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  1. DATE: September 8, 2026 at 06:00PM
    SOURCE: PSYPOST.ORG

    ** Research quality varies widely from fantastic to small exploratory studies. Please check research methods when conclusions are very important to you. **
    -------------------------------------------------

    TITLE: Cognitive biases and emotional triggers make AI-generated images highly deceptive

    URL: psypost.org/cognitive-biases-a

    Emotionally charged AI-generated images may encourage social media users to respond before they critically assess whether the images are real, according to a study published in Computers in Human Behavior.

    AI-generated images can now be produced quickly and cheaply, making it possible to create large amounts of realistic-looking material for social media. Some images are paired with emotional captions and distributed through networks of automated pages or content farms that seek attention, advertising revenue or user interaction.

    Images may be particularly effective at attracting attention because they are processed quickly and can trigger emotional reactions before people examine details closely. A picture of an elderly couple, a neglected child or an apparently extraordinary achievement may prompt sympathy, anger or admiration. Those reactions can make users less likely to stop and ask whether the scene is authentic.

    Márk Miskolczi of Corvinus University of Budapest in Hungary analyzed public Facebook material collected between March 1 and May 1, 2025. The sample consisted of 146 AI-generated images and 8,922 user comments.

    Miskolczi selected 12 public Facebook pages that regularly posted suspected AI-generated images. The pages covered themes such as nostalgia, rural life, elderly people, spirituality, everyday hardship and family relationships. Images were first examined using an eight-step manual system that looked for features such as distorted anatomy, unusual facial details, floating objects, impossible reflections, malformed writing and unnatural textures. Images were also checked with an online AI detector, and only those receiving an AI-probability score of at least 60% were included.

    An initial database contained 11,547 comments. After comments believed to have been produced by automated accounts were removed, 9,082 remained. The researcher then excluded 160 comments considered incomplete or meaningless, leaving 8,922 comments for qualitative analysis. The comments were categorized, or coded, in stages to identify recurring topics, emotional responses and possible mental shortcuts involved in users’ reactions.

    Five broad themes emerged in the images: emotion and nostalgia; empathy and compassion; extraordinary achievements and hobbies; birthdays and social problems; and religion and spirituality. The most common comment category was birthday wishes, with 1,980 comments (22.19%). Inspiring messages and encouragement accounted for 1,802 comments (20.20%). Religious content accounted for 1,490 comments (16.70%).

    Many users responded as though the images represented real people or events. They expressed sympathy for older adults, shared memories of childhood, offered congratulations and posted religious blessings. The analysis suggested that several mental shortcuts, known as cognitive biases, may have contributed. Confirmation bias may lead people to accept images that fit their existing beliefs. Anchoring may make the first emotional reaction more influential than later inspection. Familiar themes may feel trustworthy, while large numbers of supportive comments may create the impression that the content has been socially verified.

    The researcher found that images involving older people, nostalgic memories and apparent neglect often produced strong emotional reactions. Outrage-inducing content could also encourage comments while drawing attention away from visual inconsistencies. By contrast, some images involving inter-ethnic conflict or neglected birthdays attracted more skepticism or less engagement.

    Miskolczi summarized: “This study examined how AI-generated images [AIGIs] on Facebook exploit users’ vulnerabilities, revealing their remarkable potential for digital deception… Emotional engagement was often accompanied by cognitive biases which together reduced users’ critical reflection.”

    Some limitations are to be noted. The study was limited to public Facebook content, which may not reflect platform-specific or culturally embedded differences in how users on other networks engage with such images. Additionally, the manual frameworks used to detect AI images and automated comments have not yet been externally validated. Furthermore, the analysis inferred cognitive biases from the content of comments rather than measuring them directly in experiments. It also cannot establish exactly how many users genuinely believed the images were real, how many were responding ironically or whether the images changed their views or behavior.

    The study, “The illusion of reality: How AI-generated images (AIGIs) are fooling social media users,” was authored by Márk Miskolczi.

    URL: psypost.org/cognitive-biases-a

    -------------------------------------------------

    Private, vetted email list for mental health professionals: clinicians-exchange.org

    Unofficial Psychology Today Xitter to toot feed at Psych Today Unofficial Bot @PTUnofficialBot

    -------------------------------------------------

    #psychology #counseling #socialwork #psychotherapy @psychotherapist @psychotherapists @psychology @socialpsych @socialwork @psychiatry #mentalhealth #psychiatry #healthcare #depression #psychotherapist #AIGIdeception #CognitiveBiases #EmotionalTriggers #FakeImages #SocialMediaSafety #DigitalManipulation #Misinformation #AIethics #AIgeneratedImages #CriticalMedia literacy

  2. DATE: September 8, 2026 at 06:00PM
    SOURCE: PSYPOST.ORG

    ** Research quality varies widely from fantastic to small exploratory studies. Please check research methods when conclusions are very important to you. **
    -------------------------------------------------

    TITLE: Cognitive biases and emotional triggers make AI-generated images highly deceptive

    URL: psypost.org/cognitive-biases-a

    Emotionally charged AI-generated images may encourage social media users to respond before they critically assess whether the images are real, according to a study published in Computers in Human Behavior.

