#daughtry — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #daughtry, aggregated by home.social.
-
September 🧸☕🍂˚ ༘ ೀ⋆｡˚
#Daughtry
https://www.youtube.com/watch?v=C8Eu8zMrBwY -
September 🧸☕🍂˚ ༘ ೀ⋆｡˚
#Daughtry
https://www.youtube.com/watch?v=C8Eu8zMrBwY -
"What About Now" is the seventh single from American rock band #Daughtry's self-titled debut album. The song is a ballad, written by #BenMoody, #DavidHodges (both former members of #Evanescence), and Josh Hartzler, who is married to #AmyLee (the lead singer of #Evanescence). It is one of only two songs on the album not at least co-written by #ChrisDaughtry. The song was announced as the band's next single on their website.
https://www.youtube.com/watch?v=Iw8EdW0v8dg -
"What About Now" is the seventh single from American rock band #Daughtry's self-titled debut album. The song is a ballad, written by #BenMoody, #DavidHodges (both former members of #Evanescence), and Josh Hartzler, who is married to #AmyLee (the lead singer of #Evanescence). It is one of only two songs on the album not at least co-written by #ChrisDaughtry. The song was announced as the band's next single on their website.
https://www.youtube.com/watch?v=Iw8EdW0v8dg -
"What About Now" is the seventh single from American rock band #Daughtry's self-titled debut album. The song is a ballad, written by #BenMoody, #DavidHodges (both former members of #Evanescence), and Josh Hartzler, who is married to #AmyLee (the lead singer of #Evanescence). It is one of only two songs on the album not at least co-written by #ChrisDaughtry. The song was announced as the band's next single on their website.
https://www.youtube.com/watch?v=5cMlPo9XjZQ -
"What About Now" is the seventh single from American rock band #Daughtry's self-titled debut album. The song is a ballad, written by #BenMoody, #DavidHodges (both former members of #Evanescence), and Josh Hartzler, who is married to #AmyLee (the lead singer of #Evanescence). It is one of only two songs on the album not at least co-written by #ChrisDaughtry. The song was announced as the band's next single on their website.
https://www.youtube.com/watch?v=5cMlPo9XjZQ -
"Home" is a 2007 song by American #rock band #Daughtry from their self-titled debut album. The song had been climbing up the U.S. charts for a few weeks before the song was announced as the second single from the album. The song was covered by Irish musician #KianEgan that served as the lead single from his debut album also titled #Home.
https://www.youtube.com/watch?v=pX_rkvZONj0 -
"Home" is a 2007 song by American #rock band #Daughtry from their self-titled debut album. The song had been climbing up the U.S. charts for a few weeks before the song was announced as the second single from the album. The song was covered by Irish musician #KianEgan that served as the lead single from his debut album also titled #Home.
https://www.youtube.com/watch?v=pX_rkvZONj0 -
"Life After You" is a song by American rock band #Daughtry, released as the second single from their second album, #LeaveThisTown (2009). #ChrisDaughtry wrote the song with #Nickelback vocalist #ChadKroeger and producer #JoeyMoi. Two versions of #theOriginal version exist: an album version and a music video version with the crowd cheering at the end. "Life After You" received positive reviews from music critics and was a success in most of the charts.
https://www.youtube.com/watch?v=PSvYnrb7vH0 -
"Life After You" is a song by American rock band #Daughtry, released as the second single from their second album, #LeaveThisTown (2009). #ChrisDaughtry wrote the song with #Nickelback vocalist #ChadKroeger and producer #JoeyMoi. Two versions of #theOriginal version exist: an album version and a music video version with the crowd cheering at the end. "Life After You" received positive reviews from music critics and was a success in most of the charts.
