#daughtry — Public Fediverse posts

New post: Daughtry announce deluxe vinyl edition of ‘Shock to the System’ https://moshville.co.uk/news/2026/05/daughtry-announce-deluxe-vinyl-edition-of-shock-to-the-system/ #Daughtry

Life After You 💀
#Daughtry
https://www.youtube.com/watch?v=8n-TqUtbAv4

September 🤎🍂🧦🧸🎃☕️
#Daughtry
https://www.youtube.com/watch?v=C8Eu8zMrBwY

There was a time in my youth when bands like California’s Atreyu, Killswitch Engage and their ilk were all I wanted to listen to. Whether this was due to the novelty of the sound in its era, coinciding with my novice experience with metal as a whole, or perhaps the reflection of my own earnest angst resonating from the common themes of the scene, records like As Daylight Dies or Lead Sails Paper Anchor marked core albums in my metallic upbringing. However, with only two exceptions, I never kept up with any of these bands as time passed. My tastes shifted and evolved. For a time, I forgot entirely about Atreyu, until the itch to sing a few of their songs in the car became too much to bear. And so, when I saw Atreyu were not only still active, but about to release a new record aptly entitled The End is Not the End, I had to know how almost 20 years of time away changed my appreciation for Atreyu.

One thing that 20 years did not change was Atreyu’s style. Since my introduction to them with Lead Sails Paper Anchor, an album I still hold in high regard for better or for worse, they firmly entrenched their metalcore base with poppy beats, addicting choruses, and earnest, if ham-fisted, lyrics. Thankfully, they also boasted one of the better vocalists in a style hell-bent on employing whiny tenors with unrefined technique, both in harsh and clean styles. If anything, Brandon Saller has only gotten better with time and practice. The rest of the lineup shifted and swirled until settling into its current form in 2020,1 but other than a marked uptick in pop-centric songwriting, Atreyu preserved the core of their 2007 sound remarkably well.

This both works in their favor and leaves me cold. On one hand, killer hit-makers that are impossible to resist (“Break Me,” “All for You”) recall the shockingly effective simplicity of post-grunge-pop acts like Daughtry or Shinedown at their peak. On the other hand, a distinct lack of unique ideas or distinct identity for the vast majority of its 45-ish minute runtime (with the exception of “Ego Death” and “Children of the Light”) leaves me starving for something of substance. At times, as in the generic “Death Rattle,” small songwriting choices (the crowd-core “MOTHERFUCKER” shout being one) cause a minor recoil in my spine as it recalls the more embarrassing moments of my teen years. However, album standouts “Children of Light” and “In the Dark” evoke a legitimate callback to classic In Flames-style melodic death metal, rippling with energetic gallops and even a cool tandem guitar/saxophone solo. These songs don’t go so far as to abandon Atreyu’s pop sensibilities or cheesy lyrics, but they are big fun nonetheless and are sure to please crowds mightily.

Yet I struggle to recall anything from The End is Not the End once it… well… ends. As happy as I am pulling my favorite songs like “All for You” or “In the Dark” for playlist duties—which would eventually allow them to find purchase in my memory—I can’t help but stew in disappointment that nothing here sticks with the immediacy of past bangers like “Doomsday,” “When Two Are One” or “Falling Down.” I can appreciate that The End is Not the End is an altogether more hopeful and uplifting record compared to that angsty, bitter predecessor of my youth, but the shift in tone hasn’t helped the songwriting. On that front, The End is Not the End sounds like Atreyu going through the motions, spinning their wheels, and making very little forward momentum. In turn, I found very little here to grab onto and even less that grabbed me first.

I still want to go to bat for these guys. As many times as I’ve heard my comrades and co-conspirators belittle Atreyu, I can’t help but protect the soft spot I have for them. At the same time, The End is Not the End is not going to convince any of the naysayers, and hasn’t won me over either. There are great songs here with choruses that I would have a blast belting out at a drop of a hat. A couple of small sparks of unexpected heft remind me that Atreyu are, indeed, part of the metal landscape, albeit on the poppiest fringe of the core region. All in all, though, I’m not going to think at all about The End is Not the End 20 years from now. Alas.

