#conjurer — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #conjurer, aggregated by home.social.
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New post: Download Festival 2026 Review: Saturday 13th June https://moshville.co.uk/reviews/2026/06/download-festival-2026-review-saturday-13th-june/ #Behemoth #Conjurer #DieSpitz #DownloadFestival
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New post: Download Festival 2026 Review: Saturday 13th June https://moshville.co.uk/reviews/2026/06/download-festival-2026-review-saturday-13th-june/ #Behemoth #Conjurer #DieSpitz #DownloadFestival
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New post: Download Festival 2026 Review: Saturday 13th June https://moshville.co.uk/reviews/2026/06/download-festival-2026-review-saturday-13th-june/ #Behemoth #Conjurer #DieSpitz #DownloadFestival
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https://www.europesays.com/be-nl/69001/ Hemels Headbangen op Hemelvaart: Herrie dag 1 #barren #BE #België #Belgium #BrutalSphincter #conjurer #cytotoxin #fotoverslag #hemelvaart #herrie #OpalInSky #Science #ScienceAndTechnology #ScienceAndTechnology #SharksInYourMouth #Technologie #Technology #verslag #Wetenschap #WetenschapEnTechnologie #WetenschapTechnologie #ZwareMetalen
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New post: Conjurer to support Gaerea on upcoming UK tour https://moshville.co.uk/news/tours/2026/04/conjurer-to-support-gaerea-on-upcoming-uk-tour/ #Conjurer #Gaerea
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New post: Conjurer to support Gaerea on upcoming UK tour https://moshville.co.uk/news/tours/2026/04/conjurer-to-support-gaerea-on-upcoming-uk-tour/ #Conjurer #Gaerea
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New post: Conjurer to support Gaerea on upcoming UK tour https://moshville.co.uk/news/tours/2026/04/conjurer-to-support-gaerea-on-upcoming-uk-tour/ #Conjurer #Gaerea
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A quotation from Arthur Conan Doyle
I’m not going to tell you much more of the case, Doctor. You know a conjurer gets no credit once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all.
Arthur Conan Doyle (1859-1930) British writer and physician
Story (1886-04), “A Study in Scarlet,” Part 1, ch. 4 [Holmes], Beeton’s Christmas Annual, Vol. 28 (1887-11-21)More about this quote: wist.info/doyle-arthur-conan/8…
#quote #quotes #quotation #qotd #arthurconandoyle #sherlockholmes #holmes #behindthecurtain #conjurer #explanation #falsemodesty #magictrick #magician #mystery #secret #selfdeprecating #selfeffacing
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A quotation from Arthur Conan Doyle
I’m not going to tell you much more of the case, Doctor. You know a conjurer gets no credit once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all.
Arthur Conan Doyle (1859-1930) British writer and physician
Story (1886-04), “A Study in Scarlet,” Part 1, ch. 4 [Holmes], Beeton’s Christmas Annual, Vol. 28 (1887-11-21)More about this quote: wist.info/doyle-arthur-conan/8…
#quote #quotes #quotation #qotd #arthurconandoyle #sherlockholmes #holmes #behindthecurtain #conjurer #explanation #falsemodesty #magictrick #magician #mystery #secret #selfdeprecating #selfeffacing
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A quotation from Arthur Conan Doyle
I’m not going to tell you much more of the case, Doctor. You know a conjurer gets no credit once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all.
Arthur Conan Doyle (1859-1930) British writer and physician
Story (1886-04), “A Study in Scarlet,” Part 1, ch. 4 [Holmes], Beeton’s Christmas Annual, Vol. 28 (1887-11-21)More about this quote: wist.info/doyle-arthur-conan/8…
#quote #quotes #quotation #qotd #arthurconandoyle #sherlockholmes #holmes #behindthecurtain #conjurer #explanation #falsemodesty #magictrick #magician #mystery #secret #selfdeprecating #selfeffacing
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A quotation from Arthur Conan Doyle
I’m not going to tell you much more of the case, Doctor. You know a conjurer gets no credit once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all.
