller or medium, and there may be a rivalry between those practicing similar professions in the same area.
A Day in the Life
I wanted to wrap all of this up by looking at what dedicated ritual casters would look like for each of the power sources, and what they would likely be able to provide for anyone that visits them. This is separate from assuming they might be able to prepare scrolls and potions, or that they may have magic items available to them.
Arcane Ritualists
Arcane Ritualists are going to be providing gathered information at lower levels, as well as having a few situationally useful abilities to place on objects. At higher levels, they are good at warding things and locations and pronouncing judgments on already incapacitated creatures. Transportation networks are going to be a big thing that powerful Arcane Ritualists can be in charge of, and potentially sending mysterious messages over great distances.
There are enough rituals available to them to make planar servants or undead justifiable retainers to add to their domains. Arcane Ritualists will be able to have weird, hard to find places to live that can punish unwanted visitors.
Divine Ritualists
The lower powered Divine rituals feel very community service oriented. Toward the middle of their progression, they dovetail a lot with Arcane rituals, although from a narrative element, Arcane ritualist feel more like they are forcing concessions for the universe, while Divine rituals feel more like just imploring the deities for major events to happen. Reversing death and major injuries are very much signature abilities.
Primordial Ritualists
Primordial Ritualists serve a very similar purpose to Divine Ritualists, but they take longer to have ritual access to some kind of immediate healing. They do maintain the “cast something to send off your champions” abilities, but they can’t negate death, at least not in the same way as a Divine Ritualist. It could be an interesting plot point for the PCs to be tasked with awakening animals that are important for some reason. They’re also obviously going to be the go-to for petitioning for a change in the weather.
Wyrd Ritualists
Wyrd Ritualists, as NPCs to consult, or as a patron to send the party to do things, should probably feel dangerous, and like a last resort. A lot of what will make them seem powerful at the lowest tiers of abilities will likely be via cantrips, with some situational use of other powers. Missions where PCs must bring a person or thing to the Wyrd Ritualist are going to be strongly thematic, and potentially supported by their ritual abilities.
Building Around The Concepts
I haven’t had much time to implement this kind of world-building assumption in my games up to this point. There is something appealing to considering NPC spellcasters in my Thrones and Bones game, because that feels thematically appropriate for that setting.
If you give these concepts a try in your campaigns, or if you have already adopted something similar to this paradigm, I would love to hear about it. I’m intrigued at the inspiration provided to me by the implications of certain rules, and rituals seem to be a fertile ground for story-based inclusion. It’s also interesting to see how the ritual spell lists play into the themes of different types of magic. I really want to see more rituals across the board, and I hope that introducing additional rituals doesn’t blur the themes too much.
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Continuing with adventures I, personally, hadn’t read through from previous editions, and also continuing our trend of looking at the UK series of adventures, our next adventure is Beyond the Crystal Cave. While the plot doesn’t directly follow any one story, there are some elements in this adventure borrowed from Shakespear, most notably with the NPCs the group is hired to find, with their feuding families and forbidden love. While I knew about the AD&D 1e version of the adventure, I only recently realized that this adventure was adapted for a season of D&D Encounters during the D&D 4e era.
As with the previous adventure, I can’t speak to what has been changed from the original, other than what the adventure itself notes. The original lovers who created the Eternal Garden were originally male and female presenting characters, and for this adventure, both original lovers that created The Eternal Garden are women. The archfey that appears in this adventure, the Gardener, was originally The Green Man, a character from real world folk lore.
Original Credits for Beyond the Crystal Cave
Design and Development: David J. Browne, Tom Kirby, Graeme Morris
Editing: Tom Kirby, Carole Morris, Graeme Morris, Don Turnbull
Art: De Leuw, Timothy Truman
Cartography: Graeme Morris
Playtesting: Jim Bambra, Jeanette Blaaser, Clive F. Booth, Michael W. Brunton, Chris Hall, Bill Howard, Kate Kirby, Gary Kirkham, Steve Mote, Chris Rick, Dave Tant, Don Turnbull, Pat Whitehead
Artwork
There are 15 pieces of art in this chapter. This includes nine images drawn from encounters in the adventure, three maps, two-character portraits, and the image of the doorway leading to the adventure that appears on the Infinite Staircase. In addition to the artwork in this chapter, there is also a picture of the Gardener that appears in the stat block appendix to the book.
The opening portrait of the two lovers who originally created the garden is my favorite piece in the book so far. It features the two women in robes of green and purple, surrounded by flowers and greenery, in the company of a young centaur, a treant, and a pair of dryads.
The Framing Device
The wish that Nafas asks the PCs to facilitate is a plea from two formerly waring families to find and bring home their children, who fell in love and ran away from their home. If the PCs aren’t going to be working for Nafas, the suggested hooks include the PCs arriving at the island as part of another trip, or as survivors of a shipwreck, and being recruited by one of the family members. The other hook assumes that the PCs were old friends of the characters and have just learned about their disappearance.
The original adventure was set in Greyhawk, so it’s got a canonical location that the introduction mentions, but it gives suggestions for placing it in Dragonlance, Eberron, and Theros. I wasn’t expecting a Magic setting to be thrown in there, but I like the reference. I appreciate that the Eberron placement mentions the unique planar structure of that setting. The Dragonlance suggestion is to make the children inhabitants of two traditionally unfriendly nations, such as the Qualinesti and the Silvanesti elves, but honestly, make it a Neidar clan dwarf and a Hylar clan dwarf and expand your horizons.
Adventure Overview
Don’t get your heart set on reading through this review if you plan on being a player in this adventure, because there are spoilers on the horizon. Seek your heart’s desire elsewhere and come back to the blog later.