Rating: Disappointing.
DR: Use Your Imagination | Format Reviewed: Streamfarm
Label: Spinefarm Records
Websites: atreyuofficial.com | facebook.com/Atreyu
Releases Worldwide: April 24th, 2026

There was a time in my youth when bands like California’s Atreyu, Killswitch Engage and their ilk were all I wanted to listen to. Whether this was due to the novelty of the sound in its era, coinciding with my novice experience with metal as a whole, or perhaps the reflection of my own earnest angst resonating from the common themes of the scene, records like As Daylight Dies or Lead Sails Paper Anchor marked core albums in my metallic upbringing. However, with only two exceptions, I never kept up with any of these bands as time passed. My tastes shifted and evolved. For a time, I forgot entirely about Atreyu, until the itch to sing a few of their songs in the car became too much to bear. And so, when I saw Atreyu were not only still active, but about to release a new record aptly entitled The End is Not the End, I had to know how almost 20 years of time away changed my appreciation for Atreyu.

One thing that 20 years did not change was Atreyu’s style. Since my introduction to them with Lead Sails Paper Anchor, an album I still hold in high regard for better or for worse, they firmly entrenched their metalcore base with poppy beats, addicting choruses, and earnest, if ham-fisted, lyrics. Thankfully, they also boasted one of the better vocalists in a style hell-bent on employing whiny tenors with unrefined technique, both in harsh and clean styles. If anything, Brandon Saller has only gotten better with time and practice. The rest of the lineup shifted and swirled until settling into its current form in 2020,1 but other than a marked uptick in pop-centric songwriting, Atreyu preserved the core of their 2007 sound remarkably well.

This both works in their favor and leaves me cold. On one hand, killer hit-makers that are impossible to resist (“Break Me,” “All for You”) recall the shockingly effective simplicity of post-grunge-pop acts like Daughtry or Shinedown at their peak. On the other hand, a distinct lack of unique ideas or distinct identity for the vast majority of its 45-ish minute runtime (with the exception of “Ego Death” and “Children of the Light”) leaves me starving for something of substance. At times, as in the generic “Death Rattle,” small songwriting choices (the crowd-core “MOTHERFUCKER” shout being one) cause a minor recoil in my spine as it recalls the more embarrassing moments of my teen years. However, album standouts “Children of Light” and “In the Dark” evoke a legitimate callback to classic In Flames-style melodic death metal, rippling with energetic gallops and even a cool tandem guitar/saxophone solo. These songs don’t go so far as to abandon Atreyu’s pop sensibilities or cheesy lyrics, but they are big fun nonetheless and are sure to please crowds mightily.

Yet I struggle to recall anything from The End is Not the End once it… well… ends. As happy as I am pulling my favorite songs like “All for You” or “In the Dark” for playlist duties—which would eventually allow them to find purchase in my memory—I can’t help but stew in disappointment that nothing here sticks with the immediacy of past bangers like “Doomsday,” “When Two Are One” or “Falling Down.” I can appreciate that The End is Not the End is an altogether more hopeful and uplifting record compared to that angsty, bitter predecessor of my youth, but the shift in tone hasn’t helped the songwriting. On that front, The End is Not the End sounds like Atreyu going through the motions, spinning their wheels, and making very little forward momentum. In turn, I found very little here to grab onto and even less that grabbed me first.

I still want to go to bat for these guys. As many times as I’ve heard my comrades and co-conspirators belittle Atreyu, I can’t help but protect the soft spot I have for them. At the same time, The End is Not the End is not going to convince any of the naysayers, and hasn’t won me over either. There are great songs here with choruses that I would have a blast belting out at a drop of a hat. A couple of small sparks of unexpected heft remind me that Atreyu are, indeed, part of the metal landscape, albeit on the poppiest fringe of the core region. All in all, though, I’m not going to think at all about The End is Not the End 20 years from now. Alas.

