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#dracor — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #dracor, aggregated by home.social.

  1. #CCLS2026: First talk of the conference is "Contrasting Verbal Prominence and Network Centrality. A Typology of Dramatic #Characters" by Botond Szemes, examining different dimensions of character prominence in plays.
    #DraCor #Shakespeare #JCLS

    Preprint: doi.org/10.26083/tuda-7996

  2. #CCLS2026: First talk of the conference is "Contrasting Verbal Prominence and Network Centrality. A Typology of Dramatic #Characters" by Botond Szemes, examining different dimensions of character prominence in plays.
    #DraCor #Shakespeare #JCLS

    Preprint: doi.org/10.26083/tuda-7996

  3. #DraCor now has its own blog!

    We'll share regular updates on the open infrastructure for drama analysis, including news from the international DraCor community, starting with two short posts on our latest Schema and API releases.

    Blog: blog.dracor.org/

    Feed: blog.dracor.org/feed.xml

    #DigitalHumanities

  4. #DraCor now has its own blog!

    We'll share regular updates on the open infrastructure for drama analysis, including news from the international DraCor community, starting with two short posts on our latest Schema and API releases.

    Blog: blog.dracor.org/

    Feed: blog.dracor.org/feed.xml

    #DigitalHumanities

  5. 💫 Die aktuelle Folge von @GeschichteFM (geschichte.fm/archiv/gag551/), erzählt von @meszner, enthält eine honourable mention von Kotzebues Schauspiel »Graf Benjowsky, oder: die Verschwörung auf Kamtschatka« (1794).

    Das Drama ist in #DraCor enthalten:
    dracor.org/id/ger000488

    Abgebildet das Kopräsenznetzwerk der Figuren, erstellt mithilfe von @Gephi (Knoten-/Label-Größe ≙ Word Space; Farbverlauf ≙ 3 verschiedenen Communitys).

  6. 💫 Die aktuelle Folge von @GeschichteFM (geschichte.fm/archiv/gag551/), erzählt von @meszner, enthält eine honourable mention von Kotzebues Schauspiel »Graf Benjowsky, oder: die Verschwörung auf Kamtschatka« (1794).

    Das Drama ist in #DraCor enthalten:
    dracor.org/id/ger000488

    Abgebildet das Kopräsenznetzwerk der Figuren, erstellt mithilfe von @Gephi (Knoten-/Label-Größe ≙ Word Space; Farbverlauf ≙ 3 verschiedenen Communitys).

  7. Neu in #DraCor:

    »Elisabeth. Ein Trauerspiel in fünf Aufzügen« (1777)

    von C. B. Schücking (1753–1778)

    dracor.org/id/ger000754

    Ein rares Stück mit wenigen bekannten Druckexemplaren. Den Scan haben wir von der Bibliothèque nationale de France anfertigen lassen: gallica.bnf.fr/ark:/12148/bpt6

    (Abb.: Kopräsenz-Netzwerk, angefertigt mit Netzwerkdaten aus DraCor, visualisiert mit @Gephi)

    #DigitalHumanities

  8. Neu in #DraCor:

    »Elisabeth. Ein Trauerspiel in fünf Aufzügen« (1777)

    von C. B. Schücking (1753–1778)

    dracor.org/id/ger000754

    Ein rares Stück mit wenigen bekannten Druckexemplaren. Den Scan haben wir von der Bibliothèque nationale de France anfertigen lassen: gallica.bnf.fr/ark:/12148/bpt6

    (Abb.: Kopräsenz-Netzwerk, angefertigt mit Netzwerkdaten aus DraCor, visualisiert mit @Gephi)

    #DigitalHumanities

  9. We are very happy to announce that the Argentinian Drama Corpus (ArDraCor) 🇦🇷 was put on the #DraCor production server today:
    dracor.org/ar

    Work on ArDraCor will continue, led by Gimena del Rio Riande (hdlab.space/, CONICET) & @u_henny (#RosDH, University of Rostock).

    #DigitalHumanities

  10. We are very happy to announce that the Argentinian Drama Corpus (ArDraCor) 🇦🇷 was put on the #DraCor production server today:
    dracor.org/ar

    Work on ArDraCor will continue, led by Gimena del Rio Riande (hdlab.space/, CONICET) & @u_henny (#RosDH, University of Rostock).

    #DigitalHumanities

  11. Noch ein #DraCor-Poster auf der #DHd2026, von Sören Barkey (@dh_potsdam @unipotsdam).

    tl;dr:
    »Somit bestehen rund 5% der deutschsprachigen Dramen in DraCor den Bechdel-Wallace-Test in der vorliegenden Operationalisierung.«

    Abstract:
    doi.org/10.5281/zenodo.18702903

  12. Noch ein #DraCor-Poster auf der #DHd2026, von Sören Barkey (@dh_potsdam @unipotsdam).

    tl;dr:
    »Somit bestehen rund 5% der deutschsprachigen Dramen in DraCor den Bechdel-Wallace-Test in der vorliegenden Operationalisierung.«

    Abstract:
    doi.org/10.5281/zenodo.18702903

  13. Here's our #DHd2026 poster contribution (Poster No. 158):

    750 co-presence networks from the German Drama Corpus, in chronological order, extracted by @lipogg using our rdracor library, assembled by our art director Mark Schwindt.

