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  1. Bill Callahan & Bonnie Prince Billy, Blind Date Party, 2021 on Drag City

    Cover album collection conceived (and partly recorded?) during Covid, featuring many Drag City artists covering their favorites. Among the standouts are a "Deacon Blues" (Steely Dan) cover with Bill MacKay and a "She Is My Everything" John Prine cover - but all the tunes are great. Callahan and Billy sent songs to collaborators with apparently little guidance - so it's all a bit ramshackle but dynamic. My copy—via Residency Records in Salem MA—has lacquer cut by Carl David Saff but […]

    goatless.org/2026/10/04/bill-c

  2. Bill Callahan, Resuscitate!, 2024 on Drag City

    This was the follow-up to 2022's Reality - a live double album recorded at Thalia Hall in Chicago, on March 6, 2023. Callahan is joined by Matt Kinsey, Jim White, and Dustin Laurenzi - great band captured midway through this tour. I've yet to have the chance to see Callahan live, but this feels like the next best thing. Here's hoping I'll see him in person soon. My copy via Residency Records in Salem MA.

    goatless.org/2026/08/03/bill-c

  3. Bill Callahan, Reality, 2022 on Drag City

    Some people write this as Ytilaer, based on how it appears mirrored on the cover and labels. Drag City's website lists it as YTI⅃AƎЯ, and on discogs they call it Reality, which is what I think of it as. Whatever you call it, it's the eight solo album Callahan's put out on Drag City. Recorded mostly in Austin TX at Arlyn Studios (one track was recorded at Estuary Recording, also in Austin) with no specific producer credited. All his records are wonderful but this is truly a great […]

    goatless.org/2026/07/24/bill-c

  4. Bill Callahan, Shepherd In A Sheepskin Vest, 2019 on Drag City

    Bill Callahan's sixth studio album under his own name (he previously led a project under the name Smog), recorded at Wonder Chamber in Austin Texas, which is Brian Beattie's home studio. Beattie plays on the record along with Matt Kinsey, Adam Jones, Gary Newcomb, and Callahan. Callahan is a consistent and prolific artist - maybe he's not for everyone, but I could just put his whole catalog on for weeks at a time. Still looking for many of his earlier releases as they don't show up often in […]

    goatless.org/2026/07/16/bill-c

  5. Didn’t Know It Was A Cover | White Fence’s ‘So Beautiful’

    Californian rocker Tim Presley revives a little-known Simply Red deep-cut, ‘So Beautiful’, for inclusion on his latest triumph, Orange.

    Tim Presley returns with his first White Fence project in seven years: Orange (Drag City, 2026), his first since 2019’s I Have to Feed Larry’s Hawk, which signalled a period of creative fatigue where his relationship with music seemed to lose its spark and he spent much of his time focusing on painting.

    Marking out a distinctive place in the lo-fi rock scene, Presley, who had once been a guitarist for The Fall, has built a reputation for restless creativity over a steady run of releases since 2010: some as White Fence, others collaborations with artists such as former partner and sometime Wilco producer Cate Le Bon as DRiNKS, and of course, sonic brother and labelmate Ty Segall, who plays drums and oversees production duties on this new one.

    In these various guises, Tim’s music has always been at least well-crafted. Filtered through a warped, introspective lens, summoning the atmosphere of British psych-tinged 60s garage rock, it always felt as if he were constantly searching for clarity, always experimenting, without ever fully settling on something consistently brilliant.

    Until now.

    Orange is far and away our man’s strongest artistic statement yet and is one hell of a rewarding listen from start to finish.

    Presley talked about falling out of love with music for a while, and you can hear that hangover in places across the 11 lovely melodic songs on the record. It’s looser, easier, and more exploratory than anything he has offered before. Sounds drift by with a newfound sense of space, from the daydream-like sprawl of ‘Reflections in a Shop Window on Polk’ to the glam leanings in ‘Your Eyes.’ 

    In a recent press release, Presley said of the song, “It’s about love/loss, addiction/rehabilitation, and a good long look in the mirror (by way of a shop window reflection in San Francisco). But also the absurdity of life….. I wanted to sing my little heart out. Sing life.”

    The record dips into jangly textures with ‘That’s Where the Money Goes,’ all bright chords and restless momentum, before pulling things back into something far more intimate with the fragile ‘Unread Books.’ There are traces of folk rock woven throughout, too, in particular ‘Evaporating Love,’ where the melody feels lived in and comfortable. 

    However, the song that ends up feeling like the clearest expression of the album’s unguarded charm is, somewhat incredibly, the one song here Presley didn’t write.

    Sitting perfectly within the record’s hazy, introspective flow is a cover of Simply Red’s ‘So Beautiful,’ originally written and recorded for their 1995 album Life (and later included on their Greatest Hits set the following year).

    Lyrically, it fits right into Orange’s headspace, that sense of distance, of something losing its spark. 

    You’re so beautiful, but oh so boring
    I’m wondering if anyone out there really cares
    About the colors in your hair

    My little golden baby
    Where have all your birds flown now?

    The Mick Hucknall original has a kind of understated, almost unfinished quality to it, as if you’re hearing a demo that was never fully completed. The arrangement feels sparse and is built around a soft, soulful groove complete with questionable finger-snaps. 