https://www.youtube.com/watch?v=PSvYnrb7vH0 -
September ༄˖°.🍂.ೃ࿔*:･
#Daughtry
https://www.youtube.com/watch?v=nJzBcKM3ZIE -
September ༄˖°.🍂.ೃ࿔*:･
#Daughtry
https://www.youtube.com/watch?v=nJzBcKM3ZIE -
What About Now ❗
#Daughtry
https://www.youtube.com/watch?v=o1mARxShOPU -
What About Now ❗
#Daughtry
https://www.youtube.com/watch?v=o1mARxShOPU -
Feels Like Tonight 🌃
#Daughtry
https://www.youtube.com/watch?v=-Tg3ecj0NfA -
Feels Like Tonight 🌃
#Daughtry
https://www.youtube.com/watch?v=-Tg3ecj0NfA -
New post: Download Festival 2026 Review: Friday 12th June https://moshville.co.uk/reviews/2026/06/download-festival-2026-review-friday-12th-june/ #CypressHill #Daughtry #DownloadFestival #LimpBizkit
-
September ☕🍂🧺🧸
#Daughtry
https://www.youtube.com/watch?v=RtnPuPYw3TA -
September ☕🍂🧺🧸
#Daughtry
https://www.youtube.com/watch?v=RtnPuPYw3TA -
Daughtry - Separate Ways (Worlds Apart) (Live from Royal Albert Hall London) ft. Lzzy Hale
-
Daughtry - Separate Ways (Worlds Apart) (Live from Royal Albert Hall London) ft. Lzzy Hale
-
Life After You 🛼
#Daughtry
https://www.youtube.com/watch?v=8n-TqUtbAv4 -
Life After You 🛼
#Daughtry
https://www.youtube.com/watch?v=8n-TqUtbAv4 -
New post: Album Review: Daughtry – Shock to the System (Deluxe Edition) https://moshville.co.uk/reviews/album-review/2026/06/album-review-daughtry-shock-to-the-system-deluxe-edition/ #Daughtry
-
What About Now ⏰
#Daughtry
https://www.youtube.com/watch?v=5cMlPo9XjZQ -
What About Now ⏰
#Daughtry
https://www.youtube.com/watch?v=5cMlPo9XjZQ -
New post: Daughtry announce deluxe vinyl edition of ‘Shock to the System’ https://moshville.co.uk/news/2026/05/daughtry-announce-deluxe-vinyl-edition-of-shock-to-the-system/ #Daughtry
-
Life After You 💀
#Daughtry
https://www.youtube.com/watch?v=8n-TqUtbAv4 -
Life After You 💀
#Daughtry
https://www.youtube.com/watch?v=8n-TqUtbAv4 -
September 🤎🍂🧦🧸🎃☕️
#Daughtry
https://www.youtube.com/watch?v=C8Eu8zMrBwY -
September 🤎🍂🧦🧸🎃☕️
#Daughtry
https://www.youtube.com/watch?v=C8Eu8zMrBwY -
Atreyu – The End is Not the End Review By KenstrosityThere was a time in my youth when bands like California’s Atreyu, Killswitch Engage and their ilk were all I wanted to listen to. Whether this was due to the novelty of the sound in its era, coinciding with my novice experience with metal as a whole, or perhaps the reflection of my own earnest angst resonating from the common themes of the scene, records like As Daylight Dies or Lead Sails Paper Anchor marked core albums in my metallic upbringing. However, with only two exceptions, I never kept up with any of these bands as time passed. My tastes shifted and evolved. For a time, I forgot entirely about Atreyu, until the itch to sing a few of their songs in the car became too much to bear. And so, when I saw Atreyu were not only still active, but about to release a new record aptly entitled The End is Not the End, I had to know how almost 20 years of time away changed my appreciation for Atreyu.
One thing that 20 years did not change was Atreyu’s style. Since my introduction to them with Lead Sails Paper Anchor, an album I still hold in high regard for better or for worse, they firmly entrenched their metalcore base with poppy beats, addicting choruses, and earnest, if ham-fisted, lyrics. Thankfully, they also boasted one of the better vocalists in a style hell-bent on employing whiny tenors with unrefined technique, both in harsh and clean styles. If anything, Brandon Saller has only gotten better with time and practice. The rest of the lineup shifted and swirled until settling into its current form in 2020,1 but other than a marked uptick in pop-centric songwriting, Atreyu preserved the core of their 2007 sound remarkably well.