Rating: Disappointing.
DR: Use Your Imagination | Format Reviewed: Streamfarm
Label: Spinefarm Records
Websites: atreyuofficial.com | facebook.com/Atreyu
Releases Worldwide: April 24th, 2026

There was a time in my youth when bands like California’s Atreyu, Killswitch Engage and their ilk were all I wanted to listen to. Whether this was due to the novelty of the sound in its era, coinciding with my novice experience with metal as a whole, or perhaps the reflection of my own earnest angst resonating from the common themes of the scene, records like As Daylight Dies or Lead Sails Paper Anchor marked core albums in my metallic upbringing. However, with only two exceptions, I never kept up with any of these bands as time passed. My tastes shifted and evolved. For a time, I forgot entirely about Atreyu, until the itch to sing a few of their songs in the car became too much to bear. And so, when I saw Atreyu were not only still active, but about to release a new record aptly entitled The End is Not the End, I had to know how almost 20 years of time away changed my appreciation for Atreyu.

One thing that 20 years did not change was Atreyu’s style. Since my introduction to them with Lead Sails Paper Anchor, an album I still hold in high regard for better or for worse, they firmly entrenched their metalcore base with poppy beats, addicting choruses, and earnest, if ham-fisted, lyrics. Thankfully, they also boasted one of the better vocalists in a style hell-bent on employing whiny tenors with unrefined technique, both in harsh and clean styles. If anything, Brandon Saller has only gotten better with time and practice. The rest of the lineup shifted and swirled until settling into its current form in 2020,1 but other than a marked uptick in pop-centric songwriting, Atreyu preserved the core of their 2007 sound remarkably well.

This both works in their favor and leaves me cold. On one hand, killer hit-makers that are impossible to resist (“Break Me,” “All for You”) recall the shockingly effective simplicity of post-grunge-pop acts like Daughtry or Shinedown at their peak. On the other hand, a distinct lack of unique ideas or distinct identity for the vast majority of its 45-ish minute runtime (with the exception of “Ego Death” and “Children of the Light”) leaves me starving for something of substance. At times, as in the generic “Death Rattle,” small songwriting choices (the crowd-core “MOTHERFUCKER” shout being one) cause a minor recoil in my spine as it recalls the more embarrassing moments of my teen years. However, album standouts “Children of Light” and “In the Dark” evoke a legitimate callback to classic In Flames-style melodic death metal, rippling with energetic gallops and even a cool tandem guitar/saxophone solo. These songs don’t go so far as to abandon Atreyu’s pop sensibilities or cheesy lyrics, but they are big fun nonetheless and are sure to please crowds mightily.

Yet I struggle to recall anything from The End is Not the End once it… well… ends. As happy as I am pulling my favorite songs like “All for You” or “In the Dark” for playlist duties—which would eventually allow them to find purchase in my memory—I can’t help but stew in disappointment that nothing here sticks with the immediacy of past bangers like “Doomsday,” “When Two Are One” or “Falling Down.” I can appreciate that The End is Not the End is an altogether more hopeful and uplifting record compared to that angsty, bitter predecessor of my youth, but the shift in tone hasn’t helped the songwriting. On that front, The End is Not the End sounds like Atreyu going through the motions, spinning their wheels, and making very little forward momentum. In turn, I found very little here to grab onto and even less that grabbed me first.

I still want to go to bat for these guys. As many times as I’ve heard my comrades and co-conspirators belittle Atreyu, I can’t help but protect the soft spot I have for them. At the same time, The End is Not the End is not going to convince any of the naysayers, and hasn’t won me over either. There are great songs here with choruses that I would have a blast belting out at a drop of a hat. A couple of small sparks of unexpected heft remind me that Atreyu are, indeed, part of the metal landscape, albeit on the poppiest fringe of the core region. All in all, though, I’m not going to think at all about The End is Not the End 20 years from now. Alas.

Rating: Disappointing.
DR: Use Your Imagination | Format Reviewed: Streamfarm
Label: Spinefarm Records
Websites: atreyuofficial.com | facebook.com/Atreyu
Releases Worldwide: April 24th, 2026

There was a time in my youth when bands like California’s Atreyu, Killswitch Engage and their ilk were all I wanted to listen to. Whether this was due to the novelty of the sound in its era, coinciding with my novice experience with metal as a whole, or perhaps the reflection of my own earnest angst resonating from the common themes of the scene, records like As Daylight Dies or Lead Sails Paper Anchor marked core albums in my metallic upbringing. However, with only two exceptions, I never kept up with any of these bands as time passed. My tastes shifted and evolved. For a time, I forgot entirely about Atreyu, until the itch to sing a few of their songs in the car became too much to bear. And so, when I saw Atreyu were not only still active, but about to release a new record aptly entitled The End is Not the End, I had to know how almost 20 years of time away changed my appreciation for Atreyu.