    Full res:
    doi.org/10.6084/m9.figshare.31

    Abstract:
    doi.org/10.5281/zenodo.18702913

    #DraCor #DigitalHumanities

    @freieuniversitaet @dh_potsdam @unipotsdam

  14. Here's our #DHd2026 poster contribution (Poster No. 158):

    750 co-presence networks from the German Drama Corpus, in chronological order, extracted by @lipogg using our rdracor library, assembled by our art director Mark Schwindt.

    Full res:
    doi.org/10.6084/m9.figshare.31

    Abstract:
    doi.org/10.5281/zenodo.18702913

    #DraCor #DigitalHumanities

    @freieuniversitaet @dh_potsdam @unipotsdam

  15. ✨ After a very active year with many new #DraCor corpora & an intense #DraCorSummit we’re wrapping things up just in time for the holidays with a refreshed interface and other improvements.

    dracor.org/

    Release notes:
    github.com/dracor-org/dracor-f
    github.com/dracor-org/dracor-s

    #DigitalHumanities

  16. ✨ After a very active year with many new #DraCor corpora & an intense #DraCorSummit we’re wrapping things up just in time for the holidays with a refreshed interface and other improvements.

    dracor.org/

    Release notes:
    github.com/dracor-org/dracor-f
    github.com/dracor-org/dracor-s

    #DigitalHumanities

  17. "Who Speaks to Whom?"

    Important work by our Romanian colleagues Udrea et al. on improving social network analysis of tragic plays:
    doi.org/10.3390/electronics141

    They use LLMs for addressee detection in Polish, German, Romanian & English drama (all via #DraCor) to build directed (!) weighted graphs.

    #DigitalHumanities

  18. "Who Speaks to Whom?"

    Important work by our Romanian colleagues Udrea et al. on improving social network analysis of tragic plays:
    doi.org/10.3390/electronics141

    They use LLMs for addressee detection in Polish, German, Romanian & English drama (all via #DraCor) to build directed (!) weighted graphs.

    #DigitalHumanities

  19. Today is #DraCor day!

    This morning, until just now in fact, we did our final (oral) report on #CLSINFRA, including of course talking about #DraCor. And now, @skorinkin, one of the editors of DraCor, speaks about the corpus plattform in our seminar on #Multilingualsm in #DigitalHumanities.

    dracor.org/

    skorinkin.com/about-me

  20. Today is #DraCor day!

    This morning, until just now in fact, we did our final (oral) report on #CLSINFRA, including of course talking about #DraCor. And now, @skorinkin, one of the editors of DraCor, speaks about the corpus plattform in our seminar on #Multilingualsm in #DigitalHumanities.

    dracor.org/

    skorinkin.com/about-me

  21. Keith et al. develop quantitative methods to examine how gender is portrayed across 100+ 17th-century plays by #Calderón.
    #CLS #DigitalHumanities #JCLS #LiteraryComputing #Plays #CCLS25 #DraCor

  22. Keith et al. develop quantitative methods to examine how gender is portrayed across 100+ 17th-century plays by #Calderón.
    #CLS #DigitalHumanities #JCLS #LiteraryComputing #Plays #CCLS25 #DraCor

  23. The idea to attach an Ibsen corpus to #DraCor is almost 10 years old (👀 @arockenberger). Thanks to our colleagues at the Centre for Ibsen Studies (University of Oslo) 🇳🇴, we are delighted to announce today the official release of IbsDraCor with 37 plays:
    dracor.org/ibs

    #DigitalHumanities @freieuniversitaet @dh_potsdam @unipotsdam

  24. The idea to attach an Ibsen corpus to #DraCor is almost 10 years old (👀 @arockenberger). Thanks to our colleagues at the Centre for Ibsen Studies (University of Oslo) 🇳🇴, we are delighted to announce today the official release of IbsDraCor with 37 plays:
    dracor.org/ibs

    #DigitalHumanities @freieuniversitaet @dh_potsdam @unipotsdam

  25. #TEI2025 fun piece by #DraCor @umblaetterer et al.: temporal-communities.github.io

    Generate your own random play from Neunhundert neun und neunzig und noch etliche Almanachs-Lustspiele durch den Würfel (de.wikisource.org/wiki/Neunhun)

    Edit: tagged Frank...

  26. #TEI2025 fun piece by #DraCor @umblaetterer et al.: temporal-communities.github.io

    Generate your own random play from Neunhundert neun und neunzig und noch etliche Almanachs-Lustspiele durch den Würfel (de.wikisource.org/wiki/Neunhun)

    Edit: tagged Frank...