    AI-generated images can now be produced quickly and cheaply, making it possible to create large amounts of realistic-looking material for social media. Some images are paired with emotional captions and distributed through networks of automated pages or content farms that seek attention, advertising revenue or user interaction.

    Images may be particularly effective at attracting attention because they are processed quickly and can trigger emotional reactions before people examine details closely. A picture of an elderly couple, a neglected child or an apparently extraordinary achievement may prompt sympathy, anger or admiration. Those reactions can make users less likely to stop and ask whether the scene is authentic.

    Márk Miskolczi of Corvinus University of Budapest in Hungary analyzed public Facebook material collected between March 1 and May 1, 2025. The sample consisted of 146 AI-generated images and 8,922 user comments.

    Miskolczi selected 12 public Facebook pages that regularly posted suspected AI-generated images. The pages covered themes such as nostalgia, rural life, elderly people, spirituality, everyday hardship and family relationships. Images were first examined using an eight-step manual system that looked for features such as distorted anatomy, unusual facial details, floating objects, impossible reflections, malformed writing and unnatural textures. Images were also checked with an online AI detector, and only those receiving an AI-probability score of at least 60% were included.

    An initial database contained 11,547 comments. After comments believed to have been produced by automated accounts were removed, 9,082 remained. The researcher then excluded 160 comments considered incomplete or meaningless, leaving 8,922 comments for qualitative analysis. The comments were categorized, or coded, in stages to identify recurring topics, emotional responses and possible mental shortcuts involved in users’ reactions.

    Five broad themes emerged in the images: emotion and nostalgia; empathy and compassion; extraordinary achievements and hobbies; birthdays and social problems; and religion and spirituality. The most common comment category was birthday wishes, with 1,980 comments (22.19%). Inspiring messages and encouragement accounted for 1,802 comments (20.20%). Religious content accounted for 1,490 comments (16.70%).

    Many users responded as though the images represented real people or events. They expressed sympathy for older adults, shared memories of childhood, offered congratulations and posted religious blessings. The analysis suggested that several mental shortcuts, known as cognitive biases, may have contributed. Confirmation bias may lead people to accept images that fit their existing beliefs. Anchoring may make the first emotional reaction more influential than later inspection. Familiar themes may feel trustworthy, while large numbers of supportive comments may create the impression that the content has been socially verified.

    The researcher found that images involving older people, nostalgic memories and apparent neglect often produced strong emotional reactions. Outrage-inducing content could also encourage comments while drawing attention away from visual inconsistencies. By contrast, some images involving inter-ethnic conflict or neglected birthdays attracted more skepticism or less engagement.

    Miskolczi summarized: “This study examined how AI-generated images [AIGIs] on Facebook exploit users’ vulnerabilities, revealing their remarkable potential for digital deception… Emotional engagement was often accompanied by cognitive biases which together reduced users’ critical reflection.”

    Some limitations are to be noted. The study was limited to public Facebook content, which may not reflect platform-specific or culturally embedded differences in how users on other networks engage with such images. Additionally, the manual frameworks used to detect AI images and automated comments have not yet been externally validated. Furthermore, the analysis inferred cognitive biases from the content of comments rather than measuring them directly in experiments. It also cannot establish exactly how many users genuinely believed the images were real, how many were responding ironically or whether the images changed their views or behavior.

    The study, “The illusion of reality: How AI-generated images (AIGIs) are fooling social media users,” was authored by Márk Miskolczi.

    URL: psypost.org/cognitive-biases-a

    -------------------------------------------------

    Private, vetted email list for mental health professionals: clinicians-exchange.org

    Unofficial Psychology Today Xitter to toot feed at Psych Today Unofficial Bot @PTUnofficialBot

    -------------------------------------------------

    #psychology #counseling #socialwork #psychotherapy @psychotherapist @psychotherapists @psychology @socialpsych @socialwork @psychiatry #mentalhealth #psychiatry #healthcare #depression #psychotherapist #AIGIdeception #CognitiveBiases #EmotionalTriggers #FakeImages #SocialMediaSafety #DigitalManipulation #Misinformation #AIethics #AIgeneratedImages #CriticalMedia literacy

  3. DATE: September 8, 2026 at 06:00PM
    SOURCE: PSYPOST.ORG

    ** Research quality varies widely from fantastic to small exploratory studies. Please check research methods when conclusions are very important to you. **
    -------------------------------------------------

    TITLE: Cognitive biases and emotional triggers make AI-generated images highly deceptive

    URL: psypost.org/cognitive-biases-a

    Emotionally charged AI-generated images may encourage social media users to respond before they critically assess whether the images are real, according to a study published in Computers in Human Behavior.

