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#deuterium — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #deuterium, aggregated by home.social.

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  1. #ESO:
    "
    Älter als die Sonne: Astronomen finden neue Hinweise auf den Ursprung des interstellaren Kometen 3I/ATLAS
    "
    ".. VLT .. genutzt, um .. Zusammensetzung v. 3I/ATLAS, d. hellsten jemals beobachteten interstell. Objekt, im Detail zu untersuchen... fanden .. heraus, dass 3I/ATLAS wahrscheinl. aus d. Außenbereichen eines alten Sternensystems stammt. .. .. mehr als doppelt so alt wie d. Sonne .."

    eso.org/public/germany/news/es

    6.7.2026

    #3IATLAS #Astronomie #Deuterium #Kohlenstoff #Komet #UVES #VLT

  2. #ESO:
    "
    Älter als die Sonne: Astronomen finden neue Hinweise auf den Ursprung des interstellaren Kometen 3I/ATLAS
    "
    ".. VLT .. genutzt, um .. Zusammensetzung v. 3I/ATLAS, d. hellsten jemals beobachteten interstell. Objekt, im Detail zu untersuchen... fanden .. heraus, dass 3I/ATLAS wahrscheinl. aus d. Außenbereichen eines alten Sternensystems stammt. .. .. mehr als doppelt so alt wie d. Sonne .."

    eso.org/public/germany/news/es

    6.7.2026

    #3IATLAS #Astronomie #Deuterium #Kohlenstoff #Komet #UVES #VLT

  3. #ESO:
    "
    Älter als die Sonne: Astronomen finden neue Hinweise auf den Ursprung des interstellaren Kometen 3I/ATLAS
    "
    ".. VLT .. genutzt, um .. Zusammensetzung v. 3I/ATLAS, d. hellsten jemals beobachteten interstell. Objekt, im Detail zu untersuchen... fanden .. heraus, dass 3I/ATLAS wahrscheinl. aus d. Außenbereichen eines alten Sternensystems stammt. .. .. mehr als doppelt so alt wie d. Sonne .."

    eso.org/public/germany/news/es

    6.7.2026

    #3IATLAS #Astronomie #Deuterium #Kohlenstoff #Komet #UVES #VLT

  4. #ESO:
    "
    Älter als die Sonne: Astronomen finden neue Hinweise auf den Ursprung des interstellaren Kometen 3I/ATLAS
    "
    ".. VLT .. genutzt, um .. Zusammensetzung v. 3I/ATLAS, d. hellsten jemals beobachteten interstell. Objekt, im Detail zu untersuchen... fanden .. heraus, dass 3I/ATLAS wahrscheinl. aus d. Außenbereichen eines alten Sternensystems stammt. .. .. mehr als doppelt so alt wie d. Sonne .."

    eso.org/public/germany/news/es

    6.7.2026

    #3IATLAS #Astronomie #Deuterium #Kohlenstoff #Komet #UVES #VLT

  5. #ESO:
    "
    Älter als die Sonne: Astronomen finden neue Hinweise auf den Ursprung des interstellaren Kometen 3I/ATLAS
    "
    ".. VLT .. genutzt, um .. Zusammensetzung v. 3I/ATLAS, d. hellsten jemals beobachteten interstell. Objekt, im Detail zu untersuchen... fanden .. heraus, dass 3I/ATLAS wahrscheinl. aus d. Außenbereichen eines alten Sternensystems stammt. .. .. mehr als doppelt so alt wie d. Sonne .."

    eso.org/public/germany/news/es

    6.7.2026

    #3IATLAS #Astronomie #Deuterium #Kohlenstoff #Komet #UVES #VLT

  6. Blindead 23 – Deuterium Review By Dear Hollow

    Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

    In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

    Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

    The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

    Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Peaceville Records
    Website: facebook.com/blindead23
    Releases Worldwide: April 22nd, 2026

    #2026 #30 #AmiaVeneraLandscape #Apr26 #Behemoth #BlackSheepWall #Blindead #Blindead23 #DeathMetal #Decapitated #Deuterium #Dirge #Hardcore #Katatonia #Knut #MouthOfTheArchitect #Neurosis #PeacevilleRecords #PolishMetal #PostMetal #Review #Reviews #Rosetta #SludgeMetal #Vader #Vltimas
  7. Blindead 23 – Deuterium Review By Dear Hollow

    Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

    In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

    Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

    The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

    Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Peaceville Records
    Website: facebook.com/blindead23
    Releases Worldwide: April 22nd, 2026

    #2026 #30 #AmiaVeneraLandscape #Apr26 #Behemoth #BlackSheepWall #Blindead #Blindead23 #DeathMetal #Decapitated #Deuterium #Dirge #Hardcore #Katatonia #Knut #MouthOfTheArchitect #Neurosis #PeacevilleRecords #PolishMetal #PostMetal #Review #Reviews #Rosetta #SludgeMetal #Vader #Vltimas
  8. Blindead 23 – Deuterium Review By Dear Hollow

    Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

    In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

    Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

    The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

    Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Peaceville Records
    Website: facebook.com/blindead23
    Releases Worldwide: April 22nd, 2026

    #2026 #30 #AmiaVeneraLandscape #Apr26 #Behemoth #BlackSheepWall #Blindead #Blindead23 #DeathMetal #Decapitated #Deuterium #Dirge #Hardcore #Katatonia #Knut #MouthOfTheArchitect #Neurosis #PeacevilleRecords #PolishMetal #PostMetal #Review #Reviews #Rosetta #SludgeMetal #Vader #Vltimas
  9. Blindead 23 – Deuterium Review By Dear Hollow

    Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

    In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

    Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

    The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

    Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Peaceville Records
    Website: facebook.com/blindead23
    Releases Worldwide: April 22nd, 2026

    #2026 #30 #AmiaVeneraLandscape #Apr26 #Behemoth #BlackSheepWall #Blindead #Blindead23 #DeathMetal #Decapitated #Deuterium #Dirge #Hardcore #Katatonia #Knut #MouthOfTheArchitect #Neurosis #PeacevilleRecords #PolishMetal #PostMetal #Review #Reviews #Rosetta #SludgeMetal #Vader #Vltimas
  10. Blindead 23 – Deuterium Review By Dear Hollow

    Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

    In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

    Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

    The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

    Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Peaceville Records
    Website: facebook.com/blindead23
    Releases Worldwide: April 22nd, 2026

    #2026 #30 #AmiaVeneraLandscape #Apr26 #Behemoth #BlackSheepWall #Blindead #Blindead23 #DeathMetal #Decapitated #Deuterium #Dirge #Hardcore #Katatonia #Knut #MouthOfTheArchitect #Neurosis #PeacevilleRecords #PolishMetal #PostMetal #Review #Reviews #Rosetta #SludgeMetal #Vader #Vltimas
  11. sailing-dulce.nl/home/article- #3IATLAS #deuterium #KeirStarmer #Brexit #sneeuw #mercatormarina Dinsdag 12-05-2026 Nieuws over 3I/Atlas, de laatste (derde) passant van buiten ons zonnestelsel. Hij is vermoedelijk 3 miljard jaar ouder dan ons eigen zonnestelsel. Het object zou afkomstig zijn van een ster in de dikke schijf van het Melkwegstelsel, vloog in 2025 om de zon heen en is nu in de buitenste regionen van het zonnestelsel terug op weg naar de interstellaire ruimte. Veel wappies, vliegendeschote..

  12. sailing-dulce.nl/home/article- #3IATLAS #deuterium #KeirStarmer #Brexit #sneeuw #mercatormarina Dinsdag 12-05-2026 Nieuws over 3I/Atlas, de laatste (derde) passant van buiten ons zonnestelsel. Hij is vermoedelijk 3 miljard jaar ouder dan ons eigen zonnestelsel. Het object zou afkomstig zijn van een ster in de dikke schijf van het Melkwegstelsel, vloog in 2025 om de zon heen en is nu in de buitenste regionen van het zonnestelsel terug op weg naar de interstellaire ruimte. Veel wappies, vliegendeschote..

  13. sailing-dulce.nl/home/article- #3IATLAS #deuterium #KeirStarmer #Brexit #sneeuw #mercatormarina Dinsdag 12-05-2026 Nieuws over 3I/Atlas, de laatste (derde) passant van buiten ons zonnestelsel. Hij is vermoedelijk 3 miljard jaar ouder dan ons eigen zonnestelsel. Het object zou afkomstig zijn van een ster in de dikke schijf van het Melkwegstelsel, vloog in 2025 om de zon heen en is nu in de buitenste regionen van het zonnestelsel terug op weg naar de interstellaire ruimte. Veel wappies, vliegendeschote..

  14. sailing-dulce.nl/home/article- #3IATLAS #deuterium #KeirStarmer #Brexit #sneeuw #mercatormarina Dinsdag 12-05-2026 Nieuws over 3I/Atlas, de laatste (derde) passant van buiten ons zonnestelsel. Hij is vermoedelijk 3 miljard jaar ouder dan ons eigen zonnestelsel. Het object zou afkomstig zijn van een ster in de dikke schijf van het Melkwegstelsel, vloog in 2025 om de zon heen en is nu in de buitenste regionen van het zonnestelsel terug op weg naar de interstellaire ruimte. Veel wappies, vliegendeschote..

