#clerks — Public Fediverse posts

DC Studios Showcase | Season 2, Ep. 4 | Kevin Smith on Batman, Bizarro & DC Comics - https://youtu.be/XhaJlXbM7gE?si=kPECtzsoCq0TFnFf #DC #DCStudios #bizarro #KevinSmith #Onomatopoeia #MallRats #Clerks #Dogma #Showcase #batman #comics #podcasts #HBO #WarnerBros #MaxOriginals #YearNone

Movie TV Tech Geeks #Movie #90smovies #Clerks #FightClub 10 Must-Watch ‘90s Cult Classic Movies http://dlvr.it/TT59yf

Movie TV Tech Geeks #Movie #Backrooms #Clerks #TheEvilDead 10 Greatest Movies Made by Directors Under 25 Years Old http://dlvr.it/TSttzN

My dinner tonight was delivered by Sang.

I had to resist asking if he was a design major, dating someone called Caitlin; while my brain hilariously went to the end scene of the film.

#Clerks

Apparently the last 2 clerks films are too, I wounder what else is free.

#movie #youtube #freemovie #clerks

Well, #SmallProphets

If Haruki #Murakami wrote #TheBigLebowski and set it for some reason in the North of England.

Some sprinkles of #Clerks as well, but very little, kind of as a homage?

Enjoyed it.

#BBC

Kevin Smith Talks ‘Dogma’ Rebirth and How the Trade War Derailed His New ‘Jay and Silent Bob’ Film
#MovieFeatures #Movies #AlanRickman #BenAffleck #ChasingAmy #ChrisRock #Clerks #Dogma #GoodWillHunting #JayandSilentBobStrikeBack #Kevinsmith #Mallrats #MattDamon

https://www.hollywoodreporter.com/movies/movie-features/kevin-smith-talks-dogma-rebirth-jay-and-silent-bob-1236445775/

Zach Hadel, Michael Cusack Interview

The creators and voice stars behind the cult-favorite Adult Swim animated series Smiling Friends are happy to have…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #TV #AdultSwim #Animation #Clerks #Entertainment #kevinsmith #SmilingFriends #TheBeatles #TheSimpsons #Wings
https://www.newsbeep.com/us/323795/

‘Smiling Friends’ Creators on Season 3 Lessons and Why Fans Misinterpret Certain Scenes
#TV #TVNews #AdultSwim #Animation #Clerks #Kevinsmith #SmilingFriends #TheBeatles #TheSimpsons #Wings

https://www.hollywoodreporter.com/tv/tv-news/smiling-friends-season-3-finale-interview-hadel-cusack-1236436267/

@MaryAustinBooks "The Death Star Contractors deserved to die along with the rest"

https://youtu.be/iQdDRrcAOjA?si=UBEC2bB54b5IIv4P

#Antifascism #Clerks #Antifa #EastWing #WhiteHouse #Trump

Tried to emulate a #Clerks moment at the local "convenience" store but with EV watts not weeds.

@EndicottAuthor In a row? #Clerks

Anyone else on here doing Fantasy Hike? I'd like to walk more than I do, so what better way to do that than to walk to Mordor?

As Randall says, "Movies about walking!"

So let's walk.

#fantasyhike #thehobbit #lordoftherings #clerks #kevinsmith

I'm not even supposed to be here today. #clerks #homeassistant #smarthome

This was a bit of an experiment. This bit of img2img text replacement actually mimicked the pixelated look of the original. This was not prompted for.

#aiart #clerks

Kevin Smith Penning ‘Archie Meets Jay & Silent Bob’ Comic (Exclusive)
#MovieNews #Movies #Clerks #JaySilentBob #Kevinsmith

https://www.hollywoodreporter.com/movies/movie-news/kevin-smith-penning-archie-meets-jay-and-silent-bob-1236157803/

I'm not even supposed to be here today. #clerks #homeassistant #smarthome

I'm not even supposed to be here today. #clerks #homeassistant #smarthome

Brilliant & fascinating commentary from the Man himself.
▶️ Kevin Smith Breaks Down His Most Iconic Films | GQ
https://youtube.com/watch?v=zDdDu_W1Co8&si=KXDOG0goyIyl71E7
#kevinsmith #clerks