    AI-generated images can now be produced quickly and cheaply, making it possible to create large amounts of realistic-looking material for social media. Some images are paired with emotional captions and distributed through networks of automated pages or content farms that seek attention, advertising revenue or user interaction.

    Images may be particularly effective at attracting attention because they are processed quickly and can trigger emotional reactions before people examine details closely. A picture of an elderly couple, a neglected child or an apparently extraordinary achievement may prompt sympathy, anger or admiration. Those reactions can make users less likely to stop and ask whether the scene is authentic.

    Márk Miskolczi of Corvinus University of Budapest in Hungary analyzed public Facebook material collected between March 1 and May 1, 2025. The sample consisted of 146 AI-generated images and 8,922 user comments.

    Miskolczi selected 12 public Facebook pages that regularly posted suspected AI-generated images. The pages covered themes such as nostalgia, rural life, elderly people, spirituality, everyday hardship and family relationships. Images were first examined using an eight-step manual system that looked for features such as distorted anatomy, unusual facial details, floating objects, impossible reflections, malformed writing and unnatural textures. Images were also checked with an online AI detector, and only those receiving an AI-probability score of at least 60% were included.

    An initial database contained 11,547 comments. After comments believed to have been produced by automated accounts were removed, 9,082 remained. The researcher then excluded 160 comments considered incomplete or meaningless, leaving 8,922 comments for qualitative analysis. The comments were categorized, or coded, in stages to identify recurring topics, emotional responses and possible mental shortcuts involved in users’ reactions.

    Five broad themes emerged in the images: emotion and nostalgia; empathy and compassion; extraordinary achievements and hobbies; birthdays and social problems; and religion and spirituality. The most common comment category was birthday wishes, with 1,980 comments (22.19%). Inspiring messages and encouragement accounted for 1,802 comments (20.20%). Religious content accounted for 1,490 comments (16.70%).

    Many users responded as though the images represented real people or events. They expressed sympathy for older adults, shared memories of childhood, offered congratulations and posted religious blessings. The analysis suggested that several mental shortcuts, known as cognitive biases, may have contributed. Confirmation bias may lead people to accept images that fit their existing beliefs. Anchoring may make the first emotional reaction more influential than later inspection. Familiar themes may feel trustworthy, while large numbers of supportive comments may create the impression that the content has been socially verified.

    The researcher found that images involving older people, nostalgic memories and apparent neglect often produced strong emotional reactions. Outrage-inducing content could also encourage comments while drawing attention away from visual inconsistencies. By contrast, some images involving inter-ethnic conflict or neglected birthdays attracted more skepticism or less engagement.

    Miskolczi summarized: “This study examined how AI-generated images [AIGIs] on Facebook exploit users’ vulnerabilities, revealing their remarkable potential for digital deception… Emotional engagement was often accompanied by cognitive biases which together reduced users’ critical reflection.”

    Some limitations are to be noted. The study was limited to public Facebook content, which may not reflect platform-specific or culturally embedded differences in how users on other networks engage with such images. Additionally, the manual frameworks used to detect AI images and automated comments have not yet been externally validated. Furthermore, the analysis inferred cognitive biases from the content of comments rather than measuring them directly in experiments. It also cannot establish exactly how many users genuinely believed the images were real, how many were responding ironically or whether the images changed their views or behavior.

    The study, “The illusion of reality: How AI-generated images (AIGIs) are fooling social media users,” was authored by Márk Miskolczi.

    URL: psypost.org/cognitive-biases-a

    -------------------------------------------------

    Private, vetted email list for mental health professionals: clinicians-exchange.org

    Unofficial Psychology Today Xitter to toot feed at Psych Today Unofficial Bot @PTUnofficialBot

    -------------------------------------------------

    #psychology #counseling #socialwork #psychotherapy @psychotherapist @psychotherapists @psychology @socialpsych @socialwork @psychiatry #mentalhealth #psychiatry #healthcare #depression #psychotherapist #AIGIdeception #CognitiveBiases #EmotionalTriggers #FakeImages #SocialMediaSafety #DigitalManipulation #Misinformation #AIethics #AIgeneratedImages #CriticalMedia literacy

  4. AMRO26 / Art Meets Radical Openness / Becoming Unreadable

    afo - architekturforum oberösterreich, Wednesday, May 13 at 10:00 AM GMT+2


    13. – 16. May 2026
    Linz, Austria

    AMRO26:
    Becoming unreadable

    Art Meets Radical Openness
    Festival dedicated to Art, Hacktivism and Open Culture

    Art Meets Radical Openness is a biennial community festival for art, hacktivism and open cultures. It provides a space for discussion and resistance against technological monoculture, and for sharing and learning together on contemporary issues of our networked times.