Arthur Conan Doyle (1859-1930) British writer and physician
Story (1886-04), “A Study in Scarlet,” Part 1, ch. 4 [Holmes], Beeton’s Christmas Annual, Vol. 28 (1887-11-21)More about this quote: wist.info/doyle-arthur-conan/8…
#quote #quotes #quotation #qotd #arthurconandoyle #sherlockholmes #holmes #behindthecurtain #conjurer #explanation #falsemodesty #magictrick #magician #mystery #secret #selfdeprecating #selfeffacing
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New post: Nuclear Blast dives into tabletop gaming with Riffs & Realms series https://moshville.co.uk/news/2026/01/nuclear-blast-dives-into-tabletop-gaming-with-riffs-realms-series/ #BeastInBlack #Conjurer #GreenLung
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New post: Adam’s Top 10 Albums of 2025 https://www.moshville.co.uk/feature/2025/12/adams-top-10-albums-of-2025/ #Adur #Agriculture #Ba'al #Conjurer
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New post: Siobhan’s Top Ten Albums of 2025 https://www.moshville.co.uk/feature/2025/12/siobhans-top-ten-albums-of-2025/ #Conjurer #CripplingAlcoholism #Deafheaven #Deftones
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New post: Siobhan’s Top Ten Albums of 2025 https://www.moshville.co.uk/feature/2025/12/siobhans-top-ten-albums-of-2025/ #Conjurer #CripplingAlcoholism #Deafheaven #Deftones
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New post: Siobhan’s Top Ten Albums of 2025 https://www.moshville.co.uk/feature/2025/12/siobhans-top-ten-albums-of-2025/ #Conjurer #CripplingAlcoholism #Deafheaven #Deftones
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New post: WeeG’s Top Ten Albums of 2025 https://www.moshville.co.uk/feature/2025/12/weegs-top-ten-albums-of-2025/ #1914 #Blackbraid #BleedFromWithin #Conjurer
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New post: Gig Review: Conjurer / Pijn / Death Goals – Glasgow Cathouse, Glasgow (15th November 2025) https://www.moshville.co.uk/reviews/gig-review/2025/11/gig-review-conjurer-pijn-death-goals-glasgow-cathouse-glasgow-15th-november-2025/ #Conjurer #DeathGoals #Pijn
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By Dear Hollow
I’m beginning to think Mire was a fluke. I’m not saying that as a bad thing, but I remember listening to Conjurer’s debut and thinking that it was a top post-metal album steeped in atmosphere and enigma, tied together with vicious vocals and vindictive weight.1 So then, I was immensely let down by follow-up Páthos because it seemed to shed substance for novelty: if I’m being honest, its stark dichotomy of heartwrenching melodies and kickass riffs felt inauthentic and shoehorned. Thus, I approached Unself carefully, hoping for something like Mire but tentatively expecting Páthos. What I got, however, was neither. You see, Mire was a fluke not in quality but in approach, because Unself proves that Conjurer prioritizes riff, weaponizing it for the very human tale of the deconstruction of self.
The title track enters with what I would expect from an early 2010s metalcore band intro,2 the Americana cover of 1919 gospel song “I Can’t Feel At Home in this World Anymore” morphing into a full-on dissodeath takedown via a barb of squealing dissonance. While this and the final song, “The World is Not My Home” seem to tie up the album into a thematic deconstruction of religion, Unself is a bit more complex than that. It reflects the journey of vocalist/guitarist Dani Nightingale through an autism diagnosis and discovery of them being non-binary. Similarly reflecting this complexity and remaining incredibly difficult to neatly categorize its sonic assault, Conjurer lays a foundation of post-metal’s meandering rhythmic hulk with death metal intensity, sludge tonal abuse, and a sleek modern production built atop, with – in Unself – hints of black metal. It’s not the second coming of Mire – it’s Unself and undeniably on-brand and completely authentic – and that’s perfectly okay for Conjurer.
Unself’s structure shows Conjurer’s devotion to natural growth, a welcome change from the shoehorned Páthos – largely because Nightingale’s sonic struggles with self-discovery undergird the movements. The two halves of the album are divided into three tracks, bookended by the Huntsmen-influenced thematic motif of the aforesaid “I Can’t Feel at Home in This World” morphed into ugly beatdowns and yearning sadness. The meat of the two suites fall into one of three categories: the relatively traditional post-metal waltzing of Amenra’s heavier moments in sprawling weight (“All Apart,” “Foreclosure”), the yearning chord progressions and melodies recalling Páthos’ emotive emphasis to a more effective degree (“There Is No Warmth,” “Let Us Live”), or the outright assaults of blackened sludge and -core breakdowns (“The Searing Glow,” “Hang Them in Your Head”). As the album progresses, so does the intensity. The latter, the most vicious of the bunch, feel like they nearly boil over, nearly forsaking the post-metal attack for an obscure death metal attack a la Convulsing or Adversarial – making interlude “A Plea” truly the eye of the storm in its minimalist approach, distant vocal samples, and acoustic strumming.
