#diffuse-reality-records — Public Fediverse posts

CF Signals: Mr. Bouncy Castle – Booty Hazard [Diffuse Reality Records]

We introduce Mr. Bouncy Castle, a Winnipeg-based Canadian producer who has spent most of his time in Antarctica researching the depths of ice caves. He has been living in an improvised igloo built using a bouncy castle as a base beneath a layer of reinforced ice. He enjoys cold, bouncy things…

https://clubfuries.com.mx/2026/07/11/cfs-cat-can-do-avant-drss1477/

For one of his recent releases, he arrives on the Spanish multi-platform Diffuse Reality Records with a collection of tracks titled Voici Monsieur Château Gonflable, featuring four original cuts.

https://soundcloud.com/clubfuriess/cfs-mr-bouncy-castle-booty-hazard-drss1506

«Booty Hazard» emerges from the vast expanses of that icy continent where he has lived for so long, an environment that has undoubtedly shaped his sound to its core. Perpetual, ethereal, expansive, immense. Clocking in at over 20 minutes, this track is the ultimate embodiment of the dynamic between Antarctic ice and the artist’s underlying vision.

The rest is about surrendering to the sheer length of the track and the infinite ice of the frozen continent…

Artist: Mr. Bouncy Castle
Title: Voici Monsieur Château Gonflable
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1506

Release Date: August 17, 2026
Support & Buy: Bandcamp

Tracklist
1. Booty Hazard
2. Boom boom bien
3. Tomato Warning
4. Dansk in the dark

Mr. Bouncy Castle

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Diffuse Reality Records

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Club Furies

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CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

Editorial introduction

For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

I. The trilogy and the reset

01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

— A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

— A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

II. The concept — extinction as relief

03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

— A: We mean this entirely seriously. There’s no irony in it.

04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

— A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

— A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

III. The sound

06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

— A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

— A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

— A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

IV. Influences and identity

09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

— A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

V. Periphylla Records and the release

10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

— A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

VI. What comes after

11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

— A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

Editorial closing

Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

Artist: Catástrofe Club
Title: Un futuro tranquilo
Format: Vinyl, 12»/ Digital
Label: Diffuse Reality / Periphylla Series
Catalogue: PY 222

Release Date: July 10, 2026
Support & Buy: Bandcamp

Tracklist
A1. En el futuro
A2. Todo sigue
A3. Casa piedra camino
A4. Satélites
A5. Querido yo
B1. El fin de la especie
B2. Un día mejor
B3. La belleza
B4. En el futuro II
B5. Nadie

Credits
Written and Produced by Catástrofe Club
All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
Josep Maria Herrera (vocals, guitars, programming).
David Molina (bass, programming)

All tracks written and produced by CATASTROFE CLUB.
Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

Design and artwork: Raquel Castro and Joan Antoni Martori.

Catástrofe Club

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Periphylla

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Club Furies

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CF Signals: cat can do – Avant [Diffuse Reality Records]

The mysticism of the nocturnal floor transforms under the skin of a feline mutating with the shadows. Our favorite cat, cat can do—who regularly turns into a wolf by night under his Only Wolf moniker—returns to our pages to reinforce his tight-knit bond with the unwavering Spanish platform Diffuse Reality Records. Following multiple acclaimed references on the label, the Canadian-born, Alicante-based producer unveils Avant, a four-track collection of original cuts evading conventional molds to delve into the territories of a hybrid, cult techno.

https://clubfuries.com.mx/2026/05/28/cfmx-cf-present-cat-can-do/

The core synthesis of this release manifests mysteriously on the title track, Avant. The piece sparks with reticent sounds that approach patiently, as if originating from other times and unexplored dimensions. Far from monolithic industrial rigidity, the cut boasts the characteristic subtlety and self-assurance of the producer’s sound design, weaving a dense, liquid texture where physical friction coexists with a profound spatial elegance.

https://soundcloud.com/clubfuriess/cfs-cat-can-do-avant-drss1477

The composition’s narrative warps the club’s temporality. Climaxes arrive with surgical delicacy, briefly arresting time and space within a structural containment void; it is there that latent howls emerge, rapidly transmuting into acid drops and synthetic bulbs that re-ignite everything within the Alicante cat’s sonic and visual universe, reactivating the groove with an unyielding, expansive movement.

https://clubfuries.com.mx/2025/08/18/cfr-2025-11-cat-can-do-presents-emotional-apres-at-diffuse-reality/

Towards the denouement, the sonic architecture shuns the complacency of a gentle descent or a functional summary. The drive simply cuts off mid-analog tension, leaving the acid frequencies vibrating in mid-air like an unfinished interference in the dark. With Avant, cat can do and Diffuse Reality sign a sharp editorial stance against today’s underground scene: they prove that avant-garde techno solidifies when hardware precision surrenders to the animalistic, unpredictable nature of the night.

Artist: cat can do
Title: Avant
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1477

Release Date: July 20, 2026
Support & Buy: Bandcamp

Tracklist
1. Avant
2. Tragic
3. Brothers
4. 2004

cat can do

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Diffuse Reality Records

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Club Furies

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CF Premiere: Res Non Verba – Cuba 2922 [Teorema by Diffuse Reality Records]

Galgo is a producer and composer from Buenos Aires, Argentina, who works across multiple aliases and genres. Res Non Verba is his project most directly oriented toward the dancefloor and techno. For his latest release, he appears on one of our favorite labels, Teorema, the sister imprint of Diffuse Reality Records—an ideal space for a proposal centered on the body, pulse, and meaningful repetition.

https://clubfuries.com.mx/2025/02/10/cfr-2025-3-deepneue-alkebulan-kino-teo194/

RNV 1 brings together six tracks produced throughout 2025, recorded, composed, and mixed almost entirely with hardware in his studio. The release pushes further into a more instrumental and direct approach than his previous work, moving fluidly between groove, industrial techno, and a strong use of the 808. The result is a physical, no-frills sound, designed to operate through extended layers of intensity.

https://clubfuries.com.mx/2024/08/19/cfp-res-non-verba-epilepsia-phy133/

The core search within RNV points toward trance, deep listening, and the hypnotic state intrinsic to electronic music. This idea also dialogues with jazz—not through form, but through experience: extended time, repetition, improvisation, and the possibility of getting lost in the moment. Subtle nods to artists such as Elvin Jones or Ahmad Jamal emerge, not as explicit quotations, but as rhythmic decisions, melodic gestures, and moments of improvisation or hidden samples.

https://soundcloud.com/clubfuriess/cfp-res-non-verba-cuba-2922-teo241

CUBA 2922 unfolds as a staged journey, with distorted 303 lines and 808 rhythms that mutate until reaching an unexpected beat switch. Surprise and shifts in direction are central to the project: the idea is to catch the listener off guard and to understand music as a space for play and exploration. The track closes with the iconic vocal from Moby’s Feeling So Real, reinforcing the logic of allowing the music to move freely, uninterrupted, within this field of imagination and sonic drift.

This is how the artist himself defines the track. And when a creator can articulate their sonic work in such terms, all that remains is to contemplate it—both through words and through sound. A true feast for the senses, meant to be experienced again and again.

Label: Teorema by Diffuse Reality Records
Artist:
Res Non Verba
Title: RNV1
Format: Digital

Catalogue:
TE0241

Release Date: February 10th, 2026
Support & Buy: Bandcamp

Tracklist
1. CUBA 2922
2. THIS ONE IS CALLED EXTENSIONS
3. PASO 2
4. FAT32
5. IN YOUR WAY
6. RITMO LIBRE

Res Non Verba

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Teorema

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Club Furies

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