    The current techno-political moment is dominated by AI and by the strengthening of the alliance between big tech and conservative politics, as well as a blind faith in endless computational growth. All of this relies on forms of “hyper-visibility”, based on the assumption that a constant online omnipresence is normal and desirable. Our interconnectedness forms the basis of mainstream digital cultures and serves as a tool for ubiquitous surveillance and the exploitative appropriation of works and data by big tech, which demands critical opposition.

    For its 2026 edition, titled ‘Becoming Unreadable’, AMRO invites its community to reflect on and engage with invisibility, unreadability, ungovernability, and uncomputability as strategies for resistance.. AMRO26 aims at challenging the common understanding of AI, networks and computers, and through its programme, explores approaches that offer real change: low-tech, feminist and community IT, computing within limits, up to even more radical ideas around de-computing, de-networking, de-scaling and de-platforming ourselves. 'Becoming Unreadable' involves evading surveillance by oligarchic tech corporations, operate under the radar, and refuse to comply to the total AI cloud. Non-commercial community infrastructures are fundamental tools in this process, but even more importantly we need to develop new ways of understanding each others and being together as humans. Art Meets Radical Openness wants to be a space dedicated to that.

    -----------------
    Program:

    12. May - Pre-opening

    18:30 / SPLACE / Kunstuniversität Linz / Hauptplatz 6
    --------------------------------------

    13. May - Opening & Keynotes

    18:00 / Exhibition: From the Ashes of the Burnout Machines / Galerie MAERZ / Eisenbahngasse 20
    19:00 / afo – architekturforum oberösterreich / Herbert-Bayer-Platz 1
    ---------------------
    13. – 16. May, from 10:00-00+
    Lectures, concerts, workshops, exhibitions:
    full program on [https://radical-openness.org/]
    --------------------
    16. May – Closing event - Night-line
    21:00-02:00 / STWST / Kirchengasse 4
    with Adel Faure & Rémi Georges, Arnica Montana, Jens Vetter, Lil Data, map(h), Mitsitron, MSHR, Orangetronic, Pasta Gang, & more.
    -----------------

    Showcases:
    From the Ashes of the Burnout Machines / Galerie MAERZ
    13. - 16. May | (Everyday, 10:00-19:00) | Eisenbahngasse 20
    Curated by Davide Bevilacqua, Arianna Forte, Noemi Garay, Lara Mejač, Diane Pricop
    Exhibiting artists: 868.labs, S( )fia Braga, MOC Mara Oscar Cassiani, Marco Donnarumma, Fantastic Little Splash, Christina Gruber, Dasha Ilina & Marie Verdeil, Sam Lavigne, Repair and Redress, Mario Santamaría, Ioana Vreme Moser

    Decay and Desire / bb15 – space for contemporary art
    14. - 16. May | (Everyday, 10:00-19:00); 18th-22nd May, (Tue-Sat, 15:00-18:00) | Hafnerstraße 4
    Exhibiting artists: Maja Bojanić and Brin Žvan & jiawen uffline

    AMRO26: Becoming Unreadable / SPLACE
    12. - 21. May | (Everyday, 10:00-19:00) | Kunstuniversität Linz, Hauptplatz 6
    Exhibiting artists: a/o (Anna Watzinger/Olivia Jaques), Zelda Diedrich, Anna Kraher, Juli Laczko,Valie Messini, jiawen uffline


    ABOUT AMRO

    AMRO, Art Meets Radical Openness, is a festival, a platform and a community for art, hacktivism and open cultures, organized since 2008 by servus.at in cooperation with the Linz University of Art, Department of Time-Based Media and Visual Communcation.

    “Art Meets Radical Openness” brings together local and international artists, activists, developers, researchers and hacktivists involved with the culture of sharing and communal production. They are catalysts that spark new discourses and open up new directions of thinking. Free Open Source Software, open tools in general and the use of free licenses are the precondition and basis for the digital practice of a community like this, which impels social transformation. This tangible transformation goes beyond a digital practice and also changes our real life.

    kulturkarte.servus.at/event/am

  5. AMRO26 / Art Meets Radical Openness / Becoming Unreadable

    afo - architekturforum oberösterreich, Wednesday, May 13 at 10:00 AM GMT+2


    13. – 16. May 2026
    Linz, Austria

    AMRO26:
    Becoming unreadable

    Art Meets Radical Openness
    Festival dedicated to Art, Hacktivism and Open Culture

    Art Meets Radical Openness is a biennial community festival for art, hacktivism and open cultures. It provides a space for discussion and resistance against technological monoculture, and for sharing and learning together on contemporary issues of our networked times.

    The current techno-political moment is dominated by AI and by the strengthening of the alliance between big tech and conservative politics, as well as a blind faith in endless computational growth. All of this relies on forms of “hyper-visibility”, based on the assumption that a constant online omnipresence is normal and desirable. Our interconnectedness forms the basis of mainstream digital cultures and serves as a tool for ubiquitous surveillance and the exploitative appropriation of works and data by big tech, which demands critical opposition.