One thing that 20 years did not change was Atreyu’s style. Since my introduction to them with Lead Sails Paper Anchor, an album I still hold in high regard for better or for worse, they firmly entrenched their metalcore base with poppy beats, addicting choruses, and earnest, if ham-fisted, lyrics. Thankfully, they also boasted one of the better vocalists in a style hell-bent on employing whiny tenors with unrefined technique, both in harsh and clean styles. If anything, Brandon Saller has only gotten better with time and practice. The rest of the lineup shifted and swirled until settling into its current form in 2020,1 but other than a marked uptick in pop-centric songwriting, Atreyu preserved the core of their 2007 sound remarkably well.

This both works in their favor and leaves me cold. On one hand, killer hit-makers that are impossible to resist (“Break Me,” “All for You”) recall the shockingly effective simplicity of post-grunge-pop acts like Daughtry or Shinedown at their peak. On the other hand, a distinct lack of unique ideas or distinct identity for the vast majority of its 45-ish minute runtime (with the exception of “Ego Death” and “Children of the Light”) leaves me starving for something of substance. At times, as in the generic “Death Rattle,” small songwriting choices (the crowd-core “MOTHERFUCKER” shout being one) cause a minor recoil in my spine as it recalls the more embarrassing moments of my teen years. However, album standouts “Children of Light” and “In the Dark” evoke a legitimate callback to classic In Flames-style melodic death metal, rippling with energetic gallops and even a cool tandem guitar/saxophone solo. These songs don’t go so far as to abandon Atreyu’s pop sensibilities or cheesy lyrics, but they are big fun nonetheless and are sure to please crowds mightily.

Yet I struggle to recall anything from The End is Not the End once it… well… ends. As happy as I am pulling my favorite songs like “All for You” or “In the Dark” for playlist duties—which would eventually allow them to find purchase in my memory—I can’t help but stew in disappointment that nothing here sticks with the immediacy of past bangers like “Doomsday,” “When Two Are One” or “Falling Down.” I can appreciate that The End is Not the End is an altogether more hopeful and uplifting record compared to that angsty, bitter predecessor of my youth, but the shift in tone hasn’t helped the songwriting. On that front, The End is Not the End sounds like Atreyu going through the motions, spinning their wheels, and making very little forward momentum. In turn, I found very little here to grab onto and even less that grabbed me first.

I still want to go to bat for these guys. As many times as I’ve heard my comrades and co-conspirators belittle Atreyu, I can’t help but protect the soft spot I have for them. At the same time, The End is Not the End is not going to convince any of the naysayers, and hasn’t won me over either. There are great songs here with choruses that I would have a blast belting out at a drop of a hat. A couple of small sparks of unexpected heft remind me that Atreyu are, indeed, part of the metal landscape, albeit on the poppiest fringe of the core region. All in all, though, I’m not going to think at all about The End is Not the End 20 years from now. Alas.

Rating: Disappointing.
DR: Use Your Imagination | Format Reviewed: Streamfarm
Label: Spinefarm Records
Websites: atreyuofficial.com | facebook.com/Atreyu
Releases Worldwide: April 24th, 2026

There was a time in my youth when bands like California’s Atreyu, Killswitch Engage and their ilk were all I wanted to listen to. Whether this was due to the novelty of the sound in its era, coinciding with my novice experience with metal as a whole, or perhaps the reflection of my own earnest angst resonating from the common themes of the scene, records like As Daylight Dies or Lead Sails Paper Anchor marked core albums in my metallic upbringing. However, with only two exceptions, I never kept up with any of these bands as time passed. My tastes shifted and evolved. For a time, I forgot entirely about Atreyu, until the itch to sing a few of their songs in the car became too much to bear. And so, when I saw Atreyu were not only still active, but about to release a new record aptly entitled The End is Not the End, I had to know how almost 20 years of time away changed my appreciation for Atreyu.