The balance between novelty and songwriting remains an issue for Conjurer. Because of the trichotomy of its sounds, Unself offers different levels of quality. At first, the more traditional post-metal cuts (“All Apart,” “Foreclosure”) feel like absolute bangers, touched with darkness and harmony – but then you hear the other two approaches and they suddenly feel overly long and uneventful in comparison. Likewise, there are several tracks that could stand a good trimming, simply because many feature a singular abrupt tonal shift from melodic to dissonant in its last respective third (“There is No Warmth,” “Let Us Live”). A more divisive take is that Conjurer’s production is very modern and sleek, the down-tuned leads more akin to 2010s metalcore acts like The Plot in You or The Sorrow, an accessibility largely contradicting post-metal’s historic opaqueness (Neurosis) and death metal’s hostility (Bolt Thrower), so while I liked its more “loud and ouchy” tones, others may not be so persuaded.
The novelty and the emotion are resolved in Unself, as Conjurer finally feels authentic and realized. No, Unself is not better than Mire, but it feels more genuine and human than Páthos, offering some of the act’s most intense material to date while chronicling the dismantling of the self into something more authentic. Not only does Dani Nightingale embark on a journey of self-discovery, but Conjurer does too. I’m just happy to be along for the ride.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: conjureruk.bandcamp.com | conjureruk.com | facebook.com/conjureruk
Releases Worldwide: October 24th, 2025#2025 #30 #Adversarial #Amenra #BlackMetal #BoltThrower #BritishMetal #Conjurer #Convulsing #DeathMetal #DissonantDeathMetal #Huntsmen #Neurosis #NuclearBlastRecords #Oct25 #PostMetal #Review #Reviews #SludgeMetal #TheOngoingConcept #ThePlotInYou #TheSorrow #Unself #VeilOfMaya
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By Dear Hollow
I’m beginning to think Mire was a fluke. I’m not saying that as a bad thing, but I remember listening to Conjurer’s debut and thinking that it was a top post-metal album steeped in atmosphere and enigma, tied together with vicious vocals and vindictive weight.1 So then, I was immensely let down by follow-up Páthos because it seemed to shed substance for novelty: if I’m being honest, its stark dichotomy of heartwrenching melodies and kickass riffs felt inauthentic and shoehorned. Thus, I approached Unself carefully, hoping for something like Mire but tentatively expecting Páthos. What I got, however, was neither. You see, Mire was a fluke not in quality but in approach, because Unself proves that Conjurer prioritizes riff, weaponizing it for the very human tale of the deconstruction of self.
The title track enters with what I would expect from an early 2010s metalcore band intro,2 the Americana cover of 1919 gospel song “I Can’t Feel At Home in this World Anymore” morphing into a full-on dissodeath takedown via a barb of squealing dissonance. While this and the final song, “The World is Not My Home” seem to tie up the album into a thematic deconstruction of religion, Unself is a bit more complex than that. It reflects the journey of vocalist/guitarist Dani Nightingale through an autism diagnosis and discovery of them being non-binary. Similarly reflecting this complexity and remaining incredibly difficult to neatly categorize its sonic assault, Conjurer lays a foundation of post-metal’s meandering rhythmic hulk with death metal intensity, sludge tonal abuse, and a sleek modern production built atop, with – in Unself – hints of black metal. It’s not the second coming of Mire – it’s Unself and undeniably on-brand and completely authentic – and that’s perfectly okay for Conjurer.
Unself’s structure shows Conjurer’s devotion to natural growth, a welcome change from the shoehorned Páthos – largely because Nightingale’s sonic struggles with self-discovery undergird the movements. The two halves of the album are divided into three tracks, bookended by the Huntsmen-influenced thematic motif of the aforesaid “I Can’t Feel at Home in This World” morphed into ugly beatdowns and yearning sadness. The meat of the two suites fall into one of three categories: the relatively traditional post-metal waltzing of Amenra’s heavier moments in sprawling weight (“All Apart,” “Foreclosure”), the yearning chord progressions and melodies recalling Páthos’ emotive emphasis to a more effective degree (“There Is No Warmth,” “Let Us Live”), or the outright assaults of blackened sludge and -core breakdowns (“The Searing Glow,” “Hang Them in Your Head”). As the album progresses, so does the intensity. The latter, the most vicious of the bunch, feel like they nearly boil over, nearly forsaking the post-metal attack for an obscure death metal attack a la Convulsing or Adversarial – making interlude “A Plea” truly the eye of the storm in its minimalist approach, distant vocal samples, and acoustic strumming.
