#cleric — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #cleric, aggregated by home.social.
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Dolly, the sheepfolk cleric/bard
#sketch-a-day #art #graphite #dolly #ewe #sheepfolk #sheep #DnD #Dungeons&Dragons #anthropomorph #fantasy #cleric #bard #DollyParton #fantasy -
Updated DnD 5.5 Cleric Subclasses Guide
Our DnD 5.5 Cleric Subclasses Guide now covers the updated Grave Domain and includes a section covering legacy subclasses which haven't made it into the 5.5 rules yet.
https://rpgbot.net/2024-dnd/classes/cleric/cleric-subclasses/
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RE: https://mastodon.social/@existentialcomics/116437845571001321
A millenium and a half ago and bang up to date.
#Persian #Iranian #Zoroastrian #socialism #philosophy #nokings #priest #cleric #religion #power #property
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This Old Dragon: Issue #85
This issue of Dragon is quite memorable to me. It was the very first issue I ever bought. Sure, I had read Dragon lots before this, but this one was the first.
#dragonmagazine #1980s #cleric #ADnD
https://theotherside.timsbrannan.com/2026/04/this-old-dragon-issue-85.html -
New DnD 5.5 Cleric Spells Guide
The Cleric's spell list hasn't changed much since the 2014 rules, but our new spell list guide includes updated advice and covers every spell for the DnD 5.5 Cleric, including the ones published in recent supplements.
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2014 DnD 5e CLERICS LEVELS 1-10 (Remastered) - A Build Guide for Unleashing the Divine - RPGBOT.Podcast S6E13
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Another spider! This time, a twilight cleric
#furry #anthro #arthropod #anthropomorphic #cleric #fantasy #dnd #ttrpg #daggerheart #gloomhaven #pathfinder #magic #illustration #artwork #art #rpg
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Since I did a canid yesterday, I had to do a feline today.
This is a Tabaxi cleric, for today's #DDnD prompt "Healer". Inspired by a cat who used to be a member of our family. He was definitely not a healer by nature, but I felt he might have enjoyed being a cleric.
#pencilDrawing #tabaxi #cleric -
New 5e Nature Cleric Subclass Guide
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New 5e Death Cleric Subclass Guide
Nominally an evil subclass buried away in the 2014 DMG, the Death Domain Cleric remains an exciting option for Cleric players.
https://rpgbot.net/dnd5/characters/classes/cleric/subclasses/death/
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New Subclass Guide for the 2024 Trickery Cleric
The Trickery Cleric has gotten some significant upgrades in the 2024 rules, making their features considerably easier to use but without changing the theme or the conceptual heart of the subclass. While the 2014 rules couldn't quite replace a Rogue in the party, the 2024 rules have catered to that fantasy very well.
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Exclusive: Records undercut #TulsiGabbard’s claim of ignorance on cleric’s views
The nominee for director of national #intelligence said, under oath, that she did not know “until today” that a prominent #cleric she met in #Syria threatened to unleash #SuicideBombers in the #UnitedStates. Documents & emails from 2017 indicate she was told then about the threats.#GOPlies #perjury #NationalSecurity #law #USpol
https://wapo.st/3WGaeIS -
Another churchly #ChildKiller retires behind smoke and mirrors: The Case of #JustinWelby.
Raping a child and protecting those who do is as Christian as crucifixion. So no doubt the world is emitting a big yawn today as Justin Welby resigns as #Archbishop of Canterbury after being caught covering for his sadistic child-torturing friend John Smyth.
After all, #Anglican and #Catholic clergy are required by their standing policy of #CrimenSollicitationas to do precisely what Welby did and protect #ChildRapists in their church.
In its typical facile, dissimulating manner, the media has treated Welby’s protection of the brutal child-rapist John Smyth as a one-time, episodic event. In fact, Archbishop Welby is himself a notorious repeat offender who has blood on his hands. The malfeasance of this former #oil company executive turned Anglican #cleric goes way back.
During the first accredited excavation of children’s #MassGraves at the murderous Anglican #Mohawk #ResidentialSchool in #Brantford, #Ontario during 2011, Archbishop Welby ordered all the school records and gravesites destroyed.