  15. Interstellaire komeet 3I/ATLAS is ontstaan in een ultrakoud planetenstelsel
    Waterstof bestaat uit twee waterstofatomen en één zuurstofatoom, vandaar de formule H2O. in typische watermoleculen hebben die waterstofatomen echter slechts
    #3I/ATLAS #alma #deuterium #InterstellairObject #InterstellaireKomeet #komeet #water #waterstof #zonnestelsel #ZwaarWater
    kuuke.nl/interstellaire-komeet

  16. : Heavy , , is a stable and nonradioactive isotope of hydrogen. It is named after Greek Deuteros which means "second", to denote the two particles composing the nucleus.

    Who discovered heavy hydrogen?

    A. Henry Cavendish
    B. Harold Urey
    C. Joseph Priestley
    D. Marie Curie

    knowledgezone.co.in/resources/

  17. #QuizOfTheDay: Heavy #Hydrogen, #Deuterium, is a stable and nonradioactive isotope of hydrogen. It is named after Greek Deuteros which means "second", to denote the two particles composing the nucleus.

    Who discovered heavy hydrogen?

    A. Henry Cavendish
    B. Harold Urey
    C. Joseph Priestley
    D. Marie Curie

    knowledgezone.co.in/resources/

  18. #QuizOfTheDay: Heavy #Hydrogen, #Deuterium, is a stable and nonradioactive isotope of hydrogen. It is named after Greek Deuteros which means "second", to denote the two particles composing the nucleus.

    Who discovered heavy hydrogen?

    A. Henry Cavendish
    B. Harold Urey
    C. Joseph Priestley
    D. Marie Curie

    knowledgezone.co.in/resources/

  19. #QuizOfTheDay: Heavy #Hydrogen, #Deuterium, is a stable and nonradioactive isotope of hydrogen. It is named after Greek Deuteros which means "second", to denote the two particles composing the nucleus.

    Who discovered heavy hydrogen?

    A. Henry Cavendish
    B. Harold Urey
    C. Joseph Priestley
    D. Marie Curie

    knowledgezone.co.in/resources/

  20. #QuizOfTheDay: Heavy #Hydrogen, #Deuterium, is a stable and nonradioactive isotope of hydrogen. It is named after Greek Deuteros which means "second", to denote the two particles composing the nucleus.

    Who discovered heavy hydrogen?

    A. Henry Cavendish
    B. Harold Urey
    C. Joseph Priestley
    D. Marie Curie

    knowledgezone.co.in/resources/

  21. #DerStandard:
    "
    Der interstellare Komet 3I/Atlas stammt aus einem völlig andersartigen System
    "
    "Der dritte interstellare Besucher in unserem Sonnensystem liefert neue Überraschungen. Seine Zusammensetzung unterscheidet sich von allen bekannten Kometen"

    derstandard.at/story/300000031

    23.4.2026

    #3IAtlas #Astronomie #Astrophysik #Deuterium #Komet #Milchstraße #Sonnensystem

  22. #DerStandard:
    "
    Der interstellare Komet 3I/Atlas stammt aus einem völlig andersartigen System
    "
    "Der dritte interstellare Besucher in unserem Sonnensystem liefert neue Überraschungen. Seine Zusammensetzung unterscheidet sich von allen bekannten Kometen"

    derstandard.at/story/300000031

    23.4.2026

    #3IAtlas #Astronomie #Astrophysik #Deuterium #Komet #Milchstraße #Sonnensystem

  23. #DerStandard:
    "
    Der interstellare Komet 3I/Atlas stammt aus einem völlig andersartigen System
    "
    "Der dritte interstellare Besucher in unserem Sonnensystem liefert neue Überraschungen. Seine Zusammensetzung unterscheidet sich von allen bekannten Kometen"

    derstandard.at/story/300000031

    23.4.2026

    #3IAtlas #Astronomie #Astrophysik #Deuterium #Komet #Milchstraße #Sonnensystem

  24. #DerStandard:
    "
    Der interstellare Komet 3I/Atlas stammt aus einem völlig andersartigen System
    "
    "Der dritte interstellare Besucher in unserem Sonnensystem liefert neue Überraschungen. Seine Zusammensetzung unterscheidet sich von allen bekannten Kometen"

    derstandard.at/story/300000031

    23.4.2026

    #3IAtlas #Astronomie #Astrophysik #Deuterium #Komet #Milchstraße #Sonnensystem

  25. #DerStandard:
    "
    Der interstellare Komet 3I/Atlas stammt aus einem völlig andersartigen System
    "
    "Der dritte interstellare Besucher in unserem Sonnensystem liefert neue Überraschungen. Seine Zusammensetzung unterscheidet sich von allen bekannten Kometen"

    derstandard.at/story/300000031

    23.4.2026

    #3IAtlas #Astronomie #Astrophysik #Deuterium #Komet #Milchstraße #Sonnensystem

  26. Webb Telescope Detects Unusually High Levels of “Heavy Hydrogen,” a Key Component of Nuclear Fusion Fuel, in 3I/ATLAS