"This job would be great if it wasn't for the f***ing customers.." - Randal Graves
#clerks #kevinsmith

Cammo: the thread about the curious and curiouser tale of its eccentric, reclusive residents

One thing that always fascinates me, as you probably know by now, is how a place name evolves over time, from century to century and map to map, and how the local pronunciation of the name either leads this or follows it. This morning my eye was caught by Cammo. Cammo was formerly a grand house and estate to the west of Edinburgh, now a local park / nature reserve finding itself being swallowed up by suburbification where the fields are replaced by car dependent new build estates with evocative names like Cammo Meadows and streets named after flowers that once grew here (such as yarrow, poppy and meadowsweet) and birds that once nested here (such as goldcrests and sparrowhanks).

Cammo almost sounds biblical to my ear. You can imagine it sitting alongside Canaan or Jericho in the old testament – and why not, there’s a whole district of biblical placenames in the south of Edinburgh. It’s an old name indeed, but not quite that old, and is recorded on a charter in 1296 as Cambo or Cambok. Those of you familiar with the East Neuk of Fife will recognise Cambo also as the Snowdrop capital of Scotland; that place too is initially recorded, in the 12th century, as Cambok.

It’s a Brythonic language placename [cam(b) + ōc] meaning a crooked place, referring to land in the bends of a river or stream. The Camb– part of the word finds its way into Gaelic names, also meaning “crooked” e.g. Cameron (Cam sròn, crooked nose) or Campbell (Cam beul, crokked mouth). It’s also the root of the Fife place name of Kemback, but that’s by the by, we’re going to concentrate on looking at the Edinburgh Cambo or Cambok here.

The first map to record Cammo is Timothy Pont’s survey of Scotland of the 1600s, which was never published for the Lothians in its original form. Pont’s incomplete Survey and Atlas was completed by Robert Gordon of Straloch in the 1640s, but Gordon omits it from his map of the Lothians. However it emerges a decade later in Dutch imprints as Kammock (e.g. Janssen in 1646, Blaeu in 1654).

Cammo finally appears as Cammuck in a Scottish map, next to Lenie in John Adair’s map of 1682 (which is both charming in its style and cartographically excellent). We can see he renders Lenny with an extra tower and trees, suggesting it is the larger and more important house of the two and set in a park. Cammo House was rebuilt around 1693 by John Menzies.

Big improvements were made to the house and its gardens in the early part of the 18th century when a new owner, Sir John Clerk of Penicuik, 2nd Baronet (better known as Baron Clerk), had the place landscaped in a fashionable style, in what may be the first example of a formal landscaped country garden in Scotland. He bought Cammo in 1710, moving to Mavisbank in Midlothian on the death of his father in 1722. He sold it to John Hog in 1726, who had the renowned architect William Adam draw up plans to expand and modernise the house, but these were never completed although various details may have been.

By the time the mapmarker William Roy comes along to do the lowland section of his “Great Map” in the 1750s, he goes for Cummock, which you can imagine is how the place Kambock was being pronounced. Again, Lenny is the more important looking of the two at this time.

However if Roy or his surveyors had knocked on the door at the time, they would have found its (then) new owners, the Watsons of Saughton, had renamed the place New Saughton in 1741 when they bought it from the Hogs! Like all Scottish placenames that begin Saugh– or Sauch-, the reference is to a willow tree. James Dorret makes the same “error” in his 1750 map. We get out first view of Cammo House at the end of the 18th century thanks to a coloured etching in 1794 by an unknown artist. The Watsons inherited Sir John Clerk’s landscaped gardens, parkland and arboretum and set about improving it further in their 131 years of ownership – by the start of the 19th century they employed 9 gardeners and 7 labourers to tend the grounds.

By 1807 the maps have caught up with the name and Aaron Arrowsmith (determined to be first in every phone book and school register!) marks it down as New Saughton. Note it is now set in its parkland and Lenny has ceased to be important enough to map it is reduced to a farm.

John Thomson in his 1832 atlas of Scottish shire maps shows Saughton as a grand house set in ample landscaped gardens and parklands – probably the evolution of those set out by Sir John Clerk a century earlier. It is at this time still owned by the Watsons (note Watson Esq. underneath the name Saughton).