The balance between novelty and songwriting remains an issue for Conjurer. Because of the trichotomy of its sounds, Unself offers different levels of quality. At first, the more traditional post-metal cuts (“All Apart,” “Foreclosure”) feel like absolute bangers, touched with darkness and harmony – but then you hear the other two approaches and they suddenly feel overly long and uneventful in comparison. Likewise, there are several tracks that could stand a good trimming, simply because many feature a singular abrupt tonal shift from melodic to dissonant in its last respective third (“There is No Warmth,” “Let Us Live”). A more divisive take is that Conjurer’s production is very modern and sleek, the down-tuned leads more akin to 2010s metalcore acts like The Plot in You or The Sorrow, an accessibility largely contradicting post-metal’s historic opaqueness (Neurosis) and death metal’s hostility (Bolt Thrower), so while I liked its more “loud and ouchy” tones, others may not be so persuaded.
The novelty and the emotion are resolved in Unself, as Conjurer finally feels authentic and realized. No, Unself is not better than Mire, but it feels more genuine and human than Páthos, offering some of the act’s most intense material to date while chronicling the dismantling of the self into something more authentic. Not only does Dani Nightingale embark on a journey of self-discovery, but Conjurer does too. I’m just happy to be along for the ride.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: conjureruk.bandcamp.com | conjureruk.com | facebook.com/conjureruk
Releases Worldwide: October 24th, 2025#2025 #30 #Adversarial #Amenra #BlackMetal #BoltThrower #BritishMetal #Conjurer #Convulsing #DeathMetal #DissonantDeathMetal #Huntsmen #Neurosis #NuclearBlastRecords #Oct25 #PostMetal #Review #Reviews #SludgeMetal #TheOngoingConcept #ThePlotInYou #TheSorrow #Unself #VeilOfMaya
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By Dear Hollow
I’m beginning to think Mire was a fluke. I’m not saying that as a bad thing, but I remember listening to Conjurer’s debut and thinking that it was a top post-metal album steeped in atmosphere and enigma, tied together with vicious vocals and vindictive weight.1 So then, I was immensely let down by follow-up Páthos because it seemed to shed substance for novelty: if I’m being honest, its stark dichotomy of heartwrenching melodies and kickass riffs felt inauthentic and shoehorned. Thus, I approached Unself carefully, hoping for something like Mire but tentatively expecting Páthos. What I got, however, was neither. You see, Mire was a fluke not in quality but in approach, because Unself proves that Conjurer prioritizes riff, weaponizing it for the very human tale of the deconstruction of self.
The title track enters with what I would expect from an early 2010s metalcore band intro,2 the Americana cover of 1919 gospel song “I Can’t Feel At Home in this World Anymore” morphing into a full-on dissodeath takedown via a barb of squealing dissonance. While this and the final song, “The World is Not My Home” seem to tie up the album into a thematic deconstruction of religion, Unself is a bit more complex than that. It reflects the journey of vocalist/guitarist Dani Nightingale through an autism diagnosis and discovery of them being non-binary. Similarly reflecting this complexity and remaining incredibly difficult to neatly categorize its sonic assault, Conjurer lays a foundation of post-metal’s meandering rhythmic hulk with death metal intensity, sludge tonal abuse, and a sleek modern production built atop, with – in Unself – hints of black metal. It’s not the second coming of Mire – it’s Unself and undeniably on-brand and completely authentic – and that’s perfectly okay for Conjurer.
