#ddaa — Public Fediverse posts

https://www.alojapan.com/1442211/the-kokuyo-dig-office-in-tokyo-doubles-as-a-space-for-learning/ The KOKUYO DIG Office in Tokyo Doubles as a Space for Learning #commercial #CommercialOffice #CommercialSpace #DDAA #Japan #news #office #Tokyo #TokyoNews #東京 #東京都 Workplaces serve as centers to support business transactions, often with cues from traditional corporate styling but little else. For its new office in Tokyo, the staff at KOKUYO, a leading manufacturer of office furniture, stationery, and supplies, envisioned a combination work an

https://www.alojapan.com/1442211/the-kokuyo-dig-office-in-tokyo-doubles-as-a-space-for-learning/ The KOKUYO DIG Office in Tokyo Doubles as a Space for Learning #commercial #CommercialOffice #CommercialSpace #DDAA #Japan #news #office #Tokyo #TokyoNews #東京 #東京都 Workplaces serve as centers to support business transactions, often with cues from traditional corporate styling but little else. For its new office in Tokyo, the staff at KOKUYO, a leading manufacturer of office furniture, stationery, and supplies, envisioned a combination work an

#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks

#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks

#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks

#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks

#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks