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#cultural-history — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #cultural-history, aggregated by home.social.

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  1. “There is no other God than Macías”: Francisco Macías Nguema in Equatorial Guinea and His Legacy

    Roya Kenny explores the legacy of Francisco Macías Nguema.

    retrospectjournal.com/2026/10/

  2. A Little Anachronism Never Hurt Anybody: In Defence of the Historically Inaccurate Period Costume

    Emma Hixson defends modern media's inaccurate period costumes.

    retrospectjournal.com/2026/10/

  3. Bards, Brahmins and Rhapsodes: Oral Tradition in Indo-European Speaking Cultures

    In 'Bards, Brahims and Rhapsodes,' Andrew Burnett explores the oral traditions of Indo-European speaking cultures.

    retrospectjournal.com/2026/10/

  4. How Have Historians of Empire Found Gender to be a Useful Category of Historical Analysis?

    Abi Fitzpatrick explores how historians of empire can use gender as a category of historical analysis to rethink the ways in which view the lives of those under colonial rule.

    retrospectjournal.com/2026/10/

  5. A forbidden fruit was never officially an apple. Across the world, religions have shaped what people can eat, what they avoid, and what certain foods mean. From kosher and halal to the Jain avoidance of root vegetables, these traditions aren’t simply about food. They can reflect faith, identity, compassion, purity, and centuries of cultural history. Discover the history of forbidden and religious food traditions around the world. foodculturebites.com/the-forbi #FoodHistory #ReligiousFood #FoodCulture #ForbiddenFoods #CulturalHistory

    Posted into FLIPBOARD USER GROUP @flipboard-user-group-JanetteSpeyer

  6. Catching the Swell — The First Wave

    ... and finally, a frantic, breathless splut-gurgle-gasp before it fell silent.

    ghostswecarrystoriestokeep.com

  7. Every day, 24/7, IK’s servers keep our digital doors wide open. Free resources, seamless tech, intuitive design—whether you're here for knowledge, inspiration, or to order books and photos, your visit should always give something back.

    ”full tilt to serve...” > ikfoundation.org/news/imesseng

    #science #nature #culturalhistory #OpenCulture #creativeCommons #europe

  8. Three-minute tour of a psychedelic head shop in Boston, filmed in 1968. It was at 110 Charles St. near Charles/MGH. I love the back room that's just for blacklight posters.

    faroutcompany.com/inside-a-hea

    #boston #massachusetts #hippies #psychadelic #1960s #counterculture #culturalhistory

  9. Before buttercream & sprinkles, there were honey cakes for Greek goddesses, medieval spice cakes for the wealthy, & German birthday traditions.
    Discover how birthday cake is today’s beloved tradition.
    #BirthdayCake #FoodHistory #CulturalHistory #FoodCultureBites
    foodculturebites.com/birthday-cak...

  10. Before, birthday cakes were decorated with buttercream and sprinkles. Honey cakes celebrated Greek goddesses, medieval spice cakes were only for the wealthy, and German children’s parties inspired today’s candles and birthday wishes. #BirthdayCake #FoodHistory #HistoryOfFood #CulturalHistory #FoodCultureBites

    foodculturebites.com/birthday-

    Posted into FLIPBOARD USER GROUP @flipboard-user-group-JanetteSpeyer

  11. Opium Dens: A Historical Overview of 19th and Early 20th Century Practices

    📰 Original title: Inside the Opium Dens From Between the Late 19th and Early 20th Centuries

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary en.killbait.com/opium-dens-a-h

    #history #opiumdens #historicalpractices #culturalhistory

  12. The Moon Takes the Bow: The Longest Fight in the Sky, Scored on Love, Fear, Respect, and Attention

    Two fighters have been circling each other since before anyone kept records, and the purse has never changed hands: the human gaze. In one corner burns a furnace so vast that something like a million Earths could rattle around inside it, the engine behind every green leaf and every heartbeat on this planet. In the other corner floats a charcoal-colored rock, airless and dead, throwing back about twelve percent of the light that hits it. On paper the match is a slaughter. In practice the rock has been taking rounds for ten thousand years, and the strangest fact on the whole card is a matter of scheduling, since only one of these two shows up for both shifts. […]

    bolesblogs.com/2026/08/06/the-

  13. Inside Café Riche: The Revolutionary Salon Where Egypt’s History Unfolded Over Turkish Coffee

    Cairo, Egypt For more than a century, Café Riche has been far more than a coffee house in…
    #EuropeSays #Turkiye #Türkiye #CaféRiche #CairoEgypt #CulturalHistory #Turkish
    europesays.com/turkiye/32581/

  14. europesays.com/africa/344810/ Inside Café Riche: The Revolutionary Salon Where Egypt’s History Unfolded Over Turkish Coffee #CaféRiche #CairoEgypt #CulturalHistory #Egypt

  15. 🌿 A plant, a pigment, and skin that remembers. Why do fingertips hold henna stains so well?

    Lawsone binds within keratinized skin and nail tissue, while the thicker outer layers of palms and fingertips help the stain deepen and linger. Across cultures, that chemistry becomes art, adornment, and memory.

    ✍️ Trace the stain through chemistry and culture:
    theperpetuallycurious.org/henn

    A quiet color deepens, lingers, and slowly fades.

    #Henna #Chemistry #CulturalHistory #ThePerpetuallyCurious

  16. Far-Out Iron Ons, by the Topps Company, 1975

    Decorate your own #1970s t-shirt! Featuring:
    - Let's streak!
    - Bazooka Gum
    - Master of Kung Fu

    #retro #1970sfashion #70s #genx #americana #fashion #diy #culturalhistory

  17. Games Echo In Fictional Worlds, Museums Find

    Museums and TV shows are using digital game worlds for new content. This changes how we see digital art and history.

    #GameAssets, #Museums, #TVShows, #DigitalArt, #CulturalHistory

    newsletter.tf/museums-use-game

  18. 6 year old boy discovers 1300 year old sword on school trip in Norway

    A six-year-old schoolboy in Norway has made an extraordinary archaeological discovery after finding a 1,300-year-old sword during a…
    #Norway #NO #Europe #Europa #EU #ancientweapon #culturalhistory #henrikrefsnesmørtvedt #ironag #merovingianperiod #Noreg #Norge #norway #nyheter #VikingAge
    europesays.com/3002268/

  19. The Linnaeus Apostles travel journals, etc., are fully published in ”The Linnaeus Apostles Global Science & Adventure”, 6000 pages of unique insights into Natural & Cultural History from bygone landscapes.

    ikfoundation.org/books-and-art

  20. “In comics at their best, words and pictures are like partners in a dance, and each one takes turns leading”*…

    Frank Bellew, “The ‘Fourth’ and the Pig.” Nick Nax for All Creation, July 1856 (source)

    In his new book, Lost Literacies: Experiments in the 19th Century US Comic Strip, literary historian Alex Beringer demonstrates how the birth of the genre of printed comic long preceded the Sunday Funny Pages. He elaborates in conversation with Tim Brinkhof, who introduces the colloquy…

    Most people consider the introduction of the Funny Pages in the late nineteenth century as the birthday of the “modern” American comic strip. Alex Beringer is not most people.

    A literary historian and professor of English at the University of Montevallo, Beringer dates the history of comics earlier, to roughly the mid-1800s, a period of prolific and uninhibited experimentation. He came to this understanding by piecing together the medium’s fractured archaeological record, diving through myriad online resources and archives. In the middle of the nineteenth century, New York-based artists followed the lead of their French and Swiss colleagues, particularly Rodolphe Töpffer, the “Father of the Comic Strip,” exchanging single-image political cartoons and caricatures for multi-panel sequences that, many believe, for the first time enabled them to play around with characterization, worldbuilding, and—well—storytelling.

    Coming decades before the standardization of speech bubbles and panel borders, these early American comics seem to have little in common with their modern, more streamlined counterparts; they featured sudden and purposefully jarring jump cuts reminiscent of the yet-to-be-invented film montage or musical notes instead of text. One comic artist tells a story through shadows behind the curtains of a window; another, with hieroglyphs the reader must decipher with the help of a legend.

    “The audience for this first wave of US comic strips was strikingly sophisticated in its reception of this material,” Beringer writes in Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip, which chronicles this oft-forgotten renaissance. Out from the Ohio State University Press, the book is one of hundreds of titles included in JSTOR’s Path to Open program, making scholarly books accessible online to wide audiences (read chapter four here, free of charge).

    “The sense of flux—the idea that the visual language could turn on a dime—was often precisely the appeal,” Beringer observes in his chronicle of this oft-forgotten renaissance.

    Foretelling the philosopher Martin Heidegger’s assertion that drawing is in itself a “form of knowing,” early comic strip artists and their consumers treated the medium as a philosophical exercise; Beringer quotes the observation by media scholars Hilary Chute and Patrick Jagoda that comics “enable an intense focus on how complexly woven stories unfold across time and space and, particularly, how these involve the reader…to generate meaning through interacting with, or themselves shaping, spatiotemporal form.”

    While some early American artists blatantly plagiarized illustrations and formats that originated in France and Switzerland, others used them as a springboard, giving European drawings a decidedly American twist. For example, where Töpffer’s character Monsieur Vieux Bois (“Mr. Oldbuck”) satirized the European bourgeoisie, comics featuring his Yankee doppelganger, Jeremiah Oldpot (artist unknown), a New York tin merchant who leaves his family to prospect gold in California, often hinge on what Beringer defines as the contradiction between his “romantic view of himself as a rugged frontiersman and his attachment to consumer goods.”

    Beringer discusses this and other critical facets of this period in comics history…

    Read on for their fascinating exchange: “Lost Literacies Strips Down the Dawn of Comics,” from @jstordaily.bsky.social.