  27. I am participating to thel #DraCor summit on Drama corporas in #Berlin, and the slides/links for my presentation are available at olivieraubert.net/talks/202509 Great community aiming at preserving and analysing drama #CulturalHeritage dracor.org/

  28. The very first #DraCorSummit kicked off today 🎭 a full week dedicated to computational drama analysis!
    We’re excited to be a partner of this event. Selected papers will appear in a special issue on computational drama analysis in #JCLS (2026).
    Stay tuned!
    #CLS #DramaAnalysis #DraCor
    @dramacorpora

  29. The very first #DraCorSummit kicked off today 🎭 a full week dedicated to computational drama analysis!
    We’re excited to be a partner of this event. Selected papers will appear in a special issue on computational drama analysis in #JCLS (2026).
    Stay tuned!
    #CLS #DramaAnalysis #DraCor
    @dramacorpora

  30. ✨ We're kicking off the #DraCorSummit 2025 in Berlin today!

    5 days of digital drama analysis, enhancing #DraCor, and celebrating #OpenScience with participants from around the world at @freieuniversitaet.

    Programme:
    summit.dracor.org/

    @dh_potsdam @unipotsdam

  31. ✨ We're kicking off the #DraCorSummit 2025 in Berlin today!

    5 days of digital drama analysis, enhancing #DraCor, and celebrating #OpenScience with participants from around the world at @freieuniversitaet.

    Programme:
    summit.dracor.org/

    @dh_potsdam @unipotsdam

  32. We're very happy to welcome Clarisse Bardiot (Université Rennes 2) as our keynote speaker at the #DraCor Summit! Join us on Mon, 1 Sep 2025, 18:00 @freieuniversitaet.

    summit.dracor.org/opening_keyn

    Please remember to register for the Summit (it's free).

    summit.dracor.org/registration

    #DigitalHumanities @unipotsdam

  33. We're very happy to welcome Clarisse Bardiot (Université Rennes 2) as our keynote speaker at the #DraCor Summit! Join us on Mon, 1 Sep 2025, 18:00 @freieuniversitaet.

    summit.dracor.org/opening_keyn

    Please remember to register for the Summit (it's free).

    summit.dracor.org/registration

    #DigitalHumanities @unipotsdam

  34. 💫 We just rolled out a new #DraCor release featuring significant improvements to the API, Frontend, and Schema.

    Full update here:
    weltliteratur.net/dracor-platf

    #DigitalHumanities #DH2025

  35. 💫 We just rolled out a new #DraCor release featuring significant improvements to the API, Frontend, and Schema.

    Full update here:
    weltliteratur.net/dracor-platf

    #DigitalHumanities #DH2025

  36. Registration is now open for the #DraCor Summit in Berlin, 1–5 September 2025!

    summit.dracor.org/

    Discover a varied programme feat. workshops, lectures, discussion rounds, and hackathon sessions.

    @freieuniversitaet @dh_potsdam #EXC2020 "Temporal Communities" @unipotsdam

    #DigitalHumanities @TEIConsortium #DraCorSummit2025

  37. Registration is now open for the #DraCor Summit in Berlin, 1–5 September 2025!

    summit.dracor.org/

    Discover a varied programme feat. workshops, lectures, discussion rounds, and hackathon sessions.

    @freieuniversitaet @dh_potsdam #EXC2020 "Temporal Communities" @unipotsdam

    #DigitalHumanities @TEIConsortium #DraCorSummit2025

  38. Join us for the #DraCor Summit in Berlin, 1–4 September 2025.

    summit.dracor.org/

    From corpus building to latest advances in digital drama analysis.

    CfPs open until 6 May 2025. General registration will open in due time.

    @freieuniversitaet @dh_potsdam #EXC2020 "Temporal Communities" @unipotsdam

    #DigitalHumanities @TEIConsortium #DraCorSummit2025

  39. Kurz mal getestet, stylo() kann die verschiedenen Versformen bei Goethe ziemlich sicher auseinanderhalten: Dramen in Alexandrinern, Knitteln, Blankversen, gemischten Versen sowie die beiden hexametrischen Epen.

    (Volltexte via #DraCor bzw. @gutenberg_org.)

    #DigitalHumanities #Stylometry

  40. Kurz mal getestet, stylo() kann die verschiedenen Versformen bei Goethe ziemlich sicher auseinanderhalten: Dramen in Alexandrinern, Knitteln, Blankversen, gemischten Versen sowie die beiden hexametrischen Epen.

    (Volltexte via #DraCor bzw. @gutenberg_org.)

    #DigitalHumanities #Stylometry

  41. There’s a new doctor in town! Julia Beine (of #DraCor fame, among many other things) successfully defended her PhD thesis today. First and foremost, it’s a great achievement of and for herself. But it’s also a good signal for the #DigitalHumanities community at #RuhrUniBochum and beyond to have a #DH leaning PhD thesis receive highest merits in the philologies. Congratulations, Julia! 🍾

  42. There’s a new doctor in town! Julia Beine (of #DraCor fame, among many other things) successfully defended her PhD thesis today. First and foremost, it’s a great achievement of and for herself. But it’s also a good signal for the #DigitalHumanities community at #RuhrUniBochum and beyond to have a #DH leaning PhD thesis receive highest merits in the philologies. Congratulations, Julia! 🍾