During the summer of 2014, Justin Welby was named as a co-conspirator in #ChildTrafficking and killing by a #Brussels based #CitizensTribunal and found guilty of #CrimesAgainstHumanity. Part of the evidence presented to the Tribunal concerned Welby’s participation in a #CatholicAnglican child sacrificial #cult known as the #NinthCircle that operated extensively in the #Canadian ‘Indian #ResidentialSchools and implicates British, Dutch, and Belgian ‘royalty’.
The complicity doesn’t end there. It involves the world’s second biggest #mining company and a close associate and funder of Donald #Trump: Rio Tinto, whose biggest investors include the British royal family. Justin Welby’s ties to #RioTinto Mining and to more murder cropped up in September of 2022, when Tinto and its Canadian subsidiary, #StarDiamondMining, dealt with some “troublesome Indians” on the James Smith #Cree reservation in eastern #Saskatchewan.
After refusing to allow Rio Tinto to begin diamond mining on their land, ten members of the James Smith tribe were #murdered in one night. The alleged killer was a drug addict and drifter who conveniently died in #RCMP custody the next day. Six of the ten murdered people were relatives of Rio Tinto’s biggest opponent among the James Smith Cree natives, Chief Wally Burns.
#CanadianCrimes #TrueCrime #ChurchCrimes #ChildAbusers #CanadianConnection #CoverUp
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New Subclasses Guide for the 2024 Cleric
https://rpgbot.net/new-subclasses-guide-for-the-2024-cleric/
#DnD #DnD5e #OneDnD #2024DnD #TTRPG #CharacterOptimization #Cleric
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When your Skeleton cleric is VERY enthusiastic about his religion 😂😂😂 When to see our ICONIC Gardal in action Check this out: https://youtu.be/JgmO8nXaSIU
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2024 DnD 5e - New Cleric Class Guide
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A fast warforged cleric concept! Recently played a dnd session as a stand-in for a player ,so I had to improvise a quick speedpaint for my character
#automaton #robot #cyborg #fantasy #rpg #dnd #oc #characterdesign #digital #krita #speedpaint #wacom #dungeonsandragons #dnd5e #pathfinder #cleric #sfw #sfwart #furry #anthropomorphic #sfwfurryart #furryartist #forge
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Its time for a digital ink portrait for Kami - with a bright smile and happy little fish circling her. I love her for her unbreakable cheerful nature.
Being a trickster cleric, she is here to spread a little joy and fun.
#dnd #dndart #dndcharacter #characterdesign #ravnica #cleric #mtg #magicthegathering #fish #mastoart -
By Iceberg
Texas-based Kólga bill themselves as a “blackened surf rock collective.” With a descriptor like that, and an album cover like THAT, there’s no way I could pass up on seeing what lurked beneath the Lizard People pool. Boasting members from a boatload of bands from across the spectrum (Dead to a Dying World, Cleric, Tyrannosorceress, Sabbath Assembly, to name a few) this is Kólga’s first stab at a full-length: and barely at that, running at a lithe 27 minutes. But if the band calls it an LP, then an LP it is, and a review it receives. Unsure if I’ll get Dick Dale in corpsepaint or Euronymous in board shorts, I let the churning waves of the opening seconds of Black Tides wash over my frozen skin.
Blackened surf-rock is certainly a facet of Black Tides, but it doesn’t paint the whole picture. The idiosyncrasies of surf-rock do indeed form the floor of the album: lightly distorted tremolo melodies, and that classic double-tap snare drum pattern. The blackened portion of the album is confined mainly to lo-fi cavernous vocals (“Space Beach Massacre,” “Squall of Cthulu”) and some heavier, more distorted passages that feel a little more Black Sabbath than black metal (“Tethis,” “The Kraken”). Much of this album would be better described as bad-trip surf rock, with shades of the psych-revivalist The Black Angels or even the theatrics of Alice Cooper. It’s also important to point out that this is predominately an instrumental album, though the band has a formidable treasure chest of timbres and textures on hand to keep the sound from stagnating (plenty of synth pads, auxiliary percussion like guiro and tambourine, a theremin, and even a waterphone, an instrument I’ve certainly heard before but never seen in action).