    For its 2026 edition, titled ‘Becoming Unreadable’, AMRO invites its community to reflect on and engage with invisibility, unreadability, ungovernability, and uncomputability as strategies for resistance.. AMRO26 aims at challenging the common understanding of AI, networks and computers, and through its programme, explores approaches that offer real change: low-tech, feminist and community IT, computing within limits, up to even more radical ideas around de-computing, de-networking, de-scaling and de-platforming ourselves. 'Becoming Unreadable' involves evading surveillance by oligarchic tech corporations, operate under the radar, and refuse to comply to the total AI cloud. Non-commercial community infrastructures are fundamental tools in this process, but even more importantly we need to develop new ways of understanding each others and being together as humans. Art Meets Radical Openness wants to be a space dedicated to that.

    -----------------
    Program:

    12. May - Pre-opening

    18:30 / SPLACE / Kunstuniversität Linz / Hauptplatz 6
    --------------------------------------

    13. May - Opening & Keynotes

    18:00 / Exhibition: From the Ashes of the Burnout Machines / Galerie MAERZ / Eisenbahngasse 20
    19:00 / afo – architekturforum oberösterreich / Herbert-Bayer-Platz 1
    ---------------------
    13. – 16. May, from 10:00-00+
    Lectures, concerts, workshops, exhibitions:
    full program on [https://radical-openness.org/]
    --------------------
    16. May – Closing event - Night-line
    21:00-02:00 / STWST / Kirchengasse 4
    with Adel Faure & Rémi Georges, Arnica Montana, Jens Vetter, Lil Data, map(h), Mitsitron, MSHR, Orangetronic, Pasta Gang, & more.
    -----------------

    Showcases:
    From the Ashes of the Burnout Machines / Galerie MAERZ
    13. - 16. May | (Everyday, 10:00-19:00) | Eisenbahngasse 20
    Curated by Davide Bevilacqua, Arianna Forte, Noemi Garay, Lara Mejač, Diane Pricop
    Exhibiting artists: 868.labs, S( )fia Braga, MOC Mara Oscar Cassiani, Marco Donnarumma, Fantastic Little Splash, Christina Gruber, Dasha Ilina & Marie Verdeil, Sam Lavigne, Repair and Redress, Mario Santamaría, Ioana Vreme Moser

    Decay and Desire / bb15 – space for contemporary art
    14. - 16. May | (Everyday, 10:00-19:00); 18th-22nd May, (Tue-Sat, 15:00-18:00) | Hafnerstraße 4
    Exhibiting artists: Maja Bojanić and Brin Žvan & jiawen uffline

    AMRO26: Becoming Unreadable / SPLACE
    12. - 21. May | (Everyday, 10:00-19:00) | Kunstuniversität Linz, Hauptplatz 6
    Exhibiting artists: a/o (Anna Watzinger/Olivia Jaques), Zelda Diedrich, Anna Kraher, Juli Laczko,Valie Messini, jiawen uffline


    ABOUT AMRO

    AMRO, Art Meets Radical Openness, is a festival, a platform and a community for art, hacktivism and open cultures, organized since 2008 by servus.at in cooperation with the Linz University of Art, Department of Time-Based Media and Visual Communcation.

    “Art Meets Radical Openness” brings together local and international artists, activists, developers, researchers and hacktivists involved with the culture of sharing and communal production. They are catalysts that spark new discourses and open up new directions of thinking. Free Open Source Software, open tools in general and the use of free licenses are the precondition and basis for the digital practice of a community like this, which impels social transformation. This tangible transformation goes beyond a digital practice and also changes our real life.

    kulturkarte.servus.at/event/am

  6. AMRO26 / Art Meets Radical Openness / Becoming Unreadable

    afo - architekturforum oberösterreich, Wednesday, May 13 at 10:00 AM GMT+2


    13. – 16. May 2026
    Linz, Austria

    AMRO26:
    Becoming unreadable

    Art Meets Radical Openness
    Festival dedicated to Art, Hacktivism and Open Culture

    Art Meets Radical Openness is a biennial community festival for art, hacktivism and open cultures. It provides a space for discussion and resistance against technological monoculture, and for sharing and learning together on contemporary issues of our networked times.

    The current techno-political moment is dominated by AI and by the strengthening of the alliance between big tech and conservative politics, as well as a blind faith in endless computational growth. All of this relies on forms of “hyper-visibility”, based on the assumption that a constant online omnipresence is normal and desirable. Our interconnectedness forms the basis of mainstream digital cultures and serves as a tool for ubiquitous surveillance and the exploitative appropriation of works and data by big tech, which demands critical opposition.