And a grand house it was, 3 storeys plus basement, 5 bays wide and 4 deep, set on a raised plinth. It had been considerably extended since that 1794 image; the 3rd floor attic level has been expanded into a complete storey, the wing to the right hand side has been raised up by one floor and a new wing has been built to the rear. This 1887 picture shows the house when owned by Archibald Campbell (Crooked Mouth of Crooked Place!), of Archibald Campbell, Hope & King brewers, who had bought it with his beer fortune. It was the Campbells who renamed the place Cammo when they bought it from the Watsons in 1837.

Archibald Campbell, Hope & King, or Campbell & Co., marketed themselves as Brewers to Her (or His) Majesty by Special Appointment and brewed from the Argyle Brewery on what is now Chambers Street (if you like your Scottish history, all the Argyles seem to end up being called Archibald Campbell!) As a fun fact, fun fact – Campbell’s town house in Edinburgh was 6 Charlotte Square, now Bute House, official residence of the First Minister of Scotland.

Something odd happens to Cammo in 19th century OS map when it is reverts to its original name from New Saughton; a spelling mistake is made! Some cartographer or another, having spent too long staring at the fine detail of a map and the scribbles in the Ordnance Survey’s place name books, mis-transcribes Cammo as Camino, by separating the left leg of the 2nd “m” into an “i” and an “n”.The mistake seems to be a one off however, and the OS did not repeat it in subsequent maps.

The history of Cammo House and estate then goes a bit weird. In 1898 it was bought from the estate of Archibald Campbell by a wealthy heiress, Margaret Maitland-Tennent, and her husband, David Bennet Clark. Be clear it was Margaret who bought the house, and they had a “pre-nup” agrement which meant that Clark was not entitled to her money, which she had inherited from her father – an Australian sheep farmer – in 1890. The marriage was reputedly tempestuous and Clark left in 1909 and sued for divorce in 1911 on the grounds of desertion. The court agreed that “the pursuer had proved that the defender had, without reasonable cause, been guilty of wilful non-adherance and desertion of the pursuer for 4 years“. Lord Dewar, presiding, was highly critical of Margaret when summing up:

…in most unsuccessful marriages there were faults on both sides, the present case was exception. The pursuer was considerate and affectionate, devoted to his wife and children, and for years displayed remarkable forbearance in trying circumstances, but he appeared to have been weak, and was not always wise.

The defender was also devoted to her children, but she did not pretend that she ever had any affection or respect for her husband. She was exacting and overbearing, and apparently vindictive in the manner in which she treated him. She suspected and distrusted him from the beginning. His Lordship did not think that she had good grounds for her suspicion. She was subject to delusions regarding him, and these delusions were the real source of their unhappiness.

She never allowed him to interfere with her income, and there was no evidence that he ever desired to, but she insisted on scrutinising his bank-book to see that he was not misspending the balance of his income. She suspected his fidelity. She watched him, and employed others to watch him. She asked him account for his movements when he was out her sight. She constantly accused him, and urged him to make a full confession. She became restless and unsettled. Finally he wrote out and signed the confession produced in the proceedings. His explanation was that there was no truth in what the document contained; that he wrote it to her dictation; and signed it because he was afraid that she would lose her reason, and hoped that would set her mind at rest, and enable them to live harmoniously together. She preserved the confession; she registered it in the Books of Council and Session; and she frequently used it to the pursuer’s disadvantage.

That document had been judicially considered in the action of divorce at the defender’s instance, and Lord Salvesen preferred Mr Bennet Clark’s account. Lord Dewar agreed with that opinion. It was a strange story, and difficult to understand, how a man could be induced to sign such a document, or hope that any good could result from it; but the pursuer was weak and emotional, devoted to the defender, and anxious to live with her; and it was not surprising that he was apprehensive as to her mental condition, for she was undoubtedly subject to delusions as to her husband’s wickedness.