This both works in their favor and leaves me cold. On one hand, killer hit-makers that are impossible to resist (“Break Me,” “All for You”) recall the shockingly effective simplicity of post-grunge-pop acts like Daughtry or Shinedown at their peak. On the other hand, a distinct lack of unique ideas or distinct identity for the vast majority of its 45-ish minute runtime (with the exception of “Ego Death” and “Children of the Light”) leaves me starving for something of substance. At times, as in the generic “Death Rattle,” small songwriting choices (the crowd-core “MOTHERFUCKER” shout being one) cause a minor recoil in my spine as it recalls the more embarrassing moments of my teen years. However, album standouts “Children of Light” and “In the Dark” evoke a legitimate callback to classic In Flames-style melodic death metal, rippling with energetic gallops and even a cool tandem guitar/saxophone solo. These songs don’t go so far as to abandon Atreyu’s pop sensibilities or cheesy lyrics, but they are big fun nonetheless and are sure to please crowds mightily.
Yet I struggle to recall anything from The End is Not the End once it… well… ends. As happy as I am pulling my favorite songs like “All for You” or “In the Dark” for playlist duties—which would eventually allow them to find purchase in my memory—I can’t help but stew in disappointment that nothing here sticks with the immediacy of past bangers like “Doomsday,” “When Two Are One” or “Falling Down.” I can appreciate that The End is Not the End is an altogether more hopeful and uplifting record compared to that angsty, bitter predecessor of my youth, but the shift in tone hasn’t helped the songwriting. On that front, The End is Not the End sounds like Atreyu going through the motions, spinning their wheels, and making very little forward momentum. In turn, I found very little here to grab onto and even less that grabbed me first.
I still want to go to bat for these guys. As many times as I’ve heard my comrades and co-conspirators belittle Atreyu, I can’t help but protect the soft spot I have for them. At the same time, The End is Not the End is not going to convince any of the naysayers, and hasn’t won me over either. There are great songs here with choruses that I would have a blast belting out at a drop of a hat. A couple of small sparks of unexpected heft remind me that Atreyu are, indeed, part of the metal landscape, albeit on the poppiest fringe of the core region. All in all, though, I’m not going to think at all about The End is Not the End 20 years from now. Alas.
Rating: Disappointing.
#20 #2026 #AmericanMetal #Apr26 #Atreyu #Daughtry #InFlames #KillswitchEngage #MelodicMetal #MelodicMetalcore #Metalcore #Review #Reviews #Shinedown #SpinefarmRecords #TheEndIsNotTheEnd
DR: Use Your Imagination | Format Reviewed: Streamfarm
Label: Spinefarm Records
Websites: atreyuofficial.com | facebook.com/Atreyu
Releases Worldwide: April 24th, 2026 -
Atreyu – The End is Not the End Review By KenstrosityThere was a time in my youth when bands like California’s Atreyu, Killswitch Engage and their ilk were all I wanted to listen to. Whether this was due to the novelty of the sound in its era, coinciding with my novice experience with metal as a whole, or perhaps the reflection of my own earnest angst resonating from the common themes of the scene, records like As Daylight Dies or Lead Sails Paper Anchor marked core albums in my metallic upbringing. However, with only two exceptions, I never kept up with any of these bands as time passed. My tastes shifted and evolved. For a time, I forgot entirely about Atreyu, until the itch to sing a few of their songs in the car became too much to bear. And so, when I saw Atreyu were not only still active, but about to release a new record aptly entitled The End is Not the End, I had to know how almost 20 years of time away changed my appreciation for Atreyu.