    For its 2026 edition, titled ‘Becoming Unreadable’, AMRO invites its community to reflect on and engage with invisibility, unreadability, ungovernability, and uncomputability as strategies for resistance.. AMRO26 aims at challenging the common understanding of AI, networks and computers, and through its programme, explores approaches that offer real change: low-tech, feminist and community IT, computing within limits, up to even more radical ideas around de-computing, de-networking, de-scaling and de-platforming ourselves. 'Becoming Unreadable' involves evading surveillance by oligarchic tech corporations, operate under the radar, and refuse to comply to the total AI cloud. Non-commercial community infrastructures are fundamental tools in this process, but even more importantly we need to develop new ways of understanding each others and being together as humans. Art Meets Radical Openness wants to be a space dedicated to that.

    -----------------
    Program:

    12. May - Pre-opening

    18:30 / SPLACE / Kunstuniversität Linz / Hauptplatz 6
    --------------------------------------

    13. May - Opening & Keynotes

    18:00 / Exhibition: From the Ashes of the Burnout Machines / Galerie MAERZ / Eisenbahngasse 20
    19:00 / afo – architekturforum oberösterreich / Herbert-Bayer-Platz 1
    ---------------------
    13. – 16. May, from 10:00-00+
    Lectures, concerts, workshops, exhibitions:
    full program on [https://radical-openness.org/]
    --------------------
    16. May – Closing event - Night-line
    21:00-02:00 / STWST / Kirchengasse 4
    with Adel Faure & Rémi Georges, Arnica Montana, Jens Vetter, Lil Data, map(h), Mitsitron, MSHR, Orangetronic, Pasta Gang, & more.
    -----------------

    Showcases:
    From the Ashes of the Burnout Machines / Galerie MAERZ
    13. - 16. May | (Everyday, 10:00-19:00) | Eisenbahngasse 20
    Curated by Davide Bevilacqua, Arianna Forte, Noemi Garay, Lara Mejač, Diane Pricop
    Exhibiting artists: 868.labs, S( )fia Braga, MOC Mara Oscar Cassiani, Marco Donnarumma, Fantastic Little Splash, Christina Gruber, Dasha Ilina & Marie Verdeil, Sam Lavigne, Repair and Redress, Mario Santamaría, Ioana Vreme Moser

    Decay and Desire / bb15 – space for contemporary art
    14. - 16. May | (Everyday, 10:00-19:00); 18th-22nd May, (Tue-Sat, 15:00-18:00) | Hafnerstraße 4
    Exhibiting artists: Maja Bojanić and Brin Žvan & jiawen uffline

    AMRO26: Becoming Unreadable / SPLACE
    12. - 21. May | (Everyday, 10:00-19:00) | Kunstuniversität Linz, Hauptplatz 6
    Exhibiting artists: a/o (Anna Watzinger/Olivia Jaques), Zelda Diedrich, Anna Kraher, Juli Laczko,Valie Messini, jiawen uffline


    ABOUT AMRO

    AMRO, Art Meets Radical Openness, is a festival, a platform and a community for art, hacktivism and open cultures, organized since 2008 by servus.at in cooperation with the Linz University of Art, Department of Time-Based Media and Visual Communcation.

    “Art Meets Radical Openness” brings together local and international artists, activists, developers, researchers and hacktivists involved with the culture of sharing and communal production. They are catalysts that spark new discourses and open up new directions of thinking. Free Open Source Software, open tools in general and the use of free licenses are the precondition and basis for the digital practice of a community like this, which impels social transformation. This tangible transformation goes beyond a digital practice and also changes our real life.

    kulturkarte.servus.at/event/am

  7. AMRO26 / Art Meets Radical Openness / Becoming Unreadable

    afo - architekturforum oberösterreich, Wednesday, May 13 at 10:00 AM GMT+2


    13. – 16. May 2026
    Linz, Austria

    AMRO26:
    Becoming unreadable

    Art Meets Radical Openness
    Festival dedicated to Art, Hacktivism and Open Culture

    Art Meets Radical Openness is a biennial community festival for art, hacktivism and open cultures. It provides a space for discussion and resistance against technological monoculture, and for sharing and learning together on contemporary issues of our networked times.

    The current techno-political moment is dominated by AI and by the strengthening of the alliance between big tech and conservative politics, as well as a blind faith in endless computational growth. All of this relies on forms of “hyper-visibility”, based on the assumption that a constant online omnipresence is normal and desirable. Our interconnectedness forms the basis of mainstream digital cultures and serves as a tool for ubiquitous surveillance and the exploitative appropriation of works and data by big tech, which demands critical opposition.

    For its 2026 edition, titled ‘Becoming Unreadable’, AMRO invites its community to reflect on and engage with invisibility, unreadability, ungovernability, and uncomputability as strategies for resistance.. AMRO26 aims at challenging the common understanding of AI, networks and computers, and through its programme, explores approaches that offer real change: low-tech, feminist and community IT, computing within limits, up to even more radical ideas around de-computing, de-networking, de-scaling and de-platforming ourselves. 'Becoming Unreadable' involves evading surveillance by oligarchic tech corporations, operate under the radar, and refuse to comply to the total AI cloud. Non-commercial community infrastructures are fundamental tools in this process, but even more importantly we need to develop new ways of understanding each others and being together as humans. Art Meets Radical Openness wants to be a space dedicated to that.