One thing that 20 years did not change was Atreyu’s style. Since my introduction to them with Lead Sails Paper Anchor, an album I still hold in high regard for better or for worse, they firmly entrenched their metalcore base with poppy beats, addicting choruses, and earnest, if ham-fisted, lyrics. Thankfully, they also boasted one of the better vocalists in a style hell-bent on employing whiny tenors with unrefined technique, both in harsh and clean styles. If anything, Brandon Saller has only gotten better with time and practice. The rest of the lineup shifted and swirled until settling into its current form in 2020,1 but other than a marked uptick in pop-centric songwriting, Atreyu preserved the core of their 2007 sound remarkably well.

This both works in their favor and leaves me cold. On one hand, killer hit-makers that are impossible to resist (“Break Me,” “All for You”) recall the shockingly effective simplicity of post-grunge-pop acts like Daughtry or Shinedown at their peak. On the other hand, a distinct lack of unique ideas or distinct identity for the vast majority of its 45-ish minute runtime (with the exception of “Ego Death” and “Children of the Light”) leaves me starving for something of substance. At times, as in the generic “Death Rattle,” small songwriting choices (the crowd-core “MOTHERFUCKER” shout being one) cause a minor recoil in my spine as it recalls the more embarrassing moments of my teen years. However, album standouts “Children of Light” and “In the Dark” evoke a legitimate callback to classic In Flames-style melodic death metal, rippling with energetic gallops and even a cool tandem guitar/saxophone solo. These songs don’t go so far as to abandon Atreyu’s pop sensibilities or cheesy lyrics, but they are big fun nonetheless and are sure to please crowds mightily.

Yet I struggle to recall anything from The End is Not the End once it… well… ends. As happy as I am pulling my favorite songs like “All for You” or “In the Dark” for playlist duties—which would eventually allow them to find purchase in my memory—I can’t help but stew in disappointment that nothing here sticks with the immediacy of past bangers like “Doomsday,” “When Two Are One” or “Falling Down.” I can appreciate that The End is Not the End is an altogether more hopeful and uplifting record compared to that angsty, bitter predecessor of my youth, but the shift in tone hasn’t helped the songwriting. On that front, The End is Not the End sounds like Atreyu going through the motions, spinning their wheels, and making very little forward momentum. In turn, I found very little here to grab onto and even less that grabbed me first.

I still want to go to bat for these guys. As many times as I’ve heard my comrades and co-conspirators belittle Atreyu, I can’t help but protect the soft spot I have for them. At the same time, The End is Not the End is not going to convince any of the naysayers, and hasn’t won me over either. There are great songs here with choruses that I would have a blast belting out at a drop of a hat. A couple of small sparks of unexpected heft remind me that Atreyu are, indeed, part of the metal landscape, albeit on the poppiest fringe of the core region. All in all, though, I’m not going to think at all about The End is Not the End 20 years from now. Alas.

Rating: Disappointing.
DR: Use Your Imagination | Format Reviewed: Streamfarm
Label: Spinefarm Records
Websites: atreyuofficial.com | facebook.com/Atreyu
Releases Worldwide: April 24th, 2026

Life After You 🛟
#Daughtry
https://www.youtube.com/watch?v=PSvYnrb7vH0

What About Now ⏰
#Daughtry
https://www.youtube.com/watch?v=roDXSHSEuoo

No Surprise 😌
#Daughtry
https://www.youtube.com/watch?v=kBg641a_jUE

Life After You ⚰
#Daughtry
https://www.youtube.com/watch?v=mJ5Ok5DAJ8A

New post: Gig Review: Alter Bridge / Daughtry / Sevendust – Motorpoint Arena, Nottingham (5th March 2026) https://moshville.co.uk/reviews/gig-review/2026/03/gig-review-alter-bridge-daughtry-sevendust-motorpoint-arena-nottingham-5th-march-2026/ #AlterBridge #Daughtry #Sevendust

New post: Gig Review: Alter Bridge / Daughtry / Sevendust – Motorpoint Arena, Nottingham (5th March 2026) https://moshville.co.uk/reviews/gig-review/2026/03/gig-review-alter-bridge-daughtry-sevendust-motorpoint-arena-nottingham-5th-march-2026/ #AlterBridge #Daughtry #Sevendust