Once the PCs arrive on the isle of Sybarate, they are approached by Governor Folcarae, a member of one of the two formerly feuding families. She explains about the feud, the children running off, and that she has hired multiple adventurers over the past two years to find them. She’s hoping the PCs will have better luck. She gives the PCs their last known location, the Cave of Echoes.
Inside the Cave of Echoes, if the PCs speak too loudly, they get feedback in the form of thunder damage. If they determine that the word “ask” on the wall means something will happen when they ask for assistance, the cave will answer them, potentially gaining the results of up to an 8th level spell, including a response similar to a Divination spell if they ask a general question.
While most of this adventure is designed to be resolved without combat, the cave has a few creatures that can get vicious, including some mud elementals, an ooze, and some poltergeists. The far end of the cave has a portal to the Eternal Garden, where the PCs can find the lost lovers, but they need to find a way to tame the waterfall that’s raining down with enough force that it’s almost a solid wall. There isn’t one solution here, the key is for the PCs to have some kind of creative way of dealing with the waterfall to allow them to pass through it, with some examples provided.
Past the waterfall, the PCs find the portal to the Eternal Garden, which is now a Domain of Delight, a region of the Feywild controlled by an archfey. The PCs arrive in a fairy ring and have some leprechans they can interact with, who provide several limericks that give them clues about the rest of the domain. If you aren’t the type to be able to decipher clues, none of the clues are necessary, but they are helpful.
The PCs can encounter a bronze dragon, some dryads, satyrs, awakened bears, awakened toads, awakened otters, sprites, a treant, centaurs, unicorns, or a chimera. Each one of these encounters provides the PCs the opportunity to learn more about what may have happened to the lovers that ran away and may potentially learn that the inhabitants consider the lovers to be the reincarnation of the creators of the garden, so they’re pretty happy with them sticking around.
There is a location in this domain, the Fountain All Heal, which can provide the effects of spells like Greater Restoration or Heal. However, if you avail yourself of this fountain, you no longer want to leave the domain. The only exceptions are characters that are fey or have fey ancestry. The only way to remove this effect is via a Wish.
Since there isn’t much in the way of combat, unless the PCs are terrible people, there is one encounter where the PCs may be afflicted, and thus tempted to use the fountain. Creatures called barkburs inhabit a grove, and they can turn people affected by their toxin into wood.
Eventually the PCs run into the Gardener, who invites the PCs to sit with them for some refreshments. They may pick up the benefit of the Hero’s Feat spell now, and the Gardener will provide general answers about where the lovers may be, telling the PCs to navigate the Hedge Maze nearby to get more answers.
There is an ongoing puzzle seeded by the leprechauns that will point the PCs at collecting certain leaves. Various locations mention what leaves are available there, so if the PCs have picked up on the clue, they can start gathering what they need. We’ll come back to this.
The Hedge Maze, thankfully, isn’t about navigating an actual maze. Well, it is, but not one that the players must deal with. It takes a group ability check to navigate the maze, but they can also plow through the walls of the maze, if they don’t mind taking damage from the massive thorns that will pierce them as they barrel through. At the center of the maze is a sundial with impressions for different leaves that should be set in it, which will teleport the PCs into the Palace of Spires, where the runaway lovers currently live.
In addition to the lovers Juliana and Orlando, there is another couple, two guards who are also romantic partners, who will protect the palace, Juliana, and Orlando, if threatened. Juliana and Orlando don’t want to leave, because they have both been affected by the fountain. If the PCs find Caerwyn and Porphura’s tomb (the creators of the garden), and they are respectful, the inscription on the tomb instructs them that they can make a wish, which they can use to free anyone from the effects of the fountain. Once Orlando and Juliana are free, the PCs just need to explain that their families are no longer at war to get them to leave.
The PCs need more leaves to teleport back out of the palace courtyard, however, all of the NPCs that live in the palace have tokens of the leaves that can be used to activate the teleportation effect, and some of the NPCs are noted as having an additional set of the leaf tokens. Now, if they tried to raid the tomb, things go downhill. The PCs are confronted by the Gardner and banished from the domain, which changes from a pleasant summer land to a chilling winter domain.
Assuming the PCs don’t upset the Gardener, they can leave with Orlando and Juliana, return them to their families, and collect their reward.
Thoughts on Chapter 4: Beyond the Crystal Cave
I like having more options for adventures that lean more heavily on roleplaying and exploration, although you may want to know how much your party wants that content before you use this back-to-back with When a Star Falls. I am onboard with more archfey being introduced. I would love to have the same kind of diversity in archfey in D&D lore that we already have for creatures like demon lords, archdevils, archoelementals, etc. I wouldn’t mind seeing the literal Green Man as an archfey, since we’ve got lots of other examples of singular planar beings drawn from Earth’s folklore.
I don’t think the leprechaun’s limerick about the leaves is too difficult to follow, but since the leprechans have six total limericks, one of which doesn’t mean anything, and four of with are more foreshadowing then an actual riddle the PCs need to solve to advance the plot, I’m a little concerned about limerick overload and the PCs not knowing what is immediately useful and what isn’t. I appreciate that the PCs aren’t penalized if they don’t think to bring two sets of leaves, so they can leave the palace. I also like that you can blunt force the hedge maze if you don’t manage to navigate it with your group check.
I like all the little interactions with the various creatures that populate the domain. I appreciate the callback to some well-known faerie lore, i.e. its potentially dangerous to eat or drink in the fey realm. This was a fun read through, and I think I would enjoy running it. Ready to look at the next doorway!
If you don’t mind contributing to my ability to pick up new games, and you want to look at some of the history behind this adventure, you can use the affiliate links below. It’s much appreciated!
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