#diminishedscale — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #diminishedscale, aggregated by home.social.
-
`When you build chords from the scale in thirds (using every alternating scale tone), you get a series of diminished chords. These sound okay, but are too symmetrical to be interesting. However, when you build from the scale in fourths (using every third scale tone), then you get some extremely interesting chords. C octatonic gives you F, Fm, Ab, Abm, B, Bm, D, and Dm. These chords are wild, but they sound excellent together.`
-
`When you build chords from the scale in thirds (using every alternating scale tone), you get a series of diminished chords. These sound okay, but are too symmetrical to be interesting. However, when you build from the scale in fourths (using every third scale tone), then you get some extremely interesting chords. C octatonic gives you F, Fm, Ab, Abm, B, Bm, D, and Dm. These chords are wild, but they sound excellent together.`
-
`When you build chords from the scale in thirds (using every alternating scale tone), you get a series of diminished chords. These sound okay, but are too symmetrical to be interesting. However, when you build from the scale in fourths (using every third scale tone), then you get some extremely interesting chords. C octatonic gives you F, Fm, Ab, Abm, B, Bm, D, and Dm. These chords are wild, but they sound excellent together.`
-
`When you build chords from the scale in thirds (using every alternating scale tone), you get a series of diminished chords. These sound okay, but are too symmetrical to be interesting. However, when you build from the scale in fourths (using every third scale tone), then you get some extremely interesting chords. C octatonic gives you F, Fm, Ab, Abm, B, Bm, D, and Dm. These chords are wild, but they sound excellent together.`
-
`When you build chords from the scale in thirds (using every alternating scale tone), you get a series of diminished chords. These sound okay, but are too symmetrical to be interesting. However, when you build from the scale in fourths (using every third scale tone), then you get some extremely interesting chords. C octatonic gives you F, Fm, Ab, Abm, B, Bm, D, and Dm. These chords are wild, but they sound excellent together.`