New post: Gig Review: Alter Bridge / Daughtry / Sevendust – Motorpoint Arena, Nottingham (5th March 2026) https://moshville.co.uk/reviews/gig-review/2026/03/gig-review-alter-bridge-daughtry-sevendust-motorpoint-arena-nottingham-5th-march-2026/ #AlterBridge #Daughtry #Sevendust

This is what I do, I listen to a great song, learn to sort of play it, pretend I'm a rock star, and make a recording.
#Guitar
#Daughtry
https://rankett.net/w/mwhJD1kMAciHMkyPc7gf7M

Feels Like Tonight 🙏
#Daughtry
https://www.youtube.com/watch?v=2judm5t9Qdo

September 🍂
#Daughtry
https://www.youtube.com/watch?v=nJzBcKM3ZIE

Home 🏠
#Daughtry
https://www.youtube.com/watch?v=F0kklzuCLfo

Life After You 🛟
#Daughtry
https://www.youtube.com/watch?v=PSvYnrb7vH0

Home ⾕
#Daughtry
https://www.youtube.com/watch?v=xv1VTX5iB7Y

#nowplaying während der #abendrunde mit #django
#daughtry - #ItsNotOver
Großartige #band

No Surprise 😮‍💨
#Daughtry
https://www.youtube.com/watch?v=jNwENsRgC0o

What About Now 🎁
#Daughtry
https://www.youtube.com/watch?v=5cMlPo9XjZQ

Feels Like Tonight 💌
#Daughtry
https://www.youtube.com/watch?v=3e1y1qgbk58

Life After You 💀
#Daughtry
https://www.youtube.com/watch?v=8n-TqUtbAv4

September 🎃
#Daughtry
https://www.youtube.com/watch?v=C8Eu8zMrBwY

Yesterday, I saw some of my personal heroes live again. #AlterBridge where a big part of most of my life, and they rocked the house in Hamburg yesterday. They brought two big names as support. First #Sevendust, whicht I completely forgot about. Listened to them excessively in the 00s, and they opened like a thunderstorm, with perfect energy and the crowd response was awesome. Very happy seeing them again after so many years.
#Daughtry on the other hand were the complete opposite. The set consisted mostly of power ballads and very mediocre songs, and he even tried an acoustic guitar Song. As a support... That was the worst gig I ever saw...

September ☕🍂🧺🧸
#Daughtry
https://www.youtube.com/watch?v=PuBxCJgdSUo

Daughtry - Separate Ways (Worlds Apart) (Official Music Video) ft. Lzzy Hale

https://www.youtube.com/watch?v=I9iXHAgjXhA

#Daughtry #SeparateWays #WorldsApart #LzzyHale #Music #TRON

Daughtry - Separate Ways (Worlds Apart) (Official Music Video) ft. Lzzy Hale

https://www.youtube.com/watch?v=I9iXHAgjXhA

#Daughtry #SeparateWays #WorldsApart #LzzyHale #Music #TRON

Home ⾕
#Daughtry
https://www.youtube.com/watch?v=7bnX-6sJZBw

Feels Like Tonight 🙎
#Daughtry
https://www.youtube.com/watch?v=3e1y1qgbk58

Feels Like Tonight 🦮
#Daughtry
https://www.youtube.com/watch?v=KzrgwKnp8go

What About Now 🔜
#Daughtry
https://www.youtube.com/watch?v=roDXSHSEuoo

Daughtry - Separate Ways (Worlds Apart) (Live from Royal Albert Hall London) ft. Lzzy Hale

https://www.youtube.com/watch?v=G7xbS_EntZ4

#Daughtry #SeparateWays #WorldsApart #LzzyHale #Music #TRON

Daughtry - Separate Ways (Worlds Apart) (Live from Royal Albert Hall London) ft. Lzzy Hale

https://www.youtube.com/watch?v=G7xbS_EntZ4

#Daughtry #SeparateWays #WorldsApart #LzzyHale #Music #TRON

Daughtry - Separate Ways (Worlds Apart) (Live from Royal Albert Hall London) ft. Lzzy Hale