    New observations of the interstellar comet 3I/ATLAS by NASA’s James Webb Space Telescope have revealed an all-new twist…
    #NewsBeep #News #Science #3I/ATLAS #astronomy #Astrophysics #coma #Comet #deuterium #GB #Isotope #jameswebbspacetelescope #methane #NASA #Protoplanetarydisk #Space #UK #UnitedKingdom
    newsbeep.com/uk/500414/

  27. Die @dfg_public verlängert die Förderung des #Graduiertenkollegs #Wasserstoffisotope ¹²³H um weitere 4,5 Jahre in Höhe von ca. 5,5 Mio. Euro. Ziel des Kollegs ist es, Arbeitskräfte von morgen in neuen Technologien rund um die 3 Wasserstoffisotope #Protium, #Deuterium und #Tritium auszubilden. Diese kommen u.a. in der #Kernfusion, bei der #Arzneistoffentwicklung und zur Herstellung von #Handydisplays zum Einsatz:
    uni-leipzig.de/newsdetail/arti

  28. Die @dfg_public verlängert die Förderung des #Graduiertenkollegs #Wasserstoffisotope ¹²³H um weitere 4,5 Jahre in Höhe von ca. 5,5 Mio. Euro. Ziel des Kollegs ist es, Arbeitskräfte von morgen in neuen Technologien rund um die 3 Wasserstoffisotope #Protium, #Deuterium und #Tritium auszubilden. Diese kommen u.a. in der #Kernfusion, bei der #Arzneistoffentwicklung und zur Herstellung von #Handydisplays zum Einsatz:
    uni-leipzig.de/newsdetail/arti

  29. Die @dfg_public verlängert die Förderung des #Graduiertenkollegs #Wasserstoffisotope ¹²³H um weitere 4,5 Jahre in Höhe von ca. 5,5 Mio. Euro. Ziel des Kollegs ist es, Arbeitskräfte von morgen in neuen Technologien rund um die 3 Wasserstoffisotope #Protium, #Deuterium und #Tritium auszubilden. Diese kommen u.a. in der #Kernfusion, bei der #Arzneistoffentwicklung und zur Herstellung von #Handydisplays zum Einsatz:
    uni-leipzig.de/newsdetail/arti

  30. Die @dfg_public verlängert die Förderung des #Graduiertenkollegs #Wasserstoffisotope ¹²³H um weitere 4,5 Jahre in Höhe von ca. 5,5 Mio. Euro. Ziel des Kollegs ist es, Arbeitskräfte von morgen in neuen Technologien rund um die 3 Wasserstoffisotope #Protium, #Deuterium und #Tritium auszubilden. Diese kommen u.a. in der #Kernfusion, bei der #Arzneistoffentwicklung und zur Herstellung von #Handydisplays zum Einsatz:
    uni-leipzig.de/newsdetail/arti

  31. Die @dfg_public verlängert die Förderung des #Graduiertenkollegs #Wasserstoffisotope ¹²³H um weitere 4,5 Jahre in Höhe von ca. 5,5 Mio. Euro. Ziel des Kollegs ist es, Arbeitskräfte von morgen in neuen Technologien rund um die 3 Wasserstoffisotope #Protium, #Deuterium und #Tritium auszubilden. Diese kommen u.a. in der #Kernfusion, bei der #Arzneistoffentwicklung und zur Herstellung von #Handydisplays zum Einsatz:
    uni-leipzig.de/newsdetail/arti

  32. ALMA detecteert zwaar water rond V883 Orionis
    Astronomen hebben met behulp van de Atacama Large Millimeter/submillimeter Array (ALMA) ‘zwaar water’ (D2O) gevonden in de protoplanetaire schijf rond
    #alma #deuterium #ProtoplanetaireSchijf #protoster #V883Orionis #water #ZwaarWater
    kuuke.nl/alma-detecteert-zwaar

  33. Wetenschappers bouwen het eerste molecuul van het heelal na

    De bevindingen kunnen helpen om het mysterie van het ontstaan van de eerste sterren op te lossen.

    Deze afbeelding van het stervormingsgebied S106 is gemaakt door de Hubble Space Telescope. Credit: NASA/ESA

    Enkele seconden na de oerknal ontstonden in

    kuuke.nl/wetenschappers-bouwen

    #deuterium #EersteMolecuul #helium #heliumhydride #oerknal #VroegeHeelal #waterstof

  34. : Heavy , , is a stable and nonradioactive isotope of hydrogen. It is named after Greek Deuteros which means "second", to denote the two particles composing the nucleus.

    Who discovered heavy hydrogen?

    A. Henry Cavendish
    B. Harold Urey
    C. Joseph Priestley
    D. Marie Curie

    knowledgezone.co.in/resources/