#culturecriticsnotebook — Public Fediverse posts

Spirit Airlines and the Death of Leisure for the Non-Leisure Class

https://fed.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/spirit-airlines-and-the-death-of-leisure-for-the-non-leisure-class

My Journey Inside the “Mind of a Serial Killer”

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/my-journey-inside-the-mind-of-a-serial-killer

The Death of Afrika Bambaataa and the Afterlife of Hip-Hop

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/the-death-of-afrika-bambaataa-and-the-afterlife-of-hip-hop

The Death of Afrika Bambaataa and the Afterlife of Hip-Hop

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/the-death-of-afrika-bambaataa-and-the-afterlife-of-hip-hop

The Death of Afrika Bambaataa and the Afterlife of Hip-Hop

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/the-death-of-afrika-bambaataa-and-the-afterlife-of-hip-hop

The Death of Afrika Bambaataa and the Afterlife of Hip-Hop

https://fed.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/the-death-of-afrika-bambaataa-and-the-afterlife-of-hip-hop

The Death of Afrika Bambaataa and the Afterlife of Hip-Hop

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/the-death-of-afrika-bambaataa-and-the-afterlife-of-hip-hop

The Style Is the Substance in Sofia Coppola’s Marc Jacobs Documentary

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/the-style-is-the-substance-in-sofia-coppolas-marc-jacobs-documentary

What a Movie Set Looks Like When No One’s Performing

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/what-a-movie-set-looks-like-when-no-ones-performing

The Captivating Derangement of the Looksmaxxing Movement

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/the-captivating-derangement-of-the-looksmaxxing-movement

Alex Honnold and Netflix Team Up for a Corporatized “Free Solo”

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/alex-honnold-and-netflix-team-up-for-a-corporatized-free-solo

The Weirdly Refreshing Honesty of the Oscars of TikTok

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/the-weirdly-refreshing-honesty-of-the-oscars-of-tiktok

“Waiting to Exhale,” Thirty Years On

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/waiting-to-exhale-thirty-years-on

“Waiting to Exhale,” Thirty Years On

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/waiting-to-exhale-thirty-years-on

“Waiting to Exhale,” Thirty Years On

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/waiting-to-exhale-thirty-years-on

“Waiting to Exhale,” Thirty Years On

https://fed.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/waiting-to-exhale-thirty-years-on

“Waiting to Exhale,” Thirty Years On

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/waiting-to-exhale-thirty-years-on

Chicago, ICE, and the Lie of the American Pastoral

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/chicago-ice-and-the-lie-of-the-american-pastoral

Why Did We Love “To Catch a Predator”?

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/why-did-we-love-to-catch-a-predator

An Intimate Chronicle of Kanye West’s Fall from Grace

https://web.brid.gy/r/https://www.newyorker.com/culture/critics-notebook/an-intimate-chronicle-of-kanye-wests-fall-from-grace