https://www.youtube.com/watch?v=G7xbS_EntZ4

#Daughtry #SeparateWays #WorldsApart #LzzyHale #Music #TRON

Daughtry - Separate Ways (Worlds Apart) (Live from Royal Albert Hall London) ft. Lzzy Hale

https://www.youtube.com/watch?v=G7xbS_EntZ4

#Daughtry #SeparateWays #WorldsApart #LzzyHale #Music #TRON

Daughtry - Separate Ways (Worlds Apart) (Live from Royal Albert Hall London) ft. Lzzy Hale

https://www.youtube.com/watch?v=G7xbS_EntZ4

#Daughtry #SeparateWays #WorldsApart #LzzyHale #Music #TRON

Seether and Daughtry announce Fall 2025 U.S. tour with P.O.D.

#Seether #Daughtry #FallTour #POD #TourAlert

Link: https://metalinsider.net/touring/seether-and-daughtry-announce-fall-2025-u-s-tour-with-p-o-d

Seether and Daughtry announce Fall 2025 U.S. tour with P.O.D.

#Seether #Daughtry #FallTour #POD #TourAlert

Link: https://metalinsider.net/touring/seether-and-daughtry-announce-fall-2025-u-s-tour-with-p-o-d

La banda de rock DAUGHTRY lanza su nuevo sencillo The Day I Die.
Una confesión profundamente personal con voces poderosas y un sonido pesado.

Disponible ahora a través de Big Machine Rock.
La banda se encuentra de gira con DISTURBED y se unirá a CREED este verano.
#DAUGHTRY #MúsicaRock #NuevosLanzamientos #Música #Music
https://www.youtube.com/watch?v=y8SJzKZHlnM
https://noticieromusical.com/daughtry-lanza-su-nuevo-sencillo

La banda de rock DAUGHTRY lanza su nuevo sencillo The Day I Die.
Una confesión profundamente personal con voces poderosas y un sonido pesado.

Disponible ahora a través de Big Machine Rock.
La banda se encuentra de gira con DISTURBED y se unirá a CREED este verano.
#DAUGHTRY #MúsicaRock #NuevosLanzamientos #Música #Music
https://www.youtube.com/watch?v=y8SJzKZHlnM
https://noticieromusical.com/daughtry-lanza-su-nuevo-sencillo

La banda de rock DAUGHTRY lanza su nuevo sencillo The Day I Die.
Una confesión profundamente personal con voces poderosas y un sonido pesado.

Disponible ahora a través de Big Machine Rock.
La banda se encuentra de gira con DISTURBED y se unirá a CREED este verano.
#DAUGHTRY #MúsicaRock #NuevosLanzamientos #Música #Music
https://www.youtube.com/watch?v=y8SJzKZHlnM
https://noticieromusical.com/daughtry-lanza-su-nuevo-sencillo

La banda de rock DAUGHTRY lanza su nuevo sencillo The Day I Die.
Una confesión profundamente personal con voces poderosas y un sonido pesado.

Disponible ahora a través de Big Machine Rock.
La banda se encuentra de gira con DISTURBED y se unirá a CREED este verano.
#DAUGHTRY #MúsicaRock #NuevosLanzamientos #Música #Music
https://www.youtube.com/watch?v=y8SJzKZHlnM
https://noticieromusical.com/daughtry-lanza-su-nuevo-sencillo

La banda de rock DAUGHTRY lanza su nuevo sencillo The Day I Die.
Una confesión profundamente personal con voces poderosas y un sonido pesado.

Disponible ahora a través de Big Machine Rock.
La banda se encuentra de gira con DISTURBED y se unirá a CREED este verano.
#DAUGHTRY #MúsicaRock #NuevosLanzamientos #Música #Music
https://www.youtube.com/watch?v=y8SJzKZHlnM
https://noticieromusical.com/daughtry-lanza-su-nuevo-sencillo

We zijn alweer halverwege september. Er is deze maand nieuwe muziek uitgekomen van o.a. Boston Manor, God Is An Astronaut en Stryper. Er komen nog albums uit van Kublai Khan TX, Galneryus, Daughtry en veel meer. Check hier ons albumoverzicht! https://buff.ly/3v6gFe2

#BostonManor #GodIsAnAstronaut #Stryper #KublaiKhaiTX #Galneryus #Daughtry #Rock #Metal