Dundee Courier, Thursday June 1st 1911

They divorce granted, Margaret and her sons Percival and Robert stayed on at Cammo, Clark getting himself far away to England. In 1915 Margaret and the boys went travelling to the Orient during which time Clark died. Something then went badly wrong in the east however, as Robert refused to return home and instead took himself off to the USA. His mother returned to Cammo with Percival and in 1934 disinherited her wayward son. She then rented much of the estate’s farm land out to the Cramond Brig Golf Club, dismissed much of her staff and she and Percival apparently moved into a caravan together on the site and locked up the house, replete with all its lavish furnishings, paintings, their clothes and possessions. The gates to the estate were chained shut and the whole place was fenced off with barbed wire. They had no telephone and there was no doorbell. Signs around the perimeter read “Private Property, No Admittance, By Order“. Dogs patrolled the grounds. In 1935 she took the City Assessor to court over the valuation of the golf course which was by now vacant and successfully had the amount owed reduced from £300 to £150.

From then on they were only seen in public rarely, and always together. She dressed all in black and was known locally as the “Black Widow” or the “Dark Lady of Cammo“. They would leave the seclusion of Cammo to go shopping together at Jenners, where they were given a private room and had items brought to them to peruse, picking what they wanted and having it delivered back to Cammo. Their car reputedly had blinds fitted in the rear so that the passengers could not be seen. In 1947, Margaret was sued in a court in Los Angeles by the disinherited Robert who claimed that there was a 32 year old contract between the pair worth £100 a year and that she now owed him £1,515.

The house slowly rotted away, but not for want of money as Margaret was still a wealthy woman. Indeed she was taken to court and briefly jailed in 1951 for failing to declare to the treasury how much she had in oversees bank accounts; the treasury suspected it was over £117,000 in Canadian and American dollars! She died in 1955 and was buried in the grounds of the house, special permission had to be granted by the Edinburgh Corporation and apparently this was the last private internment in Scotland. The burial took place in secret and under a police escort. A gamekeeper armed with a shotgun patrolled the grounds to keep the press at bay; Percival arrived in a car with a coat over his head claiming to be the gatekeeper when met by the press.

Margaret left an estate of over £300,000 (£9.4 million in 2022). After tax this left £255,064 or (£7.0 million in 2022). When the lawyers came to unwind her murky finances it was found that she had £128,281 in Canadian banks, £88,879 in US banks and only £7,022 (or just over 2% of her total funds) in the UK. Percival inherited everything; while Robert did have a claim under Scottish law, he never publicly challenge for it.

Percival, every bit as reclusive as his mother, retired to his two loves in life; his cars and his dogs. He would thrash his car into the ground around the estate until they would no longer run and then abandon them behind the house and buy another. He kept some 30 dogs and they got the run of the house which apparently ended up covered in a thick layer of dogshit; hence the saying “gone to the dogs“. There are pictures of the dilapidated inside of the house in its later days here. He upgraded himself from a caravan to living in the gate house, with a lodging family, and both he and the estate were tormented by looters and vandals for the rest of their lives. On his death in 1975 the ruinous property passed to the National Trust for Scotland according to his will, but they didn’t know where or how to begin. They were able to salvage a significant collection of art and a number of pieces of furniture, many of which were tourn and covered in a film of mould. In February 1977 they went to auction, the artworks fetching c. £25,000 (£183,000 in 2022) and the furniture £3,600. An Italian art dealer flew in especially from Rome and paid £6,000 for a single piece.

The NTS had the future of Cammo House taken out of their hands however when the arsonists stepped in however, as they often do, and burnt it down later that year. It had to be partially demolished for safety reasons in 1979. The NTS passed it on to Edinburgh District Council for £1 in 1980 who turned it into a country walking park for the public. The council pulled down the house to its lower courses which were stabilised as a sort of ruinous folly feature.

The fine Georgian stables, built for Sir John Clerk, are much more intact.

For the full story of Cammo’s weird and wacky history, there’s a great book by Simon Baillie called The Private World of Cammo.

Note to readers: unfortunately in April 2026, a third-party plug-in more than exceeded its authority and broke many of the image links on this site. No images were lost but I will have to restore them page-by-page, which may take some time. In the meantime please bear with me while I go about rectifying this issue.