    -----------------
    Program:

    12. May - Pre-opening

    18:30 / SPLACE / Kunstuniversität Linz / Hauptplatz 6
    --------------------------------------

    13. May - Opening & Keynotes

    18:00 / Exhibition: From the Ashes of the Burnout Machines / Galerie MAERZ / Eisenbahngasse 20
    19:00 / afo – architekturforum oberösterreich / Herbert-Bayer-Platz 1
    ---------------------
    13. – 16. May, from 10:00-00+
    Lectures, concerts, workshops, exhibitions:
    full program on [https://radical-openness.org/]
    --------------------
    16. May – Closing event - Night-line
    21:00-02:00 / STWST / Kirchengasse 4
    with Adel Faure & Rémi Georges, Arnica Montana, Jens Vetter, Lil Data, map(h), Mitsitron, MSHR, Orangetronic, Pasta Gang, & more.
    -----------------

    Showcases:
    From the Ashes of the Burnout Machines / Galerie MAERZ
    13. - 16. May | (Everyday, 10:00-19:00) | Eisenbahngasse 20
    Curated by Davide Bevilacqua, Arianna Forte, Noemi Garay, Lara Mejač, Diane Pricop
    Exhibiting artists: 868.labs, S( )fia Braga, MOC Mara Oscar Cassiani, Marco Donnarumma, Fantastic Little Splash, Christina Gruber, Dasha Ilina & Marie Verdeil, Sam Lavigne, Repair and Redress, Mario Santamaría, Ioana Vreme Moser

    Decay and Desire / bb15 – space for contemporary art
    14. - 16. May | (Everyday, 10:00-19:00); 18th-22nd May, (Tue-Sat, 15:00-18:00) | Hafnerstraße 4
    Exhibiting artists: Maja Bojanić and Brin Žvan & jiawen uffline

    AMRO26: Becoming Unreadable / SPLACE
    12. - 21. May | (Everyday, 10:00-19:00) | Kunstuniversität Linz, Hauptplatz 6
    Exhibiting artists: a/o (Anna Watzinger/Olivia Jaques), Zelda Diedrich, Anna Kraher, Juli Laczko,Valie Messini, jiawen uffline


    ABOUT AMRO

    AMRO, Art Meets Radical Openness, is a festival, a platform and a community for art, hacktivism and open cultures, organized since 2008 by servus.at in cooperation with the Linz University of Art, Department of Time-Based Media and Visual Communcation.

    “Art Meets Radical Openness” brings together local and international artists, activists, developers, researchers and hacktivists involved with the culture of sharing and communal production. They are catalysts that spark new discourses and open up new directions of thinking. Free Open Source Software, open tools in general and the use of free licenses are the precondition and basis for the digital practice of a community like this, which impels social transformation. This tangible transformation goes beyond a digital practice and also changes our real life.

    kulturkarte.servus.at/event/am

  8. AMRO26 / Art Meets Radical Openness / Becoming Unreadable

    afo - architekturforum oberösterreich, Wednesday, May 13 at 10:00 AM GMT+2


    13. – 16. May 2026
    Linz, Austria

    AMRO26:
    Becoming unreadable

    Art Meets Radical Openness
    Festival dedicated to Art, Hacktivism and Open Culture

    Art Meets Radical Openness is a biennial community festival for art, hacktivism and open cultures. It provides a space for discussion and resistance against technological monoculture, and for sharing and learning together on contemporary issues of our networked times.

    The current techno-political moment is dominated by AI and by the strengthening of the alliance between big tech and conservative politics, as well as a blind faith in endless computational growth. All of this relies on forms of “hyper-visibility”, based on the assumption that a constant online omnipresence is normal and desirable. Our interconnectedness forms the basis of mainstream digital cultures and serves as a tool for ubiquitous surveillance and the exploitative appropriation of works and data by big tech, which demands critical opposition.

    For its 2026 edition, titled ‘Becoming Unreadable’, AMRO invites its community to reflect on and engage with invisibility, unreadability, ungovernability, and uncomputability as strategies for resistance.. AMRO26 aims at challenging the common understanding of AI, networks and computers, and through its programme, explores approaches that offer real change: low-tech, feminist and community IT, computing within limits, up to even more radical ideas around de-computing, de-networking, de-scaling and de-platforming ourselves. 'Becoming Unreadable' involves evading surveillance by oligarchic tech corporations, operate under the radar, and refuse to comply to the total AI cloud. Non-commercial community infrastructures are fundamental tools in this process, but even more importantly we need to develop new ways of understanding each others and being together as humans. Art Meets Radical Openness wants to be a space dedicated to that.