One thing that 20 years did not change was Atreyu’s style. Since my introduction to them with Lead Sails Paper Anchor, an album I still hold in high regard for better or for worse, they firmly entrenched their metalcore base with poppy beats, addicting choruses, and earnest, if ham-fisted, lyrics. Thankfully, they also boasted one of the better vocalists in a style hell-bent on employing whiny tenors with unrefined technique, both in harsh and clean styles. If anything, Brandon Saller has only gotten better with time and practice. The rest of the lineup shifted and swirled until settling into its current form in 2020,1 but other than a marked uptick in pop-centric songwriting, Atreyu preserved the core of their 2007 sound remarkably well.
This both works in their favor and leaves me cold. On one hand, killer hit-makers that are impossible to resist (“Break Me,” “All for You”) recall the shockingly effective simplicity of post-grunge-pop acts like Daughtry or Shinedown at their peak. On the other hand, a distinct lack of unique ideas or distinct identity for the vast majority of its 45-ish minute runtime (with the exception of “Ego Death” and “Children of the Light”) leaves me starving for something of substance. At times, as in the generic “Death Rattle,” small songwriting choices (the crowd-core “MOTHERFUCKER” shout being one) cause a minor recoil in my spine as it recalls the more embarrassing moments of my teen years. However, album standouts “Children of Light” and “In the Dark” evoke a legitimate callback to classic In Flames-style melodic death metal, rippling with energetic gallops and even a cool tandem guitar/saxophone solo. These songs don’t go so far as to abandon Atreyu’s pop sensibilities or cheesy lyrics, but they are big fun nonetheless and are sure to please crowds mightily.
Yet I struggle to recall anything from The End is Not the End once it… well… ends. As happy as I am pulling my favorite songs like “All for You” or “In the Dark” for playlist duties—which would eventually allow them to find purchase in my memory—I can’t help but stew in disappointment that nothing here sticks with the immediacy of past bangers like “Doomsday,” “When Two Are One” or “Falling Down.” I can appreciate that The End is Not the End is an altogether more hopeful and uplifting record compared to that angsty, bitter predecessor of my youth, but the shift in tone hasn’t helped the songwriting. On that front, The End is Not the End sounds like Atreyu going through the motions, spinning their wheels, and making very little forward momentum. In turn, I found very little here to grab onto and even less that grabbed me first.
I still want to go to bat for these guys. As many times as I’ve heard my comrades and co-conspirators belittle Atreyu, I can’t help but protect the soft spot I have for them. At the same time, The End is Not the End is not going to convince any of the naysayers, and hasn’t won me over either. There are great songs here with choruses that I would have a blast belting out at a drop of a hat. A couple of small sparks of unexpected heft remind me that Atreyu are, indeed, part of the metal landscape, albeit on the poppiest fringe of the core region. All in all, though, I’m not going to think at all about The End is Not the End 20 years from now. Alas.
Rating: Disappointing.
#20 #2026 #AmericanMetal #Apr26 #Atreyu #Daughtry #InFlames #KillswitchEngage #MelodicMetal #MelodicMetalcore #Metalcore #Review #Reviews #Shinedown #SpinefarmRecords #TheEndIsNotTheEnd
DR: Use Your Imagination | Format Reviewed: Streamfarm
Label: Spinefarm Records
Websites: atreyuofficial.com | facebook.com/Atreyu
Releases Worldwide: April 24th, 2026 -
Life After You 🛟
#Daughtry
https://www.youtube.com/watch?v=PSvYnrb7vH0 -
Life After You 🛟
#Daughtry
https://www.youtube.com/watch?v=PSvYnrb7vH0 -
What About Now ⏰
#Daughtry
https://www.youtube.com/watch?v=roDXSHSEuoo -
What About Now ⏰
#Daughtry
https://www.youtube.com/watch?v=roDXSHSEuoo -
Life After You ⚰
#Daughtry
https://www.youtube.com/watch?v=mJ5Ok5DAJ8A -
New post: Gig Review: Alter Bridge / Daughtry / Sevendust – Motorpoint Arena, Nottingham (5th March 2026) https://moshville.co.uk/reviews/gig-review/2026/03/gig-review-alter-bridge-daughtry-sevendust-motorpoint-arena-nottingham-5th-march-2026/ #AlterBridge #Daughtry #Sevendust