    * Scott McCloud, in his wonderful Understanding Comics: The Invisible Art

    ###

    As we tell and show, we might ponder where all of this has led, recalling that it was on this date in 2007 that the then-latest entry in a comic-born franchise dropped: TMNT, the first animated entry in the Teenage Mutant Ninja Turtles film series, was released. The film (which was entirely computer animated), is set after the final defeat of their arch-enemy, the Shredder; the four Turtles — Leonardo, Raphael, Donatello, and Michelangelo (voiced respectively by James Arnold Taylor, Nolan North, Mitchell Whitfield, and Mikey Kelley) — having grown apart, reunite and overcome their faults to save the world from evil ancient creatures. It also features the voices of Chris Evans, Sarah Michelle Gellar, Mako, Kevin Smith, Patrick Stewart, and Ziyi Zhang, with narration by Laurence Fishburne. 

    TMNT ranked number one at the box office on its opening weekend, beating 300 (the top film of the previous two weeks), The Last Mimzy, Shooter, Pride, The Hills Have Eyes 2, and Reign Over Me, grossing $25.45 million over the weekend of March 23–25, 2007. That said, the film grossed (only) $95.8 million million worldwide, including $54 million domestically during its 91-day run in the 3,120 North American theaters… as the Rotten Tomatoes consensus read: “TMNT’s art direction is splendid, but the plot is non-existent and the dialogue lacks the irony and goofy wit of the earlier Ninja Turtles movies.”

    source

    #art #comicStrips #Comics #culturalHistory #culture #films #history #literature #movies #Technology #TeenageMutantNinjaTurtles #TMNT
  21. 🚶‍♀️ Se perdeu a visita guiada da passada sexta-feira, tem uma nova oportunidade no Sábado, 21 de Março! Desta vez, será Rui Lopes, curador do ciclo "Lisboa, Capital da Intriga Internacional", quem a irá conduzir. Passará por locais de rodagem recorrentes em vários filmes do ciclo por onde passaram espiões e cineastas. 🚶🏽‍♂️

    📍 Ponto de encontro: Lg Sto Estêvão, 16h30

    ℹ️ ihc.fcsh.unl.pt/events/visita-

    #Histodons #CulturalHistory #EstadoNovo #Eurospy #SpyFilms #Cinema #Espionagem #HistóriaCultural

  22. 🚶‍♂️ O ciclo "Lisboa, Capital da Intriga Internacional" também decorre fora de portas: amanhã à tarde, João Rosmaninho vai conduzir uma visita guiada onde serão explorados os locais de rodagem recorrentes em vários filmes do ciclo por onde passaram espiões (reais e fictícios) e cineastas de várias nacionalidades.🚶🏿‍♀️

    📍 Ponto de encontro: Cinemateca Portuguesa, 16h30

    ℹ️ ihc.fcsh.unl.pt/events/visita-

    #Histodons #CulturalHistory #EstadoNovo #Eurospy #SpyFilms #Cinema #Espionagem #HistóriaCultural #SciComm

  23. Do you wish to return to easier times?
    Then check out our 3 new books on #nostalgia !
    1) #CulturalHistory "Happy Days" by Benjamin L. Alpers examines how #popularculture in the 1970s reimagined their past - from 1950s teens to neo-slave narratives, the US #bicentennial or #filmnoir

    #CulturalStudies

  24. "It Ain't Me, Babe"
    Wimmen's Comix # 1, July 1970

    One letter to the editor (editrix?) accused the all-woman independent comic of being a front for the FBI, trying to undermine the feminist movement. (it wasn't)

    #comics #1970s #indiecomics #feminism #culturalhistory #WonderWoman #oliveoyl

  25. 🇪🇸 Depois de França e Alemanha, chegou a vez da #Espanha, com mais uma mesa-redonda do ciclo "Lisboa, Capital da Intriga Internacional", organizada com o Instituto Cervantes: "Lisboa, Madrid, Europa" procurará enquadrar o contexto de produção dos filmes que integram o ciclo a partir da história política, económica e legal do #Franquismo.

    ℹ️ ihc.fcsh.unl.pt/events/lisboa-

    #Histodons #Spain #España #Eurospy #CulturalHistory #HistóriaCultural #Cinema #FilmsAndPower #HistóriaPolítica #PoliticalHistory

  26. 🇩🇪 A terceira mesa-redonda do ciclo "Lisboa, Capital da Intriga Internacional", leva-nos até à Alemanha, com acolhimento do Goethe-Institut.

    Amanhã, 10 de Março, Fernando Clara, Vera San Payo de Lemos e Jürgen Bock falam sobre "Encontros clandestinos na capital da espionagem: As relações luso-alemãs em Lisboa entre as décadas de 1940 e 1970".

    ℹ️ ihc.fcsh.unl.pt/events/encontr

    #Histodons #CulturalHistory #EstadoNovo #Eurospy #SpyFilms #Germany #Alemanha #Cinema #Espionagem #HistóriaCultural

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