    As unlikely as it seems, it’s an exceptional choice from White Fence, especially for an artist better known for warped psych textures than mid-’90s sophisti-pop deep cuts.

    Further Listening:

    ♥     Buy Orange from Bandcamp

    ♥     White Fence on Drag City

    ♥     Album Review: Ty Segall & White Fence | “Joy” (2018)

     

     

    #DragCity #TimPresley #TySegall #WhiteFence
  6. “8 #FaunFables #TheTransitRider #dragcity "House Carpenter" is a track by Faun Fables from the album The Transit Rid... / “Faun Fables "House Carpenter" (Official Music Visualizer)” (1 user) youtube.com/watch?v=1IAuhUDfBS

  7. A l'occasion du dixième anniversaire de 'Emotional Muggers', Ty Segall & The Muggers sortiront le 30 janvier chez Drag City Records un Ep live enregistré à la BBC. Premier extrait en écoute : mowno.com/news/infos/ty-segall
    #tysegall #dragcity #newmusic #musicnews #newsingle #nowplaying #nowlistening #nowspinning

  8. Bill Callahan annonce la sortie de son nouvel album ‘My Days of 58’ le 27 février prochain chez Drag City Records, et en dévoile un premier extrait - ‘The Man I’m Supposed to Be’ : youtu.be/T2g06IHejFo?si=VxUrCM
    #billcallahan #dragcity #newmusic #musicnews #newsingle #nowplaying #nowlistening #nowspinning

  9. #TashiDorji (US, #DragCity) • #djLenar @ #ZamekUjazdowski • 13.10.25

    Info ✦ hyperfollow.com/tashidorji1310

    Partnerki i partnerzy: Anxious Musick Magazine, Avant Art Festival, EarWorks&SoundTravel, Filho Único, Glissando, Independentpl, Na obrzeżach, shoegazepl i Undertone.

  10. 🔥💿🔥 ALBUM DU MOMENT - CORY HANSON poursuit avec 'I Love People' son exploration exigeante des traditions musicales américaines. Chronique et écoute intégrale : mowno.com/disques/cory-hanson-
    #coryhanson #dragcity #americana #review

  11. "La musique était devenue un poids".
    20 ans après son dernier album, EDITH FROST est de retour avec un nouvel album sorti il y a quelques mois chez Drag City. Avec nous, elle revient sur son absence prolongée, son lien indéfectible avec son label, ou la place prise par le TDAH dans sa vie... : mowno.com/articles/interviews/
    📸 Sam Tellez
    #edithfrost #dragcity #interview #folkmusic

  12. New Ghosted is comming! 🎶

    youtu.be/jUzJj65nIds

    "Yek (Single Edit)" is from #OrenAmbarchi, #JohanBerthling, #AndreasWerliin album "Ghosted III," out on LP and digital by #DragCity on August 29, 2025.

  13. 20 ans après son dernier album, EDITH FROST est de retour chez Drag City avec 'In Space', une nouvelle salve folk baignée de son intemporelle singularité. Chronique et écoute intégrale : mowno.com/disques/edith-frost-
    📸 Sam Tellez
    #edithfrost #inspace #folkmusic #dragcity

  14. 🎸 #TySegall drops "Fantastic Tomb," a 6-minute psych-rock epic from upcoming album "Possession" (May 30, #DragCity). It's a noir-ish tale about wealth inequality wrapped in fuzzy riffs. 🔥 #BestNewMusic2025 #Week11
    go.stereobar.net/oitjz0

  15. Was listening to some @edithfrost today, and started wondering when her new album is coming out. Turns out, it's tomorrow! So excited. Go buy it here: #edithFrost #music #dragCity #inSpace
    dragcity.com/products/in-space

  16. “ #prison #downstate #dragcity” / “Prison "In the Tall Grass / Made for You" (Official Music Video)” (1 user) youtube.com/watch?v=NracahTpzU

  17. #Upcoming Reinvigorated by months of shutdown woodshedding, for “Whistle from Above”, #DavidGrubbs invited #RhodriDavies, #AndreaBelfi, #NikosVeliotis, #NateWooley, and #CleekSchrey into engaging conversational gambits with some deeply personal solo works. Available via #DragCity, February 28th. davidgrubbs.bandcamp.com/album

  18. #Upcoming Sound decomposer #TwigHarper went wild remixing #SixOrgansOfAdmittance’s 2020 opus, “Companion Rises”, turning it into a soundtrack for California chaos! Available via #DragCity, September 27th. twigharper.bandcamp.com/album/

  19. #EikoIshibashi - Evil Does Not Exist dl on #DragCity 2024
    "a synergistic exchange between Eiko Ishibashi & filmmaker #RyusukeHamaguchi: music for images, visuals for sounds. Eiko’s score initiated the project that has become Ryusuke Hamaguchi's new film" Personal note: Beautiful!
    eikoishibashi.bandcamp.com/alb

  20. #Upcoming “Earthly Pleasures” by veteran electronic composer and modular synth pioneer #JillFraser is a resetting of American revival-style hymns, speculating on death, the afterlife, and how the spirit of our songs might be interpreted after we’re gone. Available via #DragCity, September 27th. jillfraser.bandcamp.com/album/

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