Unself’s structure shows Conjurer’s devotion to natural growth, a welcome change from the shoehorned Páthos – largely because Nightingale’s sonic struggles with self-discovery undergird the movements. The two halves of the album are divided into three tracks, bookended by the Huntsmen-influenced thematic motif of the aforesaid “I Can’t Feel at Home in This World” morphed into ugly beatdowns and yearning sadness. The meat of the two suites fall into one of three categories: the relatively traditional post-metal waltzing of Amenra’s heavier moments in sprawling weight (“All Apart,” “Foreclosure”), the yearning chord progressions and melodies recalling Páthos’ emotive emphasis to a more effective degree (“There Is No Warmth,” “Let Us Live”), or the outright assaults of blackened sludge and -core breakdowns (“The Searing Glow,” “Hang Them in Your Head”). As the album progresses, so does the intensity. The latter, the most vicious of the bunch, feel like they nearly boil over, nearly forsaking the post-metal attack for an obscure death metal attack a la Convulsing or Adversarial – making interlude “A Plea” truly the eye of the storm in its minimalist approach, distant vocal samples, and acoustic strumming.
The balance between novelty and songwriting remains an issue for Conjurer. Because of the trichotomy of its sounds, Unself offers different levels of quality. At first, the more traditional post-metal cuts (“All Apart,” “Foreclosure”) feel like absolute bangers, touched with darkness and harmony – but then you hear the other two approaches and they suddenly feel overly long and uneventful in comparison. Likewise, there are several tracks that could stand a good trimming, simply because many feature a singular abrupt tonal shift from melodic to dissonant in its last respective third (“There is No Warmth,” “Let Us Live”). A more divisive take is that Conjurer’s production is very modern and sleek, the down-tuned leads more akin to 2010s metalcore acts like The Plot in You or The Sorrow, an accessibility largely contradicting post-metal’s historic opaqueness (Neurosis) and death metal’s hostility (Bolt Thrower), so while I liked its more “loud and ouchy” tones, others may not be so persuaded.
The novelty and the emotion are resolved in Unself, as Conjurer finally feels authentic and realized. No, Unself is not better than Mire, but it feels more genuine and human than Páthos, offering some of the act’s most intense material to date while chronicling the dismantling of the self into something more authentic. Not only does Dani Nightingale embark on a journey of self-discovery, but Conjurer does too. I’m just happy to be along for the ride.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: conjureruk.bandcamp.com | conjureruk.com | facebook.com/conjureruk
Releases Worldwide: October 24th, 2025#2025 #30 #Adversarial #Amenra #BlackMetal #BoltThrower #BritishMetal #Conjurer #Convulsing #DeathMetal #DissonantDeathMetal #Huntsmen #Neurosis #NuclearBlastRecords #Oct25 #PostMetal #Review #Reviews #SludgeMetal #TheOngoingConcept #ThePlotInYou #TheSorrow #Unself #VeilOfMaya
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By Dear Hollow
I’m beginning to think Mire was a fluke. I’m not saying that as a bad thing, but I remember listening to Conjurer’s debut and thinking that it was a top post-metal album steeped in atmosphere and enigma, tied together with vicious vocals and vindictive weight.1 So then, I was immensely let down by follow-up Páthos because it seemed to shed substance for novelty: if I’m being honest, its stark dichotomy of heartwrenching melodies and kickass riffs felt inauthentic and shoehorned. Thus, I approached Unself carefully, hoping for something like Mire but tentatively expecting Páthos. What I got, however, was neither. You see, Mire was a fluke not in quality but in approach, because Unself proves that Conjurer prioritizes riff, weaponizing it for the very human tale of the deconstruction of self.
The title track enters with what I would expect from an early 2010s metalcore band intro,2 the Americana cover of 1919 gospel song “I Can’t Feel At Home in this World Anymore” morphing into a full-on dissodeath takedown via a barb of squealing dissonance. While this and the final song, “The World is Not My Home” seem to tie up the album into a thematic deconstruction of religion, Unself is a bit more complex than that. It reflects the journey of vocalist/guitarist Dani Nightingale through an autism diagnosis and discovery of them being non-binary. Similarly reflecting this complexity and remaining incredibly difficult to neatly categorize its sonic assault, Conjurer lays a foundation of post-metal’s meandering rhythmic hulk with death metal intensity, sludge tonal abuse, and a sleek modern production built atop, with – in Unself – hints of black metal. It’s not the second coming of Mire – it’s Unself and undeniably on-brand and completely authentic – and that’s perfectly okay for Conjurer.