    -----------------
    Program:

    12. May - Pre-opening

    18:30 / SPLACE / Kunstuniversität Linz / Hauptplatz 6
    --------------------------------------

    13. May - Opening & Keynotes

    18:00 / Exhibition: From the Ashes of the Burnout Machines / Galerie MAERZ / Eisenbahngasse 20
    19:00 / afo – architekturforum oberösterreich / Herbert-Bayer-Platz 1
    ---------------------
    13. – 16. May, from 10:00-00+
    Lectures, concerts, workshops, exhibitions:
    full program on [https://radical-openness.org/]
    --------------------
    16. May – Closing event - Night-line
    21:00-02:00 / STWST / Kirchengasse 4
    with Adel Faure & Rémi Georges, Arnica Montana, Jens Vetter, Lil Data, map(h), Mitsitron, MSHR, Orangetronic, Pasta Gang, & more.
    -----------------

    Showcases:
    From the Ashes of the Burnout Machines / Galerie MAERZ
    13. - 16. May | (Everyday, 10:00-19:00) | Eisenbahngasse 20
    Curated by Davide Bevilacqua, Arianna Forte, Noemi Garay, Lara Mejač, Diane Pricop
    Exhibiting artists: 868.labs, S( )fia Braga, MOC Mara Oscar Cassiani, Marco Donnarumma, Fantastic Little Splash, Christina Gruber, Dasha Ilina & Marie Verdeil, Sam Lavigne, Repair and Redress, Mario Santamaría, Ioana Vreme Moser

    Decay and Desire / bb15 – space for contemporary art
    14. - 16. May | (Everyday, 10:00-19:00); 18th-22nd May, (Tue-Sat, 15:00-18:00) | Hafnerstraße 4
    Exhibiting artists: Maja Bojanić and Brin Žvan & jiawen uffline

    AMRO26: Becoming Unreadable / SPLACE
    12. - 21. May | (Everyday, 10:00-19:00) | Kunstuniversität Linz, Hauptplatz 6
    Exhibiting artists: a/o (Anna Watzinger/Olivia Jaques), Zelda Diedrich, Anna Kraher, Juli Laczko,Valie Messini, jiawen uffline


    ABOUT AMRO

    AMRO, Art Meets Radical Openness, is a festival, a platform and a community for art, hacktivism and open cultures, organized since 2008 by servus.at in cooperation with the Linz University of Art, Department of Time-Based Media and Visual Communcation.

    “Art Meets Radical Openness” brings together local and international artists, activists, developers, researchers and hacktivists involved with the culture of sharing and communal production. They are catalysts that spark new discourses and open up new directions of thinking. Free Open Source Software, open tools in general and the use of free licenses are the precondition and basis for the digital practice of a community like this, which impels social transformation. This tangible transformation goes beyond a digital practice and also changes our real life.

    kulturkarte.servus.at/event/am

  9. Concretely, we are still trying to understand how the network works and how we can interact with the rest of the members.

    For the time being we joined a newly formed Digital Ethics working group, where we are in exchange with several representatives of NGOs dealing with critical media or just interested in digital autonomy.

    We keep you updated.

    reset-network.eu/member/servus

    #digitalethics #europeannetwork #criticalmedia #digitalautonomy

  10. Concretely, we are still trying to understand how the network works and how we can interact with the rest of the members.

    For the time being we joined a newly formed Digital Ethics working group, where we are in exchange with several representatives of NGOs dealing with critical media or just interested in digital autonomy.

    We keep you updated.

    reset-network.eu/member/servus

    #digitalethics #europeannetwork #criticalmedia #digitalautonomy

  11. Concretely, we are still trying to understand how the network works and how we can interact with the rest of the members.

    For the time being we joined a newly formed Digital Ethics working group, where we are in exchange with several representatives of NGOs dealing with critical media or just interested in digital autonomy.

    We keep you updated.

    reset-network.eu/member/servus

    #digitalethics #europeannetwork #criticalmedia #digitalautonomy

  12. Concretely, we are still trying to understand how the network works and how we can interact with the rest of the members.

    For the time being we joined a newly formed Digital Ethics working group, where we are in exchange with several representatives of NGOs dealing with critical media or just interested in digital autonomy.

    We keep you updated.

    reset-network.eu/member/servus

    #digitalethics #europeannetwork #criticalmedia #digitalautonomy

  13. Concretely, we are still trying to understand how the network works and how we can interact with the rest of the members.

    For the time being we joined a newly formed Digital Ethics working group, where we are in exchange with several representatives of NGOs dealing with critical media or just interested in digital autonomy.

    We keep you updated.

    reset-network.eu/member/servus

    #digitalethics #europeannetwork #criticalmedia #digitalautonomy

  14. Words matter. When journalists lazily use the word “gunman” when other words are more apt, they make it sound like a profession. Something to aspire to. Do better. #Framing #CriticalMedia #Journalism

  15. Words matter. When journalists lazily use the word “gunman” when other words are more apt, they make it sound like a profession. Something to aspire to. Do better. #Framing #CriticalMedia #Journalism