It’s this diverse palette of sound, along with a slavish adherence to their tongue-in-cheek concept, that gives Black Tides it’s je ne sais quois. Black metal and surf rock share more DNA than you may think, thanks to the prevalence of tremolo melodic guitar lines and fast single-stroke fills down the drumkit. Guitarists Jason Mullins and James Magruder do an admirable job of making me believe I’m in Surfin’-USA-gone-wrong with creepy laid-back numbers (“Squall of Cthulu,” “Endless Bummer”) and more maniacally driven ones reminiscent of a Quentin Tarantino soundtrack (“Riptide,” “The Kraken”). The vocals—by Mullins as well—revel in their role as a caricature of second-wave black metal (“Space Beach Massacre,” “The Kraken”), or a de-tuned acid trip narrative (“Squall of Cthulu,” “Tethis”). The band feels at ease in their performance, playing it a bit fast and loose with the timing, but not so much that it sounds like a jam session. And with the aforementioned lean run time, Black Tides manages to leave an impression without wearing out that inherent weirdness.
While Kólga aim to revel in their monster mash-up of a style, not everything on Black Tides has me buying what they’re selling. While bookends “Space Beach Massacre” and “The Kraken” make me believe the band is serious about Scandinavian Surf, the interior of the record strays from the thesis. Other tracks feel pulled from 70’s doom (“Tethis”) psychedelic rock (“Squall of Cthulu”) or straight surf rock (a sagging three-song run of “Riptide”-“Is This Real?”). These pieces are by no means poorly executed, but the divergence from the original genre pitch feels like the band threw everything at a wall to see what would stick, making for a listening that feels more unfocused than confident. The mix also feels a hair thrown together, with the drums—cymbals especially—feeling less crisp and seated than the rest of the instruments. I commend Mullins for committing to the bit with his vocal performance, and while I enjoy his Davy-Jones-on-LSD voiceover in “Squall of Cthulu,” the clean singing at the end of “Is This Real?” is strained and beginning to replace parody with cringe.Gripes aside, Black Tides manages to provide a wacky, whimsical, yet under-baked detour from the more self-serious sides of metal. While I’d like to see the collective create a more cohesive and focused sound for future records, I can envision myself using a few of these tracks as background for Halloween or other mind-enhancing get-togethers. The band seems to have had fun making this record, and I hope they return to the project to make it bigger, bolder, and weirder. Now to find out the going rate for used waterphones on Ebay…
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Ottis Media Records | Bandcamp
Websites: facebook.com | Bandcamp
Releases Worldwide: March 29, 2024#25 #2024 #AliceCooper #AmericanMetal #BlackMetal #BlackSabbath #BlackTides #Cleric #DeadToADyingWorld #DickDaleAndTheDelTones #Kólga #Mar24 #OttisMediaRecords #PsychedlicRock #Review #Reviews #SabbathAssembly #SurfRock #TheBlackAngels #Tyrannosorceress
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By Iceberg
Texas-based Kólga bill themselves as a “blackened surf rock collective.” With a descriptor like that, and an album cover like THAT, there’s no way I could pass up on seeing what lurked beneath the Lizard People pool. Boasting members from a boatload of bands from across the spectrum (Dead to a Dying World, Cleric, Tyrannosorceress, Sabbath Assembly, to name a few) this is Kólga’s first stab at a full-length: and barely at that, running at a lithe 27 minutes. But if the band calls it an LP, then an LP it is, and a review it receives. Unsure if I’ll get Dick Dale in corpsepaint or Euronymous in board shorts, I let the churning waves of the opening seconds of Black Tides wash over my frozen skin.
Blackened surf-rock is certainly a facet of Black Tides, but it doesn’t paint the whole picture. The idiosyncrasies of surf-rock do indeed form the floor of the album: lightly distorted tremolo melodies, and that classic double-tap snare drum pattern. The blackened portion of the album is confined mainly to lo-fi cavernous vocals (“Space Beach Massacre,” “Squall of Cthulu”) and some heavier, more distorted passages that feel a little more Black Sabbath than black metal (“Tethis,” “The Kraken”). Much of this album would be better described as bad-trip surf rock, with shades of the psych-revivalist The Black Angels or even the theatrics of Alice Cooper. It’s also important to point out that this is predominately an instrumental album, though the band has a formidable treasure chest of timbres and textures on hand to keep the sound from stagnating (plenty of synth pads, auxiliary percussion like guiro and tambourine, a theremin, and even a waterphone, an instrument I’ve certainly heard before but never seen in action).