Unself’s structure shows Conjurer’s devotion to natural growth, a welcome change from the shoehorned Páthos – largely because Nightingale’s sonic struggles with self-discovery undergird the movements. The two halves of the album are divided into three tracks, bookended by the Huntsmen-influenced thematic motif of the aforesaid “I Can’t Feel at Home in This World” morphed into ugly beatdowns and yearning sadness. The meat of the two suites fall into one of three categories: the relatively traditional post-metal waltzing of Amenra’s heavier moments in sprawling weight (“All Apart,” “Foreclosure”), the yearning chord progressions and melodies recalling Páthos’ emotive emphasis to a more effective degree (“There Is No Warmth,” “Let Us Live”), or the outright assaults of blackened sludge and -core breakdowns (“The Searing Glow,” “Hang Them in Your Head”). As the album progresses, so does the intensity. The latter, the most vicious of the bunch, feel like they nearly boil over, nearly forsaking the post-metal attack for an obscure death metal attack a la Convulsing or Adversarial – making interlude “A Plea” truly the eye of the storm in its minimalist approach, distant vocal samples, and acoustic strumming.
The balance between novelty and songwriting remains an issue for Conjurer. Because of the trichotomy of its sounds, Unself offers different levels of quality. At first, the more traditional post-metal cuts (“All Apart,” “Foreclosure”) feel like absolute bangers, touched with darkness and harmony – but then you hear the other two approaches and they suddenly feel overly long and uneventful in comparison. Likewise, there are several tracks that could stand a good trimming, simply because many feature a singular abrupt tonal shift from melodic to dissonant in its last respective third (“There is No Warmth,” “Let Us Live”). A more divisive take is that Conjurer’s production is very modern and sleek, the down-tuned leads more akin to 2010s metalcore acts like The Plot in You or The Sorrow, an accessibility largely contradicting post-metal’s historic opaqueness (Neurosis) and death metal’s hostility (Bolt Thrower), so while I liked its more “loud and ouchy” tones, others may not be so persuaded.
The novelty and the emotion are resolved in Unself, as Conjurer finally feels authentic and realized. No, Unself is not better than Mire, but it feels more genuine and human than Páthos, offering some of the act’s most intense material to date while chronicling the dismantling of the self into something more authentic. Not only does Dani Nightingale embark on a journey of self-discovery, but Conjurer does too. I’m just happy to be along for the ride.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: conjureruk.bandcamp.com | conjureruk.com | facebook.com/conjureruk
Releases Worldwide: October 24th, 2025#2025 #30 #Adversarial #Amenra #BlackMetal #BoltThrower #BritishMetal #Conjurer #Convulsing #DeathMetal #DissonantDeathMetal #Huntsmen #Neurosis #NuclearBlastRecords #Oct25 #PostMetal #Review #Reviews #SludgeMetal #TheOngoingConcept #ThePlotInYou #TheSorrow #Unself #VeilOfMaya
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By Dear Hollow
I’m beginning to think Mire was a fluke. I’m not saying that as a bad thing, but I remember listening to Conjurer’s debut and thinking that it was a top post-metal album steeped in atmosphere and enigma, tied together with vicious vocals and vindictive weight.1 So then, I was immensely let down by follow-up Páthos because it seemed to shed substance for novelty: if I’m being honest, its stark dichotomy of heartwrenching melodies and kickass riffs felt inauthentic and shoehorned. Thus, I approached Unself carefully, hoping for something like Mire but tentatively expecting Páthos. What I got, however, was neither. You see, Mire was a fluke not in quality but in approach, because Unself proves that Conjurer prioritizes riff, weaponizing it for the very human tale of the deconstruction of self.
The title track enters with what I would expect from an early 2010s metalcore band intro,2 the Americana cover of 1919 gospel song “I Can’t Feel At Home in this World Anymore” morphing into a full-on dissodeath takedown via a barb of squealing dissonance. While this and the final song, “The World is Not My Home” seem to tie up the album into a thematic deconstruction of religion, Unself is a bit more complex than that. It reflects the journey of vocalist/guitarist Dani Nightingale through an autism diagnosis and discovery of them being non-binary. Similarly reflecting this complexity and remaining incredibly difficult to neatly categorize its sonic assault, Conjurer lays a foundation of post-metal’s meandering rhythmic hulk with death metal intensity, sludge tonal abuse, and a sleek modern production built atop, with – in Unself – hints of black metal. It’s not the second coming of Mire – it’s Unself and undeniably on-brand and completely authentic – and that’s perfectly okay for Conjurer.