If you have found this site useful, informative or amusing then you can help contribute towards its running costs by supporting me on ko-fi. This includes my commitment to keeping it 100% advert and AI free for all time coming, and in helping to find further unusual stories to bring you by acquiring books and paying for research.
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The thread about a view of 18th century Leith and its talented, young English artist

This thread was originally written and published in December 2021.

Here is a Now and Then transition that shows a view of Leith in the distance overlaid on the same vista these days. This particular original view is by the English artist Paul Sandby and is called “View of Leith from the East Road“. It was sketched here around 1750, making it one of the earliest accurate views of the town.

It’s possible to use the relative positions of the primary landmarks of old Leith – the steeple of South Leith Kirk , the first cone-shaped glass bottle kiln down on Salamander Street and in the distance the island of Inch Keith – to establish an fairly good approximate position from where Sandby sketched out his scene. However a modern building means we can’t get into quite the right place now.

My experience of looking at the detail of Sandby’s images of Edinburgh and Leith is that his draughtsmanship is exceptionally good and faithful to reality on the ground. There are occasions where he explicitly chooses not to do things like flip key details around to make a more dramatic or romantic scene, but it’s usually done in an obvious and deliberate way and was completely in line with his contemporaries. I think we can therefore be confident he was faithfully and accurately drawing the scene that he saw before him of Leith in 1751.

Our picture is an etching, with the detail composed of fine lines scratched into a wax-coated copper plate and then used to produce a print, and it was made by Sandby himself after his original watercolour. While watercolour was his primary medium, he was also a skilled etcher and printmaker. The original in the collection of the Ashmoleon Museum in Oxford. Sadly I cannot show you the colour original as it has not been digitised or included in print, but you can see from the below black and white scan that it is a perfect match.

There are multiple different versions of this view by Sandby. Below are two engravings, again by his own hand – engraving was another art in which he was particularly gifted and involved incising a copper printing plate with a cutting tool to use for printmaking. Version 1 seems to be for a large print with much detail and Version 2 was possibly for inclusion as a plate within a book judging by its simplification and cruder detail.

The Lowland part of William Roy’s “Great Map”, which was made just a few years after Sandby’s illustration shows the Kirk (1), the glass cone (2) and that windmill (3). Sandby is just off the Easter Road looking downhill probably somewhere off of the modern street of Thorntreeside

Zooming in on the detail in Engraving 1, to the right of the scene we can see the glass cone, the windmill (which was built early in the 18th century and was possibly in association with a saw mill and the farmhouse of Coatfield. The workers are bringing in the crops in the foreground. Sandby was keen on adding romantic elements such as these to his work – you can see that while they are included in the original watercolour he has varied and elaborated them here.

In the foreground, workers at leisure. A couple dance on the left (the main is in typical lowland garb), those on the right may be sitting down to eat, the central figure holds the stoup to drink from. The piper with kilt and tartan hose suggests a Government soldier, the Dress Act of 1746 having forbidden the wearing of “the clothes commonly called Highland clothes” by anyone apart from officers and soldiers. These gaily frolicking figures are absent from the watercolour, these were the sorts of detail a printmaker added to their work to make it more commercially attractive to a London market.

The young Paul Sandby was in Edinburgh for work and had a position as a cartographer to the Board of Ordnance under Lt. Col. David Watson at this time. He was usually based in a drawing office at Edinburgh Castle, but at times went out in the field in the Highlands to accompany Watson and make on-the-spot illustrations (such as that below) to illuminate the latter’s reports, so would have been used to being accompanied by soldiers. Watson, a son of the Lothians, came up with the idea for the military survey of Scotland and had appointed William Roy as its very capable cartographer. Sandby’s principal job was working under Roy as a cartographic draughtsman, turning the surveyor’s field observations and triangulations into a beautifully illustrated map. When you look at Roy’s Highland maps, you are looking at Sandby’s hand too.

But back to our engraving. To the left of the print is South Leith itself (North Leith was an entirely separate parish and jurisdiction at this time), with the distinctive Dutch steeple of the Kirk. The large house in the foreground, directly below the church may be that known as Whitfield House, it is approximately where Crown Street is in modern Leith. The line of buildings of the Kirkgate – the principal north-south street of auld Leith – is obvious, running off to the left from the Kirk. The tall building left of the Kirk may be the Tollbooth. The masts of the ships sitting in the port beyond are to the right of the Kirk.