It’s this diverse palette of sound, along with a slavish adherence to their tongue-in-cheek concept, that gives Black Tides it’s je ne sais quois. Black metal and surf rock share more DNA than you may think, thanks to the prevalence of tremolo melodic guitar lines and fast single-stroke fills down the drumkit. Guitarists Jason Mullins and James Magruder do an admirable job of making me believe I’m in Surfin’-USA-gone-wrong with creepy laid-back numbers (“Squall of Cthulu,” “Endless Bummer”) and more maniacally driven ones reminiscent of a Quentin Tarantino soundtrack (“Riptide,” “The Kraken”). The vocals—by Mullins as well—revel in their role as a caricature of second-wave black metal (“Space Beach Massacre,” “The Kraken”), or a de-tuned acid trip narrative (“Squall of Cthulu,” “Tethis”). The band feels at ease in their performance, playing it a bit fast and loose with the timing, but not so much that it sounds like a jam session. And with the aforementioned lean run time, Black Tides manages to leave an impression without wearing out that inherent weirdness.
While Kólga aim to revel in their monster mash-up of a style, not everything on Black Tides has me buying what they’re selling. While bookends “Space Beach Massacre” and “The Kraken” make me believe the band is serious about Scandinavian Surf, the interior of the record strays from the thesis. Other tracks feel pulled from 70’s doom (“Tethis”) psychedelic rock (“Squall of Cthulu”) or straight surf rock (a sagging three-song run of “Riptide”-“Is This Real?”). These pieces are by no means poorly executed, but the divergence from the original genre pitch feels like the band threw everything at a wall to see what would stick, making for a listening that feels more unfocused than confident. The mix also feels a hair thrown together, with the drums—cymbals especially—feeling less crisp and seated than the rest of the instruments. I commend Mullins for committing to the bit with his vocal performance, and while I enjoy his Davy-Jones-on-LSD voiceover in “Squall of Cthulu,” the clean singing at the end of “Is This Real?” is strained and beginning to replace parody with cringe.Gripes aside, Black Tides manages to provide a wacky, whimsical, yet under-baked detour from the more self-serious sides of metal. While I’d like to see the collective create a more cohesive and focused sound for future records, I can envision myself using a few of these tracks as background for Halloween or other mind-enhancing get-togethers. The band seems to have had fun making this record, and I hope they return to the project to make it bigger, bolder, and weirder. Now to find out the going rate for used waterphones on Ebay…
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Ottis Media Records | Bandcamp
Websites: facebook.com | Bandcamp
Releases Worldwide: March 29, 2024#25 #2024 #AliceCooper #AmericanMetal #BlackMetal #BlackSabbath #BlackTides #Cleric #DeadToADyingWorld #DickDaleAndTheDelTones #Kólga #Mar24 #OttisMediaRecords #PsychedlicRock #Review #Reviews #SabbathAssembly #SurfRock #TheBlackAngels #Tyrannosorceress
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By Iceberg
Texas-based Kólga bill themselves as a “blackened surf rock collective.” With a descriptor like that, and an album cover like THAT, there’s no way I could pass up on seeing what lurked beneath the Lizard People pool. Boasting members from a boatload of bands from across the spectrum (Dead to a Dying World, Cleric, Tyrannosorceress, Sabbath Assembly, to name a few) this is Kólga’s first stab at a full-length: and barely at that, running at a lithe 27 minutes. But if the band calls it an LP, then an LP it is, and a review it receives. Unsure if I’ll get Dick Dale in corpsepaint or Euronymous in board shorts, I let the churning waves of the opening seconds of Black Tides wash over my frozen skin.