Unself’s structure shows Conjurer’s devotion to natural growth, a welcome change from the shoehorned Páthos – largely because Nightingale’s sonic struggles with self-discovery undergird the movements. The two halves of the album are divided into three tracks, bookended by the Huntsmen-influenced thematic motif of the aforesaid “I Can’t Feel at Home in This World” morphed into ugly beatdowns and yearning sadness. The meat of the two suites fall into one of three categories: the relatively traditional post-metal waltzing of Amenra’s heavier moments in sprawling weight (“All Apart,” “Foreclosure”), the yearning chord progressions and melodies recalling Páthos’ emotive emphasis to a more effective degree (“There Is No Warmth,” “Let Us Live”), or the outright assaults of blackened sludge and -core breakdowns (“The Searing Glow,” “Hang Them in Your Head”). As the album progresses, so does the intensity. The latter, the most vicious of the bunch, feel like they nearly boil over, nearly forsaking the post-metal attack for an obscure death metal attack a la Convulsing or Adversarial – making interlude “A Plea” truly the eye of the storm in its minimalist approach, distant vocal samples, and acoustic strumming.
The balance between novelty and songwriting remains an issue for Conjurer. Because of the trichotomy of its sounds, Unself offers different levels of quality. At first, the more traditional post-metal cuts (“All Apart,” “Foreclosure”) feel like absolute bangers, touched with darkness and harmony – but then you hear the other two approaches and they suddenly feel overly long and uneventful in comparison. Likewise, there are several tracks that could stand a good trimming, simply because many feature a singular abrupt tonal shift from melodic to dissonant in its last respective third (“There is No Warmth,” “Let Us Live”). A more divisive take is that Conjurer’s production is very modern and sleek, the down-tuned leads more akin to 2010s metalcore acts like The Plot in You or The Sorrow, an accessibility largely contradicting post-metal’s historic opaqueness (Neurosis) and death metal’s hostility (Bolt Thrower), so while I liked its more “loud and ouchy” tones, others may not be so persuaded.
The novelty and the emotion are resolved in Unself, as Conjurer finally feels authentic and realized. No, Unself is not better than Mire, but it feels more genuine and human than Páthos, offering some of the act’s most intense material to date while chronicling the dismantling of the self into something more authentic. Not only does Dani Nightingale embark on a journey of self-discovery, but Conjurer does too. I’m just happy to be along for the ride.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: conjureruk.bandcamp.com | conjureruk.com | facebook.com/conjureruk
Releases Worldwide: October 24th, 2025#2025 #30 #Adversarial #Amenra #BlackMetal #BoltThrower #BritishMetal #Conjurer #Convulsing #DeathMetal #DissonantDeathMetal #Huntsmen #Neurosis #NuclearBlastRecords #Oct25 #PostMetal #Review #Reviews #SludgeMetal #TheOngoingConcept #ThePlotInYou #TheSorrow #Unself #VeilOfMaya
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CONJURER (Regne Unit) presenta nou àlbum: "Unself" #Conjurer #Sludge #DoomMetal #PostMetal #Octubre2025 #RegneUnit #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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CONJURER (Regne Unit) presenta nou àlbum: "Unself" #Conjurer #Sludge #DoomMetal #PostMetal #Octubre2025 #RegneUnit #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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New post: Album Review: Conjurer – Unself https://www.moshville.co.uk/reviews/album-review/2025/10/album-review-conjurer-unself/ #Conjurer
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New post: Conjurer unveil new single “Let Us Live” and announce UK tour https://www.moshville.co.uk/news/2025/09/conjurer-unveil-new-single-let-us-live-and-announce-uk-tour/ #Conjurer
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Throwback to 📍 #DynamoMetalfest
🔥 #Conjurer
💿 #NuclearBlastRecords🗓️ 16/8/2025
📷 Sethpicturesmusic - Seth Abrikoos -
Throwback to 📍 #DynamoMetalfest
🔥 #Conjurer
💿 #NuclearBlastRecords🗓️ 16/8/2025
📷 Sethpicturesmusic - Seth Abrikoos -
Throwback to 📍 #DynamoMetalfest
🔥 #Conjurer
💿 #NuclearBlastRecords🗓️ 16/8/2025
📷 Sethpicturesmusic - Seth Abrikoos -
Throwback to 📍 #DynamoMetalfest
🔥 #Conjurer
💿 #NuclearBlastRecords🗓️ 16/8/2025
📷 Sethpicturesmusic - Seth Abrikoos -
CONJURER (Regne Unit) presenta nou single: "Hang Them In Your Head" #Conjurer #Sludge #DoomMetal #PostMetal #Agost2025 #RegneUnit #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic
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New post: Conjurer announce third album, ‘Unself’, stream new single https://www.moshville.co.uk/news/2025/08/conjurer-announce-third-album-unself-stream-new-single/ #Conjurer
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My top 10 bands of Alcatraz Open Air day 2 🗓️ 8/8/2025
1) #ThyCatafalque
2) #DyingFetus
3) #Hypocrisy
4) #Thrown
5) #Winterfylleth
6) #Mastodon
7) #CrystalLake
8) #Chemicide
9) #Conjurer
10) #Messa📽️ by me
full photo report online soon!