A few doors down from the Tolbooth was a signal tower, seen in this engraving in “Memorials of Edinburgh in the Olden Time” by Daniel Wilson, which may be the tall structure left of the steeple.

This signal tower wasn’t very well located, particularly as the taller tenements grew up around and it would be relocated to Robert Mylne’s late 17th century windmill at the head of the Shore in around 1805. We can see this structure in the below watercolour by John Clerk of Eldin; this is some time inbetween its abandonment as a windmill and its conversion to a signal tower, as it retains its original roof. When Sandy had been in Edinburgh, he fell in with the artistically inclined Clerk of Penicuik family, and the Adam family of architects who were in their circle. Sandy was a particular friend to John Clerk of Eldin and Robert Adam, and the three whiled away their youth travelling Midlothian and sketching ruinous castles together. John was a capable artist and printmaker in his own right, but was much influenced by Paul.

Daniel Wilson’s book also has the below engraving of South Leith Kirk with that steeple again. We can see just how closely Sandby’s image matches this. I have said it before and will say it again, his mix of artistic skill, a cartographers eye and a bit of military discipline means that Sandby’s landscapes are usually very accurate. These sorts of Dutch Steeple belfries were very common on both religious and civic buildings in post-Reformation East Scotland, and amongst others North Leith (St. Ninian’s), the Tron Kirk and the Holyrood Abbey church also had them.

An interesting thing about South Leith kirk is that it’s really only one half of a church; the nave (west bit) and its aisles. The chancel (east part), crossings and central tower were destroyed or damaged beyond repair in the Siege of 1560. If you squint at it on the contemporary siege map, you can see a central tower and the crossing. The sketch is a little bit squished, it was quite a long, low building in reality, twice as long as the church we have today.

Daniel Wilson’s engraving shows the rather crudely filled in arches at the east end of the nave (blue arrows) and the remains of the arches supporting the original tower and crossing roof (orange). The 1560 map and arch remains suggests a crossing only to the north.

Back to Paul Sandby, he made this rather nice sketch of his boss Lt. Col David Watson around this time. Watson was son of Thomas Watson of Muirhouse and a seasoned campaigner, present at the battles of Dettingen, Fontenoy and Culloden. It was Watson who picked up General Wade’s road and fortification building scheme after the 1745 Jacobite rising and massively extended it. He spent eight and a half years in the Highlands on this project, which would spawn Roy’s Military Survey and give us those beautiful and insightful maps of most of Scotland, the first really accurate topographic survey of the country.

This was not the only panorama that Sandby made of Leith, he made a watercolour with the town in the distance in 1747, probably painted from the vicinity of the old village of Broughton. Given that the Ashmoleon collection explicitly forbid any sharing of their images in any form, you’ll have to go and take a look on their site. In another thread, we look at another remarkably detailed and accurate Sandby illustration, painted from the ramparts of Edinburgh Castle and looking north towards Leith over the lands were the New Town would follow a few decades later.

Paul Sandby’s work heavily influenced many British watercolour artists who would follow. The Scottish artist Alexander Carse made a similarly pastoral view of South Leith from the Easter Road around 20-30 years after Sandby. Again we see workers at rest and play, set in a rural landscape but one that is not far removed from the urban and from creeping industrialisation.

Note to readers: unfortunately in April 2026, a third-party plug-in more than exceeded its authority and broke many of the image links on this site. No images were lost but I will have to restore them page-by-page, which may take some time. In the meantime please bear with me while I go about rectifying this issue.

If you have found this site useful, informative or amusing then you can help contribute towards its running costs by supporting me on ko-fi. This includes my commitment to keeping it 100% advert and AI free for all time coming, and in helping to find further unusual stories to bring you by acquiring books and paying for research.
Or please do just share this post on social media or amongst friends and like-minded people, sites like this thrive on being shared.

Explore Threadinburgh by map:

These threads © 2017-2026, Andy Arthur.

NO AI TRAINING: Any use of the contents of this website to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models.