Blackened surf-rock is certainly a facet of Black Tides, but it doesn’t paint the whole picture. The idiosyncrasies of surf-rock do indeed form the floor of the album: lightly distorted tremolo melodies, and that classic double-tap snare drum pattern. The blackened portion of the album is confined mainly to lo-fi cavernous vocals (“Space Beach Massacre,” “Squall of Cthulu”) and some heavier, more distorted passages that feel a little more Black Sabbath than black metal (“Tethis,” “The Kraken”). Much of this album would be better described as bad-trip surf rock, with shades of the psych-revivalist The Black Angels or even the theatrics of Alice Cooper. It’s also important to point out that this is predominately an instrumental album, though the band has a formidable treasure chest of timbres and textures on hand to keep the sound from stagnating (plenty of synth pads, auxiliary percussion like guiro and tambourine, a theremin, and even a waterphone, an instrument I’ve certainly heard before but never seen in action).
It’s this diverse palette of sound, along with a slavish adherence to their tongue-in-cheek concept, that gives Black Tides it’s je ne sais quois. Black metal and surf rock share more DNA than you may think, thanks to the prevalence of tremolo melodic guitar lines and fast single-stroke fills down the drumkit. Guitarists Jason Mullins and James Magruder do an admirable job of making me believe I’m in Surfin’-USA-gone-wrong with creepy laid-back numbers (“Squall of Cthulu,” “Endless Bummer”) and more maniacally driven ones reminiscent of a Quentin Tarantino soundtrack (“Riptide,” “The Kraken”). The vocals—by Mullins as well—revel in their role as a caricature of second-wave black metal (“Space Beach Massacre,” “The Kraken”), or a de-tuned acid trip narrative (“Squall of Cthulu,” “Tethis”). The band feels at ease in their performance, playing it a bit fast and loose with the timing, but not so much that it sounds like a jam session. And with the aforementioned lean run time, Black Tides manages to leave an impression without wearing out that inherent weirdness.
While Kólga aim to revel in their monster mash-up of a style, not everything on Black Tides has me buying what they’re selling. While bookends “Space Beach Massacre” and “The Kraken” make me believe the band is serious about Scandinavian Surf, the interior of the record strays from the thesis. Other tracks feel pulled from 70’s doom (“Tethis”) psychedelic rock (“Squall of Cthulu”) or straight surf rock (a sagging three-song run of “Riptide”-“Is This Real?”). These pieces are by no means poorly executed, but the divergence from the original genre pitch feels like the band threw everything at a wall to see what would stick, making for a listening that feels more unfocused than confident. The mix also feels a hair thrown together, with the drums—cymbals especially—feeling less crisp and seated than the rest of the instruments. I commend Mullins for committing to the bit with his vocal performance, and while I enjoy his Davy-Jones-on-LSD voiceover in “Squall of Cthulu,” the clean singing at the end of “Is This Real?” is strained and beginning to replace parody with cringe.Gripes aside, Black Tides manages to provide a wacky, whimsical, yet under-baked detour from the more self-serious sides of metal. While I’d like to see the collective create a more cohesive and focused sound for future records, I can envision myself using a few of these tracks as background for Halloween or other mind-enhancing get-togethers. The band seems to have had fun making this record, and I hope they return to the project to make it bigger, bolder, and weirder. Now to find out the going rate for used waterphones on Ebay…
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Ottis Media Records | Bandcamp
Websites: facebook.com | Bandcamp
Releases Worldwide: March 29, 2024#25 #2024 #AliceCooper #AmericanMetal #BlackMetal #BlackSabbath #BlackTides #Cleric #DeadToADyingWorld #DickDaleAndTheDelTones #Kólga #Mar24 #OttisMediaRecords #PsychedlicRock #Review #Reviews #SabbathAssembly #SurfRock #TheBlackAngels #Tyrannosorceress
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It seems Anzu and I got in a liiiitttttlllee over our heads here!
Art by https://www.furaffinity.net/user/gothwolf
Crow is Anzu
Deer was https://linktr.ee/Ra_Zim
#furry #deer #RaDeer #cervine #antlers #paws #greyfur #blackhair #orangeeyes #male #anthro #blacknose #necktuft #eyescar #scar #facialscar #plantigrade #scuttail #lightning #armor #cleric #paladin #anzu #2018 #gothwolf #crow #avian #avianfeet #monster #ghost #magic #magicuser #running