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#kortrijkbelgium #kortrijk #metalbands #festivalseason #metalfestivals #metalfest #alcatrazfest #alcatrazfestival #metalbands #sethabrikoos #sethpicturesmusic -
My top 10 bands of Alcatraz Open Air day 2 🗓️ 8/8/2025
1) #ThyCatafalque
2) #DyingFetus
3) #Hypocrisy
4) #Thrown
5) #Winterfylleth
6) #Mastodon
7) #CrystalLake
8) #Chemicide
9) #Conjurer
10) #Messa📽️ by me
full photo report online soon!
.
.
.
#kortrijkbelgium #kortrijk #metalbands #festivalseason #metalfestivals #metalfest #alcatrazfest #alcatrazfestival #metalbands #sethabrikoos #sethpicturesmusic -
My top 10 bands of Alcatraz Open Air day 2 🗓️ 8/8/2025
1) #ThyCatafalque
2) #DyingFetus
3) #Hypocrisy
4) #Thrown
5) #Winterfylleth
6) #Mastodon
7) #CrystalLake
8) #Chemicide
9) #Conjurer
10) #Messa📽️ by me
full photo report online soon!
.
.
.
#kortrijkbelgium #kortrijk #metalbands #festivalseason #metalfestivals #metalfest #alcatrazfest #alcatrazfestival #metalbands #sethabrikoos #sethpicturesmusic -
My top 10 bands of Alcatraz Open Air day 2 🗓️ 8/8/2025
1) #ThyCatafalque
2) #DyingFetus
3) #Hypocrisy
4) #Thrown
5) #Winterfylleth
6) #Mastodon
7) #CrystalLake
8) #Chemicide
9) #Conjurer
10) #Messa📽️ by me
full photo report online soon!
.
.
.
#kortrijkbelgium #kortrijk #metalbands #festivalseason #metalfestivals #metalfest #alcatrazfest #alcatrazfestival #metalbands #sethabrikoos #sethpicturesmusic -
Throwback to #Conjurer at sold out #Melkweg #Amsterdam
23/5/2025
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Today's 📷🎥 planning: #makethemsuffer , #resolve , #conjurer & #ifnotforme
📍 #melkweg #amsterdam -
New post: Gig Review: Make Them Suffer / Resolve / Conjurer / If Not For Me – Slay, Glasgow (11th May 2025) https://www.moshville.co.uk/reviews/gig-review/2025/05/gig-review-make-them-suffer-resolve-conjurer-if-not-for-me-slay-glasgow-11th-may-2025/ #Conjurer #IfNotForMe #MakeThemSuffer #Resolve
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New Artist announced for Alcatraz Metal Festival 2025
Conjurer
Added top 5 songs to the playlist Alcatraz Metal Festival 2025
Listen now on YouTube Music: https://www.youtube.com/playlist?list=PLB5UNN-XlHr0qyFD1W3X4B-JCokWBZdh0
#Alcatraz_Metal_Festival_2025 #Conjurer #fyre_festivals #livemusic #youtube #music #2025 #musicfestivals
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This has helped me to recover some of the neurons that burnt out today:
#SugarHorse: The Grand Scheme of Things
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This has helped me to recover some of the neurons that burnt out today:
#SugarHorse: The Grand Scheme of Things
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This has helped me to recover some of the neurons that burnt out today:
#SugarHorse: The Grand Scheme of Things
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This has helped me to recover some of the neurons that burnt out today:
#SugarHorse: The Grand Scheme of Things
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Absent In Body: The Half Rising Man
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Metal bands or songs that have had an impact on me 2022. In no particular order (and thus not a ranking).
Conjurer (UK) - It Dwells https://songwhip.com/conjurer/it-dwells
(10/12)
